(duet for multipercussion). By Jamieson Carr. Multipercussion Duet. For Concert bass drum, 2 concert snare drums, 2 sets of bongos, 2 woodblocks (or jam blocks), 2 cowbells, 2 splash cymbals, 2 opera gongs (2 players). Percussion Duets. Medium. Score and CD-ROM (containing printable parts). 20 pages. Duration 7'00 . Published by Tapspace Publications

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

(for percussion ensemble and solo flute). Composed by Stuart P. O'Neil. Percussion Ensembles. For Flute (solo), glockenspiel, xylophone (shared), chimes, 3 timpani, cabasa, temple blocks, ratchet (mounted), triangle (mounted), bass drum, and tam tam (10 players). Difficulty: Medium-Easy. Folio and CD-ROM. 8 pages. Duration 2:20. Published by Tapspace Publications

Percussion with 2 players

SKU: HL.49000656

Composed by Siegfried Fink. This edition: Saddle stitching. Sheet music. A battere. Classical. Playing score. 16 pages. Schott Music #BAT 15. Published by Schott Music (HL.49000656).

ISBN 9790001004718. 9.0x12.0x0.09 inches.

(kleine Trommel und 2 Tom-Toms; kleine Trommel und 4 Tempelblocks; kleine Trommel und 4 Becken mit Triangel; Xylophon und Kastagnetten mit Tambourin; Xylophon und 2 Congas; Xylophon und kleine Trommel mit Becken und 2 Woodblocks) / (side/snare drum and 2 Tom-Toms; side/snare drum and 4 temple blocks; side/snare drum and 4 cymbal with triangles; xylophone and castanets with Tambourin; xylophone and 2 congas drums; xylophone and side/snare drum with cymbal and 2 Woodblocks).

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Temple Blocks, Timpani, Trombone, Trumpet, Tuba, Xylophone, alto Saxophone and more. - Grade 1

SKU: CF.BPS145

Composed by Richard Summers. Bps. Set of Score and Parts. 8+2+8+2+5+2+2+8+3+2+2+6+2+3+1+1+2+2+16 pages. Duration 2:15. Carl Fischer Music #BPS145. Published by Carl Fischer Music (CF.BPS145).

ISBN 9781491161258. UPC: 680160919840.

Dating back to the 13th century, the clock tower was located in the center of a town and used by townspeople to hear the time through bells and chimes ringing out. There are clock towers all over the world and they are wonderful landmarks to towns and communities. This work begins and ends with the Westminster Chimes theme, which is used by many clocks and clock towers, including Big Ben, the famous clock tower in London. Clock Tower contains many essential musical and technical skills for a beginning level band piece. The tick of the clock mechanism is imitated by pitched woodblocks, and the main theme is based on ascending and descending scale patterns, reinforcing note-reading ability for the beginning student. There are layers of new countermelodies and contrasting sections with dynamics and legato passages, giving the students an opportunity to play in different musical styles. There is a low brass and woodwind feature and a section introducing eighth notes to the upper winds. The sound between the woodwinds and the brass are also important, but many woodwind passages are cued in the brass in case a beginning band might need extra players to help with the balance and blend. This gives the director the opportunity to experiment with these cues and add a few other instruments when needed.
Dating back to the 13th century, the clock tower was located in the center of a town and used by townspeople to hear the time through bells and chimes ringing out. There are clock towers all over the world and they are wonderful landmarks to towns and communities. This work begins and ends with the Westminster Chimes theme, which is used by many clocks and clock towers, including Big Ben, the famous clock tower in London.  Clock Tower contains many essential musical and technical skills for a beginning level band piece. The tick of the clock mechanism is imitated by pitched woodblocks, and the main theme is based on ascending and descending scale patterns, reinforcing note-reading ability for the beginning student. There are layers of new countermelodies and contrasting sections with dynamics and legato passages, giving the students an opportunity to play in different musical styles. There is a low brass and woodwind feature and a section introducing eighth notes to the upper winds. The sound between the woodwinds and the brass are also important, but many woodwind passages are cued in the brass in case a beginning band might need extra players to help with the balance and blend. This gives the director the opportunity to experiment with these cues and add a few other instruments when needed. .

Percussion Ensemble - early intermediate

SKU: BT.DHP-0970885-070

By Gert Bomhof. By Gert Bomhof. De Haske Percussion Series. Educational Tool. Set (Score & Parts). Composed 1997. 16 pages. De Haske Publications #DHP 0970885-070. Published by De Haske Publications (BT.DHP-0970885-070).

English-German-French-Dutch.

Eine wirkungsvolle Komposition von Gert Bomhof für ein zehnköpfiges Percussion-ensemble. Es spielen mit: Glockenspiel, Xylophon (1 & 2), Marimbaphon (1 & 2), Templeblocks, Claves, Becken, Cowbell, Tamburin, Bongos, Drums, Pauken und Vibraslap.

Pièce pour 10 percussionnistes [Glockenspiel, Xylophone I-II, Marimba I-II, Temple-Blocks, Claves, Cymbales, Cloches de vache, Tambourin, Bongos, Batterie, 2 Timbales,Vibraslap]

Un brano di grande impatto, firmato Gert Bomhof, per ensemble di percussioni formato da dieci musicisti. Per glockenspiel, xilofono (1&2), marimba (1&2), templeblocks, clave, piatti, campanacci, tamburello, bongos, drums, timpani e vibraslap.

By David Steinquest. Concert Ensemble. For Bells, Xylophone, Marimba, Vibes, Chimes, Large & Small Gongs, Large & Small Shakers, Large & Small Woodblocks, (4) Glass Bowls (graduated in pitch), (5) Metal Bowls (graduated in pitch), Suspended Cymbal, Congas, Triangle, Bongos, (5) Temple Blocks. Level: 3. Duration 3:52. Published by Row-Loff Publications.

By Josh Gottry. For Percussion Ensemble (Bells (may double or substitute Vibraphone), Xylophone (may double or substitute Marimba), Marimba (4-octave), Timpani (4), Triangle, Agogo Bells (may double or substitute Cowbell), Temple Blocks (3 pitches; may double or substitute Woodblocks), Bongos (m). Ignite Series. Medium easy. Score and parts. Duration 3:00. Published by C. Alan Publications

Chamber Music 2 bongos), 2 temple blocks) (played with hard vibraphone mallets with rattan stems), 4 timpani, 5 graduated drums (tenor drum, 5 graduated wood drums (3 woodblocks, 6 crotales, Percussion I:, Percussion II:, chimes, field drum, glo, snare drum, tambourine

SKU: PR.114410510

For Four Percussionists and Piano Reduction. Composed by William Kraft. Set of Score and Parts. With Standard notation. 29+8+7+7+8 pages. Theodore Presser Company #114-41051. Published by Theodore Presser Company (PR.114410510).

UPC: 680160015290.

By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 6. Conductor Full Score. Duration 21:00. Published by Manhattan Beach Music.

Percussion Ensemble - easy

SKU: BT.DHP-1135509-070

Composed by Gert Bomhof. De Haske Percussion Series. Set (Score & Parts). Composed 2013. 20 pages. De Haske Publications #DHP 1135509-070. Published by De Haske Publications (BT.DHP-1135509-070).

9x12 inches. International.

Dieses leichte, attraktive Stück des Schlagzeugspezialisten Gert Bomhof wird sicherlich zahlreiche Percussionensembles ansprechen.Besetzung: Glockenspiel, Marimba 1, 2 & 3, Vibraphon, Cowbell, Templeblocks, Bongos, Drumset & Timbales (10 Stimmen)

S’agissant d’une pièce relativement facile, Malletino conviendra tout ensemble de percussions.Instrumentation : Glockenspiel, Marimba 1, 2 & 3, Vibra., Cowbell, Temple blocks, Bongos, Batterie & Timbales (10 voix).