High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
SATB choir SKU: ST.EM18 Composed by Thomas Tomkins. Edited by Edmund H Fe...(+)
SATB choir
SKU:
ST.EM18
Composed by
Thomas Tomkins. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Collection.
Stainer & Bell Ltd.
#EM18. Published by
Stainer & Bell Ltd.
(ST.EM18).
ISBN
9790220216930.
Thou
gh better known as a
composer of church and
keyboard music, Tomkins
wrote secular vocal music
that offers a compendium
of all the various
styles: canzonets,
balletts, madrigals and
'sacred songs'. Each was
dedicated to one of his
relatives, a friend or a
colleague. The names of
these 28 dedicatees form
a fascinating list at the
end of the
book.
CONTENTS
Adieu, ye city-poisoning
towers (SSATB)
Cloris, whenas I woo
(SSATB) Come,
shepherds sing with me
(SSATB) Fond men,
that do so highly prize
(SST (or A)) Fusca,
in thy starry eyes
(SSATB) How great
delight (SST) It is
my well-beloved's voice
(SSATTB) Love, cease
tormenting (SSA (or
T)) Music divine
(SSATTB) No more I
will thy love (SATB)
O let me die for true
love (SATB) O let me
live for true love
(SATB) Oft did I
marle (SSAATB) Our
hasty life away dost post
(SST) Oyez! Has any
found a lad? (SATB)
Phyllis, now cease to
move me (SSATB)
Phyllis, yet see him
dying (SSATB) See,
see the shepherds' Queen
(SSATB) Sure there is
no god of love (SSA)
The fauns and satyrs
tripping (SSATB) To
the shady woods
(SSATB) Too much I
once lamented (SSATB)
Turn unto the Lord
(SSATTB) Was ever
wretch tormented? (ST (or
A) TB) Weep no more,
thou sorry Boy (SATB)
When David heard
(SAATB) When I
observe (SSAATB) Woe
is me (SSATBB) Yet
again, as soon revived
(SAT (or A) B).
SATB choir SKU: ST.EM28 Composed by Henry Youll. Edited by Edmund H Fello...(+)
SATB choir
SKU:
ST.EM28
Composed by
Henry Youll. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Note:
Print on demand.
Spiral-bound A4.
Madrigals. Collection.
Stainer & Bell Ltd.
#EM28. Published by
Stainer & Bell Ltd.
(ST.EM28).
ISBN
9790220218798.
CONT
ENTS Awake, sweet
love (SSA (or T)) But
behold where they return
(SST) But though poor
sheep (SST) Cease,
restless thoughts
(SST) Come, love,
let's walk (SSA (or
T)) Come, merry lads,
let us away (SSA)
Each day of thine
(SST) Early before
the day doth spring
(SSA) In the merry
month of May (SSA) In
pleasant summer's morning
(SST) In yonder dale
(SST (or A)) Now the
country lasses hie them
(SSB (or T)) Of sweet
and dainty flowers
(SAT) Once I thought
to die for love (SST)
Only joy, now here you
are (SST) Pipe,
shepherds, pipe (SSB (or
T)) Pity me, mine own
sweet jewel (SST)
Say, shepherd, say
(SST) See where this
nymph (SSA (or T))
Slow, slow, fresh fount
(SST) Sweet Phyllis,
stay (SST) The
shepherd's daughters
(SST) Where are now
those jolly swains?
(SSB) Whiles joyful
springtime lasteth
(SST).
Carols for Choirs 2 by David Willcocks and John Rutter (1945-). Edited by David ...(+)
Carols for Choirs 2 by
David Willcocks and John
Rutter (1945-). Edited by
David Willcocks, John
Rutter. For mixed choir.
Mixed Voices. ...for
Choirs Collections.
Christmas, Choral
Collection. Choral
collection. 224 pages.
Published by Oxford
University Press
SATB choir SKU: ST.EM7 Composed by John Wilbye. Edited by Edmund H Fellow...(+)
SATB choir
SKU:
ST.EM7
Composed by
John Wilbye. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Note:
Print on demand.
Spiral-bound A4.
Madrigals. Collection.
Stainer & Bell Ltd. #EM7.
Published by Stainer &
Bell Ltd. (ST.EM7).
ISBN
9790220218507.
CONT
ENTS A silly Sylvan
(SSAAT) Ah cannot
sighs, nor tears? (SSAAA
(or T) B) Ah, cruel
Amarillis (SST (or
A)) All pleasure is
of this condition (SSAT
(or A) B) As fair as
mourn (SAA (or T)) As
matches beauty (S (or A)
S (or A) TB) Change
me, O heavAns (SSA (or T)
B (or T)) Come
shepherd swains (SSA (or
T)) Despite thus unto
myself (SSA (or T) A (or
T) T (or B) B) Down
in a valley (SSATB)
Draw on sweet night (SSAA
(or T) TB) Flourish
ye hillocks (SST) Fly
not so swift, my dear (SA
(or S) A (or T) B (or
T)) Happy streams
whose trembling fall (SST
(or A) T) Happy, oh
happy he (SA (or S) A (or
T) B) Hard destinies
are love and beauty
(SSATB) I live, and
yet me thinks (S(or A)
S(or A) T) I love,
alas, yet am not loved
(SSA (or T) B) Long
have I made these hills
(SSAATB) Love not me
for comely grace (SAA (or
T) T) O what shall I
do? (SST (or A)) O
wretched man (SSAT (or A)
T (or B) B) Oft have
I vowed (SSATB) So
light is love (SSA (or
T)) Softly, O softly,
drop my eyes (SSAATB)
Stay, Corydon, thou swain
(SSATTB) Sweet honey
sucking bees (SSAAB)
There is a jewel
(Risposta) (SST)
There where I saw
(SSATB) Weep, weep
mine eyes (SSA (or T)
TB) When Cloris heard
of her Amyntas (S (or A)
S (or A) A (or T) T)
Where most my thoughts
(SSA (or T) A (or T) T
(or B) B) Ye that do
live in pleasures (SSAA
(or T) B) Yet, sweet
take heed (SSAAB).
By Frank Sinatra and Bing Crosby. By Sammy Fain. Arranged by Kirby Shaw. Jazz ...(+)
By Frank Sinatra and Bing
Crosby. By Sammy Fain.
Arranged by Kirby Shaw.
Jazz
Chorals. Oldies,
Standards,
Swing, Thirties, Vocal
Jazz.
Octavo. 12 pages.
Published
by Hal Leonard
By Andrew Lloyd Webber ; Barriecarson Turner (Arranger). For SATB Choir, Piano A...(+)
By Andrew Lloyd Webber ;
Barriecarson Turner
(Arranger). For SATB
Choir, Piano
Accompaniment. Musicals,
Choral. Sheet Music. 34
pages. Published by
Novello and Co Ltd.
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian.
“A
lmiraâ€,
Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text
to music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at
Almira’s crowning
ceremony, a duel, a
prison scene and a
masked-ball involving the
three continents Europe,
Africa and Asia.
The vocal score
to “Almiraâ€
by George Frideric Handel
brings about a small
sensation: Whilst
conducting a reenactment
of this work in 1732,
Georg Philipp Telemann
removed the Aria no. 28
“Ingrato,
spietato†from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Editionâ€.
Thanks to a recently
discovered contemporary
manuscript copy from the
beginning of the 18th
century which was found
in the music library of
the Mariengymnasium in
Jever, this aria has now
been made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträgeâ
. Now the aria can
be performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition†volume,
could be reconstructed
from the basso continuo
part of the Bellante aria
“Ich brenne
zwar†(no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
15
Outstanding Arrangements
for Choir. Choral.
Excel Series. Southern
Gospel and Sacred. Score
and parts. Published by
Lillenas Publishing
Company
(LP.765762083103).
UPC:
765762083103.
South
ern gospel enthusiasts
rejoice! Here is an
outstanding collection of
your gospel favorites.
These are songs of
testimony fellowship and
the hope of heaven -
vital components for each
of us in our walk of
faith. Features Easy 2
Excel Flexible choral
format for choirs of all
sizes; Includes a
complete Keyboard
Accompaniment Edition;
Pieces from today's most
trusted (and revered)
gospel arrangers. Choirs
will find this book to be
a staple in their choral
diet and a refreshing
addition to their
customary worship
collection. Southern
Gospel Favorites is an
ideal resource for summer
choirs revivals camp
meetings or any gathering
place where southern
gospel music is
loved!
SATB Choir and Organ SKU: C4.9790902260473 Composed by Various. Classical...(+)
SATB Choir and Organ
SKU:
C4.9790902260473
Composed by Various.
Classical. Score.
Crescendo Music
Publications
#9790902260473. Published
by Crescendo Music
Publications
(C4.9790902260473).
ISBN 9790902260473.
8.27 x 11.7
inches.
Forming
part of the A Distant
Music anthology, Praise:
Psalms and Prayers 1
showcases 20 sacred
choral works by
Australian composers,
most published here for
the first
time.
Containing a
variety of accompanied
and unaccompanied works,
Praise: Psalms and
Prayers 1 offers choirs
access to quality
Australian sacred music.
Settings include texts
from the Book of Psalms,
well-known prayers as
well as a spiritual poem
by Australian Erica
Jolly.
The 90-page
volume covers a range of
abilities and variety of
compositional styles.
Chorale SATB SATB, Piano [Vocal Score] Hal Leonard
Composed by Andrew Lloyd Webber, arranged by Ed Lojeski. Vocal score for SATB ch...(+)
Composed by Andrew Lloyd
Webber, arranged by Ed
Lojeski. Vocal score for
SATB chorus and piano
accompaniment. With vocal
score notation and piano
accompaniment. 23 pages.
Published by Hal Leonard.
SATB choir SKU: ST.EM24 Composed by George Kirbye. Edited by Edmund H Fel...(+)
SATB choir
SKU:
ST.EM24
Composed by
George Kirbye. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart and Philip
Brett. Paperback.
Madrigals. Choral
collection. Stainer &
Bell Ltd. #EM24.
Published by Stainer &
Bell Ltd. (ST.EM24).
ISBN
9790220209888.
CONT
ENTS Ah, cruel,
hateful fortune
(SSA(orT)A(orT)T(orB)B) Ah, sweet, alas, when
first I saw (SSATB)
Alas, what hope of
speeding (SST(orA)B)
Bright Phoebus greets
most clearly (SSAT (or A)
T (or A) B) Farewell,
my love (SSAT) If
pity reign with beauty
(SSATB) I love, alas,
yet am I not beloved
(SSAA (or T) TB) Lo,
here my heart I leave
(SSTB) Mourn now, my
soul (SSATB) Must I
part, O my jewel?
(SSAATB) O heavens,
what shall I do?
(SSATB) See what a
maze of error (SSATB)
She that my plaints (SSAT
(or A) B) Sleep now,
my Muse (SSAATB)
Sleep now, my Muse
(SSAT) Sorrow
consumes me (SSATB)
Sound out, my voice
(SSATB) Sweet love, 0
cease thy flying (SSA (or
T) TB) That Muse
which sung (SSATB) Up
then, Melpomene (SSAT (or
A) T (or B) B) What
can I do, my dearest?
(SSAB) What, shall I
part thus? (SSAT (or A)
B) Why should I love?
(SSATB) Why wail we
thus? (SSAT (or A)
TB) With Angel's face
and brightness (SSAT (or
A) T (or A) B) Woe am
I, my heart dies
(SSAB).
No Night There Chorale SATB SATB, Piano - Facile Beckenhorst Press
Composed by Dan Forrest. Church Choral. All Saints' / Remembrance, Comfort / H...(+)
Composed by Dan Forrest.
Church Choral. All
Saints' /
Remembrance, Comfort /
Healing
/ Hope, General, Good
Shepherd, Memorial /
Funeral.
Octavo. Beckenhorst Press
#BP2318. Published by
Beckenhorst Press
Piano (SATB) - early intermediate SKU: CR.984283 Composed by David von Ka...(+)
Piano (SATB) - early
intermediate
SKU:
CR.984283
Composed by
David von Kampen. Choral.
Sacred. Octavo. With
music. Concordia
Publishing House #984283.
Published by Concordia
Publishing House
(CR.984283).
ISBN
9780758659088. 7 x 10.25
inches.
David
von Kampen masterfully
crafts the text of
Revelation 21:4 - 5 into
an inspiring and striking
piece for SATB and piano.
A variety of
compositional
techniques—includin
g declamatory writing,
polytextuality, and a
skillful use of
key—connect the
biblical text and song
powerfully. Smaller
choirs can easily adapt
this piece for two-part
voicing by singing just
soprano and tenor in the
middle section. Use this
piece for Easter Vigil,
during the rest of the
Easter Season, on All
Saints' Day, and for
funerals.
Revelation 21:4 -
5 (ESV)
He will wipe away
ev'ry tear from their
eyes, and death shall be
no more, neither shall
there be mourning nor
crying nor pain anymore,
for the former things
have passed
away.
And
He who was seated on the
throne said, 'Behold, I
am making all things
new.'
Edited by Keri Dexter; Geoffrey Webber. For SATB choir (with divisions) accompan...(+)
Edited by Keri Dexter;
Geoffrey Webber. For SATB
choir (with divisions)
accompanied. Mixed
Voices. Church Music
Society publications.
Sacred, Choral
Collection. Level B-C
(easy - moderately
difficult). Vocal score.
Published by Oxford
University Press