for Clarinet and Piano. Par BAXTER GARTH. From the composer: 'During the Covid-19 Pandemic of 2020, so many musicians lost opportunities to perform. During that time, I wrote several pieces for friends, including this one for my good friend Jennifer Hughson. Wrapped in the Wind and the Sun is a pastoral work with a kind of wistfulness and autumnal air. I felt the clarinet was the perfect instrument to deliver that sentiment.' / Date parution : 2022-11-29/ Répertoire / Clarinette et Piano

Par CABANISS MARK. 'I Love Thee' first appeared in a volume of 137 songs and hymns titled Christian Harmony, compiled by Jeremiah Ingalls and first published in 1805. This lively hymn is now included in many hymnals from various Christian denominations. This arrangement for clarinet choir, though only two minutes in length, features the tune presented in three different styles. / Date parution : 2022-11-29/ Répertoire / Ensemble de Clarinettes

Par SOUSA JOHN PHILIP. The Black Horse Troop by John Philip Sousa, arranged for Clarinet Choir by Matt Johnston. John Philip Sousa composed this popular march at the end of 1924 and it was premiered at a concert of the Sousa Band the following year in Cleveland, Ohio. / Date parution : 2022-11-29/ Répertoire / Ensemble de Clarinettes

for Clarinet Choir. Par TCHAIKOVSKY PYOTR ILYICH / JOHNSTON MATT (Arr.). Peter Ilyich Tchaikovsky composed the score for The Sleeping Beauty in 1889 and it was premiered the following January at the Imperial Mariinsky Theatre in St. Petersburg, Russia. One of the more frequently performed standalone movements is this Pas d'action (from Act I, Scene 8) arranged here for clarinet choir by Matt Johnston. / Date parution : 2022-11-29/ Répertoire / Ensemble de Clarinettes

Par XIAO XINZHOU. Duet for Clarinet and Piano 'Subconscioius light' by XIAO Xinzhou. From the composer: 'The word 'subconscious' came from the book 'The Aesthetic Unconsciousness' by Jacques Rancière. The 'light' of this piece comes from an accidental feeling that I try to grasp but is elusive... It seems that neither 'subconscious' nor 'light' can directly feel its concrete existence in music, and the connection between them seems indistinctive or ambiguous. To express the feeling of the relationship between these two concepts in my mind, I used my work to compose a world, deconstructed, extracted and reconstructed the integer multiple harmonics of note D in the writing process, therefore, condensing them into the pitch material of this piece and cast them on the dynamic textures. These textures take a large portion of the whole music, constantly evolving under control, which can be viewed as the intention of grasping something. Simultaneously, I arranged some appearance of harmonic series prototypes to symbolise the light I long to see.' / Date parution : 2022-11-29/ Répertoire / Clarinette et Piano