| Buskers Fake Book All Time Hit Piano solo Music Sales | | |
| The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Easy Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Praise and Worship Fake Book - 2nd Edition C Instruments [Fake Book] Hal Leonard
For C Instruments. Composed by Various. Fake Book. Softcover. 456 pages. ...(+)
For C Instruments. Composed by Various. Fake Book. Softcover. 456 pages. Published by Hal Leonard (HL.160838).
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 250 Rock'n'roll All Hits Music Sales | | |
| Glitter, Doom, Shards, Memory Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441...(+)
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441690S String Quartet No. 3. Composed by Shulamit Ran. Sws. Contemporary. Full score. With Standard notation. Composed March 9 2013. 32 pages. Duration 23 minutes. Theodore Presser Company #114-41690S. Published by Theodore Presser Company (PR.11441690S). UPC: 680160626021. 9 x 12 inches. Ran's third string quartet was written for the Pacifica Quartet, who are featuring it in numerous performances from May 2014 through February 2016, across the country and abroad. Their blog page dedicated to the work also features the composer's notes, for more indepth insight. ...impassioned solos emerge from ominous quiet, and high arpeggios in the violins quiver alongside the earthy cello. Ms. Ran skillfully deploys these extremes of color, volume and pitch, yet the overall somewhat chilly impression is one of poise. -- Zachary Woolfe, The New York Times. My third string quartet was composed at the invitation of the Pacifica Quartet, whose music-making I have come to know closely and admire hugely as resident artists at the University of Chicago. Already in our early conversations Pacifica proposed that this quartet might, in some manner, refer to the visual arts as a point of germination. Probing further, I found out that the quartet members had special interest in art created during the earlier part of the 20th century, perhaps between the two world wars. It was my good fortune to have met, a short while later, while in residence at the American Academy in Rome in the fall of 2011, art conservationist Albert Albano who steered me to the work of Felix Nussbaum (1904-1944), a German-Jewish painter who, like so many others, perished in the Holocaust at a young age, and who left some powerful, deeply moving art that spoke to the life that was unraveling around him. The title of my string quartet takes its inspiration from a major exhibit devoted to art by German artists of the period of the Weimar Republic (1919-1933) titled “Glitter and Doom: German Portraits from the 1920sâ€, first shown at New York’s Metropolitan Museum of Art in 2006-07. Nussbaum would have been a bit too young to be included in this exhibit. His most noteworthy art was created in the last very few years of his short life. The exhibit’s evocative title, however, suggested to me the idea of “Glitter, Doom, Shards, Memory†as a way of framing a possible musical composition that would be an homage to his life and art, and to that of so many others like him during that era.  Knowing that their days were numbered, yet intent on leaving a mark, a legacy, a memory, their art is triumph of the human spirit over annihilation. Parallel to my wish to compose a string quartet that, typically for this genre, would exist as “pure musicâ€, independent of a narrative, was my desire to effect an awareness in my listener of matters which are, to me, of great human concern.  To my mind there is no contradiction between the two goals.  As in several other works composed since 1969, this is my way of saying ‘do not forget’, something that, I believe, can be done through music with special power and poignancy.   The individual titles of the quartet’s four movements give an indication of some of the emotional strands this work explores. 1) “That which happened†(das was geschah) – is how the poet Paul Celan referred to the Shoah – the Holocaust.  These simple words served for me, in the first movement, as a metaphor for the way in which an “ordinary†life, with its daily flow and its sense of sweet normalcy, was shockingly, inhumanely, inexplicably shattered. 2) “Menace†is a shorter movement, mimicking a Scherzo.  It is also machine-like, incessant, with an occasional, recurring, waltz-like little tune – perhaps the chilling grimace we recognize from the executioner’s guillotine mask.  Like the death machine it alludes to, it gathers momentum as it goes, and is unstoppable. 3) â€If I must perish - do not let my paintings dieâ€; these words are by Felix Nussbaum who, knowing what was ahead, nonetheless continued painting till his death in Auschwitz in 1944.  If the heart of the first movement is the shuddering interruption of life as we know it, the third movement tries to capture something of what I can only imagine to be the conflicting states of mind that would have made it possible, and essential, to continue to live and practice one’s art – bearing witness to the events.  Creating must have been, for Nussbaum and for so many others, a way of maintaining sanity, both a struggle and a catharsis – an act of defiance and salvation all at the same time. 4) “Shards, Memory†is a direct reference to my quartet’s title.  Only shards are left.  And memory.  The memory is of things large and small, of unspeakable tragedy, but also of the song and the dance, the smile, the hopes. All things human.  As we remember, in the face of death’s silence, we restore dignity to those who are gone.—Shulamit Ran . $29.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Great Hymns for Guitar Guitar notes and tablatures [Sheet music] - Easy Mel Bay
by William Bay. For all guitars. Sacred, strum/sing. Level: Beginning-Intermedia...(+)
by William Bay. For all guitars. Sacred, strum/sing. Level: Beginning-Intermediate. Book. Songbook. Size 8.75x11.75. 112 pages. Published by Mel Bay Pub., Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Solos for the Church Year Piano solo Hal Leonard
Composed by Various. Piano Solo Songbook. Sacred, Seasonal, Worship. Softcover...(+)
Composed by Various. Piano
Solo Songbook. Sacred,
Seasonal, Worship. Softcover.
240 pages. Published by Hal
Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Squeak Big: Practical Fundamentals for the Successful Clarinetist Clarinet Imagine Music
Composed by Phillip Paglialonga. For Clarinet. Method book. Published by Imagine...(+)
Composed by Phillip Paglialonga. For Clarinet. Method book. Published by Imagine Music
$32.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| English Songs 1800-1860 [Score] Stainer and Bell | | |
| The Novello Guide to Sight-Singing Choral - Intermediate Novello & Co Ltd.
Choral - Grade 3 SKU: HL.254428 An Interactive Course for All Choral S...(+)
Choral - Grade 3 SKU: HL.254428 An Interactive Course for All Choral Singers. Composed by Ralph Allwood and Timothy Teague. Music Sales America. Method, Sightsinging. Softcover Media Online. Composed 2017. 176 pages. Novello and Co Ltd. #NOV166067. Published by Novello and Co Ltd. (HL.254428). ISBN 9781785583162. UPC: 888680729127. 7.5x12.25 inches. English. Ralph Allwood MBE and Timothy Teague. This is the indispensable guide to learning how to sight-read choral music. Using special interactive technology, renowned choral educators Ralph Allwood and Timothy Teague take the user from the very basics of sight-reading to a level at which they can sing confidently in a choir. This guide provides clear explanations, exercises, tips and tricks on: basic music theory; scales and stepwise motion; larger intervals and awkward leaps; fast and effective reading of choral scores; examples from popular choral repertoire; general good practice for choral singing. Whether you are 7 or 70, a beginner or an experienced singer, this book will improve your ability to read music and help you to enjoy singing to the full.
This book is supported by SoundWise. It includes a range of interactive digital features: SoundCheck (powered by Match My Sound) ? This unique assessment and feedback software lets you use your phone, tablet or computer to help you practice. SoundCheck listens to you sing, then gives you instant feedback on how to improve!; eBook ? A digital edition of your book to read on any device; Video ? Tips and demonstrations from the authors. $29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 31 Bach Chorales for Sight-Singing and Performance
Choral SATB SATB Hal Leonard
Johann Sebastian Bach. Arranged by John Leavitt. (SATB). Methodology Chorals. Si...(+)
Johann Sebastian Bach. Arranged by John Leavitt. (SATB). Methodology Chorals. Size 6.75x10.5 inches. 88 pages. Published by Hal Leonard.
(5)$5.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Grade by Grade - Double Bass (Grade 1) Double Bass [Sheet music + CD] Boosey and Hawkes
With CDs of Performances and Accompaniments. Edited by Catherine Elliott. Bo...(+)
With CDs of Performances and
Accompaniments. Edited by
Catherine Elliott. Boosey &
Hawkes Chamber Music.
Classical. Softcover with CD.
60 pages. Boosey & Hawkes
#M060132261. Published by
Boosey & Hawkes
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Your Musical Child [Sheet music] String Letter Publishing
Inspiring Kids to Play and Sing for Keeps. By Jessica Baron Turner. String Lette...(+)
Inspiring Kids to Play and Sing for Keeps. By Jessica Baron Turner. String Letter Publishing. Softcover. 240 pages. Published by String Letter Publishing.
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
1 |