Three Folk Tunes Orchestre d'harmonie - Facile Alfred Publishing
Arranged by Douglas E. Wagner. For Concert Band. Concert Band. Belwin Young Band...(+)
Arranged by Douglas E.
Wagner. For Concert Band.
Concert Band. Belwin
Young Band. Folk Song.
Level: 2 (Easy) (grade
2). Conductor Score. 20
pages. Published by
Alfred Publishing.
Three Folk Tunes Orchestre d'harmonie - Facile Alfred Publishing
Arranged by Douglas E. Wagner. For Concert Band. Concert Band. Belwin Young Band...(+)
Arranged by Douglas E.
Wagner. For Concert Band.
Concert Band. Belwin
Young Band. Folk Song.
Level: 2 (Easy) (grade
2). Conductor Score and
Parts. 178 pages.
Published by Alfred
Publishing.
Composed by Bela Bartok (1881-1945). Masterworks; Piano Solo; Solo; Solo Small E...(+)
Composed by Bela Bartok
(1881-1945). Masterworks;
Piano Solo; Solo; Solo
Small Ensembles. Kalmus
Edition. 20th Century;
Folk; Masterwork. 4
pages. Kalmus Classic
Edition #00-K03130.
Published by Kalmus
Classic Edition
By Jane Smisor Bastien. (Bastien Supplementary Books). Bastien Piano. Folk Tune...(+)
By Jane Smisor Bastien.
(Bastien Supplementary
Books). Bastien Piano.
Folk Tunes. Folk Tunes.
Level: Grade 1. Music
Book. Published by Neil
A. Kjos Music Company.
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
I'm Goin' Away Chorale SATB SATB A Cappella [Octavo] Hinshaw Music Inc.
By North Carolina Folk Song. Arranged by Mack Wilberg. Text: North Carolina Folk...(+)
By North Carolina Folk
Song. Arranged by Mack
Wilberg. Text: North
Carolina Folk Song. For A
Cappella. (SATB Div.).
Mack Wilberg Three
Mountain Tunes. Folk
Secular. Level: Medium
Advanced Jr. High/High
School or Med. Adult. 8
pages. Duration 2 min, 28
sec. Published by Hinshaw
Music Inc.
Ellan Vannin Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
Arranged by Douglas E. Wagner. Concert Band. Concert Band; Part(s); Score; Smart...(+)
Arranged by Douglas E.
Wagner. Concert Band.
Concert Band; Part(s);
Score; SmartMusic. Belwin
Beginning Band. Form:
Medley. Folk;
Multicultural. Grade 1.
136 pages. Published by
Belwin Music
By James Bastien. For Piano. (Bastien Supplementary Books). Bastien Piano. Folk ...(+)
By James Bastien. For
Piano. (Bastien
Supplementary Books).
Bastien Piano. Folk
Tunes. Primer Level piece
for the American
Patriotic and Folk Event
with the National
Federation of Music Clubs
(NFMC) Festivals Bulletin
2008-2009-2010. Folk
Tunes. Level: Primer.
Music Book. Published by
Neil A. Kjos Music
Company.
Composed by Robert Applebaum. Advanced/Collegiate. Chanukah, 21st Century, Fol...(+)
Composed by Robert
Applebaum.
Advanced/Collegiate.
Chanukah, 21st Century,
Folk Song. Octavo.
Duration 3 minutes, 15
seconds. Published by
E.C. Schirmer Publishing
(EC.8437).
High Voice; Piano Accompaniment SKU: HL.1445201 For High Voice and Pia...(+)
High Voice; Piano
Accompaniment
SKU:
HL.1445201
For
High Voice and Piano.
Composed by Thea
Musgrave. Vocal. Folk,
Scottish. Softcover. 16
pages. Duration 600
seconds. Novello and Co
Ltd. #NOV100516.
Published by Novello and
Co Ltd. (HL.1445201).
ISBN 9798350124309.
UPC: 196288206279.
9.0x12.0x0.066
inches.
Thea
Musgrave's Three Scottish
Songs are all based on
tunes and words by Robert
Burns. The songs may be
performed as a cycle,
individually, or as a
collection in a different
order. Includes: Robin
was a Rovin' Boy • My
Love is Like a Red, Red
Rose • Robin Shure in
Hairst.
Arranged by Deborah Greenblatt. Viola Duet. For 2 violas. Tunes for Two. Childre...(+)
Arranged by Deborah
Greenblatt. Viola Duet.
For 2 violas. Tunes for
Two. Children's, Folk.
Songbook. Standard
Notation. 72 pages.
Published by Greenblatt
and Seay
Arranged by Deborah Greenblatt. Cello Duet. For 2 cellos. Tunes for Two. Childre...(+)
Arranged by Deborah
Greenblatt. Cello Duet.
For 2 cellos. Tunes for
Two. Children's, Folk.
Songbook. Standard
Notation. 72 pages.
Published by Greenblatt &
Seay
Fiddle, Violin - Difficulty: medium SKU: HL.235 By Various. Fiddle. Folk....(+)
Fiddle, Violin -
Difficulty: medium
SKU: HL.235
By
Various. Fiddle. Folk.
Solo fiddle songbook.
With performance notes,
introductory text and
standard notation. 96
pages. Published by
Centerstream Publications
(HL.235).
ISBN
9781574240566. UPC:
073999567786. 9x12
inches.
This
comprehensive collection
of fabulous fiddle tunes
includes reels,
hornpipes, strathspeys,
jigs, waltzes and slow
airs.
Vocal and Piano SKU: HL.50513485 Three and Thirty Folk Tunes. Comp...(+)
Vocal and Piano
SKU:
HL.50513485
Three
and Thirty Folk
Tunes. Composed by
Laighton. Lengnick
Publishing. Classical.
Book Only. Alfred
Lengnick & Co #AL0955A.
Published by Alfred
Lengnick & Co
(HL.50513485).
Yorkshire Folk Song Suite Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4484-01 On Old English Songs. C...(+)
Concert band - Grade 3
SKU:
CL.012-4484-01
On
Old English Songs.
Composed by La Plante.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR388). Extra full
score. Composed 2016.
Duration 7 minutes, 52
seconds. Opus III Wind
Orchestra Publications
#012-4484-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4484-01).
This suite was
written and intended as a
homage and stepping stone
to the great band works
of Holst, Grainger &
Vaughan Williams. The
three movements are based
on traditional English
folk tunes which include
settings of sea songs, a
ballad, and variations on
an old whimsical
children’s song.
Written somewhat in the
style of the
above-mentioned masters,
this suite is accessible
to younger bands yet
appropriate for more
advanced ensembles.
Destined to be a band
classic!
Yorkshire Folk Song Suite Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4484-75 On Old English Songs. C...(+)
Concert band - Grade 3
SKU:
CL.012-4484-75
On
Old English Songs.
Composed by La Plante.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR388). Oversized,
spiral-bound score.
Composed 2016. Duration 7
minutes, 52 seconds. Opus
III Wind Orchestra
Publications
#012-4484-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4484-75).
This suite was
written and intended as a
homage and stepping stone
to the great band works
of Holst, Grainger &
Vaughan Williams. The
three movements are based
on traditional English
folk tunes which include
settings of sea songs, a
ballad, and variations on
an old whimsical
children's song. Written
somewhat in the style of
the above-mentioned
masters, this suite is
accessible to younger
bands yet appropriate for
more advanced ensembles.
Destined to be a band
classic!
Eskimo Dance Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Composed by Traditional. Arranged by Michael Story and Robert W. Smith. Concert ...(+)
Composed by Traditional.
Arranged by Michael Story
and Robert W. Smith.
Concert Band. Concert
Band Method; SmartMusic.
Band Expressions Book 2.
Folk. Grade 2. Conductor
Score and Parts.
Published by Alfred Music
Yorkshire Folk Song Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
On Old English Songs. Composed by Pierre La Plante. Concert Band Series. ...(+)
On Old English
Songs. Composed by
Pierre La Plante. Concert
Band Series. Score and
parts. Duration 0:7:52.
Published by C.L.
Barnhouse
(CL.012-4484-00).
Recorder SKU: HL.49002262 First Tunes. Composed by Freda Dinn. Thi...(+)
Recorder
SKU:
HL.49002262
First
Tunes. Composed by
Freda Dinn. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 24 pages.
Schott Music #ED10079.
Published by Schott Music
(HL.49002262).
ISBN
9790220100819. UPC:
073999729467.
8.5x11.5x0.089 inches.
English.
Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000).
ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches.
Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected.