SKU: RF.9805-WTCD
SKU: PR.41641465L
UPC: 680160614332. 11 x 14 inches.
2 Flutes, 2 Oboes, 2 Bb Clarinets, 2 Bassoons, 3 F Horns, 2 Bb Trumpets, 2 Tenor Trombones, Tuba, 3 Percussion, Percussion I: Snare Drum, Triangle, Sizzle Cymbal, Mark Tree, 2 Timpani, Percussion II: Tom-tom, Glockenspiel, Suspended Cymbal, Xylophone, Mark Tree, Duck Call, Triangle, Percussion III: Bass Drum, Triangle, Crash Cymbals, Suspended Cymbal, Vibraphone (no motor), Solo Piano, Strings.
SKU: RF.9412-WTCD
SKU: JK.01977
UPC: 093285019775.
Introducing Path to Serenity, the advanced sacred instrumental series for C instruments. This series of C instrument solo books is the answer to many inquiries for advanced sacred solo repertoire from a variety of instrumentalists. These elegant arrangements were composed to enfold the souls of all listeners in the messages of hope and healing found in the hymns. This series will accommodate the oboe, flute, violin, cello, bassoon, and many other instruments. Appropriate settings include sacred occasions such as funerals, sacrament meetings, and firesides, as well as recitals and concerts.The series includes three books (SOLD SEPARATELY):Piano Accompaniment Book - #01976C Instrument - Treble Clef - #01977C Instrument - Bass Clef - #01978Arrangements found in this book:Be Still, My SoulCome, Thou Fount of Every Blessing (Treble/Bass Duet - use all three books)Where Can I Turn for Peace?If You Could Hie to KolobI Need Thee Every HourMore Holiness Give MeJesus, the Very Thought of TheeAmazing GraceOur Savior's LoveComposer: VariousArranger: Sarah Brough BlomquistDifficulty: Late-Intermediate/Advanced.
SKU: RF.0106-WTCD
SKU: RF.9302-WTCD
SKU: HL.4007788
ISBN 9781705174036. UPC: 196288093992.
The Hida High School is in a highland city called Takayama in Gifu Prefecture. Takayama City has some of the highest mountains in Japan, atmospheric rows of houses and streets, and a beautiful landscape. The magnificent views from these mountains can be described as a paradise above the clouds. When the composer visited there in the summer of 2001, the lovely flowers spreading through the valley and the refreshing air welcomed him. The flowers looked as if they were fashionably dressed and fully enjoying conversation and a short summer at a reunion party. The composer was inspired by this scenery to compose this piece. The musical party opens with happy greetings of a reunion andjoyful themes follow one after another. A light xylophone solo, a waltz and an adagio featuring alternate solos by alto saxophone, euphonium and trumpet lead to a brilliant finale featuring brass and percussion played in irregular time. A beautiful musical picture that your band will enjoy performing for many years.
SKU: HL.14042161
ISBN 9788759876244. International (more than one language).
John Frandsen: REQUIEMStrumenti2 fl. grande1 fl. picc.2 oboi1 c. ingl.2 cl. in Bb1 cl. basso in Bb2 fagotti1 contrafag.4 corni in F3 trombe3 tromboni1 tubaarpapercussione (4 musici)Tubular bells4 chinese temple bellsTamtamCrotalesTuned gongsMarimbaGran cassaGlockenspielSnare drumLarge church bell in AThunder plateCymbals - 2Suspended cymbal2 x 5 tom-toms (in left & right side of the stage)CelestaXylophoneTringletimpaniarchiorgano.
SKU: HL.49023864
ISBN 9783795756901. German. Viktoria Lundgruen.
Die Liedermaus - das ultimative Liederbuch fur Kinder, Eltern und Lehrer. Singen, spielen und gemeinsam musizieren. Den Spass an der Musik erleben. Die Liedermaus ist mehr, als nur eine Musiksammlung. Denn Kinder haben viele Fragen: Deshalb bietet die Liedermaus neben Noten und Liedern auch jede Menge Wissenswertes, Skurriles, Experimente, Bewegungsspiele und viele lustige Geschichten rund um die Themen der Lieder. Dazu gehoren auch zahlreiche Basteltipps fur Schule und Freizeit. Alle Lieder sind in einfachen Tonarten gehalten und in gut singbarer Lage. Akkordsymbole in den Liedern, Grifftabellen fur Gitarre und Sopranblockflote und Abbildungen einer Klaviatur und eines Xylophons erleichtern die instrumental Begleitung.
SKU: PR.11440719S
UPC: 680160011087. 8.5 x 11 inches.
Sambuca, which most people know today as a licorice-flavored liqueur, was the name the Greeks gave to a kind of sharp, shrill-sounding harp, of Eastern, possibly Jewish origin. The Greeks then gave this same name to a wooden flute made from the elder bush, and in the middle ages it was also associated with the viol, at least to the extent that the Hurdy-gurdy, an instrument shaped like a viol and played by means of a rotating wheel, was sometimes called a Sambuca rotata. Thus, the word Sambuca is tied up with the ancestors - in each case, ancestors of ow birth, as it were - of the modern harp, flute, and viola. Somehow, the present-day association with alcohol seems very meet, in that a certain objectionable quality seems to have gone with the name - in 1545 one George Ascham wrote, This I am sure... all maner of pypes, barbitons, sambukes... be condemned of Aristotle. The word Sambucistria - for a female Sambuca player - was used by Plutarch and others to evoke a feeling of foreign-inspired decadence [Grove's Dictionary of Musical Instruments, 1984]. Currier's work is truly a Sambuca sonata. Written for the three Sambuca instruments, Currier has first of all seemingly endeavoured to make the harp part particularly Sambuca-like (i.e., sharp and shrill) with its many nail and xylophonic effects, but more importantly, has used musical material that corresponds to the low-brow, somewhat Dionysian, indeed, today even Bacchanalian implication of the name - thus, rock music seems to inspire a great deal Currier's work [the Samba, an appropriately Bacchanalian Brazilian Carnival dance, in duple meter with syncopations, while apparently having no etymological connection to Sambuca, might seem to be musically involved, too]. The Sambuca which lies behind this rather drunken piece is probably the only musical instrument which became a model for an instrument of war; one Craxton wrote in 1489 that Sambuce is an engyn whiche is made in manere of a harpe able to perce a walle. But whether talking of the modern liqueur or the ancient instrument condemned of Aristotle and mentioned four times in the Book of Daniel, it is a shame that Debussy - inspired by the Dionysian side of classical culture (as in Prelude a l'apres-midi d'un faune) - seems to have remained ignorant Sambuca, a word which to some extent must lie behind all works for this wonderful instrumentation which he invented, and which I might seem to have striven unconsciously, equally ignorant, to make the sole basis of Currier's work - until, having completed this piece, written for harpist Marie-Pierre Langlamet, and rummaging around for a title, I chanced upon it in an old dictionary.
SKU: HL.49023863
ISBN 9783795756895. German. Viktoria Lundgruen.
Die Liedermaus - das ultimative Liederbuch fur Kinder, Eltern und Lehrer. Singen, spielen und gemeinsam musizieren. Den Spass an der Musik erleben.Die Liedermaus ist mehr, als nur eine Musiksammlung. Denn Kinder haben viele Fragen: Deshalb bietet die Liedermaus neben Noten und Liedern auch jede Menge Wissenswertes, Skurriles, Experimente, Bewegungsspiele und viele lustige Geschichten rund um die Themen der Lieder.Dazu gehoren auch zahlreiche Basteltipps fur Schule und Freizeit. Das Buch gibt es mit CD mit allen Liedern. Zum Zuhoren, Mitsingen und Nachspielen.Alle Lieder sind in einfachen Tonarten gehalten und in gut singbarer Lage. Akkordsymbole in den Liedern, Grifftabellen fur Gitarre und Sopranblockflote und Abbildungen einer Klaviatur und eines Xylophons erleichtern die instrumentale Begleitung.
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