SKU: HL.109292
UPC: 884088791988. 6.75x10.5 inches.
This old American dance song features fun lyrics, delightful vocal interplay, a hoedown accompaniment and a few stomps and claps to add energy. Easily learned and a showstopper in performance! Available separately: 3-Part Mixed, 2-Part, VoiceTrax CD. Duration: ca. 1:30.
SKU: HL.35029468
ISBN 9781480365704. UPC: 884088962036. 6.75x10.5 inches.
This lively, rhythmic, and humorous arrangement is pure fun from start to finish, not to mention easy to learn! Hand-clappin', hootin' and hollerin', and even some barking and howling fill the verses and choruses key change after key change. Add some foot-stompin' and a fiddle and you're ready to “bile them cabbage down!” Available separately: SAB, 2-Part, StudioTrax CD. Duration: ca. 2:10.
About Together We Sing
Shawnee Press: Together We Sing series
SKU: CF.CMF1
ISBN 9780825857768. UPC: 798408057763. 6.75 X 10.5 inches. Text: Keith Hibbs; Claire Cloninger; Cherry Tadlock; Ron Harris. Claire Cloninger, Ron Harris, Cherry Tadlock, Keith Hibbs.
This collection offers both seasonal and general worship anthems from one of America’s premiere church writers. The anthems in this collection are perfectly suited for praise and worship and are sure to become an integral part of church choir programs. Seven anthems total, Hallquist has skillfully written these beautiful pieces with care and thoughtfulness; a style that has been one of his trademarks throughout the years. A must-have for every church choir! Faithful to the Vision (Anniversary/Dedication), I Often Dance (General Praise/Worship), In Times Like These (Encouragement/Easter Resurrection), Let Us Worship and Bow Down (Call to Worship), On a Hillside in Bethlehem (Christmas), They Could Not (Easter) and We Are His Love (Missions/Ministry).
SKU: AP.6-464164
ISBN 9780486464169. English. Peter Ilyich Tchaikovsky.
This collection of effortless arrangements allows beginning pianists to experience the pleasure of playing favorite Tchaikovsky compositions. Students of all ages will delight in performing themes from The Nutcracker, Romeo and Juliet, Swan Lake, Sleeping Beauty, and other popular works. Features 21 simplified Tchaikovsky compositions in all.
SKU: LO.10-2252S
UPC: 000308053791.
Captivate your listeners with the familiar classic text woven into this sensitive, comforting anthem that rises to a triumphant Amen!.
SKU: LO.10-1022
UPC: 000308018639.
SATB-Christmas _ The beloved Christina Rossetti poem has never shared a lovelier musical setting than that which is offered in this reflective rendition with organ accompaniment. Not difficult, and alternate words are suggested for inclusive language.
SKU: HL.322532
UPC: 888680974718. 5.0x5.0x0.15 inches. Christina Rossetti/David Rasbach. I John 4:7-12.
One of our most treasured Christmas texts is adorned with delicate beauty in this fresh setting. An expressive piano part flows easily through the fabric of this choral tapestry. The sparkling flute obbligato is a shimmering addition to the anthem's possibilities. Capturing a classic Christmas sound, this piece is ideal for concert or sanctuary use. Score and Parts (fl, hp, vn 1-2, va, vc, db) available as a digital download.
SKU: HL.8754645
UPC: 884088648077. 5.0x5.0x0.14 inches.
From Disney Channel artist Zendaya, this girl-power anthem encourages girls to look within to find their inner strength. The New Orleans style street beat energizes the track and this setting will be a super SSA showcase!
SKU: PR.165000970
ISBN 9781491100462. UPC: 680160626717. 9x12 inches.
Commissioned by a consortium of 20 high school and university bands coordinated by Scott Hanna of the University of Texas at Austin, Downshifting is inspired by Welcher’s joy of bicycle riding. Welcher explains in the program note: When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting... With three gears on the front sprocket and seven on the rear, it’s possible to keep one’s legs going at a constant speed (for me, q = 126) while the bike itself may be moving very slowly or very quickly. I determined to capitalize on this in writing Downshifting, which keeps the same mathematical inner pulse, ‘shifting’ (with a ratchet) as the terrain changes..One of the joys of life for me is riding my 21-speed bicycle. As a basically non-athletic person who nonetheless likes to stay in shape, I have found that riding my bike provides just the exercise I need. The workout is strenuous, but pleasant—and the infinite variety of scenery I pass keeps me alert and wide awake. When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting.With three gears on the front sprocket and seven on the rear, it’s possible to keep ones legs going at a constant speed (for me, that’s 126 to the quarter note) while the bike itself may be moving very slowly or very quickly. I determined to capitalize on this in writing the music, which manages to keep the same mathematical inner pulse, “shifting†(with a ratchet) as the terrain changes. So Downshifting begins with that steady pulse, on a grid of eighth notes in 2/4 to propel the little vehicle forward. There’s a joyous little tune in our heads as we begin our ride. As the initial thrill of riding on the flat gives way to monotony, we stay in that pulse for the first minute or so of the ride. Then, as the first hill becomes visible, we shift the bike down: even though the eighths are equal, the pulse feels slower (and we’re now in 6/8 time). Ultimately the compound meter shifts again as the climb begins, and we’re now plodding doggedly up the hill. (The music reflects all of these changes, with subtitles such as “Working harder—Seeing the climb, aheadâ€, “Steady and committed…the climb begins!â€, “Straining against the gradeâ€, etc.).There are two hills, and two long climbs (but in different keys, reflecting the change in scenery). When at last the summit of the second hill is reached (“Flying, Over the Topâ€), we coast at last down the other side at breakneck speed. The initial joyous melody returns, but now in a spread-out coasting pulse. At the end of the ride, we slow to a stop—then take one last sprint (shifting five times in the process) in order to end on a biker’s high.Downshifting was commissioned by a consortium of fourteen high school and college bands, overseen by my longtime colleague at the University of Texas, Scott Hanna. The piece is dedicated to him (and to all bicycle enthusiasts).
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
