17 Formula 602 Modern Essentials Crash

SKU: HL.3710275

17-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1141417. Published by Hal Leonard (HL.3710275).

UPC: 697643113671. 17.0x17.0x0.079 inches.

Forged from the legendary “602 Bronze” (CuSn20), offering a complete new wide and dynamic sound dimension, developed in close collaboration with Vinnie Colaiuta, handcrafted from start to finish by highly skilled Swiss craftsmen, conceived and executed according to Vinnie's uncompromising sound concepts for a wide all-round application. Formula 602 Modern Essentials cymbals combine the essence of the Formula 602 Classic Sounds models – transparency and stick definition – with the richness, warmth, darkness and a bit of complexity of the Signature Traditionals series besides providing slightly more pizzazz than its Classic Sounds siblings. Alloy: CuSn20, also known as “Traditional Bronze” or “602 Bronze” Applications: Low to medium loud settings; especially well-suited for recording, live; extremely versatile cymbals for a wide range of music styles such as pop, rock, jazz, fusion, blues, R&B, country, folk, and acoustic music Sound: Deep, full, rich, warm, lively, silvery, dynamic, controlled and precise; Cymbals that combine clarity, consistency with deepness and warmth, yet providing a modern versatile sound character with dynamic, potent, well balanced qualities and a responsive, soft feel CRASHES Size: 17-inches Weight: medium Volume: low to loud Stick Sound: soft, washy, shimmering Intensity: lively Sustain: long Sound Character: Full, warm, brilliant, shimmering, deep. Fairly wide range, complex mix. Quick response, fairly soft feel. Rich, strong crash sound with open low end and shimmering highs. Very versatile, responsive crash cymbal suitable for numerous musical styles.

22 Formula 602 Modern Essentials Ride

SKU: HL.3710281

22-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1141622. Published by Hal Leonard (HL.3710281).

UPC: 697643111110. 22.0x22.0x0.101 inches.

Forged from the legendary “602 Bronze” (CuSn20), offering a complete new wide and dynamic sound dimension, developed in close collaboration with Vinnie Colaiuta, handcrafted from start to finish by highly skilled Swiss craftsmen, conceived and executed according to Vinnie's uncompromising sound concepts for a wide all-round application. Formula 602 Modern Essentials cymbals combine the essence of the Formula 602 Classic Sounds models – transparency and stick definition – with the richness, warmth, darkness and a bit of complexity of the Signature Traditionals series besides providing slightly more pizzazz than its Classic Sounds siblings. Alloy: CuSn20, also known as “Traditional Bronze” or “602 Bronze” Applications: Low to medium loud settings; especially well-suited for recording, live; extremely versatile cymbals for a wide range of music styles such as pop, rock, jazz, fusion, blues, R&B, country, folk, and acoustic music Sound: Deep, full, rich, warm, lively, silvery, dynamic, controlled and precise; Cymbals that combine clarity, consistency with deepness and warmth, yet providing a modern versatile sound character with dynamic, potent, well balanced qualities and a responsive, soft feel RIDES Size: 22-inches Weight: medium Volume: low to loud Stick Sound: balanced Intensity: lively Sustain: long Bell Character: fairly separated Sound Character: Full, rich, warm, strong, deep, silvery. Wide range, complex mix. Responsive, even feel. Warm sparkling stick sound over a wide, deep wash. Fairly quick, strong crash sound. Extremely dynamic and lively ride cymbal, suitable for numerous musical styles.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Euphonium, Euphonium T.C., Finger Cymbals, Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, Tambourine, Timpani, Tom-tom, Triangle, Trombone and more. - Grade 1

SKU: CF.BPS21

Composed by Joseph Compello. FS-SWS. Patriotic. Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+2+3+1+1+2+3+16 pages. Carl Fischer Music #BPS21. Published by Carl Fischer Music (CF.BPS21).

ISBN 9780825847462. UPC: 798408047467. 9 X 12 inches. Key: Bb major.

Joe Compello has taken the old adage “give the drummers plenty to do” to heart in this likeable and lively rock-based piece. The rhythms are infectious, the ranges comfortable for young players and the music has plenty of bluesy pizzazz. Duration: 2’ Key: Bb Ranges: Trumpet – C; Horn – Bb; Trombone – F.

By Traditional. Arranged by Jerry Brubaker. Traditional. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: 4 (grade 4). Conductor Score and Parts. 228 pages. Published by Alfred Publishing.

(G. Schirmer Opera Anthology Accompaniment CDs (2)). By Various. Edited by Robert L. Larsen. Vocal Collection. Book with CD. 8 pages. Published by G. Schirmer

Composed by Andy Beck. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Novelty; Secular. Choral Octavo. 16 pages. Alfred Music #00-50288. Published by Alfred Music

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.48901

Composed by Felix Bernard. Arranged by Kirby Shaw. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Christmas; Holiday Pops; Secular; Winter. Choral Octavo. 12 pages. Alfred Music #00-48901. Published by Alfred Music (AP.48901).

UPC: 038081562254. English. Words by Dick Smith.

Kirby Shaw's jazzy arrangement is inspired by Michael Bublé's recording of this cherished holiday standard. Each new refrain glistens more than the last as the lightly syncopated gem unfolds. Perform with the optional SoundTrax accompaniment or a handful of horns and live rhythm section (SoundPax parts available). Pizazzy holiday cheer!

SKU: HL.50491836

Composed by Franco Margola. MGB. Ricordi #GZ3623. Published by Ricordi (HL.50491836).

PER L'ARMONIZZAZIONE DEL BASSO SENZA NUMERI.

22 Formula 602 Modern Essentials Crash

SKU: HL.3710279

22-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1141422. Published by Hal Leonard (HL.3710279).

UPC: 697643113695. 22.0x22.0x0.053 inches.

Forged from the legendary “602 Bronze” (CuSn20), offering a complete new wide and dynamic sound dimension, developed in close collaboration with Vinnie Colaiuta, handcrafted from start to finish by highly skilled Swiss craftsmen, conceived and executed according to Vinnie's uncompromising sound concepts for a wide all-round application. Formula 602 Modern Essentials cymbals combine the essence of the Formula 602 Classic Sounds models – transparency and stick definition – with the richness, warmth, darkness and a bit of complexity of the Signature Traditionals series besides providing slightly more pizzazz than its Classic Sounds siblings. Alloy: CuSn20, also known as “Traditional Bronze” or “602 Bronze” Applications: Low to medium loud settings; especially well-suited for recording, live; extremely versatile cymbals for a wide range of music styles such as pop, rock, jazz, fusion, blues, R&B, country, folk, and acoustic music Sound: Deep, full, rich, warm, lively, silvery, dynamic, controlled and precise; Cymbals that combine clarity, consistency with deepness and warmth, yet providing a modern versatile sound character with dynamic, potent, well balanced qualities and a responsive, soft feel CRASHES Size: 22-inches Weight: medium Volume: low to loud Stick Sound: soft, washy, shimmering Intensity: lively Sustain: long Sound Character: Full, warm, brilliant, shimmering, deep. Fairly wide range, complex mix. Quick response, fairly soft feel. Rich, strong crash sound with open low end and shimmering highs. Very versatile, responsive crash cymbal suitable for numerous musical styles.

Methods and Music for Children

SKU: UT.DM-50

Composed by Alessandra Anceschi, Gabrielangela Spaggiari, and Irene Bonfrisco. Saddle stitching. Fare Musica. Classical. Ut Orpheus #DM 50. Published by Ut Orpheus (UT.DM-50).

ISBN 9790215315266. 9 x 12 inches.

Il teatro d’opera, all’interno dell’intero patrimonio musicale del repertorio cólto, ma per dir meglio, all’interno del portato culturale che ha investito – tramite la sua nascita – dapprima l’Italia e poi l’Europa tutta, mantiene inalterato nel tempo un riconoscimento di grande valore.
In virtù di questo primato, un’attenzione particolare gli è conferita anche in questa sede, nella quale si è voluto condurre lo studente alla scoperta di tre importanti capolavori.
Diversamente da quanto si sia portati a credere, l’opera non è unicamente repertorio per vecchi e canuti parrucconi, ma è spettacolo in grado di catturare anche un pubblico d’età scolare.
Attraverso le molteplici espressioni con le quali l’opera si manifesta (musica e parola su tutte, ma anche gesto e danza, insieme a gestione dello spazio scenico e della luce, elementi che definiscono tutti la complessa dimensione drammaturgica), il teatro d’opera si pone come spettacolo multimediale ante litteram capace come pochi di riassumere esemplarmente in un solo concetto rappresentazioni di pienezza e complessità culturale assai variegate.
Nel tratteggiare la ricchezza di un viaggio alla scoperta dell’opera, si potrebbe affermare che addentrarsi nelle narrazioni di un Figaro, di un Don Giovanni, di un Rigoletto sia un po’ come se da un solo assaggio si degustassero più sapori, come se si riuscisse a cogliere l’intero panorama solamente sbirciando da un foro. In questa operazione si possono identificare gli estremi di una visione ologrammatica della realtà, quella che ci consente di mettere in evidenza come una parte sia inscritta nel tutto, ma quanto il tutto stesso costituisca una parte. Questo apparente paradosso, che ci sembra possa essere rappresentato anche dal teatro musicale, è alla base di quell’atteggiamento che ci consente di evitare operazioni di riduzionismo e di semplificazione, e di aumentare invece i livelli di relazione e di complessità con le esperienze che ci accadono.

Il quaderno si rivolge ad allievi non digiuni dei primi rudimenti di alfabetizzazione sonora ed esplora – data la specificità della collana – soprattutto la dimensione musicale, anche se non tralascia di guidare all’indagine delle relazioni che la musica ha con gli altri linguaggi che costruiscono lo spettacolo.
Non è un caso, per di più, che ancora una volta e come costante metodologica che accompagna tutti i quaderni, ci si avvalga anche qui del segno, del gesto, della parola come strategie per la conoscenza dei mezzi espressivi e per l’esplorazione dei significati, tutti meccanismi necessari ad innescare un ascolto attivo.
La scelta di opere e autori si è imposta quasi naturalmente: Mozart, Rossini, Verdi sono ovunque riconoscibili come figure emblematiche del genere operistico. Nessuno potrebbe affermare di aver assaggiato la Sacher Torte senza essere stato a Vienna, così come nessuno potrebbe sostenere di aver assaporato l’opera senza aver avuto occasione di avvicinarsi a questi tre autori.
L’intento del quaderno è dunque quello di fornire supporti all’allievo e all’insegnante per favorire scoperte, per far nascere curiosità.
Gli obiettivi del lavoro si perdono però a metà strada nel momento in cui non si ponga a conclusione del percorso la visione dell’opera.
L’auspicio e l’invito è dunque quello di uscire dalle aule e di recarsi, senza esitazioni, a teatro.
Il valore estetico e il potere seduttivo di un capolavoro sono in grado di disvelarsi talvolta senza che si operi nessun tipo di facilitazione (seppur la preparazione del campo, come questo testo vuole dimostrare, non sia certo operazione inutile); ma, quasi certamente, nessun magnetico incanto potrà fuoriuscire se ci si arresterà unicamente alle esperienze di queste pagine.

Voice and Piano. By Various. Arranged by Robert L. Larsen. Vocal Collection. Size 8.5x11 inches. 216 pages. Published by G. Schirmer, Inc.

Repertoire Collection. Edited by Peter Anton Ling. OperAria. Collection (softbound). 152 pages. Published by Breitkopf and Haertel (BR.EB-8878).

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1104866-010

Arranged by Jacob De Haan. Musica Sacra. Transcription. Set (Score and Parts). Composed 2010. De Haske Publications #DHP 1104866-010. Published by De Haske Publications (BT.DHP-1104866-010).

9x12 inches.

En 1524, Martin Luther publiait son premier recueil de cantiques, dont est extrait son magnifi que choral Aus tiefer Not schrei ich zu dir (Du fond de lâ??abîme, je tâ??invoque, o Ã?ternel)? dâ??après le Psaume 130 (De profundis). En 1724, Jean-Sébastien Bach composait une cantate, fondée sur le choral du même nom de Martin Luther. Pour réaliser cet arrangement pour Orchestre dâ??Harmonie, Jacob de Haan sâ??est particulièrement inspiré de lâ??oeuvre de Bach. Aus tiefer Not est une précieuse contribution au répertoire sacré.

Het fraaie koraalthema Aus tiefer Not schrei ich zu dir is terug te voeren op Martin Luther en is gebaseerd op de tekst van psalm 130. Bekend werd het koraal pas vooral door de gelijknamige koraalcantate. Johann Sebastian Bachschreef deze precies tweehonderd jaar later, in het jaar 1724. Bij dit arrangement was het voornamelijk Bach die Jacob de Haan inspireerde. Hij maakte hiermee een uitmuntende aanvulling op het repertoire voor geestelijke muzik.

Das prachtvolle Choralthema Aus tiefer Not schrei ich zu dir geht auf Martin Luther zuru?ck und basiert auf dem Text von Psalm 130. Bekannt wurde der Choral jedoch vor allem durch die gleichnamige Choralkantate, die Johann Sebastian Bach genau zwei Jahrhunderte später, im Jahre 1724, schrieb. Fu?r sein Arrangement lie� sich Jacob de Haan vorwiegend von Bach inspirieren und schuf damit eine wundervolle Ergänzung fu?r das Repertoire an geistlicher Musik.

Le magnifique thème du choral Aus tiefer Not schrei ich zu dir (Du fond de lâ??abîme, je tâ??invoque, o Ã?ternel) est attribué Martin Luther. Il sâ??agit dâ??une mise en musique du Psaume 130 (De profundis) dans sa version allemande. Cette hymne fait partie du corpus du premier des recueils de cantiques luthériens, le Geistliches Gesangbüchlein, publié Wittenberg, en 1524, par Johann Walter. Deux cents ans plus tard, Jean-Sébastien Bach composait une cantate, fondée sur le choral du même nom de Martin Luther. Pour réaliser cet arrangement pour Orchestre dâ??Harmonie, Jacob de Haan sâ??est particulièrement inspiré de lâ???uvre de Bach. Aus tiefer Not est uneprécieuse contribution au répertoire sacré.

Nel 1524, Martin Lutero pubblicò il primo raccolto di cantici, tra i quali il magnifi co corale Aus tiefer Not schrei ich zu dir, dal Salmo 130 (De profundis). Nel 1724, Johann Sebastian Bach compose una cantata, ispirandosi al corale di Lutero. Nella realizzazione di questo arrangiamento per banda, Jacob de Haan si è affidato allâ??opera di Bach. Aus tiefer Not è un importante contributo al repertorio sacro.

(Featuring: Up on the Housetop / Deck the Hall / O Christmas Tree / Jingle Bells / Jolly Old St. Nicholas). Choir Secular. SATB choir. Choral Octavo. Choral Designs. Form: Medley. Christmas; Secular; Winter. 20 pages. Published by Alfred Music

Grade 3

SKU: CL.026-4898-01

Arranged by Rowe. Concert Band. Extra full score. C.L. Barnhouse #026-4898-01. Published by C.L. Barnhouse (CL.026-4898-01).

Howard Rowe’s delightful A Celebration Of Hanukkah is now available for flexible instrumentation in the Build-A-Band series. Playable by small ensembles or those with unusual or unbalanced instrumentation, this charming work contains Mi Y’maleil, Maoz Tzur, The Dreydl Song, Chanukan Chag Yafe Kol Kach, and Hanerot Halalu. Playable by bands with a wide range of experience, yet nice enough to be performed by more advanced groups with little rehearsal time. An outstanding arrangement that adds pizzazz to any holiday performance!