Instruments en Do [Fake Book] - Intermédiaire Hal Leonard
C Edition. Composed by Various. Fake Book. Jazz. Fakebook (softcover). With voca...(+)
C Edition. Composed by
Various. Fake Book. Jazz.
Fakebook (softcover).
With vocal melody,
lyrics, chord names,
black and white photos,
discography and
introductory text. 400
pages. Hal Leonard
#FBM0003. Published by
Hal Leonard
Fakebook for bass clef instrument and voice. With introductory text, vocal melod...(+)
Fakebook for bass clef
instrument and voice.
With introductory text,
vocal melody, lyrics,
chord names, discography
and black & white photos.
400 pages. Published by
Alfred Publishing.
Soprano voice, tenor
voice baritone voice,
SATB chorus, 2 Fl, 2 Ob,
Fg, 3 Tr, Timp, 2 Cor, 2
Vl, Va, Bc
SKU:
CA.3324048
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. Single Part,
harpsichord. BR-CPEB D 3
(Wq 240). Duration 73
minutes. Carus Verlag
#3324048. Published by
Carus Verlag
(CA.3324048).
ISBN
9790007297138. German.
Text: Ramler, Carl
Wilhelm.
Of the
three oratorios which
Carl Philipp Emanuel Bach
composed when he was
music director in
Hamburg, Die Auferstehung
und Himmelfahrt Jesu is
particularly intended to
create splendor and
effect with its use of
magnificent-sounding
trumpets and timpani.
Bach liked this work very
much and had it published
in 1787, the year before
his death. The following
year the oratorio was
performed by Mozart in
Vienna.
The text
of the oratorio by Carl
Wilhelm Ramler
(1725–1798; better
known as the poet of the
frequently-set “Der
Tod Jesuâ€) covers
the Easter story of the
disciples at Emmaus and
the doubting Thomas, up
to the image of Jesus
ascending to
heaven.
The score
is published as Vol. IV,2
of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute. Carus
publishes the vocal score
and choral score for this
work. The full score and
parts can also be
obtained from Carus.
Just Jazz Real Book - Bb Edition. (B-Flat Edition). For Bb instrument and voice....(+)
Just Jazz Real Book - Bb
Edition. (B-Flat
Edition). For Bb
instrument and voice.
This edition: B-Flat
Edition. Fake Book. Just
Real Books Series. Jazz.
Difficulty: easy-medium
to medium. Fakebook
(spiral bound).
Introductory text, vocal
melody, lyrics, chord
names, discography and
black and white photos.
400 pages. Published by
Alfred Music Publishing
Solo, Coro SATB SKU: CA.337400 Edited by Volker Hempfling, Stanley Engebr...(+)
Solo, Coro SATB
SKU:
CA.337400
Edited by
Volker Hempfling, Stanley
Engebretson. Arranged by
Thomas P. Fenner. Choral
collections. Separate
edition with choral
collection. Sacred vocal
music. Full score.
Composed 1874. 2 pages.
Carus Verlag #CV
03.374/00. Published by
Carus Verlag (CA.337400).
ISBN 9790007247027.
Key: D major. Language:
English.
(Music For Voice) SKU: HL.14068138 Composed by Thomas Laub. Choral. Gener...(+)
(Music For Voice)
SKU:
HL.14068138
Composed
by Thomas Laub. Choral.
General Merchandise.
Duration 240 seconds.
Edition Wilhelm Hansen
#MKA003-D. Published by
Edition Wilhelm Hansen
(HL.14068138).
Piano SKU: M7.DOHR-17602 Composed by Franz Joseph Haydn. Sheet music. Sin...(+)
Piano
SKU:
M7.DOHR-17602
Composed by Franz Joseph
Haydn. Sheet music.
Single sheet. 16 pages.
MDS (Music Distribution
Services) #DOHR 17602.
Published by MDS (Music
Distribution Services)
(M7.DOHR-17602).
ISBN
9790202036020.
Von
der Existenz der sieben
verschollenen
Klaviersonaten Hob. XVI:
2a-e und g-h wissen wir
lediglich durch Haydns
Eintragungen ihrer
Incipits im sogenannten
Entwurf-Katalog.
Entstanden sind die
fraglichen sieben Sonaten
nach derzeitigem
Forschungsstand
vermutlich in der Zeit
zwischen 1766 und 1772.
Die vom
Haydn-Spezialisten Thomas
Enselein erstellten
Rekonstruktionen dieser
sieben Sonaten sind
sowohl in Einzelausgaben
wie auch in einem
Sammelband (E.D. 17600)
erhältlich. Zur jeder
Neufassung hat Enselein
einen Werkstattbericht
(deutsch/englisch)
erstellt, in dem er sein
Vorgehen bei der
Rekonstruktion der
einzelnen Sonate
erläutert.
Soprano voice, tenor
voice baritone voice,
SATB chorus, 2 Fl, 2 Ob,
Fg, 3 Tr, Timp, 2 Cor, 2
Vl, Va, Bc
SKU:
CA.3324014
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. Single Part,
basso continuo. BR-CPEB D
3 (Wq 240). Duration 73
minutes. Carus Verlag
#3324014. Published by
Carus Verlag
(CA.3324014).
ISBN
9790007302672. German.
Text: Ramler, Carl
Wilhelm.
Of the
three oratorios which
Carl Philipp Emanuel Bach
composed when he was
music director in
Hamburg, Die Auferstehung
und Himmelfahrt Jesu is
particularly intended to
create splendor and
effect with its use of
magnificent-sounding
trumpets and timpani.
Bach liked this work very
much and had it published
in 1787, the year before
his death. The following
year the oratorio was
performed by Mozart in
Vienna.
The text
of the oratorio by Carl
Wilhelm Ramler
(1725–1798; better
known as the poet of the
frequently-set “Der
Tod Jesuâ€) covers
the Easter story of the
disciples at Emmaus and
the doubting Thomas, up
to the image of Jesus
ascending to
heaven.
The score
is published as Vol. IV,2
of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute. Carus
publishes the vocal score
and choral score for this
work. The full score and
parts can also be
obtained from Carus.
By Isaac Albeniz. Edited by Werner Thomas-Mifune. For 2 violin, viola, violoncel...(+)
By Isaac Albeniz. Edited
by Werner Thomas-Mifune.
For 2 violin, viola,
violoncello.
Asturias(Leyenda);Cadiz)S
erenata);Cord
d'Espagne,Op.132,No.4);Ma
llorca(Barcar. Published
by Edition Kunzelmann.
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-15. Published by
Breitkopf and Haertel
(BR.OB-15121-15).
ISBN
9790004340127. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
Saxophone Series, 2013
Edition. Composed by
The Royal Conservatory.
Saxophone Series, 2013
Edition. Book/CD. 44/20
pages. The Frederick
Harris Music Company
#WS1. Published by The
Frederick Harris Music
Company (FH.WS1).
ISBN
978-1-55440-550-3.
Unparalleled in scope,
this groundbreaking
series for E_Alto and
B_Tenor offers a single
collection of Repertoire
and supporting materials
written or arranged
specifically for
saxophone. With
Repertoire spanning from
the Baroque to
contemporary eras,
Recordings, Etudes,
Technique, and Orchestral
Excerpts, this
comprehensive series
serves as a balanced and
organized pedagogical
resource from the
beginner to advanced
levels of study. Nine
progressive volumes of
Repertoire expose
students to original
works and arrangements of
diverse styles from W.A.
Mozart to Violet Archer,
with selected works by
notable jazz artist Paul
Desmon (Take Five), and
living composer Phil
Woods. Each level
provides opportunities to
explore Baroque,
Classical, Romantic, and
contemporary works, with
original, unaccompanied
selections from Levels 5
through 8 that use
extended techniques such
as multiphonics, key
clicks, and bisbigliando.
Earlier works pre-dating
the origin of the
saxophone have been
carefully arranged with
consideration of the
unique quality of the
instrument. Exposure to
these works help to
develop musicianship and
an understanding of
tonality, creating
well-rounded and
versatile performers.
Selections written for
both E_Alto and B_Tenor
include piano
accompaniments that
function with both
instruments. Eb
Saxophone:
Rhythmi
c Repertoire: What Is
Beauty but a Breath? -
Thomas Greaves, arr.
Kathleen Wood Great
Scott - Lennie
Niehaus Cielito Lindo
- Quirino Mendoza y
Cortes Horseshoe
Shuffle - Beverley
Calland Here Comes the
Parade! - Nova
Pon Theme and
Variations - Aleksandr
Glazunov, arr. Mark
Mrozinski Galloping
Across the Prairies -
Sean Clarke Lyrical
Repertoire: Ave Verum
Corpus, K 618 - Wolfgang
Amadeus Mozart, arr.
Jason Gray Moonglow -
Pam Wedgwood Calm as
the Night (Still wie die
Nacht), op. 326, no. 27 -
Carl Bohm, arr. Christine
Donkin Gymnopedie No.
2 - Erik Satie, arr.
Jason Noble
Bb
Saxophone:
Rhythmi
c Repertoire: The
Sidewalks of New York -
Charles B. Lawlor, arr.
Forrest Kinney Sweet
Betsy from Pike -
American folk song, arr.
Christine
Donkin Minuet in D
minor, BWV Anh. 132 -
attr. Johann Sebastian
Bach, arr. Jason
Noble Lyrical
Repertoire: A Joyous
Tune - Sigurd
Rascher Londonderry
Air - Irish folk song,
arr. Forrest
Kinney Good News!
(Nouvelle agreable!) -
18th-century French
carol, arr. Akiko and
Forrest Kinney.
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.