(Potpourri van Nederlandse Volksliederen). By J. Penders. For Concert Band. Worldly Songs. Solo and Band Series. Grade 4. Choir Set

Praise. Composed by Traditional Namibian Song. Arranged by Eslon Hindundu. School, Concert, Church. Cameron LaBarr. Octavo. Walton Music #WW1784. Published by Walton Music

(In Een Kloostertuin (Latijn)). By A. W. Ketelbey. For Fanfare Band. Light Pieces / Worldly Songs. Grade 3. Score. Published by Molenaar Edition

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075215

Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Double Bass. Composed 1990. 12 pages. Duration 20 minutes. Carus Verlag #CV 40.752/15. Published by Carus Verlag (CA.4075215).

ISBN 9790007220747. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200.

(Fliegende Hollander Hafa/TTBB). By Richard Wagner (1813-1883). Arranged by R. van Yperen. For Fanfare Band. Arrangements of Classical Pieces / Selections of Opera/Musical/Movies/TV / Worldly Songs / Selections from Operetta. Solo and Band Series. Grade 3. Score

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone and more. - Grade 1

SKU: CF.BPS89F

Composed by Joseph Compello. SWS. Full score. 16 pages. Duration 3 minutes, 2 seconds. Carl Fischer Music #BPS89F. Published by Carl Fischer Music (CF.BPS89F).

ISBN 9781491140673. UPC: 680160628735. 9 x 12 inches.

This modal piece has a dark, other worldly sound that students love to play. It's as if it is from the past but also very much of the present-the type of music found in movies and video games. As a former band director, Joseph Compello has a knack for writing pieces that students clamor to rehearse. It is great for teaching about modes and will make your students sound their best.

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075212

Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Violin 2. Composed 1990. 12 pages. Duration 20 minutes. Carus Verlag #CV 40.752/12. Published by Carus Verlag (CA.4075212).

ISBN 9790007220716. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200.

(Nederlands). By A. W. Ketelbey. For Fanfare Band. Light Pieces / Worldly Songs. Grade 3. Score

Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon, English Horn, Euphonium, Flute, Horn, Keyboard, Oboe, Percussion, Piccolo, Timpani, Trumpet, Tuba, alto Saxophone, baritone Saxophone, soprano Saxophone, tenor Saxophone and more.

SKU: PR.115404250

Composed by Carter Pann. Set of Score and Parts. 92+8+12+12+12+12+8+8+12+12+12+12+12+12+12+12+8+12+12+12+8+8+8+8+8+8+8+8+8+8+8+8+8+8+8+8+12+8+8+8+8+8+8 pages. Duration 26 minutes. Theodore Presser Company #115-40425. Published by Theodore Presser Company (PR.115404250).

UPC: 680160688135.

My  work Labyrinth for Ithaca College could have easily been titled as my Third Symphony. The work is larger in scope than every other work of mine for winds, save perhaps my first symphony. The piece is cast in two main parts, each consisting of two movements. As it happened I wrote the movements backwards (fitting for something called Labyrinth). The size of the band is on par with that of Karel Husa’s Music for Prague 1968 with one exception, there is an electric keyboard part which lends certain moments in the piece an other-worldly ambience... sounds that are altogether different from anything possible from acoustic instruments. At the risk of sounding obvious or mundane, I had two words floating around my brain during the composing of this work — HUGE and melodic. My predisposition to create inherently melodic music is inescapable at this point in my composing career. This is the kind of music I have gravitated towards since beginning at the piano so long ago. I don’t write ambient or spectral music, nor do I write music replete with extended techniques. The crafting of melodies with gravitas has always made my process of composing the most satisfying. The very last movement of Labyrinth is a gargantuan crescendo the likes of the last movement of Respighi’s The Pines of Rome or Ravel’s Bolero and should leave the audience and players sonically drenched by the end. I’m so honored to have this opportunity to compose for Ithaca College’s 50th Anniversary of that seminal work of Karel Husa’s. I have known Music for Prague 1968 as long as I’ve known serious music for winds. It is my aim that every moment of Labyrinth offers the players as much to bite their teeth on as it leaves the audience in its throng from start to finish. -CP.

By C. T. Gabriele. For Concert Band. Slow Movements and Solemn Works / Worldly Songs / Sacred Music / Liberation Day. Solo and Band Series. Grade 3. Score

Treble voices, SSATB choir, and piano, with optional cello - Intermediate

SKU: MN.56-0097

Composed by Howard Goodall. Epiphany, Lessons and Carols, 21st Century. Choral score. Duration 4 minutes, 6 seconds. MorningStar Music Publishers #56-0097. Published by MorningStar Music Publishers (MN.56-0097).

UPC: 688670221095. Latin.

Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 4:06

(English). Composed by Richard Rodgers. Arranged by Johan De Meij. For TTBB choir/concert band/solo voice. Mixed Choir and Band/Countries/Slow Movements/Worldly Songs. Solo and Band Series. Recorded on The Best of Johan de Meij - 3CD Box (ML.311076720). Grade 3. Score only. Duration 2 minutes, 41 seconds. Published by Molenaar Edition

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075206

Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Choir part. Composed 1990. 4 pages. Duration 20 minutes. Carus Verlag #CV 40.752/06. Published by Carus Verlag (CA.4075206).

ISBN 9790007220686. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200.