Trio in Three Movements Trio à Cordes: violon, alto, violoncelle [Conducteur et Parties séparées] Schott
Trio in Three Movements. (Score and Parts). By Hans-Werner Henze. For Cello, Vio...(+)
Trio in Three Movements.
(Score and Parts). By
Hans-Werner Henze. For
Cello, Viola, Violin,
String Trio. Schott.
Score and Parts. 63
pages. Schott Music
#ED9143. Published by
Schott Music
Flute & fortepiano SKU: HH.HH420-FSP Composed by Joseph Lipavsky. Edited ...(+)
Flute & fortepiano
SKU: HH.HH420-FSP
Composed by Joseph
Lipavsky. Edited by
Martin Skamletz. Flute &
Fortepiano. Full score
and parts. Duration
c.18'. Edition HH Music
Publishers #HH420-FSP.
Published by Edition HH
Music Publishers
(HH.HH420-FSP).
ISBN
9790708146216.
The
Sonate concertante in G
major for piano and flute
was published
posthumously, as the
composer's oeuvre
dernier, by S. A. Steiner
in Vienna in 1810. The
present edition is based
on the printed copy in
the Musikarchiv of the
Stift Melk, Austria. The
instrumental parts are of
equal importance and of
moderate difficulty, and
the work maintains an
effective balance between
melodic, virtuoso and
even slightly
contrapuntal elements.
This is a worthy addition
to the Viennese classical
flute repertoire.
Hard Right Ensemble Jazz [Conducteur et Parties séparées] Kendor Music Inc.
Composed by Bret Zvacek. Doug Beach Threshold Series. Swing. Score and set of pa...(+)
Composed by Bret Zvacek.
Doug Beach Threshold
Series. Swing. Score and
set of parts. Duration 4
minutes, 30 seconds.
Published by Kendor Music
Inc (KN.42575).
Orchestra SKU: LO.30-2425L Composed by Joseph M. Martin. Arranged by Bran...(+)
Orchestra
SKU:
LO.30-2425L
Composed
by Joseph M. Martin.
Arranged by Brant Adams.
Choral. Sacred Anthem,
Palm/Palm-Passion Sunday.
Orchestral score and
parts. Lorenz Publishing
Company #30/2425L.
Published by Lorenz
Publishing Company
(LO.30-2425L).
UPC:
000308121858.
Fill
your sanctuary with Palm
Sunday majesty and
excitement with this
anthem from Joe Martin.
The first of three verses
is a lively
call-and-response setting
of the scripture:
“Who is this King
of glory?†The
contrasting middle verse
is an inventive pairing
of the traditional hymn
tune LEONI with the text
“All Glory, Laud
and Honor.†The
final verse returns the
lively theme of the first
in counterpoint with
drum-like hosannas. An
energetic accompaniment
that ties all three
verses together, whether
provided by piano alone
or orchestra, makes this
anthem the perfect choice
for Palm Sunday. (From
the cantata Who Is This
King? SATB –
55/1096L; SAB –
55/1097L.)
Instrumentation: 2
Flutes, Oboe, 2
Clarinets, Bassoon, 2 F
Horns, 3 Trumpets, 2
Trombones, Tuba, Timpani,
2 Percussion, Violin 1 &
2, Viola, Cello,
Bass.
By Antonin Dvorak. Arranged by L.C. Harnsberger. Music by Antonin Dvorak / arr. ...(+)
By Antonin Dvorak.
Arranged by L.C.
Harnsberger. Music by
Antonin Dvorak / arr.
L.C. Harnsberger. For
Concert Band. Concert
Band. Alfred Concert
Band. Level: 3 (Medium)
(grade 3). Conductor
Score and Parts. 3 pages.
Published by Alfred
Publishing.
Starter Solos Cor et Piano [Partition + Accès audio] Anglo Music
Horn and Piano - easy SKU: BT.AMP-154-404 20 Progressive Pieces with P...(+)
Horn and Piano - easy
SKU:
BT.AMP-154-404
20
Progressive Pieces with
Piano Accompaniment for
Horn. Composed by
Philip Sparke. Starter
Solos. Tuition. Book with
Part and Audio-Online.
Composed 2022. 32 pages.
Anglo Music Press #AMP
154-404. Published by
Anglo Music Press
(BT.AMP-154-404).
ISBN
9789043165198.
English-German-French-Dut
ch.
Philip
Sparkeââ¬â¢s
Starter Solos is
the first volume of a
progressive series of
books that takes the
young wind player from
beginner to accomplished
musician. Specifically
tailored for each
instrument, this
collection of 20solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The booksprovide
invaluable additional
material to complement
any teaching method. Starter Solos
comes with an online
audio access. The
advantages of playing
either with piano or
audio accompaniment are
that the beginning
playercan now experience
the important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playingalone.
Philip
Sparkeââ¬â¢s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
soloââ¬â¢s
begint met stukken die op
een handvol noten zijn
gebaseerd. Nieuwe
muzikale
elementen(articulatie,
dynamiek, enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende instrument.
Uitgave met online
audio: Devoordelen van
het spelen met
begeleiding - hetzij met
een pianist, hetzij met
de opname - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en
essentiële
vaardigheden kanaanleren:
het luisteren tijdens het
spelen en het handhaven
van een strak tempo. Bij
het alleen spelen komen
deze factoren minder aan
de orde.
Das
frühe Lernstadium
ist, neben einem guten
Lehrer im Unterricht,
für jedes
Instrument zweifellos das
Wichtigste. Von
großer Bedeutung
ist aber auch
motivierendes
Lehrmaterial. FÃÂ
r diese Ausgabe beriet
sich Philip Sparke
mitvielen Lehrern, wie
man am besten neue Noten
einführt und
zugleich einen Rahmen
schafft, in den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesen Soli und
Etüden in
dreiverschiedenen
Schwierigkeitsstufen
können
Instrumentalschüle
r schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse
und Anforderungen des
einzelnen Instrumentes
zugeschnitten. Die
Stücke in
dieserAusgabe
können dank der im
Buch in Notenform
enthaltenen und online
als Audiotracks
zugänglichen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden.
Der Vorteil dabei ist,
dass Anfänger
sonicht nur die
wichtigsten Aspekte des
Ensemblespiels erfahren,
sondern auch von Anfang
an die Fähigkeit
entwickeln,
während des
Spielens zugleich
zuzuhören und das
Tempo zu
halten.
Accanto
ad un buon insegnante, il
materiale da studio
valido è senza
dubbio la cosa più
importante al fine di un
buon apprendimento.
Eââ¬â¢ quindi
importante mettere a
disposizione
dellââ¬â¢allie
vo materiale motivante.
Nello scriverequesti
soli, Philip Sparke si
è consultato a
più riprese con
insegnanti ed allievi per
mettere a punto brani che
consentono anche ai
più inesperti di
suonare in modo
soddisfacente. Gli
accompagnamenti al piano
sono accessibilionline
come file MP3.
Orchestra violin, piano SKU: CF.B3470 Composed by Julia Perry. Set of Sco...(+)
Orchestra violin, piano
SKU: CF.B3470
Composed by Julia Perry.
Set of Score and Parts.
26+13 pages. Duration 17
minutes. Carl Fischer
Music #B3470. Published
by Carl Fischer Music
(CF.B3470).
ISBN
9781491159460. UPC:
680160918058.
The
awardee of two Guggenheim
fellowships, Julia Perry
studied composition with
Luigi Dallapiccola and
Nadia Boulanger, and
conducted her works on a
tour throughout Europe
with the Vienna
Philharmonic and the BBC
Orchestra. She would
become one of the first
African-American female
composers to have an
orchestral work performed
by the New York
Philharmonic. Although
she had an auspicious and
promising career in her
early life, it was
tragically cut short by a
series of strokes leading
to partial paralysis and
eventually, her death, at
age 55 in
1979.Perry’s
catalog is widely varied,
featuring thirteen
symphonies, numerous
chamber and solo works,
pieces for band, choral
and vocal music, and four
operas. Her Violin
Concerto, completed in
1968, shows the influence
of Dallapiccola’s
teachings: sharp harmonic
dissonances organized
around specific pitch
centers, short repetitive
patterns that establish
significant musical
materials, and
contrapuntal textures.
Her fastidious
performance markings in
the solo violin part
indicate her profound
understanding of the
instrument. Angular,
muscled, and sparkling by
turns, this piece is a
sophisticated entry to
the serious violinist's
concert repertoire.There
is no evidence or
documentation that the
Violin Concerto was ever
premiered or performed
during her lifetime,
despite the fact that the
composer prepared a full
score, piano reduction
and orchestral parts.
Regrettably, this is the
case with the majority of
her works composed in the
final decade of her
life. What is
extraordinary about Julia
Perry’s musical
career was the
astonishing success she
attained in her early
years. In her youth she
studied piano, voice,
violin and cello. She
began to compose in her
teenage years, her first
publication being a
choral work in 1947 by
Carl Fischer. Her Stabat
Mater was published in
1951 and would become one
of her most often
performed pieces, with
performances in Europe
and the United States. In
1953 she was awarded a
Guggenheim fellowship to
study with the Italian
composer Luigi
Dallapiccola, first at
the Berkshire Music
Center in Tanglewood,
later in Florence, Italy.
During this time, she
also pursued studies with
Nadia Boulanger in Paris
and was awarded a second
Guggenheim fellowship.
She studied conducting at
this time, touring Europe
in 1957 to conduct her
own works with the Vienna
Philharmonic and the BBC
Orchestra. During her
European sojourns, she
learned and mastered
French, German and
Italian. She would become
one of the first
African-American female
composers to have an
orchestral work performed
by the New York
Philharmonic.Perryâ€
s circumstances would
change dramatically once
she reached forty years
of age, having returned
permanently to the United
States. At some point in
the spring of 1970, she
suffered the first of two
strokes that would
paralyze her right side
and confine her to a
wheelchair for the rest
of her life. Nonetheless,
she continued to compose
and to promote her works
with publishers and
conductors. A second
stroke contributed to her
death in 1979 at age 55.
She likely endured harsh
ethnic and gender
discrimination in the
course of her career, and
her later years would
witness a period of
extreme civil unrest.
These matters and the
significance of music in
her life are undoubtedly
what led her to say,
“Music has a great
role to play in
establishing the
brotherhood of
man.â€Perry’s
catalog is widely varied,
featuring thirteen
symphonies, numerous
chamber and solo works,
pieces for band, choral
and vocal music, and four
operas. Her Violin
Concerto, completed in
1968, is indicative of
the influence of
Dallapiccola’s
teachings: sharp harmonic
dissonances organized
around specific pitch
centers, short repetitive
patterns that establish
significant musical
materials, and
contrapuntal textures.
The work is a single
movement of 392 measures
organized around three
alternating tempos: Slow
(Å’ = 60), Moderate
(Å’ = 84) and Fast
(Å’ = 120). The
opening thirty-measure
cadenza for the solo
violin introduces most of
the thematic material for
the piece. The
orchestration commonly
features antiphonal
writing between
orchestral groups, for
example, strings
alternating with brass,
or strings alternating
with winds. The harp and
piano generally appear as
solo instruments, rather
than as members of the
orchestra. Her fastidious
performance markings in
the solo violin part
indicate her profound
understanding of the
instrument.There is no
evidence or documentation
that the Violin Concerto
was ever premiered or
performed during her
lifetime, despite the
fact that the composer
prepared a full score,
piano reduction and
orchestral parts.
Regrettably, this is the
case with the majority of
her works composed in the
final decade of her
life.
Sinfonietta No. 4 Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band (Score) - Grade 5 SKU: HL.44011052 Stramproy Centennial(+)
Concert Band (Score) -
Grade 5
SKU:
HL.44011052
Stramproy
Centennial. Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Score Only.
Composed 2011. Anglo
Music Press #AMP274140.
Published by Anglo Music
Press (HL.44011052).
Philip Sparke's
Sinfonietta No. 4
is comprised of three
parts that are played as
an uninterrupted whole.
The _x001F_first movement
begins with a lyrical
fugato passage, framing a
brisker and more
rhythmical middle
section. The second
movement is slower and
contains a long and
expressive euphonium
solo. The third movement
is a salute to the
sponsor of this
commission: various
percussion instruments
conjure up sounds
reminiscent of a
carpenter's workshop,
accompanied by a unison
orchestral passage in a
scat style.
Philip
Sparke schreef
Sinfonietta No 4
voor de Fanfare St.
Willibrordus Stramproy
ter gelegenheid van het
honderdjarig bestaan van
het orkest in 2009. De
opdracht kwam van Math en
Nol Palmen van
Timmerfabriek Palmen, die
inhetzelfde jaar maar
liefst tweehonderd jaar
bestond. De compositie
was een geschenk aan het
fanfareorkest als symbool
van de dubbele
feestelijkheden.Sinfon
ietta No 4 werd voor
het eerst ten gehore
gebracht toen het
orkestop 28 juni 2009
zijn honderdjarig
jubileum vierde. De
eerste openbare premiere
vond op 18 oktober plaats
tijdens het bondsconcours
van de LBM te Venlo. Het
werk bestaat uit drie
aaneengesloten delen. Het
eerste deel beschrijft
hetdorp Stramproy - een
lyrische fugato passage
omsluit hier een sneller
en ritmischer gedeelte.
Het tweede deel is
langzamer en bevat een
lange, expressieve
euphoniumsolo. Tot slot
is het derde deel een
muzikale groet aan
TimmerfabriekPalmen: het
opent met geluiden uit de
werkplaats op diverse
slagwerkinstrumenten, die
een unisono passage in
scatstijl in het orkest
begeleiden.In 2010 heeft
de componist het werk
voor harmonieorkest
bewerkt. Deze versie
werdin november 2010 voor
het eerst ten gehore
gebracht door de Osaka
Municipal Symphonic
Band.
Philip
Sparkes Sinfonietta
No. 4 besteht aus
drei Teilen, die ohne
Unterbrechung gespielt
werden. Der erste Satz
beginnt mit einer
lyrischen Fugato-Passage,
die einen schnelleren und
rhythmischeren Mittelteil
umrahmt. Der zweite Teil
ist langsamer und enthalt
ein langes, expressives
Euphoniumsolo. Der dritte
Teil ist ein Salut an den
Sponsor dieses
Kompositionsauftrags:
Diverse Schlaginstrumente
erinnern an die Klange
aus einer Schreinerei,
unisono begleitet von
einer Orchesterpassage im
Scat-Stil.
Sinf
onietta Ndeg 4 est
une oeuvre en trois
mouvements qui
s'enchainent sans
interruption. Le premier
mouvement decrit le
village de Stramproy. Il
s'ouvre avec un passage
lyrique en style fugue
qui enserre un passage
central plus rapide et
plus rythme. Dans le
second mouvement, la
musique est plus apaisee.
Un magni_x001C_fique solo
d'euphonium traverse la
trame musicale. Le
troisieme et dernier
mouvement illustre les
activites de l'entreprise
commanditaire de
l'oeuvre. On entend les
bruits de l'atelier dans
un passage pour
multi-percussions, qui
ornemente une texture
orchestrale a l'unisson,
proche du
scat.
Sinfoniet
ta No. 4 si compone
di tre parti da eseguire
senza interruzione. Il
primo movimento inizia
con un lirico passaggio
fugato, che fa da cornice
a una parte centrale piu
veloce e ritmica. Nel
secondo movimento la
musica e piu calma. Un
magni_x001E_fico assolo
di eufonio attraversa la
trama musicale. Il terzo
movimento descrive in
musica le attivita
dell'azienda che ha
commissionato il brano
(un laboratorio di
falegnameria), attraverso
un passaggio per le
percussioni che ornano un
andamento orchestrale
all'unisono.
Sinfonietta No. 4 Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 5 SKU: BT.AMP-274-140 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 5
SKU:
BT.AMP-274-140
Stramproy
Centennial. Composed
by Philip Sparke. Elite
Series. Score Only.
Composed 2011. 76 pages.
Anglo Music Press #AMP
274-140. Published by
Anglo Music Press
(BT.AMP-274-140).
9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Sinfonietta No. 4
is comprised of three
parts that are played as
an uninterrupted whole.
The _x001F_first movement
begins with a lyrical
fugato passage, framing a
brisker and more
rhythmical middle
section. The second
movement is slower and
contains a long and
expressive euphonium
solo. The third movement
is a salute to the
sponsor of this
commission: various
percussion instruments
conjure up sounds
reminiscent of a
carpenter’s
workshop, accompanied by
a unison orchestral
passage in a scat
style.
Philip
Sparke schreef
Sinfonietta No 4
voor de Fanfare St.
Willibrordus Stramproy
ter gelegenheid van het
honderdjarig bestaan van
het orkest in 2009. De
opdracht kwam van Math en
Nol Palmen van
Timmerfabriek Palmen, die
inhetzelfde jaar maar
liefst tweehonderd jaar
bestond. De compositie
was een geschenk aan het
fanfareorkest als symbool
van de dubbele
feestelijkheden.Sinfon
ietta No 4 werd voor
het eerst ten gehore
gebracht toen het
orkestop 28 juni 2009
zijn honderdjarig
jubileum vierde. De
eerste openbare
première vond op 18
oktober plaats tijdens
het bondsconcours van de
LBM te Venlo. Het werk
bestaat uit drie
aaneengesloten delen. Het
eerste deel beschrijft
hetdorp Stramproy - een
lyrische fugato passage
omsluit hier een sneller
en ritmischer gedeelte.
Het tweede deel is
langzamer en bevat een
lange, expressieve
euphoniumsolo. Tot slot
is het derde deel een
muzikale groet aan
TimmerfabriekPalmen: het
opent met geluiden uit de
werkplaats op diverse
slagwerkinstrumenten, die
een unisono passage in
scatstijl in het orkest
begeleiden.In 2010 heeft
de componist het werk
voor harmonieorkest
bewerkt. Deze versie
werdin november 2010 voor
het eerst ten gehore
gebracht door de Osaka
Municipal Symphonic
Band.
Philip
Sparkes Sinfonietta
No. 4 besteht aus
drei Teilen, die ohne
Unterbrechung gespielt
werden. Der erste Satz
beginnt mit einer
lyrischen Fugato-Passage,
die einen schnelleren und
rhythmischeren Mittelteil
umrahmt. Der zweite Teil
ist langsamer und
enthält ein langes,
expressives
Euphoniumsolo. Der dritte
Teil ist ein Salut an den
Sponsor dieses
Kompositionsauftrags:
Diverse Schlaginstrumente
erinnern an die Klänge
aus einer Schreinerei,
unisono begleitet von
einer Orchesterpassage im
Scat-Stil.
Sinfoniet
ta No. 4 si compone
di tre parti da eseguire
senza interruzione. Il
primo movimento inizia
con un lirico passaggio
fugato, che fa da cornice
a una parte centrale
più veloce e ritmica.
Nel secondo movimento la
musica è più calma.
Un magni_x001E_fico
assolo di eufonio
attraversa la trama
musicale. Il terzo
movimento descrive in
musica le attivit
dell’azienda che
ha commissionato il brano
(un laboratorio di
falegnameria), attraverso
un passaggio per le
percussioni che ornano un
andamento orchestrale
all’unisono.
By the River Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1115063-120 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1115063-120
Composed by Jan Van der
Roost. Concert and
Contest Collection Brass
Band en Fanfare. Concert
Piece. Score Only.
Composed 2012. 52 pages.
De Haske Publications
#DHP 1115063-120.
Published by De Haske
Publications
(BT.DHP-1115063-120).
9x12 inches.
English-German-French-Dut
ch.
Jan Van der
Roost and the
commissioner of this work
have strong personal
ties, making By the
River a very personal
work for both of them.
The first part is
pastoral and describes
the rural character of
what is actually an
industrial region. The
next movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost creates will keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den ländlichen
Charakter einer
eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie die
Aufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River è
un’opera alla
quale Jan Van der Roost
è particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni ormai
industrializzate. Segue
un dinamico allegro,
breve ma che ricorda la
musica di Leonard
Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmer il
pubblico!
By the River Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115063-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115063-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2011. 52
pages. De Haske
Publications #DHP
1115063-140. Published by
De Haske Publications
(BT.DHP-1115063-140).
9x12 inches.
Jan
Van der Roost and the
commissioner of this work
have strong personal
ties, making By the River
a very personal work for
both of them. The first
part is pastoral and
describes the rural
character of what is
actually an industrial
region. The next
movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost creates will keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den ländlichen
Charakter einer
eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie die
Aufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River è
un’opera alla
quale Jan Van der Roost
è particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni ormai
industrializzate. Segue
un dinamico allegro,
breve ma che ricorda la
musica di Leonard
Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmer il
pubblico!
The Water Is Wide Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Concert band - Grade 3 SKU: CL.026-4535-00 Arranged by Stanton. Concert B...(+)
Concert band - Grade 3
SKU:
CL.026-4535-00
Arranged by Stanton.
Concert Band.
Build-A-Band. Score and
set of parts. Composed
2017. Duration 3 minutes,
13 seconds. C.L.
Barnhouse #026-4535-00.
Published by C.L.
Barnhouse
(CL.026-4535-00).
This famous
melody, arranged for the
Build-A-Band series, is
now accessible to bands
of virtually any
instrumentation. Every
instrument has the
opportunity to share in
the melody, and it is
carefully scored to help
even the smallest bands
sound full and mature.
The melody is presented
first for a solo
instrument, and then
leads with a dramatic
modulation to a glorious
final chorus. Provides
many teaching
opportunities, and
carefully designed to
ensure maximum
musicality.
Beautiful!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
3 Alto Saxophones - easy SKU: BT.DHP-1094836-404 Arranged by Peter Kleine...(+)
3 Alto Saxophones - easy
SKU:
BT.DHP-1094836-404
Arranged by Peter Kleine
Schaars. Trioflex. Book
with Part and
Audio-Online. Composed
2021. 28 pages. De Haske
Publications #DHP
1094836-404. Published by
De Haske Publications
(BT.DHP-1094836-404).
ISBN 9789043164993.
English-German-French-Dut
ch.
Trio
Flex is a clever
concept that offers you a
range of possible
options. As well as a
demo version played by
live instruments, the
audio tracks available
online contain two
play-along tracks for
each piece. One
trackfeatures the combo
only, and the other track
features the combo plus
the second and third
parts of the trio. Peter
Kleine Schaars has
arranged ten well-known
numbers for three wind
instruments in various
styles and genres.
Playthe melody with the
combo on the
accompaniment track, or
play the trio version
with the other two
recorded parts. That will
sound great in itself.
But you can also form a
trio with two co-players,
and have yourselves
accompaniedby the combo
accompaniment. No matter
which variation you
choose, get ready for a
musical experience that
will amaze your audience!
Trio-Flex
is een uitgekiend concept
dat verschillende
mogelijkheden met zich
meebrengt. De online
beschikbare audiotracks
bevatten naast een live
ingespeelde demoversie
van elk nummer twee
begeleidingstracks. Op de
enetrack hoor je alleen
het combo en op de andere
track hoor je het combo
met daarbij de tweede en
derde stem van het
trio.
Peter Kleine
Schaars bewerkte tien
bekende nummers voor drie
spelers in diverse genres
en stijlen.
Speeldemelodie met het
combo op de
begeleidingstrack, of
speel de trioversie met
de tegenstemmen. Dat
klinkt al geweldig. Maar
je kunt ook met twee
medespelers een trio
vormen en je door het
combo op de
begeleidingstrack
latenbegeleiden. Welke
variant je ook kiest:
bereid je voor op een
muzikale belevenis die je
publiek versteld zal doen
staan!
Trio-Fle
x ist ein cleveres
Konzept, das verschiedene
Möglichkeiten
bietet. Neben einer live
eingespielten Demoversion
umfassen die online
verfügbaren
Audiotracks zwei
Mitspielversionen jedes
Stückes. Eine wird
nur von derCombo
gespielt, die andere von
der Combo zusammen mit
der zweiten und dritten
Stimme des Trios.
Peter Kleine Schaars
arrangierte zehn bekannte
Titel für drei
Klarinetten in
verschiedenen Genres und
Musikstilen. Die Melodie
zurCombo-Begleitung
gespielt oder die
Trioversion mit den
Gegenstimmen auf der
Begleitaufnahme - das
alleine klingt schon
wunderbar. Am
schönsten ist
allerdings, wenn sich
zwei Mitspieler finden
und dann im Trio zur
aufgenommenenCombo-Beglei
tung musiziert werden
kann. Ganz egal,
für welche
Variante man sich
entscheidet: Es wird eine
musikalische Erfahrung,
die jedes Publikum
begeistert!
Fun
Favorites è
una pubblicazione basata
sul concetto di
TRIO-FLEX: si può
quindi fare musica con
tre strumentisti, da soli
con il combo, o da soli
con il combo e le parti
del trio.
Choir; cello; clarinet; flute; oboe SKU: HP.C6122C Arranged by Joel Raney...(+)
Choir; cello; clarinet;
flute; oboe
SKU:
HP.C6122C
Arranged by
Joel Raney. Thanksgiving,
Thanksgiving, General
Worship, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C6122C.
Published by Hope
Publishing Company
(HP.C6122C).
UPC:
763628961220.
Medle
y of familiar hymns All
Things Bright and
Beautiful, set to a new
melody, opens this
musical montage, which
quickly moves into
strains of the Doxology,
then For the Beauty of
the Earth, and Holy,
Holy, Holy. The thread
that hold it all together
is the refrain Lord of
all, to thee we raise
this, our grateful hymn
of praise. Easily
learned, and ideal for
Thanksgiving or general
occasions.
Instrumental
Parts: Conductor's Score,
Flute, Oboe (Soprano Sax
or Clarinet), Clarinet,
Horn (Alto Sax or
Clarinet), Piano, Violin,
Cello.
Unison voices (assembly and choir), and organ, with optional descant and brass q...(+)
Unison voices (assembly
and choir), and organ,
with optional descant and
brass quartet
(Instrumental Parts
include: Trumpets I and
II in B-flat and C, Horn
in F (substitute for
Trombone I), Trombones I
and II) - Early
Intermediate
SKU:
MN.80-407
Composed by
Matthew Koraus. Easter,
Christ the King, 21st
Century. MorningStar
Music Publishers #80-407.
Published by MorningStar
Music Publishers
(MN.80-407).
UPC:
688670804076.
English.
Matthew
Koraus has crafted a
sturdy and very singable
set of acclamations for
the Eucharistic Prayer
based on the hymn tune
Diademata, ideal for the
long season of Easter as
well as Christ the King
and other festive times.
His adaptation of Elvey's
hymn tune includes
unexpected touches such
as passing tones,
rhythmic variations, and
inventive harmonies,
enabling the acclamations
to remain fresh over
time. Holy, Holy, Holy,
all 3 Memorial
Acclamations, and Amen
are arranged for
Assembly, Choir (in
unison or with Descant),
and Organ, with optional
Two Trumpets or Brass
Quartet.
Skye Boat Song Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By John O'reilly. By John O'Reilly. For Concert Band. Concert Band. Accent on Ac...(+)
By John O'reilly. By John
O'Reilly. For Concert
Band. Concert Band.
Accent on Achievement.
Level: Grade 1. Conductor
Score & Parts. Duration
3:00:00. Published by
Alfred Publishing.
The King's Flourish Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
(A Holiday Fanfare for Band). By R. W. Smith. Concert band. For concert band. Yo...(+)
(A Holiday Fanfare for
Band). By R. W. Smith.
Concert band. For concert
band. Young Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR374). Grade 0.5.
Score and set of parts.
Composed 2011. Duration 1
minute, 57 seconds.
Published by C.L.
Barnhouse
Composed by Samuel Paul
and Scott M. Hyslop. 21st
Century, Multicultural.
Octavo. MorningStar Music
Publishers #50-7401.
Published by MorningStar
Music Publishers
(MN.50-7401).
UPC:
688670574016. Scripture:
Psalms 148,
150.
Simple,
effective folk hymn
setting of Psalm-like
text (Psalm 148/150)
using lively Pakistani
melody. Performance
options included. Fitting
for services of
celebrative nature or
multi-cultural flavor.
Instrumental parts
included.
Clearly Classical Quintette à Vent [Conducteur et Parties séparées] - Intermédiaire Kendor Music Inc.
Arranged by James Christensen. For woodwind quintet (flute, oboe, Bb clarinet, h...(+)
Arranged by James
Christensen. For woodwind
quintet (flute, oboe, Bb
clarinet, horn in F, and
bassoon (or Bb bass
clarinet).). Grade 3.
Score and set of parts.
Published by Kendor Music
Inc