Organ (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc)

SKU: BR.OB-32090-11

Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 12 pages. Duration 12'. Breitkopf and Haertel #OB 32090-11. Published by Breitkopf and Haertel (BR.OB-32090-11).

ISBN 9790004350393. 10 x 12.5 inches.

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).

SATB Choir, 2 Ctr, 2 Vl, Bc

SKU: CA.5401249

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Sti Michaelis Auch Org Mh 12. Sacred concertos, Masses, Latin. Single Part, Organ. Composed 1758 (cavor). MH 12. 12 pages. Duration 12 minutes. Carus Verlag #CV 54.012/49. Published by Carus Verlag (CA.5401249).

ISBN 9790007225858. Language: Latin.

Johann Michael Haydn's masses are masterpieces of their genre. Carus is publishing these important works in Urtext editions. Of the thirty masses, almost two thirds contain a saint's name as part of their title. The names relate to the dedications of monasteries or parish churches, name days, ordinations or consecrations, diocesan patron saints, or anniversaries. Three masses with the names of Archangels survive (Michael, Gabriel, and Raphael), all early compositions by Haydn in the concise Missa Brevis form. He probably composed the Michaelsmesse MH 12 in Vienna before 1758. This mass belongs to the festive type brevis et solemnis because of its scoring with two trumpets. Score and part available separately - see item CA.5401200.

SATB choir, 2 clarinets (2 violins), 2 bassoons, 2 horns, 2 clarinets/trumpets, timpani, contrabass, [organ] or SATB choir, [organ]

SKU: CA.5456019

Hier liegt vor deiner Majestat. Composed by Michael Haydn. Edited by Armin Kircher. Arranged by Ignaz Sauer. Deutsche Messe Mh 560. Sacred vocal music, Masses, German. Set of Orchestra Parts. Composed circa 1795. MH 560. Duration 18 minutes. Carus Verlag #CV 54.560/19. Published by Carus Verlag (CA.5456019).

ISBN 9790007226251. Language: German. Text: von Kohlbrenner, Franz Seraph. Text: Franz Seraph von Kohlbrenner.

Although the music of the younger Haydn brother was highly regarded by his contemporaries, his music was forgotten in the 19th century and still waits to be rediscovered. One of his more well-known works is the central piece on the present CD, the German Mass Hier liegt vor deiner Majestat MH 560 (Here before thy majesty), a work which is musically the epitome of south-German/Austrian Catholicism and which to this day is still a part of church music practice in this region. Score and parts available separately - see item CA.5456000.

SATB choir, 2 clarinets (2 violins), 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, contrabass, [organ] or SATB choir, [organ]

SKU: CA.5456005

Hier liegt vor deiner Majestat. Composed by Michael Haydn. Edited by Armin Kircher. Arranged by Ignaz Sauer. German title: Deutsche Messe Mh 560. Sacred vocal music, Masses, German. Choral Score. Composed circa 1795. MH 560. Duration 18 minutes. Carus Verlag #CV 54.560/05. Published by Carus Verlag (CA.5456005).

ISBN 9790007111298. Language: German. Text: von Kohlbrenner, Franz Seraph. Text: Franz Seraph Kohlbrenner.

Although the music of the younger Haydn brother was highly regarded by his contemporaries, his music was forgotten in the 19th century and still waits to be rediscovered. One of his more well-known works is the central piece on the present CD, the German Mass Hier liegt vor deiner Majestat MH 560 (Here before thy majesty), a work which is musically the epitome of south-German/Austrian Catholicism and which to this day is still a part of church music practice in this region. Score available separately - see item CA.5456000.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018719

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all an einen Gott. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1831. MWV A 12. Duration 8 minutes. Carus Verlag #CV 40.187/19. Published by Carus Verlag (CA.4018719).

ISBN 9790007137861. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018700.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018714

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/14. Published by Carus Verlag (CA.4018714).

ISBN 9790007064501. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705549

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Organ. Op. 45. Duration 70 minutes. Carus Verlag #CV 27.055/49. Published by Carus Verlag (CA.2705549).

ISBN 9790007199685. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score and part available separately - see item CA.2705500.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705513

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Viola. Op. 45. 28 pages. Duration 70 minutes. Carus Verlag #CV 27.055/13. Published by Carus Verlag (CA.2705513).

ISBN 9790007199654. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score and part available separately - see item CA.2705500.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705509

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. 1x 27.055/21 piccolo, 1x 27.055/22 flute 1, 1x 27.055/23 flute 2, 1x 27.055/24 oboe 1, 1x 27.055/25 oboe 2, 1x 27.055/26 clarinet 1, 1x 27.055/27 clarinet 2, 1x 27.055/28 bassoon 1, 1x 27.055/29 bassoon 2, 1x 27.055/30 contrabassoon, 1x 27.055/31 horn 1, . Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. Op. 45. 232 pages. Duration 70 minutes. Carus Verlag #CV 27.055/09. Published by Carus Verlag (CA.2705509).

ISBN 9790007199623. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score and parts available separately - see item CA.2705500.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705505

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Choral Score. Op. 45. Duration 70 minutes. Carus Verlag #CV 27.055/05. Published by Carus Verlag (CA.2705505).

ISBN 9790007041694. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score available separately - see item CA.2705500.