| Easy Instrumental Solos For Special Occasions and Celebrations Trumpet [Sheet music + CD] - Intermediate Alfred Publishing
(Trumpet). For Trumpet. Book; CD; Instrumental Series; Play-Along. Easy In...(+)
(Trumpet). For Trumpet.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade 2;
Grade 3. 48 pages. Published
by Alfred Music
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations Tenor Saxophone [Sheet music + CD] - Intermediate Alfred Publishing
(Tenor Sax). For Tenor Sax. Book; CD; Instrumental Series; Play-Along. Easy I...(+)
(Tenor Sax). For Tenor Sax.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade 2;
Grade 3. 48 pages. Published
by Alfred Music
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations Trombone [Sheet music + CD] - Intermediate Alfred Publishing
(Trombone). For Trombone. Book; CD; Instrumental Series; Play-Along. Easy Ins...(+)
(Trombone). For Trombone.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade 2;
Grade 3. 48 pages. Published
by Alfred Music
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations for Strings Violin [Sheet music + CD] - Intermediate Alfred Publishing
(Violin). For Violin. Book; CD; Play-Along; String Series. Easy Instrumental ...(+)
(Violin). For Violin. Book;
CD; Play-Along; String
Series. Easy Instrumental
Solos. Grade 2; Grade 3. 48
pages. Published by Alfred
Music
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fingerstyle Guitar Gig Book Guitar notes and tablatures [Sheet music] - Intermediate Mel Bay
By Bill Piburn. For Guitar (Fingerpicking). Solos. Bluegrass and Country. Level:...(+)
By Bill Piburn. For Guitar (Fingerpicking). Solos. Bluegrass and Country. Level: Intermediate. Book. Size 9.5x11.75. 384 pages. Published by Mel Bay Publications, Inc.
(2)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Instruments of Glory, Vol. 2 - Trumpet Insert
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O Worship the King
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Redeemed
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Rejoice the Lord is King
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He Keeps Me Singing
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Praise Ye The Lord The Almighty
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Rock Of Ages
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Savior Like A Shepherd Lead Us
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Silent Night Holy Night
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Holy Holy Holy
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| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Flute 1, Flute 2, Oboe 1, Oboe 2, Piccolo, alto Saxophone, soprano Saxophone, tenor Saxophone SKU: PR.165001000 Hymns for Wind Ensemble. Composed by Dan Welcher. Folio. Set of Score and Parts. 4+24+24+16+8+4+4+24+12+12+8+4+4+4+4+8+8+8+8+4+4+4+4+8+8+8+8+8+8+8+8+4+16+4+8+4+8+8+4+4+4+48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100. Published by Theodore Presser Company (PR.165001000). ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Mystic Harmony [Score] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more. SKU: PR.16500100F Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F). ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Instrumental Solos For Special Occasions and Celebrations Flute [Sheet music + CD] - Beginner Alfred Publishing
(Flute). Arranged by Various. For Flute. Book; CD; Instrumental Series; Play-Alo...(+)
(Flute). Arranged by Various. For Flute. Book; CD; Instrumental Series; Play-Along. Easy Instrumental Solos. Grade 1. 48 pages. Published by Alfred Music
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Instrumental Solos For Special Occasions and Célébrations (Clarinet) Clarinet [Sheet music + CD] - Beginner Alfred Publishing
(Clarinet). Arranged by Various. For Clarinet. Book; CD; Instrumental Series; Pl...(+)
(Clarinet). Arranged by Various. For Clarinet. Book; CD; Instrumental Series; Play-Along. Easy Instrumental Solos. Grade 1. 48 pages. Published by Alfred Music
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Célébrations (Alto Sax) Alto Saxophone [Sheet music + CD] - Beginner Alfred Publishing
(Alto Sax). Arranged by Various. For Alto Sax. Book; CD; Instrumental Series; Pl...(+)
(Alto Sax). Arranged by Various. For Alto Sax. Book; CD; Instrumental Series; Play-Along. Easy Instrumental Solos. Grade 1. 48 pages. Published by Alfred Music
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations for Strings (Cello) Cello [Sheet music + CD] - Beginner Alfred Publishing
(Cello). Arranged by Various. For Cello. Book; CD; Play-Along; String Series. Ea...(+)
(Cello). Arranged by Various. For Cello. Book; CD; Play-Along; String Series. Easy Instrumental Solos. Grade 1. 48 pages. Published by Alfred Music
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Instrumental Solos For Special Occasions and Celebrations for Strings (Viola) Viola [Sheet music + CD] - Beginner Alfred Publishing
(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. Ea...(+)
(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. Easy Instrumental Solos. Grade 1. 48 pages. Published by Alfred Music
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Volume 12 (CD) - Yellow/Red/Blue
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Tchaikovsky/Daehn: Symphony No. 6
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Third Movement Finale
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Purcell/Daehn: Music for the Funeral of Queen Mary
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Kirby: The Water Is Wide
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Kirby: Suncrest (Concert March)
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Grice: Secret Passage
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Vaughan Williams/Daehn: The Running Set
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Burns: Suspended Animation
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Rossini/Daehn: La Cenerentola (Selections)
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Knoener: The RegimentÕs Return
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Burns: Cadet Parade
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Farmer: Quest
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Farmer: Viper
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Farmer: Beyond the Meadow Green
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La Plante: MinkaÕs Sleigh Ride
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La Plante: Music for the KingÕs Delight
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Suter: Dancing at Stonehenge
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Milford: Pride and Promise
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| All the Best Songs of Praise & Worship 3 (Trumpet 1) Lillenas Publishing Co.
SKU: LP.765762162907 More Contemporary Favorites. Songbook. Praise...(+)
SKU: LP.765762162907 More Contemporary Favorites. Songbook. Praise & Worship and Sacred. CD-ROM part book. Published by Lillenas Publishing Company (LP.765762162907). UPC: 765762162907. Here is another great release from the immensely popular All the Best Songs of Praise & Worship series. New songs like Center Rescue and Revelation Song as well as some updated treatments of classic and familiar hymns such as Everlasting God Amazing Grace (My Chains Are Gone) Mighty to Save and Your Grace Is Enough are all included in this incredible book. You will find this ultimate gathering of songs chosen from the trusted Top 500 CCLI to be invaluable for congregational worship as well as for solo presentation. All the Best Songs of Praise & Worship 3 will give you the most exhaustive collection of the most powerful and effective songs being sung by God's people around the world. Over 100 favorites for congregation worship team or small group use in easy-to-read songbook format 60 song titles are provided in split-channel format for pre-recorded accompaniment options Now with complete church-friendly orchestrations Song Indexes: Index of Scripture Backgrounds by Song Index of Scripture Backgrounds by Book. $29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cornish Pastiche. Trumpet & Piano Clifton Edition
Trumpet & Piano SKU: ST.C133 Composed by Mark Tanner. Wind & brass music....(+)
Trumpet & Piano SKU: ST.C133 Composed by Mark Tanner. Wind & brass music. Clifton Edition #C133. Published by Clifton Edition (ST.C133). ISBN 9790570811335. As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage. Timeless Cornish melodies, cooked up for hungry brass players Grades 1–4 (ABRSM Grades 1, 2 & 4 syllabuses) Former Spartan Press Cat. No.: SP1213. $24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Praise and Exaltation [Score and Parts] Shawnee Press
Choral (orchestration on CD-rom) SKU: HL.35027321 (Incorporating Prais...(+)
Choral (orchestration on CD-rom) SKU: HL.35027321 (Incorporating Praise to the Lord the Almighty). Composed by David Angerman and Joseph M. Martin. Shawnee Sacred. General Worship, Thanksgiving. CD-ROM, Score and Parts. Published by Shawnee Press (HL.35027321). UPC: 884088501129. 5x5 inches. Words by Joseph M. Martin; Music by Joseph M. Martin, David Angerman. Uses: General, Thanksgiving
Scripture: Psalm 150:1-2; Psalm 41
Let there be praise and thanksgiving with this driving paean of joy. The hymn Praise to the Lord the Almighty is the centerpiece of this amazing anthem. Deceptively learnable, the mixed meter is so natural your choir will learn it in an instant. A festive orchestration completes the package. Score and Parts for flute 1&2, oboe, clarinet 1&2, bassoon, horn 1&2, trumpet 1, trumpet 2&3, trombone 1&2, bass trombone/tuba, timpani, perc 1&2, piano, violin 1, violin 2, viola, cello, double bass. $60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Flexible Praise Concert band Curnow Music
Part 1 in Eb (Alto Saxophone, Eb Trumpet/Cornet, Eb Clarinet). Arranged by James...(+)
Part 1 in Eb (Alto Saxophone, Eb Trumpet/Cornet, Eb Clarinet). Arranged by James Curnow. This edition: CMP123908. Curnow Concert Band Full Set. 16 pages. Published by Curnow Music.
$4.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gloriosi Choral 3-part SAB - Easy GIA Publications
SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, tr...(+)
SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, trumpet in B-flat, trumpet in C, cello, guitar - Early intermediate SKU: GI.G-10515 Music of the Paschal Triduum / Música del Triduo Pascual. Composed by Tony Alonso S.J. Lent, Eastertide, Holy Thursday, Good Friday, Easter Vigil, Easter Sunday, Easter PM. Sacred. With guitar chord names. 296 pages. GIA Publications #10515. Published by GIA Publications (GI.G-10515). UPC: 785147051527. English, Spanish. Scripture: Psalm 16, Psalm 19, Psalm 30, Psalm 31, Psalm 42:3, 5cdef, Psalm 43:3, 4, Psalm 103:1–2a, 5–6, 10, 12, 13–14, 24, 35c, Psalm 103:30, Psalm 116, Psalm 118, 1 Corinthians 10:16, Luke 23:46, Isaiah 12. The first comprehensive resource of its kind, Gloriosi contains a treasure trove of ritual music that bridges linguistic, cultural, and musical differences for the liturgies of Holy Thursday, Good Friday, and the Easter Vigil. Weaving together familiar tunes and ancient chants with newly-composed pieces, Tony Alonso has meticulously crafted the music of Gloriosi to inspire the participation of a diverse assembly during these celebrations at the heart of the liturgical year. In addition to settings of all of the ritual texts found in the Roman Missal / Misal Romano for the Three Days, this collection contains settings of every prescribed psalm drawn from texts approved for liturgical use in English and in Spanish. El primer recurso completo de su tipo, Gloriosi es un tesoro rebosante de música ritual que supera las diferencias lingüÃsticas, culturales y musicales para las liturgias del Jueves Santo, Viernes Santo y la Vigilia Pascual. Tejiendo melodÃas familiares y cantos antiguos con piezas recién compuestas, Tony Alonso ha elaborado meticulosamente la música de Gloriosi para inspirar la participación de una asamblea diversa durante estas celebraciones que están al centro del año litúrgico. Además de proporcionar los textos rituales que se encuentran en el Misal Romano / Roman Missal para los Tres DÃas en forma musicalizada, esta colección también ofrece nueva música para todos los salmos prescritos para las liturgias del Triduo utilizando los textos oficiales en español y en inglés. Listen to Music Samples on the Gloriosi Recording Page by Clicking HERE. CONTENTS: Holy Thursday Mass of the Lord’s Supper / Jueves Santo de la Cena del Señor: We Should Glory in the Cross / Que Nuestro Único Orgullo Sea la Cruz • Blessed Be God Forever / Bendito Sea Dios por Siempre • Kyrie, Eleison • Our Blessing-Cup / El Cáliz que Bendecimos • Glory to You / Gloria a Ti • A New Commandment / Un Mandamiento Nuevo • Love One Another / Ãmense Unos a Otros • Lord, Hear Our Prayer / Te Rogamos, Óyenos • Ubi Caritas • Agnus Dei • Called to the Supper of the Lamb / Llamados al Banquete del Señor • Called to Keep Vigil with the Lord / Llamados a Velar con el Señor • Tantum Ergo Sacramentum Good Friday of the Passion of the Lord / Viernes Santo de la Pasión del Señor: Into Your Hands / En Tus Manos • Glory to You / Gloria a Ti • Adoramus Te • The Solemn Intercessions of Good Friday / La Oración Universal del Viernes Santo • Behold the Wood of the Cross / Miren el Ãrbol de la Cruz • Faithful Cross / Cruz Fiel • Forgive Us, Your People / Perdona a Tu Pueblo • O Come, Let Us Worship / Venid, Oh Cristianos • Called to the Supper of the Lamb / Llamados al Banquete del Señor The Easter Vigil in the Holy Night / Vigilia Pascual en la Noche Santa: The Easter Proclamation / Pregón Pascual • Lord, Send Out Your Spirit / EnvÃa Tu EspÃritu, Señor • Keep Me Safe, O God / Protégeme, Dios MÃo • Let Us Sing to the Lord / Cantemos al Señor • I Will Praise You, Lord / Te Ensalzaré, Señor • You Will Draw Water Joyfully / Ustedes Sacarán Agua con Gozo • Words of Everlasting Life / Palabras de Vida Eterna • Like a Deer that Longs / Como Busca la Cierva (Psalm 42, 43 / Salmo 42/41, 43/42) • Easter Alleluia / Aleluya Pascual • Litany of the Saints / LetanÃa de los Santos • Alleluia Popular: Blessing of Water / Aleluya Popular: Bendición del Agua • Alleluia Popular: Baptism / Aleluya Popular: Bautismo • Alleluia Popular: Acclamation / Aleluya Popular: Aclamación • Veni Sancte Spiritus • Alleluia Popular: Sprinkling / Aleluya Popular: Aspersión • Lord, We Ask You, Hear Our Prayer / Te Rogamos, Óyenos • Called to the Supper of the Lamb / Llamados al Banquete del Señor. Learn more about this collection in this webinar below featuring composer Tony Alonso. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sacred Song Masterpieces, Bk. 1-High Voice [Sheet music] Carl Fischer
High Voice - Book 1. By Adolf Jensen; Anton Rubinstein; Edvard Grieg; Felix Mend...(+)
High Voice - Book 1. By Adolf Jensen; Anton Rubinstein; Edvard Grieg; Felix Mendelssohn; Franz Joseph Haydn; Franz Liszt; George Frideric Handel; Henry Purcell; Jacob Arcadelt; Jean Baptiste Lully; Johann Sebastian Bach; Luise Reichardt. Edited by Carl Fredrickson. Arranged by Carl Fredrickson. For Keyboard, High Voice. Soft Cover. 71 pages. Published by Carl Fischer.
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Marvelous Light - Orchestration (Praise Band Charts) Word Music
Instrumental ensemble (flute; oboe; clarinet; alto sax; trumpet 1, 2; trumpet 3;...(+)
Instrumental ensemble (flute; oboe; clarinet; alto sax; trumpet 1, 2; trumpet 3; trombone 1, 2; trombone 3; percussion 1, 2; rhythm; *violin 1, 2; *viola; cello; string bass; string reduction (*simplified part included) ADDITIONAL PARTS: clarinet 2 (doubles viola); bass clar) SKU: WD.080689159473 Composed by Dave Williamson. Choral. Sacred Anthem, Eastertide. Orchestration (praise band charts). Word Music #080689159473. Published by Word Music (WD.080689159473). UPC: 080689159473. Marvelous Light provides you with FOUR possible performance options for your Easter worship services, utilizing a combination of two well-known contemporary Easter worship songs plus a contemporary and a traditional hymn. Possible configurations include: * a two-song set; * two different three-song sets; * a four-song set. Designed for the worship leading choir, each option gives you a ready-made, all-in-one worship set that utilizes a worship leader (or optional reader), your choir and/or praise team, and your worship band, horn section or orchestra. The sets are skillfully crafted to provide a smooth thematic and musical flow, while facilitating a celebratory and congregationally-friendly worship experience. An optional Accompaniment DVD is available. $79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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