| Teaching Little Fingers to Play Classics - Book/CD Piano solo [Sheet music + CD] - Beginner Willis Music
Teaching Little Fingers to Play/Early Elementary Level. Arranged by Randall Hart...(+)
Teaching Little Fingers to Play/Early Elementary Level. Arranged by Randall Hartsell. Willis. Book with CD. 24 pages. Published by Willis Music.
$15.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Little Ceremonial Orchestra Full Score Chester
Little Ceremonial was commissioned by the West Australian Symphony Orchestra, ge...(+)
Little Ceremonial was commissioned by the West Australian Symphony Orchestra, generously supported by Janet Holmes a Court AC, and the Norfolk and Norwich Festival. It was first performed on 26th March 2010 at the Perth Concert Hall, conducted by Paul Daniel
$19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Music for Little Mozarts: Recital Book 3
Piano solo [Sheet music] - Beginner Alfred Publishing
By Christine H. Barden, Gayle Kowalchyk, and E. L. Lancaster. For Piano. Piano M...(+)
By Christine H. Barden, Gayle Kowalchyk, and E. L. Lancaster. For Piano. Piano Method. Music for Little Mozarts. Book. 32 pages. Published by Alfred Publishing.
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Scott: A Complete Little Russian Suite for Piano Piano solo Music Sales
Cyril Scott was an English composer, writer, an...(+)
Cyril Scott was an English composer, writer, and poet. He was essentially a late romantic composer, whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works,which include two mature symphonies, three operas, three Piano concertos,concertos for Violin, Cello, Oboe and Harpsichord, several overtures, four oratorios, as well as a mass of chamber music
$14.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Real Little Classical Fake Book - 2nd Edition Piano solo - Intermediate Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
$27.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Classical Era - Easy to Intermediate Piano Solo Piano solo - Intermediate Hal Leonard
Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature...(+)
Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature and Chamber Music. World's Greatest Classical Music. Size 9x12 inches. Published by Hal Leonard.
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony No. 6 [Score] Theodore Presser Co.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band SKU: PR.16500104F Three Places in the East. Composed by Dan Welcher. Full score. Theodore Presser Company #165-00104F. Published by Theodore Presser Company (PR.16500104F). ISBN 9781491132159. UPC: 680160681082. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $90.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| little tree Choral SATB Hal Leonard
Composed by Eric Whitacre (1970-). Eric Whitacre Choral. Concert. Octavo. Dura...(+)
Composed by Eric Whitacre
(1970-). Eric Whitacre Choral.
Concert. Octavo. Duration 300
seconds. Published by Hal
Leonard
$3.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Shadow of Fate (reimagined from Beethoven's 5th Symphony) [Score] - Easy Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: C...(+)
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: CF.YAS215F Arranged by Jeffrey Turner. Carl Fischer Young String Orchestra Series. Full score. 8 pages. Carl Fischer Music #YAS215F. Published by Carl Fischer Music (CF.YAS215F). ISBN 9781491160756. UPC: 680160919352. Beethoven's 5th Symphony is one of the best-known musical compositions of the Classical period. Its opening measures are instantly recognizable, even to the non-musician. This arrangement takes a little different approach to this passionate masterpiece. Instead of the bold, dynamic energy of the original score, this arrangement features a softer, delicate interpretation, creating a sense of loneliness, loss, and heartbreak in a gentle setting. While the tempo of this piece is notated as Largo, rubato, the arranger encourages conductors to use rubato liberally for ultimate dramatic effect. Suggested measures for additional ritardando include the end of measure 9 and measures 13 through 15. Holding back the tempo momentarily at the discretion of the director can convey the fullest range of expression and emotion. Beethoven’s 5th Symphony is one of the best-known musical compositions of the Classical period. Its opening measures are instantly recognizable, even to the non-musician. This arrangement takes a little different approach to this passionate masterpiece. Instead of the bold, dynamic energy of the original score, this arrangement features a softer, delicate interpretation, creating a sense of loneliness, loss, and heartbreak in a gentle setting. While the tempo of this piece is notated as Largo, rubato, the arranger encourages conductors to use rubato liberally for ultimate dramatic effect. Suggested measures for additional ritardando include the end of measure 9 and measures 13 through 15. Holding back the tempo momentarily at the discretion of the director can convey the fullest range of expression and emotion. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shadow of Fate (reimagined from Beethoven's 5th Symphony) - Easy Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: C...(+)
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: CF.YAS215 Arranged by Jeffrey Turner. Carl Fischer Young String Orchestra Series. Set of Score and Parts. 8+8+2+5+5+5+8 pages. Carl Fischer Music #YAS215. Published by Carl Fischer Music (CF.YAS215). ISBN 9781491160497. UPC: 680160919086. Beethoven's 5th Symphony is one of the best-known musical compositions of the Classical period. Its opening measures are instantly recognizable, even to the non-musician. This arrangement takes a little different approach to this passionate masterpiece. Instead of the bold, dynamic energy of the original score, this arrangement features a softer, delicate interpretation, creating a sense of loneliness, loss, and heartbreak in a gentle setting. While the tempo of this piece is notated as Largo, rubato, the arranger encourages conductors to use rubato liberally for ultimate dramatic effect. Suggested measures for additional ritardando include the end of measure 9 and measures 13 through 15. Holding back the tempo momentarily at the discretion of the director can convey the fullest range of expression and emotion. Beethoven’s 5th Symphony is one of the best-known musical compositions of the Classical period. Its opening measures are instantly recognizable, even to the non-musician. This arrangement takes a little different approach to this passionate masterpiece. Instead of the bold, dynamic energy of the original score, this arrangement features a softer, delicate interpretation, creating a sense of loneliness, loss, and heartbreak in a gentle setting. While the tempo of this piece is notated as Largo, rubato, the arranger encourages conductors to use rubato liberally for ultimate dramatic effect. Suggested measures for additional ritardando include the end of measure 9 and measures 13 through 15. Holding back the tempo momentarily at the discretion of the director can convey the fullest range of expression and emotion. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Little New Broadway Fake Book C Instruments [Fake Book] Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway. Softcover.
696 pages. Published by Hal
Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Teaching Little Fingers to Play Songbook - 55 Fantastic Songs for the Earliest Beginner Piano solo [Sheet music + Audio access] - Beginner Willis Music
Early Elementary Level. Composed by Various. Arranged by Various. Willis. Recita...(+)
Early Elementary Level. Composed by Various. Arranged by Various. Willis. Recital, Solos. Softcover Audio Online. 128 pages. Published by Willis Music
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classics Easy Piano [Sheet music] - Beginner Willis Music
Teaching Little Fingers to Play/Early Elementary Level. Arranged by Randall Hart...(+)
Teaching Little Fingers to Play/Early Elementary Level. Arranged by Randall Hartsell. Willis. Softcover. Size 8.5x11 inches. 24 pages. Published by Willis Music.
$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonata Seesaw Music Corp
Little Symphony SKU: SU.50022950 For Little Symphony. Composed by ...(+)
Little Symphony SKU: SU.50022950 For Little Symphony. Composed by Gen Parchman. Orchestra. Study Score. Seesaw Music Corp #50022950. Published by Seesaw Music Corp (SU.50022950). Parts avaiable on rental. Copyright 1971. Published by: Seesaw Music. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Peter Ilyich Tchaikovsky : Little Russian March (from Symphony No. 2) String Orchestra [Score and Parts] - Easy Hal Leonard
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Robert Longfield. For Orche...(+)
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Robert Longfield. For Orchestra, String Orchestra (Score and Parts). Easy Music For Strings. Grade 2. Published by Hal Leonard
$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Haydn: His Greatest Piano Solos Piano solo Music Sales
By Alexandra Shealy (Editor). For Piano. Classical. 191 pages. Published by Musi...(+)
By Alexandra Shealy (Editor). For Piano. Classical. 191 pages. Published by Music Sales.
35 pieces, including Album Leaf, A Little Waltz, Capriccio, Country Dance, Oxen Minuet, Oxford Symphony, Fantasia and more.
$12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Allegretto from Symphony No. 5 Mvt. 2 String Orchestra [Score and Parts] - Intermediate Southern Music Ltd
For String Orchestra. Composed by Dmitri Shostakovich (1906-1975). Arrange...(+)
For String Orchestra.
Composed by Dmitri
Shostakovich (1906-1975).
Arranged by Lauren Keiser.
Southern Music. Classical.
Softcover. Southern Music
Company #SO125C. Published
by Southern Music Company
$65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony AD 78 Concert band [Score] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet,...(+)
Concert band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Eb Alto Saxophone 1/2, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd/3rd Bb Cornet, 1) - grade 5 SKU: CN.S11158 Composed by Gordon Jacob. Band Music. Score only. Duration 15:30. Published by G & M Brand Music Publishers (CN.S11158). A powerful work. An opening fanfare leads directly to an Allegro risoluto, which exudes determination and forthrightness. The second movement follows without a break and is a continuous plaint in which the melody seems forever seeking resolution like a troubled soul searching for respite. Only in the closing bars does peace seem to take over. The final movement, marked Allegro non troppo, starts with a cheering fanfare that leads to a bright and breezy romp, with a rustic feel about it. When the fanfare reappears we are suddenly immersed in exaltations of joy that really give a feeling of optimism as we proceed to the end of the piece via a short Coda.
With this Symphony, Gordon Jacob proclaims his absolute mastery of idiom and instrumentation with a triumphant rejoicing. Written in 1978 as a commission from Arthur Doyle (hence the AD in the title, a typical piece of Jacob wit), it lay virtually unplayed save for the efforts of his Estate, Troy Peterson and Geoffrey Brand and CBDNA (College Band Directors Association, USA), who between them ensured that it was professionally recorded in 1994 and published in 1995. There is little point in indulging in semantics as to whether the piece is a Symphony. It is Jacob's approach to his tuneful, folk-based material which is symphonic: weighty in exposition and development, sonorous and expressive in the slow movement, with a scherzo-like last movement and a giocoso coda. After a brilliant opening fanfare, the quick triple-meter first theme (Allegro Risoluto) is introduced on clarinets, punctuated with brass. It is soon followed by a contrasting melody for saxophone. In all this material the interval of a 4th is prominent, and throughout the work the 4th and 7th are important. Perhaps it is the frequent use of the 7th which gives a feeling of restlessness without resolution which pervades this movement as the themes are dissected and developed. The second movement follows directly after a horn bridge. Still the melody outlines the 7th and the ear is not satisfied until the full band (with organ), comes to rest in Bb major. This point of repose and the magic pianissimo which follows shortly after when the slow theme is re-stated, are the apex of the Symphony's construction. Soon, however, we are transported, via a fanfare, into a helter-skelter 9/8 romp: rustic, English, and almost vulgar, this theme is thrown around the group before exploding into a boisterous 2/4 coda. $30.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Allegretto Grazioso (from Symphony No. 8) String Orchestra - Intermediate Alfred Publishing
By Antonin Dvorak. Arranged by Robert Sieving. By Antonin Dvorak / arr. Robert S...(+)
By Antonin Dvorak. Arranged by Robert Sieving. By Antonin Dvorak / arr. Robert Sieving. For String Orchestra. String Orchestra. Highland String Orchestra. Level: 3.5 (grade 3.5). Conductor Score and Parts. 94 pages. Published by Alfred Publishing.
$56.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Witold Lutoslawski: Little Suite (For Symphony Orchestra) Orchestra [Score] Chester
Orchestra (Study Score) SKU: HL.14019657 Composed by Witold Lutoslawski. ...(+)
Orchestra (Study Score) SKU: HL.14019657 Composed by Witold Lutoslawski. Music Sales America. Classical. Book [Softcover]. Composed 1999. 68 pages. Chester Music #CH55923. Published by Chester Music (HL.14019657). UPC: 884088490324. 8.5x11.0x0.166 inches. The original version of this work, scored for chamber orchestra, was written in 1950 in response to a commission from Warsaw Radio. In the following year the composer revised and slightly extended the work and rescored it for symphony orchestra. The first performance was given by the Warsaw Radio Symphony Orchestra, conducted by Grzegorz Fitelberg, in Warsaw in April 1951. The work uses folk melodies from the village of Machow in the region of Rzeszow, east of Cracow. Duration c.11 mins. Full score and orchestral parts available on hire from the publisher. $17.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Little Suite Potenza Music
Bassoon duo SKU: P2.40010 Composed by Reed Hanna. Chamber music. Publishe...(+)
Bassoon duo SKU: P2.40010 Composed by Reed Hanna. Chamber music. Published by Potenza Music (P2.40010). Little Suite is a short work for bassoon and bass clarinet that I wrote in 2013-2014 as a gift for my friends Shannon Lowe (bassoon) and Peter Geldrich (clarinet). The movements are written in three distinct musical styles: the first movement is inspired by clarinet lines in the opening section of Stravinsky's Symphonies of Wind Instruments, and the second movement by the Passacaglia in Krzysztof Penderecki's Symphony No. 3. The third movement is an original dance tune that I sometimes jokingly like to refer to as a 3/4 rhumba. The version for two bassoons came as an afterthought after I had performed the piece for the first time with a bass clarinetist. The two bassoon iteration not all that different from the original, but sounds remarkably different because of the same instrumental timbre. I have since wondered what the piece would sound like if the second part were played on a cello, or the first part (with some obvious octave transpositions) on a viola... $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Little Suite Potenza Music
Bassoon and Bb clarinet SKU: P2.30139 Composed by Reed Hanna. Duet. Publi...(+)
Bassoon and Bb clarinet SKU: P2.30139 Composed by Reed Hanna. Duet. Published by Potenza Music (P2.30139). Little Suite is a short work for bassoon and bass clarinet that I wrote in 2013-2014 as a gift for my friends Shannon Lowe (bassoon) and Peter Geldrich (clarinet). The movements are written in three distinct musical styles: the first movement is inspired by clarinet lines in the opening section of Stravinsky's Symphonies of Wind Instruments, and the second movement by the Passacaglia in Krzysztof Penderecki's Symphony No. 3. The third movement is an original dance tune that I sometimes jokingly like to refer to as a 3/4 rhumba. The version for two bassoons came as an afterthought after I had performed the piece for the first time with a bass clarinetist. The two bassoon iteration not all that different from the original, but sounds remarkably different because of the same instrumental timbre. I have since wondered what the piece would sound like if the second part were played on a cello, or the first part (with some obvious octave transpositions) on a viola... $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 2 [Score] - Intermediate Carl Fischer
Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 4.5 S...(+)
Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 4.5 SKU: CF.SAS9F Finale. Composed by Emilie Mayer. Arranged by Lauren Taylor. Full score. 20 pages. Duration 5:12. Carl Fischer Music #SAS9F. Published by Carl Fischer Music (CF.SAS9F). ISBN 9781491163221. UPC: 680160921973. Key: D minor. Despite an impressive body of work, little is known about German composer Emilie Mayer (1812-1883). Mayer studied composition with Carl Loewe after the death of her parents, writing a total of eight symphonies, eight violin sonatas, twelve cello sonatas, six piano trios, seven string quartets, seven orchestral overtures, and numerous works for piano and voice. Mayer's works were acclaimed in Germany and she toured frequently performing her music, an unheard of practice for a single woman at the time. Regrettably, however, most of her work remained unpublished at the time of her death. Written in her 30s, Mayer's stormy fourth and final movement from her second symphony reveals her bold Romantic style and growing confidence as a composer. Arranged for string orchestra and timpani, this movement was painstakingly drawn from the handwritten score, offering a profound opportunity for students to experience the music of this incredible composer for the first time. $9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 2 - Intermediate Carl Fischer
Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 4.5 S...(+)
Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 4.5 SKU: CF.SAS9 Finale. Composed by Emilie Mayer. Arranged by Lauren Taylor. Set of Score and Parts. Duration 5:12. Carl Fischer Music #SAS9. Published by Carl Fischer Music (CF.SAS9). ISBN 9781491162880. UPC: 680160921638. Key: D minor. Despite an impressive body of work, little is known about German composer Emilie Mayer (1812-1883). Mayer studied composition with Carl Loewe after the death of her parents, writing a total of eight symphonies, eight violin sonatas, twelve cello sonatas, six piano trios, seven string quartets, seven orchestral overtures, and numerous works for piano and voice. Mayer's works were acclaimed in Germany and she toured frequently performing her music, an unheard of practice for a single woman at the time. Regrettably, however, most of her work remained unpublished at the time of her death. Written in her 30s, Mayer's stormy fourth and final movement from her second symphony reveals her bold Romantic style and growing confidence as a composer. Arranged for string orchestra and timpani, this movement was painstakingly drawn from the handwritten score, offering a profound opportunity for students to experience the music of this incredible composer for the first time. $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rubank Trombone Symphony Collection Of Compositions Adapted For 4 Trombones Trombone Hal Leonard | | |
| The Symphonic Wind Music of David R. Holsinger - Volume 10 Voice [Listening CD] Mark Custom Music
By The University of Texas at El Paso Wind Symphony. By David R. Holsinger. For ...(+)
By The University of Texas at El Paso Wind Symphony. By David R. Holsinger. For Wind Symphony. Classical. Performance CD
$14.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Symphony No. 1 - The Borgias (The Black Legend) - 2. Nepotism Concert band [Score] Hal Leonard
Concert Band (Score) SKU: HL.4008922 Score. Composed by Otto M. Sc...(+)
Concert Band (Score) SKU: HL.4008922 Score. Composed by Otto M. Schwarz. Symphonic Dimensions. Symphony. Softcover. Duration 555 seconds. Hal Leonard #SDP1422201. Published by Hal Leonard (HL.4008922). UPC: 196288277538. A sinister legend hangs over the Borgia family, a legend of corruption, abuse of power, orgies, sex and murder. These rumors proliferated especially during the papacy of Alexander VI, a descendant of the family, who was even called the Antichrist. On his death, contemporary witnesses reported that the devil himself prowled around the death chamber and a black dog run along the corridors of the Vatican as his emissary. One might say that this Borgia pope, who ruled together with his family with the greatest brutality, became demonized. Unscrupulousness, poison-toting, incest and other malice are to this day the hallmarks of this pontiff. 2. NEPOTISM Rodrigo Borgia was elected Pope on August 11, 1492. From the very start, the new pope was prepared to use any means to eliminate his opponents, either through the infamous “Borgia poison” or by excommunication and execution. His son Cesare, who wanted little to do with the church, was appointed cardinal against his will. Alessandro Farnese, broth of Giulia Farnese, the Pope's mistress, also became a cardinal. Numerous Spaniards were brought into the country and were appointed to ecclesiastical posts. This infuriated the opponents of Alexander VI. The Dominican Girolamo Savonarola from Florence demanded the removal of the Pope. He was tortured and banned. Giuliano della Rovere wanted to convene councils to depose the Pope, which Alexander managed to prevent through artful political maneuverings. Through great brutality, brillian political skill and power games, this pope was able to achieve his goal of leaving for his children a great legacy. Alexander VI constantly changed his allies and always acted unscrupulously to improve his financial situation and expand his sphere of influence. At the centre of the second movement of this work is the medieval hymn Dies Irae (Day of Wrath), which acts as a warning in the background condemning the Pope's actions. $43.00 - See more - Buy online | | |
Next page 1 31 61 ... 571 |