SKU: AP.12-0571510051
ISBN 9780571510054. English.
SKU: BT.EMBZ14177
English-German-Hungarian.
This is one of the most successful volumes in the series. Ãrpád Pejtsik s ABC does not seek to alter or influence teachers ideas about methodology, it simply offers colourful, attractive musical material, clearly grouped, which enables teachers to use the pieces in whatever order they wish. The musical material consists of children s songs, folk songs and duets and pieces with piano accompaniment ranging from musical memories of the Middle Ages to music of the present century. The duets are intended to enable pupil and teacher to make music together regularly the cello trios at the end of the volume allow learners to play chamber music together. The textual instructions aresupplied in three languages: German, English and Hungarian.
SKU: HL.14008392
ISBN 9780711936942.
The story centres on the English princess Caroline Mathilde (1751-1775), sister of George III, who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King, Christian VII. The ballet portrays her unhappy marriage, the King's growing madness and her fatal love-affair with Struensee, the King's influential physician, which leads to their arrest, his execution and her exile, at the age of 20, separated from her two young children. In keeping with the period, and perhaps also with the traditions of Romantic ballet, the music is relatively simple in harmony and form, and most of the action is conveyed in set-piece dances. The suite, which consists essentially of the second half of Act I, begins with one of these, a bristling interplay of wind and string ensembles in D major, portraying in the ballet a curious nuptial game with the king and princess on movable pedestals. The slow music that follows has to do with the king's healing by Dr. Struensee and the new queen's unquiet reverie (oboe and cor anglais solos). Then the suite, like the act, is capped by a pair of pas-de-deux, the first savage and bizarre for the royal couple, the second rich and passionate for the queen and the miracle-working doctor. Score (miniature). Duration c. 25mins.
SKU: MN.80-600
UPC: 688670806001. Psalms 148:9-13.
Combines Psalm 148:9-13 and first stanza ofNow Thank We All Our God in ABA format. Unison Voices sing Psalm 148 text in A section andNow Thank We appears in Two-Part B section with new Unison counter-melody. Also as independent anthem.
SKU: LM.JJ19848
ISBN 9790230819848.
SKU: PE.EP67836AA
ISBN 9790300746753.
Fenton Songs are settings of four poems from James Fenton’s collection Out of Danger. Wuorinen undertook these in 1997 as a preparation for setting Fenton’s libretto based on Salman Rushdie’s Haroun and the Sea of Stories. The first performances took place in New York at the Guggenheim Museum on May 17 and 18, 1998.
Wuorinen writes I see the sequence of poems as proceeding from public to private, from agitation to repose, with local ups and downs along the way.
SKU: MN.50-8901
UPC: 688670589010.
Excerpted from Faure Requiem. Text makes much admired work (Offertorium) suitable benediction. Amen may be used separately.
SKU: LM.28194A
ISBN 9790230931571.
Bleu - Les Fees - L'Ivresse - BWV 1007.
SKU: TI.TR00861
SKU: BR.SON-421
ISBN 9790004802663. 9 x 12 inches.
Nearly an entire decade lies between the first mention (1831) and the printing (1840) of the Trio op. 49. Mendelssohn kept trying to set it to paper, but he was probably again making too many demands on this work, his first in the piano trio genre. Yet his efforts were immediately rewarded: It is the master trio of the present, and Mendelssohn the Mozart of the 19th century, proclaimed Robert Schumann, who was also to compose a landmark D minor Trio seven years later. Mendelssohn's second Trio op. 66 was composed with a relatively light hand in 1845. Over and beyond the familiar Trios opp. 49 and 66, the corresponding volume of the Leipziger Mendelssohn-Ausgabe contains sketches and drafts in the same scoring, which were not further developed.
SKU: HL.48021254
UPC: 884088652203. 6.75x10.5 inches.
With a text by thirteenth century poet Meister Eckhart that speaks of the fall from and a return to grace, composer Brewbaker uses mostly homophonic writing with soft, contemporary harmonies to find the soul's rightful place in the universe. This emotional showstopper calls for the full range of a woman's voice and mature emotions. Duration: ca. 4:00.Performed by Somerset Festival Chorus at Wells Cathedral in England, Emily Ellsworth, conductor.
SKU: LO.60-1066H
UPC: 000308059151.
This new composition redefines the jazz ensemble ballad. Exotic timbres and vertical sonorities evoke cerulean blue colors that make this true chamber music for your ensemble. Using effects drawn from Romantic music of the late nineteenth century, muted Brass saxophones, guitar, bass and drums combine to create lush backdrops for the showcased tenor sax and piano soloists.
SKU: HL.14008420
9.0x12.0x0.489 inches.
There are seven songs and an instrumental interlude, making all together an entertainment that provides opportunity for very simple stage action and dancing: nothing at all elaborate is needed in the way of scenery and costumes. The voices are in unison throughout, and their part is always doubled by instruments, which should make it relatively easy for quite young children to learn their way into Davies's delightful tunes. The references to Hoy are incidental, and could possibly be adapted to suit the locality of a particular performance. In any event, most of these tall stories and rhymes will appeal to children everywhere. Set of instrumental parts (8 descant recorder parts, 4 tuned percussion parts and 4 unpitched percussion parts).
SKU: AP.36-A231301
ISBN 9798892704137. UPC: 659359794230. English.
Wolfgang Amadeus Mozart (1756-1791) wrote the music to COSI FAN TUTTE (So do they all), his third collaboration with librettist Lorenzo da Ponte, only after his contemporaty Antonio Salieri rejected the initial commission. Its first performance took place on January 26, 1790 at the Burgtheater in Vienna, Austria. Despite the strained credibility of the story, in which two men undertake a dare to deceive their lovers through feeble disguise and pretence in order to prove their faithfulness, Mozart enriched its characters with emotional depth, motivation, and humor. Though it took longer to achieve popularity than the other da Ponte operas, by the middle of the twentieth century, Cosi fan tutte had become a staple in opera houses all over the world. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set): Vocal soli (6 roles: SSSTBB): Mixed Chorus.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: LM.27391
ISBN 9790230973915.
SKU: BT.DHP-1094718-120
9x12 inches.
The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes, in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the â??Gloria in excelsis Deoâ?? refrain!Hinter diesem Titel verbirgt sich eine neue Bearbearbeitung des alten französischen Weihnachtsliedes Les anges dans nos campagnes aus dem Frankreich des 18. Jahrhunderts. In Deutschland kennt man es (u. a.) als Engel auf den Feldern singen, in England existiert neben dem oben genannten Titel auch die Version Angels We Have Heard on High. Allen gemeinsam ist der markante Refrain Gloria in excelsis Deoâ?? der dem Lied seinen besonders erhabenen, festlichen Charakter verleiht.Angels from the realms of Glory è uno dei più celebri e dei più bei canti natalizi. Questo splendido arrangiamento inizia su unâ??introduzione festiva che accompagna verso lâ??esposizione del tema in forma di corale. Segue un intermezzo dalle sonorit ampie e generose, che precede le riprese del corale di apertura dagli accenti gioiosi. Il brano si conclude in modo maestoso per rappresentare lâ??atmosfera meravigliosa e incantata che caratterizza il Natale.
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