SKU: BT.EMBZ14463
German.
The first five items in the song cycle are settings of poems by the German Romantic poet, Friedrich Hölderlin (1770-1843). The 6th movement is a commentary on Hölderlin s last years, on the still relevant messages of his poetry - through the words of the 20th-century poet Paul Celan (1920-1970). The basis for this publication was the fair copy of Kurtág s Hölderlin songs, dating from the end of the 90s, which is held in the Paul Sacher Stiftung, Basel. Die ersten fünf Gesänge dieses Zyklus' sind Vertonungen des deutschen Dichters der Romantik Friedrich Hölderlin (177-1843). Der 6. Satz ist ein Kommentar des Dichters Paul Celan (192-197) über Hölderlins letzte Jahre und die noch heute zeitgemäße Botschaft seiner Gedichte. Die vorliegende Facsimile-Ausgabe geht auf Kurtágs schönes Manuskript der Vertonungen aus den späten 9-er Jahren zurück, das von der Paul Sacher Stiftung in Basel aufbewahrt wird.
SKU: BR.PB-5506
To strive for the highest in art - these are the words with which Franz Schubert announced his A flat major Mass in 1828.
ISBN 9790004211779. 10 x 12.5 inches.
To strive for the highest in art - these are the words with which Franz Schubert announced his A flat major Mass in 1828, a work which he designated as Missa solemnis in his autograph. Alone the genesis of the work shows the importance which the composer placed on this work. Schubert wrote the score between 1819 and 1822, an unusually long period of time for him. He later fundamentally revised the mass when he applied for the post of Vice Court Kapellmeister in Vienna, which he did not obtain. After this disappointment, he rejected his original intent of dedicating the mass to the Emperor or Empress. Thanks to Peter Jost's Breitkopf Urtext edition, Schubert's Missa solemnis once again adds its luster to the publisher's catalogue: Breitkopf & Hartel published its final version in the Schubert Gesamtausgabe in 1887. Previously Jost produced an equally exemplarily prepared edition of Schubert's E flat major Mass D 950.Wie immer bei Breitkopf ist das Satzbild der Neuausgabe der Zweitfassung in der Gestalt vorbildlich. (Goede, Kirchenmusikfuhrer)Eine Ausgabe, die hochsten wissenschaftlichen Anspruch mit bester Praktikabilitat ganz selbstverstandlich verbindet. (Chor aktuell)To strive for the highest in art - these are the words with which Franz Schubert announced his A flat major Mass in 1828.
SKU: BR.EB-8638
ISBN 9790004182628. 7.5 x 10.5 inches.
SKU: BR.OB-5232-16
ISBN 9790004334799. 10 x 12.5 inches.
For the present Urtext edition of Beethoven's Symphony No. 2, the editor also consulted certain sources and authentic new variants for the first time; among them are the nonet arrangement made by Beethoven's pupil Ferdinand Ries in 1807, thus with authentic variants. Thanks to his vast knowledge, the editor has uncovered a number of errors and contradictions in the sources. The basic differences with respect to other editions chiefly concern the articulation and dynamics in movements 1, 2 and 4. They can easily be found in the Critical Commentary of the conducting score.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music. (Kurt Masur, 2006).
SKU: BR.OB-5178-30
ISBN 9790004330012. 9 x 12 inches.
If serveral music lovers and music directors consider this Mass authentic and truly Mozartian (the words of Sir Ludwig von Kochel), then we are also willing to accept it as such. With the publication of the charming Pastoral Mass K. 140, all of Wolfgang Amadeus Mozart's masses were now completely available from Breitkopf & Hartel. In addition to the standard features (piano reduction, organ part, choral score, completely purchasable orchestral material), this Mass has a special extra, namely a supplementary organ part, prepared from the sources, with which one can reconstruct the original performance circumstances in Salzburg (with two organs!).
SKU: BR.OB-5506-15
ISBN 9790004338810. 10 x 12.5 inches.
To strive for the highest in art - these are the words with which Franz Schubert announced his A flat major Mass in 1828, a work which he designated as Missa solemnis in his autograph. Alone the genesis of the work shows the importance which the composer placed on this work. Schubert wrote the score between 1819 and 1822, an unusually long period of time for him. He later fundamentally revised the mass when he applied for the post of Vice Court Kapellmeister in Vienna, which he did not obtain. After this disappointment, he rejected his original intent of dedicating the mass to the Emperor or Empress. Thanks to Peter Jost's Breitkopf Urtext edition, Schubert's Missa solemnis once again adds its luster to the publisher's catalogue: Breitkopf & Hartel published its final version in the Schubert Gesamtausgabe in 1887. Previously Jost produced an equally exemplarily prepared edition of Schubert's E flat major Mass D 950.Wie immer bei Breitkopf ist das Satzbild der Neuausgabe der Zweitfassung in der Gestalt vorbildlich. (Goede, Kirchenmusikfuhrer)Eine Ausgabe, die hochsten wissenschaftlichen Anspruch mit bester Praktikabilitat ganz selbstverstandlich verbindet. (Chor aktuell).
SKU: BR.OB-5178-16
ISBN 9790004329993. 9 x 12 inches.
SKU: BR.OB-5506-16
ISBN 9790004338827. 10 x 12.5 inches.
SKU: BR.OB-5506-19
ISBN 9790004338834. 10 x 12.5 inches.
SKU: BR.OB-5178-11
ISBN 9790004329979. 9 x 12 inches.
SKU: BR.OB-5232-27
ISBN 9790004334829. 10 x 12.5 inches.
SKU: BR.EB-9333
World premiere of the piano version: Orleans (8th Int. Piano Competition of Orleans ,,Brin d'herbe), April 14, 2019
ISBN 9790004187975. 9 x 12 inches.
Inspiring Nature These three piano pieces, composed for the ,,Concours, Brin d'Herbe 2019, may be performed separately or as a collection, in which case they should be played in the given order. Though each piece is aimed at a different technical level (I. Elementary, II. Advanced, III. Intermediate), they have a common artistic aim: to connect musical expression with poetic inspiration. In particular, these pieces meditate on the emotional connection between our interior life and the vast and varied landscapes of the natural world all around us. While composing I found myself re-reading Kathleen Raine (one of my favourite poets) and was struck by her statement (in the foreword to her ,,Selected Poems): ,,'Nature-poetry' is not what we write about nature, but rather the language of images in which nature daily speaks to us of the timeless, age-old mystery in which we participate. Nature communicates today what it told the earliest of humankind, and what it will tell future generations when our modern high-rise cities are no more. Meanings, moods, the whole scale of our inner experience, finds in nature the 'correspondences' through which we may know our boundless selves. Nature is the common, universal language, understood by all. What she says about nature resonates with my understanding of music, which also sometimes affords us an opportunity to know 'our boundless selves'. And I am especially interested in the way that sounds - which, as vibrations in the air, are another aspect of nature - can reveal and heighten our sense of connectedness to ourselves and our surroundings. Each movement is inspired by a single stanza from the poem ,,Amo Ergo Sum by Kathleen Raine, and I would encourage anyone playing these pieces to devote time to internalising the words as well as the music, for they may contain the key to an accurate expression. As such, the relevant words are quoted at the start of each score. ,,Inner Landscapes is dedicated to Joe Browning, Lexy Oliver and Omar Shahryar. (Christian Mason, 2018)World premiere of the piano version: Orleans (8th Int. Piano Competition of Orleans ,,Brin d'herbe), April 14, 2019.
SKU: BR.OB-5506-23
ISBN 9790004338841. 10 x 12.5 inches.
SKU: BR.OB-5178-15
ISBN 9790004329986. 9 x 12 inches.
SKU: BR.OB-5178-26
ISBN 9790004330005. 9 x 12 inches.
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