SKU: GI.G-5781
ISBN 9781579991371. English. Translation: CEV. Text by John O'Brien.
An ecumenical program of stories, activities, songs for children 8–12 years old (grades 3–7). Ten original songs related to unit themes of book, notation in book, recording on CD (sold separately). CD also contains backing tracks for performance. When We Listen - We’ve Got the Power - Good Things - We Will Bring Your Peace - I Will Bless You, Lord - Welcome to God’s House - Do to Others - Happy Are All of My Children - We Will Make a Place Ready - Nothing Can Take Us Away.
SKU: HL.287171
ISBN 9781540042095. UPC: 888680902414. 9.0x12.0x0.362 inches. Words & Music by Bryan Adams & Jim Vallance.
16 selections in standard piano/vocal format with the melody in the piano part from this 2018 Broadway musical based on the story of the 1990 film of the same name, composed by Bryan Adams and Jim Vallance. Includes: Anywhere but Here * Don't Forget to Dance * Freedom * I Can't Go Back * Long Way Home * Luckiest Girl in the World * Never Give up on a Dream * On a Night like Tonight * Rodeo Drive * Something About Her * This Is My Life * Together Forever * Welcome to Hollywood * Welcome to Our World (More Champagne) * You and I * You're Beautiful.
SKU: HL.354834
ISBN 9781839920059. UPC: 840126937725. 9.0x12.0x0.2 inches.
This songbook series features a wealth of material from ABRSM's Singing for Musical Theatre syllabus. The Grade 5 songbook contains 12 songs. Including classics such as “No One Is Alone†from Into the Woods to favorites “Just Around the Riverbend†from Pocahonatas, and “You're Welcome†from Moana, this collection has also been carefully selected to encourage safe singing and to provide a route for changing voices. With four songs from each of Lists A, B and C, this unique choice of repertoire is an essential collection for those preparing for ABRSM exams, including for the new Performance Grades, and will inspire everyone who loves to sing.
SKU: SU.80101359
Commissioned by King’s Chapel, Boston, Massachusetts, in celebration of its 325th anniversary, this longer a cappella work uses a text assembled and adapted from various Biblical passages. From the composer's introduction: The anthem begins grandly with words from Psalm 89 celebrating God’s all-encompassing faithfulness and love. An alleluia refrain follows and returns several times throughout the work. However, it is not a majestic, Handelian alleluia, but rather one of inward passion and fervent introspection. The next section begins joyously with the familiar prophesy from Zechariah; it is followed by several brief Gospel scenes from the life of Jesus. After another alleluia, words of blessing from Psalm 103 are set vigorously before the work closes with a final alleluia. Recorded on the CD The Welcome News: Choral Music of Carson Cooman (Gothic)SATB Chorus, a cappella Composed: 2011 Published by: Zimbel Press Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: CF.CM9717
ISBN 9781491160961. UPC: 680160919567. Psalm 91:4-5.
The Lord will overshadow you with his pinions, and you will find refuge under his wings. His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart. What a blessing it is, especially during times of distress or uncertainty, to know that we aren't alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, It's okay. I've got you. It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong. The first word - scapulis - is translated as pinions. On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section - mm. 1-20 - encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort. In mm. 21-30 we have a new section where uncertainty grows. At this point the text - and you will find refuge under his wings - is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs: Alto I - Measure 22 the Ab in pennis, m. 26 the Bb in sperabis Soprano II - Measure 23 the A natural in pennis, m. 29 the C in sperabis Soprano I - Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress. The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase. The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance - Felix Mendelssohn's Lift Thine Eyes.The Lord will overshadow you with his pinions,and you will find refuge under his wings.His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart.What a blessing it is, especially during times of distress or uncertainty, to know that we aren’t alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, “It’s okay. I’ve got you.†It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong.The first word – scapulis – is translated as “pinions.†On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section – mm. 1-20 – encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort.In mm. 21-30 we have a new section where uncertainty grows. At this point the text – and you will find refuge under his wings – is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs:Alto I – Measure 22 the Ab in pennis, m. 26 the Bb in sperabisSoprano II – Measure 23 the A natural in pennis, m. 29 the C in sperabisSoprano I – Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress.The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase.The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance – Felix Mendelssohn’s Lift Thine Eyes.
SKU: BT.DHP-1206233-401
ISBN 9789043159647. German.
Hören, lesen and spielen ist die bewährte Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Sie ist gemäß den aktuellen Erkenntnissen und Ansprüchen der Musikerziehung konzipiert. Die perfekte Ergänzung zur Methode in drei Bänden bilden diverse Bücher mit Spielliteratur. Sie sind genau auf den Lernfortschritt in Hören, lesen and spielen abgestimmt, können aber auch unabhängig von der Schule eingesetzt werden.
Die Melodien zu den Kinofilmen und Musicals der Walt Disney Company sind weltweit populär geworden. Das Disney-Duobuch präsentiert einige davon in leichten Bearbeitungen für zweiSoloinstrumente und ist somit ideal für den Einsatz im Gruppenunterricht geeignet. Hinweis: Die Lieder aus verschiedenen Ausgaben des Disney-Duobuchs sind in der Regel nicht miteinander kombinierbar.
SKU: BT.DHP-1206234-401
ISBN 9789043159654. German.
Hören, lesen & spielen ist die bewährte Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Sie ist gemäß den aktuellen Erkenntnissen und Ansprüchen der Musikerziehung konzipiert. Die perfekte Ergänzung zur Methode in drei Bänden bilden diverse Bücher mit Spielliteratur. Sie sind genau auf den Lernfortschritt in Hören, lesen & spielen abgestimmt, können aber auch unabhängig von der Schule eingesetzt werden.
Die Melodien zu den Kinofilmen und Musicals der Walt Disney Company sind weltweit populär geworden. Das Disney-Duobuch präsentiert einige davon in leichten Bearbeitungen für zweiSoloinstrumente und ist somit ideal für den Einsatz im Gruppenunterricht geeignet. Hinweis: Die Lieder aus verschiedenen Ausgaben des Disney-Duobuchs sind in der Regel nicht miteinander kombinierbar.
SKU: BT.DHP-1206232-401
ISBN 9789043159630. German.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version