Composed by Henry Purcell (1659-1695). For descant recorder, treble recorder, tenor recorder, bass recorder. Score and part(s). 30 pages. Published by Universal Edition

By Henry Purcell (1659-1695). For Other Keyboard. Book; Harpsichord Collection; Masterworks. Faber Edition. Baroque; Masterwork. Published by Faber Music

Concert band (Flute 1, Flute 2, Oboe*, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet*, Bassoon*, Alto Saxophone 1/2*, Tenor Saxophone*, Baritone Saxophone*, Horn in F 1, Horn in F 2, Bb Trumpet 1, Bb Trumpet 2, Trombone 1, Trombone 2*, Euphonium, (Barit) - grade 3

SKU: CN.R10109

Composed by Stuart Johnson. Arranged by Stuart Johnson. Band Music. Score and parts. Duration 4:00. Published by G & M Brand Music Publishers (CN.R10109).

Marked by driving staccato eighth note ostinatos that are freely passed around the ensemble, Toccata keeps you on your toes from start to finish.

Commissioned by the Tutbury Community Band, conductor Malcolm Heywood, this work was first performed on the occasion of the 900th anniversary of the foundation of Tutbury Church. Toccata originally meant 'touch piece' and is particularly associated with keyboard works of the Renaissance and Baroque. Stuart Johnson takes this spirit and transfers it to the concert band as staccato quavers, used as an ostinato against a rising bass theme. Later the accompaniment is transferred to other sections of the band, but the pulse is retained until a central, more lyrical section. A recapitulation of the allegro leads to a stirring climax.

By Domenico Scarlatti (1685-1757). For Keyboard. Masterworks; Sheet; Solo; Song - Sacred; Vocal; Worship Resources. Faber Edition. Baroque; Masterwork. Published by Faber Music

Harpsichord

SKU: HL.14020226

Composed by Elizabeth Maconchy. Music Sales America. Classical. Book [Softcover]. Composed 2002. 16 pages. Chester Music #CH55112. Published by Chester Music (HL.14020226).

8.25x11.75x0.077 inches.

A Harpsichord is a musical instrument played by means of a keyboard. It produces sound by plucking a string when a key is pressed. The instrument was widely used in Renaissance and Baroque music. During the late 18th century,it gradually disappeared from the musical scene with the rise of the Piano. In the 20th century, it made a resurgence, being used in historically informed performances of older music, in new (contemporary) compositions, and inpopular culture.

This piece is perfect for anyone who wants to discover this unique instrument. Composed in 1966 by Elizabeth Maconchy the upbeat allegro of Notebook For Harpsichord takesapproximately 8 minutes to perform.

By Johann Valentin Rathgeber (1682 - 1750). Arranged by David Marlatt. For 2 Trumpets & Keyboard. Brass - Cornet (Trumpet) Duet. Baroque. Level: Medium-Difficult. Duration 00:08:20. Published by Eighth Note Publications.

Organ

SKU: SU.80101335

For Organ. Composed by Franklin Ashdown. Keyboard, Organ. Score. Zimbel Press #80101335. Published by Zimbel Press (SU.80101335).

Organ Duration: 12'30 Composed: 2013 Published by: Zimbel Press Ancient Dances is a delightful set of four organ pieces inspired by Renaissance and baroque music. The four movements are Rigadoon, Sarabande, Pavane, and Gigue.

Organ

SKU: SU.80101139

For Organ. Composed by Emma Lou Diemer. Keyboard, Organ. Score. Zimbel Press #80101139. Published by Zimbel Press (SU.80101139).

This work is a continuous set of variations for organ on the hymn tune Coatue (Carson Cooman; To Hear the Word That You Pass By). The work opens with a neo-baroque setting and move towards a rhythmic and resplendent conclusion. Useful for service or recital and not difficult. 16 pages Published by: Zimbel Press.

Harp; Violin

SKU: UT.MAG-277

Composed by Ludwig van Beethoven. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 277. Published by Ut Orpheus (UT.MAG-277).

ISBN 9790215326897. 9 x 12 inches.

De Marin’s harp compositions are different from the whole repertoire coeval with him. From the compositional point of view, in his music there is a peculiar synthesis of stylistic elements of different origins: the lesson of the great Baroque composers can be easily recognized in the polyphonic conduct of slow movements, while in the use of ornamentation he recalls the style of French keyboard music from the first half of the 18th century. There are also hints of the sensitive style which was typical of harp music by Meyer and Krumpholtz, with frequent forays into minor keys and a certain formal indeterminacy, but at the same time the composer’s gaze turns forward, towards the Beethovenian conquests. All these elements translate into a harpistic language which seemed revolutionary to contemporaries and which still does not fail to amaze. In particular, the use of the peculiar sound effects of the harp takes on a characteristic role: harmonic and muffled sounds, pedal slides, to which is added the use of the eighth pedal, of rénforcement (disappeared in modern harps), are integrated into the writing and become part of the compositional fabric in all respects, according to a concept that will later be found only in the harp music of the twentieth century.
His knowledge of Beethoven’s compositions is testified by these two adaptations of the Adagios of violin sonatas op. 12, n. 2 and 3, published by Marin shortly after the first printing of the originals.

By Georg Philipp Telemann (1681-1767). Arranged by David Marlatt. For F Horn and Keyboard. Brass - French Horn Solo; Masterworks; Solo. Baroque. Part(s). Duration 00:08:40

By Johann Sebastian Bach. Arranged by David Marlatt. For Trumpet & Keyboard. RCM List. Baroque. Level: Easy-Medium. Duration 00:03:35. Published by Eighth Note Publications.

Piano - Level 4-5

SKU: DB.01-00604

Preludes I-XII. Composed by Robert Schollum. Keyboard music. Composed 1974 - 1982. Op. 113. 19 pages pages. Doblinger Music Publishers #01-00604. Published by Doblinger Music Publishers (DB.01-00604).

In book 1 the twelve Preludes are completely varied and offer a marvellous contrast to those of the baroque. Their use will serve to show the vast changes in compositional techniques in the two century gap. Tempi changes and instructions regarding interpration.

Euphonium Trio - advanced

SKU: CY.CC2990

Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Score and Parts. 14 pages. Cherry Classics #2990. Published by Cherry Classics (CY.CC2990).

ISBN 9790530058091.

Fantasy and Fugue in D minor BWV 905 is one of Bach's least known works originally written for keyboard. The Fantasy is of moderate tempo and relatively short. The top two lines have many suspensions while the bottom line (optionally performed on Tuba) is scalelike. The Fugue is more lengthy with the top lines trading off short repeated passages while the bass line winds around alternating scales and octave jumps.
Mr. Sauer's excellent arrangement is appropriate for advanced performers and is about 6 minutes in length. All parts are in bass clef.