For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning
SKU: MB.31103M
Third Edition.
Bluegrass, Wire bound.
World. Book and online
audio. 236 pages. Mel Bay
Publications, Inc
#31103M. Published by Mel
Bay Publications, Inc
(MB.31103M).
ISBN
9781513468792. 8.75x11.75
inches.
Adam Granger
self-published the first
edition of
Grangerâ??s Fiddle
Tunes for Guitar in
1979. A second edition
was published in 1994.
Now Mel Bay Publications
presents the third
edition of the
book.
This 236-page book
is the most extensive and
best-documented
collection of fiddle
tunes for the flatpicking
guitar player in
existence, and includes
reels, hoedowns,
hornpipes, rags,
breakdowns, jigs and
slip-jigs, presented in
Southern, Northern,
Irish, Canadian, Texas
and Old-time
styles.
There are 508
fiddle tunes referenced
under 2500 titles and
alternate titles. The
titles are fully indexed,
making the book doubly
valuable as a reference
book and a source
book.
In this new
edition, all tunes are
typeset, instead of being
handwritten as they were
in the previous editions,
making the tabs easier to
read.
The tunes in
Grangerâ??s Fiddle
Tunes for Guitar are
presented in Easytab, a
streamlined tablature
notation system designed
by Adam specifically for
fiddle
tunes.
The book comes
with a link which gives
access to mp3 recordings
by Adam of all 508 tunes,
each played once at a
moderate tempo, with
rhythm on one channel and
lead on the
other.
Also included in
Grangerâ??s Fiddle
Tunes for Guitar are
instructions for reading
Easytab, descriptions of
tune types presented in
the book, and primers on
traditional flatpicking
and rhythm guitar.
Additionally, there are
sections on timing,
ornamentation, technique,
and fingering, as well as
information on tune
sources and a history of
the
collection.
Mel Bay also
offers The Granger
Collection, by Bill
Nicholson, the same 508
tunes in standard music
notation.
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
3rd
string quartet.
Composed by Joerg
Widmann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Score and parts. Composed
2003. 112 pages. Duration
12'. Schott Music
#ED9749. Published by
Schott Music
(HL.49033270).
ISBN
9790001136860.
9.25x12.0x0.3
inches.
The
Jagdquartett (Hunt
Quartet), which Jorg
Widmann wrote as his
third string quartet in
2003, following the
Choralquartett, also
begins with a visible
gesture. After a short
signal cry from the
performers, the piece
starts by quoting Robert
Schumann's Papillons op.
2, and for its full
duration retains this
gesture, these starting
sounds. The degrees of
recognizability do change
continuously, to be sure,
in the furious, racing
organism of the score.
The contours change into
forms on another level,
yet now and then the
begining material returns
clearly to the fore,
initiated anew by a cry
from the performers, and
is then digested or
mutated as a rhythmic
study into a field of
harmonic experimentation.
On rare occasions, there
are moments of pause - as
though the musicians were
testing the atmosphere,
as though they were
sensing the weather, so
as ultimately to continue
playing the quartet
across the fields an
forests of notes. A hunt
after joyful performance,
a chase, the whip
cracking, after the thing
to be shot, the sound,
its performer, perhaps
the composer himself? - A
last shout, morendo, dal
niente... - The victim is
not the audience, at any
rate.When comparing the
output of string quartets
from the 18th century to
thetime of Schumann, it
appears to have dropped
considerably. Schumann
composed only three
complete quartets, all of
them in the so-called
'chamber music year'
1842. Jorg Widmann, who
counts Robert Schumann
among his greatest
inspirations, finished a
series of five string
quartets in 2005, at the
same age as Schumann. The
quartets in the cycle
form in themselves the
characters of the
movements of the
classical quartet.
Jagdquartett represents
the fast middle movement,
the scherzo. Widmann's
work appears rough and
wild in the style of
Schumann's alter ego
Florestan. His hunt
begins in the tempo of
'allegro vivace assai'
with the final theme of
Schumann's Papillons
which often appears or is
cited in many of
Schumann's compositions.
Widmann eventually
dismantles the thematic
material of his fierce
quartet, thus
skeletonising his
prey.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
(Something New Every Lesson) Written by John Thompson. Instructional book for pi...(+)
(Something New Every
Lesson) Written by John
Thompson. Instructional
book for piano. With
introductory text,
instructional text,
instructional photos,
illustrations, easy piano
notation, fingerings and
lyrics (on some songs).
79 pages. Published by
Willis Music Company.
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
String Orchestra SKU: HL.14042378 Composed by Sadie Harrison. Music Sales...(+)
String Orchestra
SKU:
HL.14042378
Composed
by Sadie Harrison. Music
Sales America. Softcover.
University of York Music
Press #M570362660.
Published by University
of York Music Press
(HL.14042378).
Via Della
Fortuna by Sadie
Harrison. Written in 2013
especially for the St.
Christopher Chamber
Orchestra and Donatus
Katkus. 6; for String
Orchestra World premiere:
25th April 2013, St.
Katharine's Church,
Vilnius, St. Christopher
Chamber Orchestra,
conducted by Donatus
Katkus. UK premiere: 10th
May 2013, Cardiff
Millennium Centre, Vale
of Glamorgan Festival. I
- Casa di Caccia Antica
(The House of the Ancient
Hunt) II - Casa degli
Amorini Dorati (The House
of the Golden Cupids) III
- Casa del poeta tragico
(The House of the tragic
poet) IV - Return to the
Casa di Caccia Antica and
northwards to Lithuania
and the Amber Road
(Gintaro Kelias) The
piece is in fourshort
movements, each taking
its title from one of the
houses that line the main
streets in Pompeii.
Borrowing Mussorgsky's
'Promenade' from Pictures
at an Exhibition, the
piece has two walkers
(violas) who take the
listener with them onto
the Via Della Fortuna ,
then lead them from house
to house. Several amber
objects were found within
the houses, linking
Pompeii with Lithuania.
The last movement returns
to the House of the
Ancient Hunt then heads
northwards along the
Gintaro Kelias. The
jubilant closing music
refers to an earlier work
(Geda's Weavings) based
on Lithuanian folksongs.
Via Della
Fortuna by Sadie
Harrison. Written in 2013
especially for the St.
Christopher Chamber
Orchestra and Donatus
Katkus.
6; for
String
Orchestra
World
premiere: 25th April
2013, St.
Katharine'sChurch,
Vilnius, St. Christopher
Chamber Orchestra,
conducted by Donatus
Katkus. UK premiere:
10th May 2013, Cardiff
Millennium Centre, Vale
of Glamorgan
Festival.
I - Casa
di Caccia Antica (The
House of the
AncientHunt) II - Casa
degli Amorini Dorati (The
House of the Golden
Cupids) III - Casa del
poeta tragico (The House
of the tragic poet) IV
- Return to the Casa di
Caccia Antica and
northwards to Lithuania
and the Amber
Road(Gintaro
Kelias)
The piece
is in four short
movements, each taking
its title from one of the
houses that line the main
streets in Pompeii.
Borrowing Mussorgsky's
'Promenade' from Pictures
at an Exhibition, the
piece has twowalkers
(violas) who take the
listener with them onto
the Via Della
Fortuna, then
lead them from house to
house. Several amber
objects were found within
the houses, linking
Pompeii with Lithuania.
The lastmovement returns
to the House of the
Ancient Hunt then heads
northwards along the
Gintaro Kelias. The
jubilant closing music
refers to an earlier work
(Geda's Weavings) based
on Lithuanian
folksongs.
(An Easy-to-Learn, Easy-to-Sing Easter Musical). Composed by Janet McMahan, Davi...(+)
(An Easy-to-Learn,
Easy-to-Sing Easter
Musical). Composed by
Janet McMahan, David
Huntsinger and Dale
Mathews. For
unison/2-part children's
choir. Easter.
Difficulty: easy. Choral
score. Duration 25
minutes. Published by
Word Music
Composed by Various. Arranged by Peter Lavender. Music Sales America. Baroque an...(+)
Composed by Various.
Arranged by Peter
Lavender. Music Sales
America. Baroque and
Classical Period. Fake
book (softcover). With
melody line (no
accompaniment included)
and chord names. 128
pages. Music Sales
#AM92350. Published by
Music Sales
By Nicholas McKaig. For SATB choir (a cappella). Jo-Michael Scheibe Choral Serie...(+)
By Nicholas McKaig. For
SATB choir (a cappella).
Jo-Michael Scheibe Choral
Series. Concert, General.
Octavo. Published by
Santa Barbara Music
Publishing
Music for Millions Series. Edited by Denes Agay. Music for Millions Series - Vol...(+)
Music for Millions
Series. Edited by Denes
Agay. Music for Millions
Series - Volume 17.
Classical. Collection
(softcover). With
standard notation,
introductory text and
fingerings (does not
include words to the
songs). 160 pages. Music
Sales #AM41484. Published
by Music Sales
By Keith Snell. (Master Composer Library). Piano. Schumann. Level: Intermediate....(+)
By Keith Snell. (Master
Composer Library). Piano.
Schumann. Level:
Intermediate. Music Book.
Size 232. Published by
Neil A. Kjos Music
Company. Optional CD
available here