SKU: HL.1295039

UPC: 196288170013. 6.75x10.5x0.019 inches.

Turn back the clock roughly a century with Kirby Shaw's bright and appealing arrangement of “The Best Things in Life Are Free,” a juanty jazz-age anthem with a timeless message of positivity. This classic by the legendary songwriting trio of DeSylva, Brown, and Henderson encourages us with the reminder that the greatest treasures - life, love, and the beauty of the world around us - can be ours at no cost.

SKU: MB.99870M

ISBN 9780786687176. 8.75 x 11.75 inches.

Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltranes career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltranes bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltranes style in notation and tablature grouped by the harmony over which they can be used. The accompanying play-along online audio provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. Includes access to online audio.

SKU: AP.1-ADV7663

UPC: 805095076639. English.

This piece could be best described as a classically constructed piece with a jazz attitude. The tonal language has more to do with 20th century chamber music than jazz, as do the form and the structure of the movements. The rhythmic language probably comes more from jazz than from the classical area, although at times the piece could go either way. The same could be said for the phrasing and articulation.