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| Über Johann
Sebastian Bachs Leben,
Kunst Und Kunstwerke
(Leipzig 1802) . Edition
- Quellen - Materialien
Divers [Partition]
Barenreiter
Bach-Dokumente, Band 7. Par FORKEL JOHANN NIKOLAUS. / Livre / Divers
Délais: 2-5 jours - En Stock Fournisseur |
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| Sonatas Band 2
Violon Et Harpe (Ou Piano)
Wiener Urtext
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade h...(+)
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Harpe (Ou Piano)
Délais: 2-5 jours - En Stock Fournisseur |
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| Sonatas Band 1
Violon Et Harpe (Ou Piano)
Wiener Urtext
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade h...(+)
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Harpe (Ou Piano)
Délais: En Stock |
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| Sonatas Band 1 Und 2
Violon et Piano
Wiener Urtext
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade h...(+)
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Carl Philipp Emanuel
Bach: Sonatas Band 2:
Violin: Instrumental Work
Violon
Wiener Urtext
Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works...(+)
Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].
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| Carl Philipp Emanuel
Bach: Sonatas Band 1:
Violin: Instrumental Work
Violon
Wiener Urtext
Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp...(+)
Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].
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| Sonata A Minor For
Flûte Solo Wq 132/H
562
Flûte traversière
Wiener Urtext
Sonate Carl Philipp Emanuel Bach en la mineur pour flûte solo quasi constitue u...(+)
Sonate Carl Philipp Emanuel Bach en la mineur pour flûte solo quasi constitue une contrepartie de la partita de son père Johann Sebastian dans la même tonalité. Créé en 1747, mais non publié jusqu'en 1763, il annonce le style sentimentale d'une nouvelle ère, par rapport à l'env. 30 ans de plus de travail de son père. L'édition est basé sur la première édition qui est caché parmi les oeuvres pour piano de C. Ph. E. Bach et d'autres compositeurs de l'anthologie 'Musikalisches Mancherley'. Une édition séparée, également publié en 1763, s'est avéré être un rejeton de la première édition avec le texte musical identiques et pourraient être éliminés en tant que source pour l'édition. Mais l'édition a également été basée sur une fin du 18e siècle exemplaire de la Collection Giedde à Copenhague qui est d'une grande importance à la littérature flûte. Bien qu'il semble également revenir à la première édition, il s'avère néanmoins avéré être un correctif contemporain à des carences de la première édition, dans certains passages. Les notes relatives aux performances pratiques de l'Kuijken élève Susanne Schrage non seulement se rapprocher du texte musical au moyen de la méthode de flûte de Bach de Berlin collègue du compositeur Johann Quantz Joachim, mais aussi d'analyser les chapitres pertinents du 'Versuch über die Art wahre, das zu Clavier spielen 'par C. Ph. E. Bach lui-même, offrant ainsi des aides d'interprétation droite du point de vue du compositeur. / Flûte
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| Complete Organ Works Band
2
Orgue
Wiener Urtext
Sous le titre de 'Kleinere Werke' [Small Works], le second volume des oeuvres po...(+)
Sous le titre de 'Kleinere Werke' [Small Works], le second volume des oeuvres pour orgue par Carl Philipp Emanuel Bach dans l'édition Wiener Urtext contient toutes les oeuvres écrites par le compositeur à l'exception des sonates plusieurs mouvements pour orgue: préludes, fugues, trio, choral arrangements et des pièces pour horloge musicale. Les fugues, en particulier, prouver que C. Ph. E. Bach était un élève attentif de son père. La musique théoricien Friedrich Wilhelm Marpurg apprécié ces fugues tant qu'il a inclus certains d'entre eux à titre d'exemples dans ses écrits théoriques. Les pièces pour horloge musicale sont une sélection variée de pièces dans le style galant qui ont été initialement écrits pour instruments mécaniques et qui sont les meilleurs pour être exécutée sur l'orgue. En collaboration avec les Sonates pour orgue publiés dans le vol. 1, c'est probablement la collection la plus complète des oeuvres de Bach, fils aîné de seconde qui peut être effectué sur l'orgue. / Orgue
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| Sonata A Minor Wq 132
Flûte traversière
Schott
Carl Philipp Emanuel Bach, second fils aîné de Johann Sebastian Bach, a été ...(+)
Carl Philipp Emanuel Bach, second fils aîné de Johann Sebastian Bach, a été nommé le successeur de Telemann comme directeur musical à cinq principales églises de la ville hanséatique de Hambourg. C.Ph.E. Bach a écrit plusieurs ouvrages pour les flûte ainsi que nombreux sinfo / Flûte Traversière
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| Carl Philipp Emanuel
Bach: Klavierwerke: 13
Sonaten und Rondo Band 2:
Piano:
Piano seul [Partition]
Universal Edition
Carl Philipp Emanuel Bach was a German musician and composer the second of t...(+)
Carl Philipp Emanuel Bach was a German musician and composer the second of three sons of Johann Sebastian Bach and Maria Barbara Bach. He was a crucial composer during the transition between the Baroque and Classical periods.  Carl Philipp Emanuel Bach's Piano Works contains six sonatas and rondo from the collections of 'Kenner und Liebhaber'.
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| Carl Philipp Emanuel
Bach: Klavierwerke 1 (
Cpe ): Piano:
Instrumental Work
Piano seul [Partition]
Universal Edition
Carl Philipp Emanuel Bach was a German musician and composer the second of t...(+)
Carl Philipp Emanuel Bach was a German musician and composer the second of three sons of Johann Sebastian Bach and Maria Barbara Bach. He was a crucial composer during the transition between the Baroque and Classical periods.  Carl Philipp Emanuel Bach's Piano Works contains six sonatas from the collections of 'Kenner und Liebhaber'. This piece is included in the 2018-2021 ABRSM Piano Syllabus (Grade 8)
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| Sonate Pour Flûte
En La Mineur Wq 132
Flûte traversière
G. Henle
Pour qui Carl Philipp Emanuel Bach écrivit-il sa sonate pour flûte solo? De to...(+)
Pour qui Carl Philipp Emanuel Bach écrivit-il sa sonate pour flûte solo? De tout temps, le destinataire présumé de cette sonate, le roi de Prusse Frédéric II, fut contesté. Bach n'aurait pourtant pas rendu publique une sonate exclusivement destinée au roi. Ce solo de flûte fut cependant imprimé tout de suite à deux reprises dans les années 1760. L'énigme ne sera jamais résolue. La pièce en trois mouvements fait aujourd´hui partie des solos que tout flûtiste doit avoir joué au moins une fois dans sa vie - de la véritable musique royale. Karl Kaiser, spécialiste du traverso, apporte de précieux et érudits commentaires relatifs à la pratique d'exécution. / Flûte
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| Sonates Pour Viole De
Gambe Wq 88, 136, 137
Edition Pour Violoncelle
Violoncelle, Basse continue
G. Henle
Tout comme son père, Carl Philipp Emanuel Bach a composé trois sonates pour vi...(+)
Tout comme son père, Carl Philipp Emanuel Bach a composé trois sonates pour viole de gambe. Elles datent de sa période passée au service du roi de Prusse Frédéric le Grand et donnèrent l'occasion au brillant gambiste de la chapelle de la cour, de faire étalage de sa virtuosité. Si les deux Sonates Wq 136 et 137 sont écrites avec accompagnement de basse continue, Bach fils suit, dans la Sonate en sol mineur Wq 88, le modèle fourni par son père: dans cette écriture à trois voix traitées d'égale manière, la main droite et la main gauche du clavecin rivalisent avec l'instrument soliste. Ces sonates peuvent aussi tout à fait être jouées au violoncelle - les doigtés de l'édition annotée sont d'une grande aide pour l'exécution. / Violoncelle Et Piano
Délais: En Stock |
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| Sonates Pour Viole De
Gambe Wq 88, 136, 137
Edition Pour Gambe (Alto)
Viole de Gambe, Basse continue
G. Henle
Tout comme son père, Carl Philipp Emanuel Bach a composé trois sonates pour vi...(+)
Tout comme son père, Carl Philipp Emanuel Bach a composé trois sonates pour viole de gambe. Elles datent de sa période passée au service du roi de Prusse Frédéric le Grand et donnèrent l'occasion au brillant gambiste de la chapelle de la cour, de faire étalage de sa virtuosité. Si les deux Sonates Wq 136 et 137 sont écrites avec accompagnement de basse continue, Bach fils suit, dans la Sonate en sol mineur Wq 88, le modèle fourni par son père: dans cette écriture à trois voix traitées d'égale manière, la main droite et la main gauche du clavecin rivalisent avec l'instrument soliste. La tessiture originale de la partie de gambe permet également une exécution à l'alto, une pratique d'exécution déjà documentée par les sources de l'époque. Cette version est adjointe en supplément à notre édition Urtext. / Alto Et Piano
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| Blue Baroque Piano
Piano seul
Universal Edition
Il ya un certain nombre de précédents très connu à l'idée de jouer Bach ave...(+)
Il ya un certain nombre de précédents très connu à l'idée de jouer Bach avec une sensation de jazz. Mike Cornick dans ce volume s'est propagé sur le net un peu plus large et a inclus des exemples de Haendel, Couperin, Petzold, et Carl Philipp Emanuel Bach ainsi que de JS Bach lui-même.Plusieurs approches différentes ont été adoptées dans les arrangements. Les morceaux plus faciles, beaucoup prise du Clavierbüchlein der Anna Magdalena Bach, sont adaptés au style du latin ou Swing, deux Bach Sarabandes (à partir de Suite française n o 1 et la Suite anglaise n o 2) à la fois conserver leurs sections 'A' original, tout en les sections 'B' ont été subtilement remplacé avec de beaux solos de jazz. Haendel L'Harmonieux forgeron offre de surprise en surprise avec cinq certainement de nouvelles variantes en place des originaux! Ce volume de pièces apportera un énorme plaisir pour les joueurs de grades 3-6 et vers le haut ainsi que pour leur public. / Piano
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| Carl Philipp Emanuel
Bach: Concerto for
Harpsichord in D minor
BWV 1052a:
Clavecin Et Instruments A Cordes
Barenreiter
Based on Johann Sebastian Bach. First edition-In early 1729 Bach became director...(+)
Based on Johann Sebastian Bach. First edition-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).When Johann Sebastian Bach created his six-part corpus of harpsichord concertos in 1738 (BWV 1052-1057) he gave pride of place to the Concerto in D minor BWV 1052. It has long been thought for good reasons that this piece was based on a lost violin concerto in the same key that he had already transcribed on twoprevious occasions.The second 'forerunner' of BWV 1052 is the present harpsichord concerto. It was first published by Wilhelm Rust in volume 17 of the old Bach Society Gesamtausgabe (1869) and given the number BWV 1052a in the Schmieder catalogue. Rust felt that Johann Sebastian Bach himself wrote out the principal source a set of orchestral parts preserved in the Berlin Staatsbibliothek under the shelf mark Mus. ms. St 350 and therefore treated the piece as an authentic early version of BWV 1052. Today however we know that the scribe was Carl Philipp Emanuel Bach who is generally also regarded as the work's author.Urtext of the New Bach EditionParts (BA5231) two-keyboard reduction (BA5231-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Bach: Concerto for
Harpsichord in D minor
BWV 1052a:
Clavecin Et Instruments A Cordes
Barenreiter
Based on Johann Sebastian Bach. First edition-In early 1729 Bach became director...(+)
Based on Johann Sebastian Bach. First edition-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).When Johann Sebastian Bach created his six-part corpus of harpsichord concertos in 1738 (BWV 1052-1057) he gave pride of place to the Concerto in D minor BWV 1052. It has long been thought for good reasons that this piece was based on a lost violin concerto in the same key that he had already transcribed on twoprevious occasions.The second 'forerunner' of BWV 1052 is the present harpsichord concerto. It was first published by Wilhelm Rust in volume 17 of the old Bach Society Gesamtausgabe (1869) and given the number BWV 1052a in the Schmieder catalogue. Rust felt that Johann Sebastian Bach himself wrote out the principal source a set of orchestral parts preserved in the Berlin Staatsbibliothek under the shelf mark Mus. ms. St 350 and therefore treated the piece as an authentic early version of BWV 1052. Today however we know that the scribe was Carl Philipp Emanuel Bach who is generally also regarded as the work's author.Urtext of the New Bach EditionParts (BA5231) two-keyboard reduction (BA5231-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Bach: Sonate Wq 132/H 562
A Moll: Flute:
Instrumental Work
Flûte traversière
Wiener Urtext
Carl Philipp Emanuel Bach's Sonata in A minor for solo Flute constitutes a count...(+)
Carl Philipp Emanuel Bach's Sonata in A minor for solo Flute constitutes a counterpart to the partita of his father Johann Sebastian in the same key. Created in 1747 but unpublished until 1763 it heralds the sentimental style of a new era compared to the ca. 30 years older work of his father. The edition is based on the first edition which is hidden among Piano works by C. Ph. E. Bach and other composers in the anthology 'Musikalisches Mancherley'. A separate edition also published in 1763 proved to be an offspring of the first edition with identical musical text and could be eliminated as source for the edition. But the edition wasalso based on a late 18th-century copy from the Giedde Collection in Copenhagen which is of great significance to the Flute literature. Although it also seems to go back to the first edition it nevertheless turns out to be a contemporary corrective to deficiencies of the first edition in some passages. The practical performance notes of the Kuijken pupil Susanne Schrage not only come close to the musical text by means of the Flute method of Bach's Berlin fellow composer Johann Joachim Quantz but also analyse relevant chapters of 'Versuch über die wahre Art das Clavier zu spielen' by C. Ph. E. Bach himself thus providing interpretational aids right from the composer's perspective.
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Carte Postale [Partition]
Carus Verlag
Bach, Johann Philipp (Illustr.)Bach, Carl Philipp Emanuel (Trad.) -/ Répertoire...(+)
Bach, Johann Philipp (Illustr.)Bach, Carl Philipp Emanuel (Trad.) -/ Répertoire / Carte Postale
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| Carl Philipp Emanuel
Bach: Complete Works:
Organ: Instrumental Album
Orgue
Wiener Urtext
Under the title of 'Kleinere Werke' [Small Works] the second volume of Organ wo...(+)
Under the title of 'Kleinere Werke' [Small Works] the second volume of Organ works by Carl Philipp Emanuel Bach in the Wiener Urtext Edition contains all works written by the composer except for the multi-movement sonatas for Organ: preludes fugues trio chorale arrangements and pieces for musical clock. The fugues in particular prove that C. Ph. E. Bach was an attentive pupil of his father. The music theoretician Friedrich Wilhelm Marpurg appreciated these fugues so much that he included some of them as examples in his theoretical writings. The pieces for musical clock are a varied selection of pieces in the style galant which were originallywritten for mechanical instruments and which are best to be performed on the organ. Together with the Organ sonatas published in Vol. 1 this is probably the most comprehensive collection of works by Bach's second eldest son which can be performed on the Organ.
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Bach: Magnificat: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Schirmer
Carl Philipp Emanuel Bach's Magnificat for soli chorus and orchestra with Engl...(+)
Carl Philipp Emanuel Bach's Magnificat for soli chorus and orchestra with English text adapted by Henry S. Drinker. This vocal score is edited and the orchestral accompaniment adapted for piano or organ by Carl Deis.
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Bach: Magnificat Wq 215
(PA): SATB: Vocal Score
Chorale [Partition]
Barenreiter
Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnifica...(+)
Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnificat in 1749 at the age of 35. It bears all the earmarks of “audition music” i.e. a piece that organists and choir directors had to submit when applying for a new position. This feature is especially evident in its stylistic variety which makes the work a rewarding and colorful challenge for all church choirs. Special attractions are the work's contrapuntal passages which are very similiar in sound and structure to those of J. S. Bach’s B minor Mass. The present arrangement for soloists chorus and organ is intended as a self contained version accessible to a widerange of choirs even those with limited financial means. - Self contained version for soloists (SATB) chorus (SATB) and organ - Ideal for use in church and concert hall - Clear and well presented organ part - Duration: ca. 40 minutes The Bärenreiter CHOIR&ORGAN Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into straight-forward organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ version by the composer has been used. The Organ parts are presented on three staves. The choir and solo parts always remain true to the original. One edition can be used by soloists singers and Organist alike.
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| Traditionsbezug Im
Musikhistorischen Prozess
Am Beispiel Von Johann
Sebastian Und Carl
Philipp Emanuel Bach [Partition]
Carus Verlag
Musikalische Analyse Und Musikhistorische Bewertung. Bach, Carl Philipp Emanuel ...(+)
Musikalische Analyse Und Musikhistorische Bewertung. Bach, Carl Philipp Emanuel / Bach, Johann Sebastian / Wagner, Günther (Trad.) -/ Répertoire / Livre
Délais: 2-5 jours - En Stock Fournisseur |
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Carte Postale [Partition]
Carus Verlag
Bach, Gottlieb Friedrich (Illustr.) - Bach, Carl Philipp Emanuel (Trad.) -/ Rép...(+)
Bach, Gottlieb Friedrich (Illustr.) - Bach, Carl Philipp Emanuel (Trad.) -/ Répertoire / Carte Postale
Délais: 2-5 jours - En Stock Fournisseur |
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| Carl Philipp Emanuel
Bach: Violoncello
Concerto in A Minor
Wq170/h432: Cello
Violoncelle [Partition + CD]
Music Minus One
Music Minus One Cello-A beautiful baroque concerto for violoncello by Carl Phili...(+)
Music Minus One Cello-A beautiful baroque concerto for violoncello by Carl Philipp Emanuel Bach youngest son of J.S. Bach. We can't recommend this gorgeous work enough - filled with beautiful opportunities for the soloist and a magnificent accompaniment. No baroque enthusiast will want to miss out on this rewarding work. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the orchestral accompaniment minus you the soloist. Performed by Marcy Chanteaux violoncello Accompaniment: Stuttgart Festival Orchestra
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| Carl Philipp Emanuel
Bach: C.P.E. Bach -
Concerto in D minor Wq23
H427: Piano:
Piano seul [Partition + CD]
Music Minus One
Music Minus One Piano Deluxe 2-CD Set-Composed in 1748 this gorgeous and increa...(+)
Music Minus One Piano Deluxe 2-CD Set-Composed in 1748 this gorgeous and increasingly popular piece demonstrates the brilliance of Carl Philipp Emanuel Bach. It transcends its late baroque/early classical timeframe and is pervaded by a pensive quality and even a predisposition toward a romantic sensibility. Highly recommended and not of excessive difficulty (includes music with difficulty levels 3-7). Includes an authoritative newly engraved music score on high-quality ivory paper a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist and a second performance minus you the soloist and a second compact disc containing a full-speed version of the completeversion as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience. Performed by Romeo Smilkov piano The Plovdiv Chamber Orchestra Nayden Todorov conductor
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Chor
Chorale SATB
SATB, Piano [Partition]
Schirmer
Description Carl Philipp Emanuel Bach's Magnificat for soli, chorus and orc...(+)
Description Carl Philipp Emanuel Bach's Magnificat for soli, chorus and orchestra, with English text adapted by Henry S. Drinker. This vocal score is edited, and the orchestral accompaniment adapted for piano or organ, by Carl Deis. Songlist Deposuit Potentes (Mighty Ones) Cpe Bach Et Misericordia (And His Mercy) Cpe Bach Fecit Potentiam (His Arm Omnipotent) Cpe Bach Gloria Patri (Glory To Father) Cpe Bach Magnificat Anima (My Heart And Soul) Cpe Bach Quia Fecit Mihi (For The Lord) Cpe Bach Quia Respexit (Lo,He Regarded) Cpe Bach Sicut Erat (As It Was) Cpe Bach Suscepit Israel (His Servant) Cpe Bach
Délais: Sur commande |
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| Carl Philipp Emanuel
Bach: Sonaten 3
(Auswahl): Piano:
Instrumental Album
Piano seul
G. Henle
A highly authoritative Urtext edition of Carl Philipp Emanuel Bach's Piano Sonat...(+)
A highly authoritative Urtext edition of Carl Philipp Emanuel Bach's Piano Sonatas as edited by Darrell M. Berg and Klaus Borner. Available here is the third volume of piano sonatas.Contents:Sonata C major Wq 51 1( Level of difficulty: 6 ) Sonata (First Edition) C major Wq 65 35 ( Level of difficulty: 4/5 ) Sonata (First Edition) C major Wq 65 36 ( Level of difficulty: 5 ) Sonata A major Wq 65 37 ( Level of difficulty: 5/6 )Sonata D major Wq 65 40 ( Level of difficulty: 5 ) Sonata C major Wq 65 41 ( Level of difficulty: 5 ) Sonata E flat major Wq 65 42 ( Level of difficulty: 5 ) Sonata B flat major Wq 65 44 ( Level of difficulty: 5/6) Hamburg Sonata F major Wq 62 24 ( Level of difficulty: 5 ) Sonata (First Edition) [Hamburg Sonata] C major Wq 65 47 ( Level of difficulty: 4/5 ) Sonata (Hamburg sonata) G major Wq 65 48 ( Level of difficulty: 4 )Appendix: Larghetto (originally second movement of the Sonata No. 31) E flat major ( Level of difficulty: 3 )
Délais: En Stock |
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