SKU: GI.G-8315

UPC: 785147831501. English, Latin. Text Source: Vv. 'In paradisum' Translation: Chris de Silva. Text by Chris de Silva.

This tender song of farewell incorporates Chris’ original text with a modern harmonization of In paradisum (Mode VII) in Latin. A simple, arpeggiated accompaniment reflects the compassionate comfort of this graceful song for funerals. Optional string quartet and oboe parts are available separately and add to the expressiveness of this piece. For Cantor or Solo, SATB choir, and assembly this touching original work by Chris de Silva quotes the Latin chant In paradisum and offers solace and hope for those who have suffered loss. For cantor or soloist.

SKU: GI.G-8208

UPC: 785147820802. Latin. Text Source: From Gloria in excelsis.

A wonderful “bridge” piece of praise, “Laudamus te” celebrates and honors the traditions of different musical groups. It enables ensemble singers to experience linear, extended choral writing, while at the same time allowing the “traditional” choir to sing a simple Latin text over a piano/guitar accompaniment. The piece is rounded out by the use of strings and winds.

SKU: GI.G-10314

ISBN 7851471031413. English, Latin. Text Source: Antiphons tr. Charles Thatcher, verses, The Grail, 1963.

Entrance Antiphons for the Church Year contains thirty antiphon texts from the Graduale Simplex, translated from Latin and set to newly composed music. The psalm verses appointed for these antiphons are taken from the Grail translation (1963). As with the Responsorial Psalm of the Mass, the assembly sings the antiphon after its intonation by the cantor/choir, repeating it after each verse of the psalm. The number of psalm verses which are sung may vary according to need. The singing of the doxology, Glory to the Father, while recommended, is optional. In several cases (e.g., Christmas and Easter), the assembly sings a refrain—a simple acclamation in Latin—and the actual antiphon text is sung by the cantor/choir. The antiphon functions as a first and final verse. It is thought that liturgical singing in the early Church consisted in part of such short acclamatory phrases. Many of the antiphons in this collection are proper to a specific Sunday, solemnity, or feast. The rest are seasonal in nature and, like the common Responsorial Psalms of the Lectionary, may be chosen according to what seems best for the occasion. The antiphons of Christmas Day and Easter Sunday could be used at daily Masses during their octaves. Notations in the scores of some antiphons suggest alternate occasions when they are appropriate. Regarding performance, these compositions were conceived with flexibility in mind. Assembly participation and instrumental accompaniment are assumed. SATB choral singing is effective, but not necessary. Discrete use of descants where provided can lend an air of festivity. Psalm verses might be sung by an entire choir, by a small group or cantor, or a combination of both.