Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
Cantata for the 3rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
George S. Bozarth and
Paul Brainard. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Set of wind
parts. BWV 21.
9/8/1/1/1/1/1/1/1/1
pages. Baerenreiter
Verlag #BA10021_65.
Published by Baerenreiter
Verlag (BA.BA10021-65).
ISBN 9790006538041.
32.5 x 25.5 cm
inches.
The
cantataIch hatte viel
Bekummernisdates from
around 1713 and was
probably performed for
the first time that year
in the Liebfrauenkirche
in Halle . Its assigning
to the third Sunday after
Trinity probably only
occurred the following
year. With its
large-scale structure and
strong emphasis on
biblical texts, it was
extremely popular in the
19th century and remains
one of Bach's best-known
cantatas today. The
cantata is published here
in a vocal score based on
the New Bach Edition with
an idiomatic,
straightforward piano
reduction by Martin Focke
.
- One of
Bach's best-known
cantatas - Urtext
based on theNew Bach
Edition - Clear
straightforward piano
reduction
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through