Wind Band SKU: IS.WE6436EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6436EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6436EM.
Published by Metropolis
Music Publishers
(IS.WE6436EM).
Wind Band SKU: IS.WE6433EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6433EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6433EM.
Published by Metropolis
Music Publishers
(IS.WE6433EM).
Wind Band SKU: IS.WE6440EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6440EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6440EM.
Published by Metropolis
Music Publishers
(IS.WE6440EM).
Wind Band SKU: IS.WE6441EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6441EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6441EM.
Published by Metropolis
Music Publishers
(IS.WE6441EM).
Choral (SATB Choir) SKU: HL.35032032 Arranged by Victor C Johnson. Shawne...(+)
Choral (SATB Choir)
SKU: HL.35032032
Arranged by Victor C
Johnson. Shawnee Press.
Concert. Octavo. 12
pages. Published by
Shawnee Press
(HL.35032032).
ISBN
9781540020765. UPC:
888680727963. 6.75x10.5
inches.
Victor
Johnson's treatment of
this highly respected and
loved spiritual is quite
stunning, arranged with
thoughtfulness and
respect. A reflective
piano accompaniment lies
beneath lush vocal
harmonies that sing with
musical strength, ebbing
and flowing dynamically
throughout this work for
concert, festival and
sacred performance.
Choral (SAB Choir) SKU: HL.35032033 Arranged by Victor C Johnson. Shawnee...(+)
Choral (SAB Choir)
SKU: HL.35032033
Arranged by Victor C
Johnson. Shawnee Press.
Concert. Octavo. 12
pages. Published by
Shawnee Press
(HL.35032033).
ISBN
9781540020772. UPC:
888680727970. 6.75x10.5
inches.
Victor
Johnson's treatment of
this highly respected and
loved spiritual is quite
stunning, arranged with
thoughtfulness and
respect. A reflective
piano accompaniment lies
beneath lush vocal
harmonies that sing with
musical strength, ebbing
and flowing dynamically
throughout this work for
concert, festival and
sacred performance.
Volume 85 - Tunes You Thought You Knew - Reharmonized Standards by Jamey Aeberso...(+)
Volume 85 - Tunes You
Thought You Knew -
Reharmonized Standards by
Jamey Aebersold. For any
C, Eb, Bb, bass
instrument or voice.
Play-Along series with
accompaniment CD. Jamey
Aebersold Play-A-Long
series. Intermediate,
advanced. Book and CD. 64
pages. Published by Jamey
Aebersold Jazz
America's All-Time Favorite Songs for God and Country (Library of Series). Arran...(+)
America's All-Time
Favorite Songs for God
and Country (Library of
Series). Arranged by Amy
Appleby. Music Sales
America. Gospel, Sacred,
Sacred. Softcover. 320
pages. Music Sales
#AM985314. Published by
Music Sales
SATB choir SKU: ST.EM7 Composed by John Wilbye. Edited by Edmund H Fellow...(+)
SATB choir
SKU:
ST.EM7
Composed by
John Wilbye. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Note:
Print on demand.
Spiral-bound A4.
Madrigals. Collection.
Stainer & Bell Ltd. #EM7.
Published by Stainer &
Bell Ltd. (ST.EM7).
ISBN
9790220218507.
CONT
ENTS A silly Sylvan
(SSAAT) Ah cannot
sighs, nor tears? (SSAAA
(or T) B) Ah, cruel
Amarillis (SST (or
A)) All pleasure is
of this condition (SSAT
(or A) B) As fair as
mourn (SAA (or T)) As
matches beauty (S (or A)
S (or A) TB) Change
me, O heavAns (SSA (or T)
B (or T)) Come
shepherd swains (SSA (or
T)) Despite thus unto
myself (SSA (or T) A (or
T) T (or B) B) Down
in a valley (SSATB)
Draw on sweet night (SSAA
(or T) TB) Flourish
ye hillocks (SST) Fly
not so swift, my dear (SA
(or S) A (or T) B (or
T)) Happy streams
whose trembling fall (SST
(or A) T) Happy, oh
happy he (SA (or S) A (or
T) B) Hard destinies
are love and beauty
(SSATB) I live, and
yet me thinks (S(or A)
S(or A) T) I love,
alas, yet am not loved
(SSA (or T) B) Long
have I made these hills
(SSAATB) Love not me
for comely grace (SAA (or
T) T) O what shall I
do? (SST (or A)) O
wretched man (SSAT (or A)
T (or B) B) Oft have
I vowed (SSATB) So
light is love (SSA (or
T)) Softly, O softly,
drop my eyes (SSAATB)
Stay, Corydon, thou swain
(SSATTB) Sweet honey
sucking bees (SSAAB)
There is a jewel
(Risposta) (SST)
There where I saw
(SSATB) Weep, weep
mine eyes (SSA (or T)
TB) When Cloris heard
of her Amyntas (S (or A)
S (or A) A (or T) T)
Where most my thoughts
(SSA (or T) A (or T) T
(or B) B) Ye that do
live in pleasures (SSAA
(or T) B) Yet, sweet
take heed (SSAAB).
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+2+1+3+8+16+2 pages.
Duration 2 minutes, 6
seconds. Carl Fischer
Music #FPS150. Published
by Carl Fischer Music
(CF.FPS150).
ISBN
9781491152102. UPC:
680160909605.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#FPS150F. Published by
Carl Fischer Music
(CF.FPS150F).
ISBN
9781491152782. UPC:
680160910281.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for easy solo piano.
Over 200 best-loved
Christian hymns that have
inspired praise and
worship for over four
centuries. Series: Piano
Treasury Series. 392
pages. Published by Music
Sales.
(The Original First and Second Books including Dowland's Original Lute Tablature...(+)
(The Original First and
Second Books including
Dowland's Original Lute
Tablature) Transcribed by
David Nadal, composed by
John Dowland (1563-1626).
Guitar/vocal songbook for
guitar and voice. With
standard guitar notation,
lute tablature and
lyrics. Series:
Choral/Vocal. 128 pages.
Published by Dover
Publications.
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
Piano Duet (Piano For 2 Players) SKU: HL.49047050 Ballet for Two Hands...(+)
Piano Duet (Piano For 2
Players)
SKU:
HL.49047050
Ballet
for Two Hands for
Piano. Composed by
Tatjana Komarova. Piano
Duet. Ballet, Classical.
Softcover. 16 pages.
Duration 360 seconds.
Schott Music #ED23571.
Published by Schott Music
(HL.49047050).
UPC:
196288111092.
The
task of writing a piano
piece for the young
participants in the
Mendelssohn Competition
was an exciting challenge
for me. And right at the
beginning, when I was
looking for inspiration
at the piano myself, I
thought of flying
pirouettes in ballet.
I've triedto get my
feelings down on paper in
some detail with dynamics
and tempo instructions to
make my thoughts easier
for the performer. But in
the end I wish that
everyone would make their
own steps (fr. - pas) and
not be afraid to dance
wrong. Tatyana
Komarova.
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sal...(+)
Piano and Orchestra
SKU: HL.14030961
Composed by Bent
Sorensen. Music Sales
America. Classical.
Score. 96 pages. Edition
Wilhelm Hansen #KP00980.
Published by Edition
Wilhelm Hansen
(HL.14030961).
ISBN
9788759857458.
English.
Score of
the Danish Composer's
Concerto for Piano and
Orchestra written in
1996. Bent Sorensen
writes: 'The title of
this piano concerto came,
as usual, very early to
me, when my thoughts
about the work had
started to circulate, but
before 'real' music was
written down. I held on
to the Italian title,
even though its
association with Vivaldi
had no influence on my
music, and even when
German, French, English,
and Danish titles
covering almost the same
content -'Nachtmusik',
'Nocturne', 'By Night',
'Om Natten', were just
about to get the upper
hand. The piano concerto
has, then, in my opinion,
something to do with
night, but to describe
this further is at least
as difficult to me as it
is to defend the final
Italian title against
those which were
rejected. The Piano
Concerto is in two
movements. The first,
swarming, is perhaps the
mystery of the night, and
the second perhaps the
dreams of the night; with
this, however, I have
already given the
concerto a more
programmatic content than
I can defend. Each
movement ends with a
cadenza and perhaps the
last of those - the
ending of the work that
is - is inspired by a
sequence from Bruce
Chatwin's wonderful book
'The Viceroy of Ouidah':
Or the Amazons howling.
'No, No, No. It was not
the leopard that killed
him. Not the buffalo that
killed him. It was night.
Night that killed
him!'.
SATB choir SKU: ST.EM25 Composed by Francis Pilkington. Edited by Edmund ...(+)
SATB choir
SKU:
ST.EM25
Composed by
Francis Pilkington.
Edited by Edmund H
Fellowes. Library
Volumes. Edited Edmund
Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM25. Published by
Stainer & Bell Ltd.
(ST.EM25).
ISBN
9790220212574.
CONT
ENTS All in a cave
(SAA (or T) B)
Amyntas with his Phyllis
fair (SATB) Dorus, a
silly shepherd (SST)
Have I found her?
(SATB) Here rest, my
thoughts (SATB) I
follow, lo, the footing
(SST) Is this thy
doom? (SST) Love is a
secret feeding fire (SAA
(or T) B) My heart is
dead (SST (or A) TB)
No, no, no it will not be
(SSATB) Now I see
thou floutest me
(SSATB) Pour forth,
mine eyes (SST) See
where my love (SST)
Sing we, dance we
(SSATB) Stay, nymph,
O stay (SST) Sweet
Phillida, my flocks
(SSATB) The messenger
of the delightful Spring
(SATB) Under the tops
of Helicons (SSATB)
What though her frowns?
(SATB) When Oriana
walked (SSATB) Why do
I fret? (SAT (or A)
B) Why should I
grieve? (SATB).
Easy Piano Piano/Keyboard SKU: HL.282475 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282475
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Standards.
Softcover. 360 pages.
Published by Hal Leonard
(HL.282475).
ISBN
9781540034328. UPC:
888680789190.
9.0x12.0x0.847
inches.
Music is
what helped many keep
their spirits up during
the Great Depression in
the 1930s. Here are 100
of the most memorable
songs of the decade
presented in easy piano
arrangements with lyrics.
Songs include: As Time
Goes By * Blue Moon *
Body and Soul *
Embraceable You * Georgia
on My Mind * The Glory of
Love * How Deep Is the
Ocean (How High Is the
Sky) * I Don't Know Why
(I Just Do) * I Got
Rhythm * I'll Be Seeing
You * In the Mood * The
Lady Is a Tramp * Love Is
Here to Stay * Mood
Indigo * My Funny
Valentine * The Nearness
of You * Over the Rainbow
* Sing, Sing, Sing *
Summertime * Thanks for
the Memory * The Very
Thought of You * The Way
You Look Tonight * and
more.
Grade 3 SKU: CL.012-2233-00 Arranged by A. Reed. Concert Band. Bach Serie...(+)
Grade 3
SKU:
CL.012-2233-00
Arranged by A. Reed.
Concert Band. Bach Series
arranged by Alfred Reed.
Audio recording available
separately (item
CL.WFR129). Sacred,
Transcription. Score and
set of parts. Composed
1990. Duration 5 minutes,
16 seconds. Opus III Wind
Orchestra Publications
#012-2233-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-2233-00).
Here is Bach in
a quiet, contemplative
almost dreamy mood,
losing himself in
thoughts of the glories
of Heaven, creating a
beautiful web of melody
that will delight both
players and audiences
alike.
About Bach
Series arranged by Alfred
Reed
Maste
rful settings for concert
band by the venerable
Alfred Reed, these works
have been scored to
achieve richness and
beauty without detracting
from the textural
construction created by
Bach himself. Marvelous
educational and program
material!
