Chorus (with soloists) and piano SKU: BR.EB-8450 Urtext. Composed ...(+)
Chorus (with soloists)
and piano
SKU:
BR.EB-8450
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Arranged
by Andreas Kohs. Choir;
Softbound. Edition
Breitkopf. Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary. Have a look
into EB 8450.
Oratorio/passion;
Baroque. Piano/Vocal
Score. 300 pages.
Duration 120'. Breitkopf
and Haertel #EB 8450.
Published by Breitkopf
and Haertel (BR.EB-8450).
ISBN 9790004184936.
7.5 x 10.5
inches.
Messiah
1741 - new light on
Handel's masterpiece The
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start. Messiah 1741 - the
first and only complete
edition of Handel's
autograph score Thorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation) It offers
a reconstruction of the
wind parts according to
contemporary sources
Piano vocal score with
contemporary vocal
ornamentation First
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternative The
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons. Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle. (Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. For 2 solo soprano...(+)
By Claudio Monteverdi
(1567-1643). Edited by
Hendrik Schulze. For 2
solo sopranos/3 solo
tenors/2 solo
basses/mixed choir:
SSATTB/mixed choir 2:
SATTB/orchestra. This
edition: Urtext edition.
Paperback. Score.
English/German. Published
by Baerenreiter Ver
Composed by Carlo Gesualdo. Edited by Marco Mangani. This edition: complete ...(+)
Composed by Carlo
Gesualdo.
Edited by Marco Mangani.
This
edition: complete
edition,
urtext edition. Cloth
bound.
New Gesualdo Edition 2.
Ferrara 1594. Complete
edition, Choral score,
anthology. Baerenreiter
Verlag #BA10382-01.
Published
by Baerenreiter Verlag
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. Arranged by Andrea...(+)
By Claudio Monteverdi
(1567-1643). Edited by
Hendrik Schulze. Arranged
by Andreas Kohs. For 2
solo sopranos/3 solo
tenors/2 solo
basses/mixed choir:
SSATTB/mixed choir 2:
SATTB/3 cornetts/3
violins/3
violas/violoncello/contra
bass/2 flutes/2
Recorders/3 tr
Clothbound Choral SKU: HL.49047150 Series V: Volume 3,1,2: Critical Re...(+)
Clothbound Choral
SKU:
HL.49047150
Series
V: Volume 3,1,2: Critical
Report Critical Report,
Complete. Composed by
Robert Schumann. Edited
by Christina Thomas.
Edition Schott.
Classical, Critical
Edition. Hardcover.
Schott Music #RSA1037-20.
Published by Schott Music
(HL.49047150).
UPC:
196288134091.
The
New Robert Schumann
Edition (RSA) is intended
as a historico-critical
edition of the collected
works. They will be
carefully studied and
prepared according to
present-day musicological
and editorial techniques
and presented in their
entirety. Drafts,
sketches and fragments,
in short, everything that
has come down to us as
being authentically by
Schumann and which, in
most cases, has been
deliberately preserved by
him, will be brought
together, evaluated as to
its importance and
documented in some form
or other in the edition
of the complete works. It
is the aim of the edition
to reproduce authentic
texts which –
having corrected scribal,
copying and printing
errors and eradicated
later additions and other
textual corruptions
– will approach as
closely as is possible
the intention of the
originals. The critical
edition will form the
basis of accurate
performance material for
Robert Schumann's
work.