| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
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| Rise Again Songbook Lyrics and Chords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
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| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.
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| Wise Men From The East Choral SATB PraiseGathering
Choral (SATB) SKU: HL.2053051 Composed by Randy Vader. Arranged by Camp K...(+)
Choral (SATB) SKU: HL.2053051 Composed by Randy Vader. Arranged by Camp Kirkland. Praise Gathering Choral. Christmas. CD. Duration 208 seconds. PraiseGathering #A08609TCD. Published by PraiseGathering (HL.2053051). UPC: 797242977053. 5.0x5.0x0.115 inches. $29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Wise Men From The East Choral SATB PraiseGathering
Choral (SATB) SKU: HL.2053049 Composed by Randy Vader. Arranged by Camp K...(+)
Choral (SATB) SKU: HL.2053049 Composed by Randy Vader. Arranged by Camp Kirkland. Praise Gathering Choral. Christmas. CD-ROM. Duration 208 seconds. PraiseGathering #A08609OR. Published by PraiseGathering (HL.2053049). UPC: 797242977176. 5.0x5.0x0.15 inches. $74.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Wise Men From the East [Octavo] Choristers Guild
By Robert J Powell. For unison/2-part choir, keyboard and flute (with optional s...(+)
By Robert J Powell. For unison/2-part choir, keyboard and flute (with optional small percussion). Sacred Anthem, Christmas, Epiphany. Octavo. Published by Chorister's Guild . Octavo. Sacred Anthem, Christmas, Epiphany.
$1.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Christmas Carols Book Guitar Acoustic guitar Hal Leonard
120 Songs for Easy Guitar. By Various. Easy Guitar (Simplified arrangements for ...(+)
120 Songs for Easy Guitar. By Various. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 111 pages. Published by Hal Leonard.
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| The Ultimate Guitar Christmas Fake Book - 2nd Edition Melody line, Lyrics and Chords [Fake Book] Hal Leonard
200 Holiday Favorites. Composed by Various. Fake Book. Softcover. 288 pages. ...(+)
200 Holiday Favorites.
Composed by Various. Fake
Book. Softcover. 288 pages.
Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello [Score] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed by Dan Welcher. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Full score. With Standard notation. Composed 2007. WRT11142. 52 pages. Duration 24 minutes. Theodore Presser Company #164-00272S. Published by Theodore Presser Company (PR.16400272S). UPC: 680160588442. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $38.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed by Dan Welcher. Spiral and Saddle. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Set of Score and Parts. With Standard notation. Composed 2007. WRT11142. 52+16+16+16+16 pages. Duration 24 minutes. Theodore Presser Company #164-00272. Published by Theodore Presser Company (PR.164002720). UPC: 680160573042. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $53.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Johann Sebastian Bach: 371 Harmonized Chorales And 69 Chorale Melodies W/Figured Bass
Piano solo [Sheet music] Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For piano. Format: piano solo book. With piano reduction, introductory text, instructional text, lyrics and performance notes. Baroque. 184 pages. 9x12 inches. Published by Schirmer
(3)$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Christmas Carols Fake book [Fake Book] Hal Leonard
Fake book for voice and C instrument. With vocal melody, lyrics, chord names and...(+)
Fake book for voice and C instrument. With vocal melody, lyrics, chord names and guitar chord diagrams. Series: Hal Leonard Paperback Songs. 255 pages. Published by Hal Leonard.
(1)$7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Iron Maiden: Somewhere Back In Time - The Best Of 1980-1989 Guitar Tab Guitar Amsco Wise Publications
Guitar SKU: HL.14043780 By Tom Farncombe. By Iron Maiden. Arranged by Mar...(+)
Guitar SKU: HL.14043780 By Tom Farncombe. By Iron Maiden. Arranged by Martin Shellard. Guitar Personality. Pop & Rock. Softcover. Wise Publications #AM995764. Published by Wise Publications (HL.14043780). ISBN 9781847727923. English. All the songs from the album, arranged for Guitar tab, complete with full lyrics. This book is specially bound to help the pages lie flat while you are playing. $28.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Journey to Bethlehem Handbells Lorenz Publishing Company
Handbell collection. Advent, Christmas, Epiphany. Reproducible collection. Lor...(+)
Handbell collection. Advent, Christmas, Epiphany. Reproducible collection. Lorenz Publishing Company #20/1912L. Published by Lorenz Publishing Company (LO.20-1912L).
$69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Star of the East (Choral Score) Choral SATB SATB, Keyboard - Intermediate Schirmer
SATB choir and organ or piano, with optional children's choir and trumpet (Trump...(+)
SATB choir and organ or piano, with optional children's choir and trumpet (Trumpet parts include Trumpet in B-flat and C.) - Intermediate SKU: EC.9254 Composed by David Conte. Christmas, Epiphany, Christmas-Sacred. Octavo. E.C. Schirmer Publishing #9254. Published by E.C. Schirmer Publishing (EC.9254). UPC: 600313492549. English. A creative combination of two texts appropriate for Christmas or Epiphany. Eugene Field was an American writer best known for his children's poetry. His poem Star of the East describes the events from the gospel of Matthew in which wise men from the East came to Jerusalem. The composer skillfully includes PUER NOBIS by Michael Praetorius. Children's choir or an ensemble of treble voices join the chorus to bring the piece to a close. A beautiful trumpet descant is included, often reinforcing the PUER NOBIS tune. $2.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Because He Lives...Amen! - Choral Book Word Music
Moderately Easy SKU: WD.080689563171 Composed by David Wise. Choral, cant...(+)
Moderately Easy SKU: WD.080689563171 Composed by David Wise. Choral, cantatas. Eastertide. Book. Word Music #080689563171. Published by Word Music (WD.080689563171). UPC: 080689563171. Perfect for your choir’s Easter service comes a new, dynamically blended Simply Word Easter Musical, anchored by the Dove Award-winning Worship Song of the Year, Because He Lives (Amen)! This extremely popular, brilliantly-written title song (Matt Maher, ChrisTomlin, and more!) gives singular focus to a new musical of power and praise…artfully complemented by inspiring new songs with narration written by acclaimed songwriter Tony Wood, and featuring exciting, imaginative choral arrangements by David Wise.
From the opening strains of the classic hymn, My Savior's Love (“How marvelous, how wonderful, and my song shall ever be!â€), to the energetic tones of Shouts of Hosanna, to the emotionally charged lyrics of Wonder of Your Cross—every note, every orchestral cue, every word of narration, navigates for us Christ’s journey from the cross to His glorious resurrection, as the choir ends to the triumphant sounds of Because He Lives...Amen!
Your presentation of BECAUSE HE LIVES…AMEN! will be greatly enhanced by the use of the visually-inspiring DVD Accompaniment Track. Celebrate the resurrection power present in the lives of all believers through this compelling musical which gives you the added benefit of well-written, easily attainable Simply Word choral arrangements, designed to make your choir sound bigger than life!
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wonder of Your Cross - Anthem Choral Unison Word Music
Choir SKU: WD.080689519239 Composed by David Wise. Arranged by David Wise...(+)
Choir SKU: WD.080689519239 Composed by David Wise. Arranged by David Wise. Choral. Sacred Anthem, Eastertide. Octavo. Word Music #080689519239. Published by Word Music (WD.080689519239). UPC: 080689519239. A soft, meaningful ballad from the popular Simply Word Easter musical, Because He Lives…Amen!, this anthem is perfect for special moments in your upcoming Easter season. Arranged by David Wise and David Shipps, with a featured soloist, this Easter offering bows its head in awe and wonder of the cross…the ultimate sacrifice and divine resurrection of Jesus Christ. $3.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Opera varia I. Works with 1-7 parts (Complete edition, vol. 19) [Werke mit 1-7 obligaten Stimmen] [Score] Carus Verlag
SKU: CA.2091900 Composed by Heinrich Schutz. Edited by Helmut Lauterwasse...(+)
SKU: CA.2091900 Composed by Heinrich Schutz. Edited by Helmut Lauterwasser. This edition: urtext. Stuttgart Urtext Edition: Schutz; Hymns by Martin Luther: Litanei. Kyrie eleison. Sacred concertos, Sacred vocal music, Psalms. Full score (complete edition / selected edition). 368 pages. Carus Verlag #CV 20.919/00. Published by Carus Verlag (CA.2091900). ISBN 9790007171711. Volume 19 of the Schutz Complete Edition brings together 21 very different compositions from various phases of Schutz's compositional output. The spectrum ranges from a short, two-part sacred concerto to a six-part cyclical psalm setting and large-scale polychoral concerto, from well-known works such as the Osterdialog to a completely unknown madrigalian composition, full of emotion, to a simple chorale setting. A particular challenge was posed by the ten works or versions of works which survive incomplete. Two of these, the Christmas concerto Ach Herr, du Schopfer aller Ding SWV 450a and Ein Kind ist uns geboren SWV 497, appear here for the first time in print. With both of these it turned out that it was possible to reconstruct the missing parts fully from available material. For the Ultima Verba Psalmi 23, Gutes und Barmherzigkeit SWV 95 and the two Nunc dimittis: Herr, nun lassest du deinen Diener SWV 432 and 433, the editor's reconstructions are presented, and likewise with the chorale movement In dich hab ich gehoffet, Herr SWV 446. The impressive Easter dialog Weib, was weinest du SWV 443 is one of the works which survives incomplete. In order to give an impression of how the whole work might actually have sounded in the complete form as planned by Schutz, the Appendix to the volume contains a reconstruction of the four-part vocal setting of the missing final chorus, based on the surviving figured bass. The magnificent Gesang der drei Manner im feurigen Ofen (Song of the three men in the burning fiery furnace) SWV 448 from the book of the prophet Daniel, the original source of which is lost, is critically discussed and published with various possibilities for scoring. $350.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hymns for Our Time Choral SATB SATB [Sheet music] Hope Publishing Company
By Hal Hopson / Various authors. For Unison choir. Devotion, Hymntune, Sacred. H...(+)
By Hal Hopson / Various authors. For Unison choir. Devotion, Hymntune, Sacred. Hymn Collection. Author's Collections. 114 pages
$14.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Gilbert and Sullivan Piano, Voice [Vocal Score] Hal Leonard
The World's Great Classical Music. By Gilbert and Sullivan. World's Greatest Cla...(+)
The World's Great Classical Music. By Gilbert and Sullivan. World's Greatest Classical Music. Size 9x12 inches. 336 pages. Published by Hal Leonard.
(2)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music for the Spirit Breitkopf & Härtel
Chorus with inst. SKU: BR.CHB-5384 Choirbook for Pentecost and Other O...(+)
Chorus with inst. SKU: BR.CHB-5384 Choirbook for Pentecost and Other Occasions. Composed by Stephen Harrap (Hrsg.). Choir; Softbound. Chor-Bibliothek (Choral Library). Motet; Renaissance/early Baroque; Late-romantic. Sheet Music. Breitkopf and Haertel #CHB 5384. Published by Breitkopf and Haertel (BR.CHB-5384). ISBN 9790004413852. 7.5 x 10.5 inches. German / English / Latin. Until now, anyone looking for music on the theme of Pentecost and the Holy Spirit for church services and concerts usually had to do so in larger collections that cover the entire church year or parts of it. With Music for the Spirit, there is now a choirbook specifically for the feast of Pentecost for the first time, closing a gap for an important feast of the Catholic, Protestant, and Anglican churches. Over 500 years of choral music from Renaissance to the modern age are covered here with compositions from the German-, English-, Italian- and French-speaking regions. Almost all the great composers of European sacred music are represented, from Palestrina over Byrd, Bach, Mozart, Brahms, Gounod, and Bruckner to Reger, Parry, Stanford, and Distler. With the chronological order, the development of the genre of the Pentecost motet and sacred choral music in general can be traced easily. All pieces can be performed by mixed choir a cappella or with organ accompaniment. In some cases, the accompaniment has been supplemented or arranged by the editor Stephen Harrap, in individual cases also the choral parts, e.g. when the original was composed for male voices only. The scoring ranges from three to eight voices while the length and difficulty of the pieces likewise cover a broad range for a wide variety of choirs and ensembles. $36.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Fiddler's Fakebook
Violin [Fake Book] Oak Publications
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.
(7)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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