SKU: CF.YAS203
ISBN 9781491157787. UPC: 680160916368. 9 x 12 inches.
The German Dance No. 12 is the final work in a series Beethoven wrote in 1795. The dances predate his monumental symphonies and show a young Beethoven writing in his earlier Classical style. This arrangement retains the original key of C Major and includes much of the material from his extended coda section. It is a very approachable selection that works classical bowings and style, without too much technical difficulty. Optional 8va notes are given for advancing players.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: AP.49554S
ISBN 9781470649050. UPC: 038081569833. English.
Completed in 1924 Respighi's masterwork consists of four contrasting movements. The final movement, The Pines of the Appian Way, depicts the advancement of the Roman Legion as it gradually marches towards the listener. It is one of the most glorious and stunning orchestral crescendos in all of classical music. Perfectly arranged for young band by Michael Story! (2:29).
SKU: CF.YAS203F
ISBN 9781491157602. UPC: 680160916184. 9 x 12 inches.
SKU: AP.49554
ISBN 9781470649043. UPC: 038081569826. English.
Completed in 1924 Respighi's masterwork consists of four contrasting movements. The final movement, The Pines of the Appian Way, depicts the advancement of the Roman Legion as it gradually marches towards the listener. It is one of the most glorious and stunning orchestral crescendos in all of classical music. Perfectly arranged for young band by Michael Story! (2:29) This title is available in MakeMusic Cloud.
SKU: CF.CAS163
ISBN 9781491165089. UPC: 680160923991. Key: G major.
Symbolic of the victorious, the uplifting character of Winged Victory promises to infuse your orchestras and audiences with the joyful spirit of triumph. Engaging rhythms and articulations will provide students an enriching experience bound to encourage listening and communicationbetween instrumental parts. A distinctly celebratory work, Winged Victory’s heroic themes will launch graduations, sports events, important tributes, and special occasions with a stirring zeal that will be long remembered.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: CF.CAS24F
ISBN 9780825858253. UPC: 798408058258. 8.5 X 11 inches. Key: D major.
This driving piece by one of Carl Fischer’s most popular composers offers players fun fast fiddlin’ with dynamic contrast and fire. The creative use of syncopation will help to develop your student’s sense of rhythm while they have a good time.
SKU: CF.CAS74
ISBN 9780825894756. UPC: 798408094751. 9 x 12 inches. Key: Ab minor.
Four on the floor funk tune for strings?! How cool is that! This piece grooves from start to finish containing true funk rhythms, challenging your students, but well worth the effort!.The title says it all. This riff-packed funk piece offers an exciting opportunity for students to explore the rhythms and sounds made famous by Sly and The Family Stone, James Brown, and Earth, Wind and Fire. A sample solo is provided, but fea- tured soloists should improvise their own solos using either an A-minor pentatonic scale (A, C, D, E, G, A) or an A-blues scale (A, C, D, D≥, E, G, A). While soloing, keep it simple and focus on creating short rhythmic riffs using two or three pitches, or choose a riff from the piece and embellish it. Drummers are encouraged to add to the written groove.
SKU: CF.CAS85
ISBN 9780825899140. UPC: 798408099145. 9x12 inches. Key: D major.
The title Lucky Seven is a play on the fact that portions of this piece are in 7/8 time grouped in 2+2+3. It gives it a really fresh groove as the piece floats in and out of this 7/8 riff into regular 4/4 time. There is even a nice solo section with a sample solo if some of your students want to take a stab at improvisation. Matt Turner always provides teachers with interesting alternative music that can teach students how to groove and improvise. This is an infectious piece that students will like to play.Lucky Seven is in arch form (ABCBA). The A-section begins in and moves to a pop-music feel in the B- section (m. 21). An Afro-Cuban tumba bass-line figure is introduced in the C-section (m. 33). A sample solo (m. 53) is provided, but soloists are encouraged to improvise using an A-Mixolydian mode (A, B, C≥, D, E, F≥, G, A). The improvisations should be rhythmic. Feel free to borrow ideas from any of the composed material to assist in creating the improvisations. Perform with energy!
SKU: CF.CAS59
ISBN 9780825884221. UPC: 798408084226. 8.5 x 11 inches. Key: C major.
A tour de force string orchestra work by Sean O'Loughlin, Pursuit of Liberty is well worth the effort for your group, delving into the sound of the American frontier; a flowing tapestry of timbres and textures.Pursuit of Liberty is a piece for string orchestra commissioned by the Stringendo Orchestral Ensemble in Paris, France under the direction of Jean Thorel. Mr. Thorel asked me to compose this piece as part of a celebration of the French Revolution. His only request was to use a folk song from that time period as the basis for the piece. “Ah! Ca Ira†by Gervais Couperin from 1790 is the folk song I chose for this setting.The opening music contains fragments of the folk song’s melody. I also utilize this phrase as a transitional element between sections in the piece. It helps to integrate an original melody that I employ as counterpoint to the “Ah! Ca Ira†melody. The folk song melody first appears in its complete form at m. 14. Exposition and development follows until m. 37, which signals a transition to an original melody of mine. The eighth note pulse is punctuated by accents and sixteenth note interjections. Please bring those out of the texture throughout this section. Fragments of the folk song melody begin to appear in each of the sections of the ensemble which functions as an extended build up to a main statement of my original melody at m. 62. The folk song melody rejoins the setting in the upper strings at m. 70. This plays concurrently with the original melody in the lower strings. At m. 80, the melodies are reversed in the ensemble to a dramatic effect. The opening music returns at m. 84 to provide momentum to the rousing chords at m. 93 and subsequent conclusion. Vivre la Liberté!
SKU: CF.CAS34
ISBN 9780825861055. UPC: 798408061050. 8.5 X 11 inches. Key: E minor.
Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching. Nicely done!.Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday-afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching.The opening of the piece sets the scene with danger and desperation. By m. 6, our hero is making his way on horseback to rescue the fair maiden. This main melody is developed and passed around the ensemble until m. 36, at which point despair sets in. The music is rich with romantic harmonies and inner lines. Be sure to bring out these inner lines to add to the passion and drama of the moment. It continues to build until a thunderous arrival at m. 49. From there we return to our hero, who is now getting close to the train tracks to save the fair maiden. The tension becomes the highest at m. 61, when we are still not sure if our hero will make it in time. But alas, at m. 68 he swoops in to save the day and rescue the fair maiden. Of course, they live happily ever after.My hope is that your ensemble will have some fun with this style of music. It was adapted from an arrangement I wrote for the new pipe organ at the Walk Disney Concert Hall in Los Angeles. They wanted some scary train music to show children how the organ was used back before movies had sound. Strings provide a heightened sense of drama with this genre of music.
SKU: CF.CAS87F
ISBN 9780825899485. UPC: 798408099480. 9x12 inches.
A Balalaika is a type of Russian folk stringed instrument. They come in a variety of sizes and can have full orchestras of these instruments. The music they play has a distinctly Russian folk music sound and composer James Meredith has worked to present this style in a modern concert piece. The work is a festive dance-like piece and contains quotes throughout of Tchaikovsky themes in order to help give it that Russian flavor. Balalaika is a different and refreshing choice for your next concert.
SKU: CF.CAS163F
ISBN 9781491165485. UPC: 680160924394. Key: G major.
SKU: CF.CAS83F
ISBN 9780825899447. UPC: 798408099442. 9x12 inches.
An extremely popular Irish Reel that has been heard in movies and television can be heard in this fantastic setting for string orchestra. With fun parts for every section, students will love to play this rip-roaring tune. Composer Carl Strommen infuses a nice lyrical middle section to give the piece some much-needed repose before firing up again into a rousing ending. This will be the highlight of your next concert, and students will want to play this challenging piece again and again.
SKU: CF.CAS92
ISBN 9781491142080. UPC: 680160630141. Key: D minor.
Sailors beware when cantankerous Crooked-Toe the pirate takes his nightly walk on the deck! Crooked-Toe Walks the Deck is more than a novelty tune; it's an educational presentation of several classical music references and English sailing tunes, all featured seamlessly as one logical idea. Included is What Shall We Do with a Drunken Sailor, 15 Men on a Dead Man's Chest, In the Hall of the Mountain King, Night on Bald Mountain, Sailor's Hornpipe, The Flying Dutchman, and a hint of the Dies Irae. A clever, well-written and effective piece that will be serious fun for all.Sailors beware when cantankerous “Crooked-Toe†the pirate takes his nightly walk on the poop deck! He’s so mean he once threw a man overboard just for snoring, so his boat mates flee in all directions when they see him coming.Good music played well inspires the imagination. Crooked-Toe Walks the Deck is more than a novelty tune; it’s an educational presentation of several classical music references and English sailing tunes all featured seamlessly as one logical idea. They are What Shall We Do with a Drunken Sailor, 15 Men on a Dead Man’s Chest, In the Hall of the Mountain King, Night on Bald Mountain, Sailor’s Hornpipe, The Flying Dutchman, and a hint of the Dies Irae. Several musical effects are written into the piece as Crooked-Toe Walks the Deck. Encourage your students to use their imaginations and tell their classmates what they mean. There is no wrong answer!
SKU: CF.CAS52F
ISBN 9780825869754. UPC: 798408069759. 8.5 X 11 inches.
Confluence, named for a word which means the converging of people or objects, is a dramatic work for the maturing string orchestra. Lush, lyrical, and full of expressive possibilities, Confluence will really improve the musicianship of your orchestra.
SKU: CF.CAS34F
ISBN 9780825861062. UPC: 798408061067. 8.5 X 11 inches. Key: E minor.
Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching. Nicely done!.Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday- afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching.The opening of the piece sets the scene with danger and desperation. By m. 6, our hero is making his way on horseback to rescue the fair maiden. This main melody is developed and passed around the ensemble until m. 36, at which point despair sets in. The music is rich with romantic harmonies and inner lines. Be sure to bring out these inner lines to add to the passion and drama of the moment. It continues to build until a thunderous arrival at m. 49. From there we return to our hero, who is now getting close to the train tracks to save the fair maiden. The tension becomes the highest at m. 61, when we are still not sure if our hero will make it in time. But alas, at m. 68 he swoops in to save the day and rescue the fair maiden. Of course, they live happily ever after.My hope is that your ensemble will have some fun with this style of music. It was adapted from an arrangement I wrote for the new pipe organ at the Walt Disney Concert Hall in Los Angeles. They wanted some scary train music to show children how the organ was used back before movies had sound. Strings provide a heightened sense of drama with this genre of music.
SKU: CF.CAS85F
ISBN 9780825899461. UPC: 798408099466. 9x12 inches.
The title Lucky Seven is a play on the fact that portions of this piece are in 7/8 time grouped in 2+2+3. It gives it a really fresh groove as the piece floats in and out of this 7/8 riff into regular 4/4 time. There is even a nice solo section with a sample solo if some of your students want to take a stab at improvisation. Matt Turner always provides teachers with interesting alternative music that can teach students how to groove and improvise. This is an infectious piece that students will like to play.
SKU: CF.CAS91F
ISBN 9781491142073. UPC: 680160630134.
This lighthearted quodlibet was commissioned by ASTA and premiered at the 2015 conference. It provides a fabulous tool to introduce your students to key musical themes across time. The score plays off of the musician's nocturnal mind to combine twelve historic themes by condensing and expanding them the way our subconscious mind often toys with daytime experiences. In total, this composition celebrates the string player's full potential: Where loyalty to the written note serves the imagination's creative playground. What is composition, if not a grand improvisation captured in a snapshot?
SKU: CF.CAS152F
ISBN 9781491163184. UPC: 680160921935. Key: E minor.
Follow the twists and turns of this eerie dance through a dark maze of shadows. In this danse macabre style waltz, phantoms and whispers haunt every turn as the E minor melody steps down a creepy chromatic staircase. Students will experience unexpected accidentals, sneaky pizzicato, and a variety of bowing patterns that alternate from tip-toe staccato to run-for-your-life phrases that accelerate toward a finale that descends into madness!
SKU: CF.CAS152
ISBN 9781491162842. UPC: 680160921591. Key: E minor.
SKU: CF.CAS59F
ISBN 9780825884238. UPC: 798408084233. 8.5 x 11 inches.
A tour de force string orchestra work by Sean O'Loughlin, Pursuit of Liberty is well worth the effort for your group, delving into the sound of the American frontier; a flowing tapestry of timbres and textures.
SKU: CF.CPS220
ISBN 9781491152461. UPC: 680160909964.
An exciting new original march in classic American march form and style. Composer John Paternak has captured the essence of the great marches of Sousa and Fillmore in a new tuneful and fresh sound traditional march. The trio melody is essential catchy and the march is worthy of use as a solid warm-up march for festival by advancing level concert bands.I wrote this piece for my friend Ralph Meyer and the members of the Western Reserve Community Band, who are always there for me when I need a group to read or record one of my compositions. I would also like to thank Larry Clark for helping this march come to life.There are a lot of sudden dynamic changes in this piece. It is crucial that there is dynamic contrast, so the piece can be performed effectively. There are also several instances with contrast in articulation styles. Make sure your group is playing short notes different from the legato passages. At m. 87 during the second time through, I have made the tempo jump to 152. Feel free to take it faster if your group is capable of it.
SKU: CF.CPS220F
ISBN 9781491153147. UPC: 680160910649.
SKU: MN.15-829
UPC: 688670158292.
The hymntunes arranged for this volume were written to be used by advancing young students of the piano who have developed more than beginning ability. It may also be used by adults called upon to play for worship who might not have the time or training to prepare literature. Includes: Antioch Away in a Manger/Mueller Go Down Moses Kings of Orient Kremser Lonesome Valley Judas Maccabaeus Materna NEW BRITAIN (AMAZING GRACE) Salzburg The Ash Grove Une jeune pucelle Wondrous Love.
SKU: CF.BF157
ISBN 9781491162095. UPC: 680160920839.
Learning to play chamber music is an important milestone in the music student’s journey. Playing with a teacher or friend helps develop rhythmic independence, intonation, listening skills, and sense of pulse that are vital to playing in an ensemble. These progressive duets offer beginning and developing players the opportunity to play along with others, or with the helpful support of the teacher in a lesson. Each duet adds new techniques and challenges that align with the natural advancement of lessons, moving from easy rhythms and keys to staccato bow strokes, slurs, accidentals (low or extended finger patterns), and more complex or independent rhythms. While the melody remains in the top line, musicians can alternate playing the melody as all efforts have been made to keep both parts at a similar difficulty level. This book features familiar melodies from traditional, folk, and Classical repertoire including tunes that many string teachers will recognize from Suzuki books. Appropriate for recitals or even small group concerts, there are 30 selections of different tempi, styles, and keys for variety, while remaining in string-friendly ranges. Each duet is one page or less in length, ensuring an immediate sense of success for young players. The perfect supplement to method book exercises and solo repertoire.
SKU: CF.BF156
ISBN 9781491162088. UPC: 680160920822.
Learning to play chamber music is an important milestone in the music studentââ¬â¢s journey. Playing with a teacher or friend helps develop rhythmic independence, intonation, listening skills, and sense of pulse that are vital to playing in an ensemble. These progressive duets offer beginning and developing players the opportunity to play along with others, or with the helpful support of the teacher in a lesson. Each duet adds new techniques and challenges that align with the natural advancement of lessons, moving from easy rhythms and keys to staccato bow strokes, slurs, accidentals (low or extended finger patterns), and more complex or independent rhythms. While the melody remains in the top line, musicians can alternate playing the melody as all efforts have been made to keep both parts at a similar difficulty level. This book features familiar melodies from traditional, folk, and Classical repertoire including tunes that many string teachers will recognize from Suzuki books. Appropriate for recitals or even small group concerts, there are 30 selections of different tempi, styles, and keys for variety, while remaining in string-friendly ranges. Each duet is one page or less in length, ensuring an immediate sense of success for young players. The perfect supplement to method book exercises and solo repertoire.
SKU: CF.BF150
ISBN 9781491162101. UPC: 680160920846.
Learning to play chamber music is an important milestone in the music student’s journey. Playing with a teacher or friend helps develop rhythmic independence, intonation, listening skills, and sense of pulse that are vital to playing in an ensemble. These progressive duets offer beginning and developing players the opportunity to play along with others, or with the helpful support of the teacher in a lesson. Each duet adds new techniques and challenges that align with the natural advancement of lessons, moving from easy rhythms and keys to staccato bow strokes, slurs, accidentals (low or extended finger patterns), and more complex or independent rhythms. While the melody remains in the top line, musicians can alternate playing the melody as all efforts have been made to keep both parts at a similar difficulty level. This book features familiar melodies for the holidays, including sacred and secular Christmas songs, music for Hanukkah, and folk tunes from many countries. Appropriate for caroling, recitals, or chamber holiday concerts, there are 30 festive selections of different tempi, styles, and keys for variety, while remaining in string-friendly ranges. Each duet is one page or less in length, ensuring an immediate sense of success for young players. Put new skills into practice while celebrating the season.
SKU: HL.49002642
ISBN 9790220107672. UPC: 073999347685. 8.25x11.75x0.832 inches. English.
A house, too, can be a battlefield, and a garden a wilderness. The house here belongs to Faber and Thea: middle-class, middle-aged, probably more than middle-income and in a mid-matrimonial rut of mutual laissez-faire. Also in the house is their young ward Flora, to whom Faber has been making sexual advances. And there are visitors. Thea's sister Denise is taking a break from other distant battlefields, where she is engaged in the struggle against oppression. A black writer, Mel, is here as well with his white lover Dov, a musician: the first homosexual couple to be 'out' on the operatic stage.These people's entanglementswith each other but also, and more importantly, within themselveshave to be addressed, as in Tippett's first opera. But this time the Mozart model is Cosi fan tutte, and the lessons of myth are clothed in the language of psychiatry, as practised by Mangus, the Don Alfonso who may not be as much in control as he would hope. In the last act he stages a performance of The Tempest, which comes adrift. Perhaps more has been achieved in the middle act, a swirl of short scenes ending in an exchange of songs between Flora and Dovan exchange, too, of homages to Schubert and the blues, both held in the magic of this lustrous score.(Paul Griffiths)2 (2pic).1.ca.Ebcl.2 (2: bcl).1.cbn-4.4.2.1-timp.3perc (s.d., t.d., b.d., jazz kit, cym., sus.cym., w.bl., t.bl., tamb., casts., wh., metal bar or heavy triangle, tam-tam, xyl., vib., glock., claves, small rattle)-hp.cel.pno.egtr/ehpd-str Reduced version: 1 (pic).1 (ca).1 (Ebcl, bcl).1 (cbn)-3.2.2.0-2perc (timp., t.d., jazz kit, cym., t.bl., tamb., casts., metal bar or heavy tri., tam-tam, vib., glock., tub.bells, cl., rattle)-hp.pno (cel).egtr-str: 3 vns (3: va).va.vc.db.
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