SKU: PR.114417830
UPC: 680160636860.
With support from Elizabeth and Justus Schlichting, Pann's Second String Quartet was written for the Takacs Quartet to honor the contributions of NancyBell Coe as president of the Music Academy of the West. The Takacs, hailed as one of the world's greatest ensembles, performed the work as part of a weeklong series of masterclasses at the Academy's Summer Festival 2015. The Second String Quartet is made up of six descriptive movements: I. L'Extase, II. Precipitato, III. Passacaglias, IV. Commute, V. Adjusting the Torque, VI. Escher's Rounds. For advanced performers.
SKU: GI.G-9000
ISBN 9781622772155.
Ritual Song—Second Edition includes music that has withstood the test of time, the best of new music we have gained since the first edition, and the most successful mass settings and service music written since the implementation of the Revised Order of Mass. With an expanded repertoire of music for rituals surrounding the RCIA, initiation, funerals, and healing services, this hymnal will appeal to communities that embrace a broad range of worship styles. Ritual Song—Second Edition contains:    •   A balanced mix of musical styles from chant to contemporary and everything in between    •   Two complete Lectionary psalters    •   Select pieces from the popular Lyric Psalter along with other lyrical psalm settings    •   11 complete mass settings including Tony Alonso's new setting, Mass of Christ, Light of the Nations    •   Orders of service for Taizé Prayer, Stations of the Cross, and other popular forms of prayer and devotions    •   An expanded repertoire of music for rituals including RCIA, penance, funerals, healing services, and more    •   A wide selection of world music and music from the Taizé and Iona Communities    •   A diversity of languages for bilingual or multilingual worship    •   The best music from every respected publisher serving the Roman Catholic Church This pew edition also contains scripture references for each Sunday and feast day of the three-year Lectionary cycle, along with the full Passion gospels in parts for Palm Sunday and Good Friday. visit RITUAL SONG page.
SKU: HL.50603560
ISBN 9788759841938. UPC: 840126933840. 12.0x16.5x0.55 inches.
Second SymphonyŸis in four movements. The first movement opens with a scream. The subsequent parts of the movement form a unified but complex whole, where traces from the coming movements turn up - constantly in interaction with the scream and its echoes. The second movement is slow and rather melodious. It was actually performed in a “trailer version†- shortened and minimized in December 2018 in the Danish TV programme 'Deadline'. The third movement is a scherzo - teeming, rhythmic, with almost physical soft and violent meetings, like acts of love between the different layers of music. The last movement is a farewell song - a goodbye. A musical ship is approaching only to disappear again. Where the composer perceives the preceding movements as highly contemporary, there is a touch of the past in this last movement - the composer's past. Sorensen quotes his fourth string quartet 'Schreie und Melancholie', and in this movement he was also influenced by the fact that his mother passed away during the composition of this piece.
SKU: HL.44012051
9x12 inches. English-German-French-Dutch.
Les Trois Mousquetaires (The Three Musketeers) was commissioned by the Miraphone company for the Miraphone Tuba Quartett and the Musique des Gardiens de la Paix (Paris, France). It was premiered in Guebwiller (France), on 28 June 2003 by its dedicatees.Even if you have never read a line of the mythical novel The Three Musketeers (1844) by Alexandre Dumas, father, you will at least have heard of the four invincibles; four extraordinary names - D'Artagnan, Athos, Porthos, and Aramis - and one unique motto All for one, and one for all. The musical texture of Les Trois Mousquetaires is focused on specific elements of a character's personality rather thanon its influence on the book's plot. Maxime Aulio has largely turned his attention on D'Artagnan, the sensitive, romantic and perfect gentleman who is easily charmed by women such as the gentle Constance Bonacieux and the perfidious Milady de Winter whose beguiling beauty seduced him. The first movement - D'Artagnan - is true to the character of the young provincial noble of the Gascony region: heroic and enthusiastic in all circumstances. The second movement entitled Constance Bonacieux, is romantic, delicate and passionate. The third and last movement is as duplicitous as the bewitching femme fatale its reveals: Milady de Winter. Les Trois Mousquetaires (De drie musketiers) is geschreven in opdracht van de firma Miraphone, voor het Miraphone Tuba Quartett en de Musique des Gardiens de la Paix (Parijs). De premiere vond op 28 juni 2003 plaats in Guebwiller (Frankrijk).Ook wie nooit een zin heeft gelezen van de mythische roman De drie musketiers (1844) van Alexandre Dumas pere, heeft in elk geval gehoord van de vier onoverwinnelijken - D'Artagnan, Athos, Porthos en Aramis - en hun unieke lijfspreuk Een voor allen, allen voor een. Dumas' roman is vaak bewerkt en blijft tot de verbeelding preken. De muzikale structuur van Les Trois Mousquetaires is gebaseerd op specifieke elementenvan de karakters en niet zozeer op de plot van het boek. Maxime Aulio heeft zich vooral geconcentreerd op D'Artagnan, de gevoelige, romantische gentleman die zich gemakkelijk laat verleiden door vrouwen als de mooie Constance Bonacieux en de valse femme fatale Milady de Winter. Het eerste deel, D'Artagnan, verklankt de persoonlijkheid van deze jonge edelman uit de Gascogne: heroisch en bezield onder elke omstandigheid. Deel twee, met de titel Constance Bonacieux, is romantisch, bekoorlijk en hartstochtelijk. Het derde en laatste deel is net zo bedrieglijk betoverend als de dame die erin wordt beschreven: Milady de Winter. Les Trois Mousquetaires (Die drei Musketiere) wurde von der Firma Miraphone fur das Miraphone Tuba Quartett und die Musique des Gardiens de la Paix (Musik der Friedensgarde) in Paris in Auftrag gegeben. Von diesen Ensembles wurde das Stuck am 28. Juni 2003 im franzosischen Guebwiller uraufgefuhrt.Auch wer nie eine Zeile des geheimnisvollen Romans Die drei Musketiere (1844) von Alexandre Dumas, Vater, gelesen hat, hat doch zumindest schon von den vier Unbesiegbaren gehort - von den vier aussergewohnlichen Namen D'Artagnan, Athos, Portos und Aramis und von ihrem einzigartigen Motto Alle fur einen und einer fur alle. Die musikalische Struktur von Les TroisMousquetaires konzentriert sich mehr auf besondere Charakterzuge einer Person, denn auf deren Einfluss auf die Handlung des Buches. Maxime richtete sein Hauptaugenmerk auf D'Artagnan, den sensiblen, romantischen und perfekten Gentleman, der sich leicht von Frauen bezaubern lasst, wie zum Beispiel der liebreizenden Constance Bonacieux und der perfiden Lady de Winter, deren betorende Schonheit ihn verfuhrt. Der erste Satz - D'Artagnan - halt sich eng an den Charakter des jungen Landadligen aus der Gascogne, der sich unter allen Umstanden als heroisch und enthusiastisch erweist. Der zweite Satz mit dem Titel Constance Bonacieux ist romantisch, zart und leidenschaftlich. Der dritte und letzte Satz ist so doppelzungig wie die bezaubernde Femme fatale Milady de Winter. Les Trois Mousquetaires est une commande de la societe Miraphone pour le Miraphone Tuba Quartett et la Musique des Gardiens de la Paix, qui en assurerent la creation a Guebwiller (France), le 28 juin 2003. / Meme si l'on n'a jamais lu une seule ligne du roman mythique d'Alexandre Dumas, Les Trois Mousquetaires (1844), on connait necessairement le quatuor parfait (avec sa celebre devise << Tous pour un, un pour tous >>) que forment D'Artagnan, Athos, Porthos, et Aramis. Aussi ne compte-t-on plus les nombreuses adaptations du roman, ni les nombreux historiens qui s'interessent au tres reel Charles de Batz de Castelmore d'Artagnan, mort au siege de Maastricht en 1673. Letissu musical des Trois Mousquetaires (The Three Musketeers) s'interesse davantage aux elements de la personnalite d'un personnage, qu'au role qu'il joue dans l'intrigue. La trame est vivante, on y vit intensement. Maxime Aulio a oriente son choix sur D'Artagnan, le parfait gentilhomme, sensible et romantique, qui se laisse facilement seduire par les femmes, a l'image de la douce Constance Bonacieux dont il s'eprend et de la perfide Milady de Winter dont la beaute l'envoute. Le premier mouvement - D'Artagnan - est fidele au caractere du jeune noble provincial venu de Gascogne : enthousiaste et heroique en toutes circonstances. Le second mouvement - Constance Bonacieux - est galant, prevenant et passionne. Le troisieme et dernier tableau est, quant a lui, aussi ensorceleur et sournois que la femme fatale qu'il depeint, Milady de Winter.
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