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| The Music Man Junior Sampler
Choral [Sheet music + CD]
Hal Leonard
Composed by Meredith Willson (1902-1984). Recorded Promo - Stockable. Broadway, ...(+)
Composed by Meredith Willson (1902-1984). Recorded Promo - Stockable. Broadway, Musicals, Movies. Softcover with CD. Published by Hal Leonard (HL.151879).
$10.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Making Music Make Money ? 2nd Edition [Book]
Berklee
SKU: HL.355740 Berklee Press. Music Business. Softcover. 272 pages. Publi...(+)
SKU: HL.355740 Berklee Press. Music Business. Softcover. 272 pages. Published by Berklee Press (HL.355740). ISBN 9780876392102. UPC: 073999480092. 6.0x9.0x0.724 inches. Top songwriters know that to make it in today's music business, you need to understand music publishing. Whether you are an independent songwriter or a music business entrepreneur, this book will help you set up a publishing company so that you can generate income from your songs. You will understand how the current music industry works: who is buying, what they are looking for, how to find your audience, and how to create the mechanisms necessary for you to get paid. Essential sample agreements and language are presented and discussed. â??I recommend this book to both novices and professionals that want to expand the way they market their music. Eric presents so many resources that the reader sees that with talent and determination, there is always a way.â? â??Steve Diamond, Emmy® award winner and six-time GRAMMY® award-nominated songwriter, whose hits have been recorded by Faith Hill, Eric Clapton, and John Michael Montgomery. $29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The Wayne Charvel Legend [Sheet music + CD]
Centerstream
Book/CD Pack SKU: HL.121352 Reference. Biography/Composers & Musicians, G...(+)
Book/CD Pack SKU: HL.121352 Reference. Biography/Composers & Musicians, Guitar Reference. Softcover with CD. 60 pages. Published by Centerstream Publications (HL.121352). ISBN 9781574242935. UPC: 884088922344. 8.5x11.0x0.21 inches. Frank Green Featuring Sons Michael Charvel and the Charvel Twins - Bob & Rick - 2nd Generation. Wayne Charvel started Charvel Manufacturing in San Dimas, California and has been designing and building guitars for 49 years, working for B.C. Rich and Gibson, and for Fender in the 1970s. Wayne has built guitars for a who's who of players, including Eddie Van Halen, Billy Gibbons, John Kay, Paul Gilbert, Pete Townsend, Warren Haynes, Hank Williams Jr., Jim Root, Joe Perry and many others. The Charvel name on the headstock of a solid-body electric guitar is a mark of value for buyers and collectors; the brand - which has been sold and re-sold and is now owned by Fender - has taken its place among other premium American brands. Under the Wayne logo, Wayne Charvel continues to build high-end guitars made in the USA. Here is the whole story, told by Wayne and his sons. As a bonus, the book includes a CD of songs by The Charvel Twins, Bob and Rick! $24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Cosmopolydian for Wind Band
Concert band
Metropolis Music Publishers
Wind Band SKU: IS.WE7090EM Composed by Nico Schoeters. Ensembles - Wind B...(+)
Wind Band SKU: IS.WE7090EM Composed by Nico Schoeters. Ensembles - Wind Band. Metropolis Music Publishers #WE7090EM. Published by Metropolis Music Publishers (IS.WE7090EM). ISBN 9790365070909. Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day.The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final. $134.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Cosmopolydian for Flute and Vibraphone
Metropolis Music Publishers
Chamber Music SKU: IS.CM7397EM Composed by Nico Schoeters. Ensembles - Ch...(+)
Chamber Music SKU: IS.CM7397EM Composed by Nico Schoeters. Ensembles - Chamber Music. Metropolis Music Publishers #CM7397EM. Published by Metropolis Music Publishers (IS.CM7397EM). ISBN 9790365073979. Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day. The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Cosmopolydian for Flute and Piano
Flute and Piano
Metropolis Music Publishers
Flute and Piano SKU: IS.FP7396EM Composed by Nico Schoeters. Woodwinds - ...(+)
Flute and Piano SKU: IS.FP7396EM Composed by Nico Schoeters. Woodwinds - Flute. Metropolis Music Publishers #FP7396EM. Published by Metropolis Music Publishers (IS.FP7396EM). ISBN 9790365073962. Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day. The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Stylistic Etudes for Trombone
Carl Fischer
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety of Styles. Composed by Tom Brantley. Collection - Performance. With Standard notation. 48 pages. Carl Fischer Music #WF231. Published by Carl Fischer Music (CF.WF231). ISBN 9781491153314. UPC: 680160910816. Stylistic Etudes for Trombone was written for intermediateto advanced level trombonists, seeking to meet thedemands of the modern marketplace for performers. AsI often tell my students, it’s simply not enough to mastera single style and fake the rest. To make a living as aperformer, trombonists are expected to play many, manydifferent styles authentically. Classical performers studyhard and devote themselves to mastering the stylisticnuances of various eras, various composers, variousforms; jazz musicians seek to accurately reflect the stylesof everything from bar-room burlesque to Coltrane; hornbands in the funk, rock, ska and hip-hop idioms mustreflect attention to the details of their influences even asthey create new paths through popular music.This etude collection is an attempt to help studentsand their teachers work on the details associated withmastering each of these various styles.In order to perform with the correct feel, articulationand sound, trombonists must first get these concepts intheir head through diligent listening and then disciplinedpractice playing in every single style. The same wayorchestral players study the symphonic literature andexcerpts, or the way a professional jazz musician mightwork on chord changes in excruciating detail, a wellroundedtrombone player must master styles by listeningto and playing with great recordings. Most of the etudesin this book are based on styles from specific orchestralliterature, jazz standards and other styles such as NewOrleans’ funk music (Meters) or the music of JamesBrown and Tower of Power.One final note: some of these are hard. On purpose. Theseare not warm-ups that you can play through mindlesslyto get your face going. These are “study pieces†in the oldfashionedsense. They are designed to challenge you asa player, to make you a little uncomfortable. Some aretougher than others, of course, but none of them are easy.If you can play through each of these well, with greatmusicianship and impeccable technique, you will be anincredibly versatile instrumentalist and be able to secureperformance opportunities that are outside the comfortzone of many trombonists.Thanks for buying this book. I hope you enjoy workingthrough these, whether you’re a teacher, student,performer, or weekend warrior. I learned a lot by puttingthese together and I hope you find them useful and helpful.
Stylistic Etudes for Trombone was written for intermediate to advanced level trombonists, seeking to meet the demands of the modern marketplace for performers. As I often tell my students, it’s simply not enough to master a single style and fake the rest. To make a living as a performer, trombonists are expected to play many, many different styles authentically. Classical performers study hard and devote themselves to mastering the stylistic nuances of various eras, various composers, various forms; jazz musicians seek to accurately reflect the styles of everything from bar-room burlesque to Coltrane; horn bands in the funk, rock, ska and hip-hop idioms must reflect attention to the details of their influences even as they create new paths through popular music.This etude collection is an attempt to help students and their teachers work on the details associated with mastering each of these various styles.In order to perform with the correct feel, articulation and sound, trombonists must first get these concepts in their head through diligent listening and then disciplined practice playing in every single style. The same way orchestral players study the symphonic literature and excerpts, or the way a professional jazz musician might work on chord changes in excruciating detail, a well-rounded trombone player must master styles by listening to and playing with great recordings. Most of the etudes in this book are based on styles from specific orchestral literature, jazz standards and other styles such as New Orleans’ funk music (Meters) or the music of James Brown and Tower of Power.How these etudes were conceived, composed and transcribed: The style or concept of the etude was thought out in my head and ear. I then improvised in that style and concept on my trombone, recording my efforts until I was satisfied with the etude. All along, my goal was to play the range of the instrument while emphasizing certain articulations, rhythms, range and, fundamentally, the intended style of the etude. The resulting etude was then transcribed by a terrific graduate student named Zach Bornheimer, who also works with many other classical and jazz composers as a copyist/arranger.Tips for working on the etudes: Seek out professional recordings that match the style of each etude to get a good idea of what the etude should sound like musically. My recording of each of these etudes is available for download and can be purchased online for a modest fee. Search for “Brantley Etudes†at either iTunes or CDBaby. Practice each etude very slowly and in segments as needed, using a metronome. Record yourself and listen for good technique, musicianship and authenticity of style with your sound, feel and articulations. Compare your own efforts to the sounds you’ve heard on recordings. Would you fit in that ensemble or band? If range is an issue, take certain notes or passages down or up an octave. Work on your fundamentals every day, including the techniques and skills needed for these etudes. Be patient! Small improvements every day result in big success over time. Always play with a wide dynamic range. Always play with line and direction. Always play with impeccable time as well as rhythm. Use a metronome to help with this. Always play in tune. You can work on this with a tuner as well as with drones. Play these for teachers, friends, peers and colleagues not only for their feedback but also for the experience of informal performance. An audience changes everything. Make music, listen to music, record yourself, play in public and have fun!One final note: some of these are hard. On purpose. These are not warm-ups that you can play through mindlessly to get your face going. These are “study pieces†in the old-fashioned sense. They are designed to challenge you as a player, to make you a little uncomfortable. Some are tougher than others, of course, but none of them are easy. If you can play through each of these well, with great musicianship and impeccable technique, you will be an incredibly versatile instrumentalist and be able to secure performance opportunities that are outside the comfort zone of many trombonists.Thanks for buying this book. I hope you enjoy working through these, whether you’re a teacher, student, performer, or weekend warrior. I learned a lot by putting these together and I hope you find them useful and helpful.Best wishes,—Tom Brantley. $18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Performance Studies
Alto Saxophone [Sheet music + CD] - Intermediate
De Haske Publications
Alto Saxophone - late intermediate SKU: BT.1334-06-400-DHI Nobuya Sugawa ...(+)
Alto Saxophone - late intermediate SKU: BT.1334-06-400-DHI Nobuya Sugawa Presents. Studies & Exercises. Book with CD. Composed 2006. 36 pages. De Haske International #1334-06-400 DHI. Published by De Haske International (BT.1334-06-400-DHI). ISBN 9789043124560. Japanese. The title Performance Studies tells you exactly why these pieces have been composed - to improve your complete performance while learning the saxophone. The pieces are meant for saxophone players who have been playing for a couple of years, but they will also be useful for experienced player, helping bring perfection to any performance. The pieces have been written exclusively for this book and with their colourful and melodic character they’re not only very useful for practising saxophone techniques but also make perfect pieces for exams or concerts. A demo CD is also included with this book with the famous Japanese sax player Nobuya Sugawa performing each study.Japaneseedition
Japanese edition
Der Titel Performance Studies (Vortragsetüden) gibt exakt an, worum es bei diesen Stücken geht: das umfassende Spiel auf dem Saxophon. Die Stücke sind für Saxophonisten mit wenigen Jahren Spielerfahrung gedacht, aber auch Fortgeschrittene können mit ihnen ihr Spiel perfektionieren. Die Etüden wurden von Komponisten aus aller Welt speziell für dieses Buch geschrieben. Sie sind nicht nur praktische technische Übungen, sondern auch ideal für Prüfungen oder Konzerte geeignet. Nobuya Sugawa gibt auf der CD ein ausgezeichnetes Interpretationsbeispiel aller Stücke.Japanische Ausgabe
version japonaise. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| The Old Maid and the Thief
Piano, Voice [Vocal Score]
Alfred Publishing
By Gian Carlo Menotti. Vocal (Opera) Score. Masterwork. 192 pages. Published by ...(+)
By Gian Carlo Menotti. Vocal (Opera) Score. Masterwork. 192 pages. Published by Alfred Publishing.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| A Waltz for Lisa for Flute and Piano
Flute and Piano
Metropolis Music Publishers
Flute and Piano SKU: IS.FP7398EM Composed by Nico Schoeters. Woodwinds - ...(+)
Flute and Piano SKU: IS.FP7398EM Composed by Nico Schoeters. Woodwinds - Flute. Metropolis Music Publishers #FP7398EM. Published by Metropolis Music Publishers (IS.FP7398EM). ISBN 9790365073986. Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. $17.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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