SKU: AP.VF2179

ISBN 9780769270418. UPC: 029156120516. English.

Edgar Lee Masters's Spoon River Anthology contains 17 greats like: Drunk As I Could Be * Far Away from Home * He's Gone Away * I Am, I Am * Paper of Pins * Skip to My Lou * Spoon River * The Water Is Wide * Who Knows Where I'm Going.

SKU: HL.49003076

ISBN 9790220114588. UPC: 841886033740. 9.0x12.0x0.1 inches.

Contents: Scarborough Fair * I know where I'm goin' * The Birch Tree * Alouette * Kalinka * La Jesusita * The Barnyards o' Delgaty * Oh, dem Golden Slippers * Amo, amas, I love a lass (The Frog and the Mouse) * The Spanish Guitar * High Road to Linton * Go tell it on the mountain * The Bagpipers' Carol * Bella Bimba * The Lorelei * Santa Lucia * Non piu andrai (Mozart) * Norwegischer Tanz, Op. 35, No. 2 (Grieg) * Two lovely black eyes (Coborn) * Rule Britannia (Arne) * Star of County Down * Hamilton House * Scipio (Handel) * Langsamer Marsch * Comin' thro' the Rye * Toreador's Song from Carmen (Bizet) * Theme from the Violin Concerto (Beethoven) * Plaisir d'amour (Martini) * Wanderlied (Wohlauf noch getrunken) * Jerusalem (Parry) * Linstead Market * Heidenroslein (Schubert) * Aloha Oe (Queen Liliuokalani) * The Trout (Schubert) * Mrs McGrath * My Grandfather's Clock (Work) * Theme from Land of Hope and Glory (Mozart) * The Golden Wheat * Take a pair of sparkling eyes (Sullivan) * Funiculi, funicula * Botany Bay * Garry Owen * Trumpet Air (Clarke) * The Soldier's Joy (Reel) * Sailor's Hornpipe * The Entertainer (Joplin) * The Irish Washerwoman * Turkey in the Straw.

SKU: HL.50603656

ISBN 9781705127773. UPC: 840126952230.

This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli).