By Johann Sebastian Bach (1685-1750). Edited by Armin Schneiderheinze. Arranged by W. H. Bernstein. For orchestra (piano/harpsichord). This edition: urtext. Orchester-Bibliothek (Orchestral Library). Piano reduction. 28 pages. Published by Breitkopf and H. Reduction.

(study score). By Johannes Brahms (1833-1897). Edited by Hans Gal. For orchestra. Breitkopf Full Scores. Parts, Urtext. 104 pages

Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Martin Schmeling. For orchestra (violoncello 1). Orchester-Bibliothek (Orchestral Library). Individual part. 20 pages. Published by Breitkopf and Haertel

(study score). By Peter Ilyich Tchaikovsky (1840-1893). For orchestra. Breitkopf Full Scores. Study score. 164 pages

Composed by Johann Sebastian Bach (1685-1750). Edited by W. Felix / W. H. Bernstein. Arranged by Bernstein. This edition: urtext. Orchester-Bibliothek (Orchestral Library). Baroque. Individual part. 12 pages. Published by Breitkopf and Haertel (BR.OB-4065-12).

Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Martin Schmeling. For orchestra (violin 1). Orchester-Bibliothek (Orchestral Library). Individual part. 24 pages. Published by Breitkopf and Haertel

Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Martin Schmeling. For orchestra (violin 2). Orchester-Bibliothek (Orchestral Library). Individual part. 20 pages. Published by Breitkopf and Haertel

Orchestra (1.0.0.0. - 0.0.0.0. - harps (included in score) - str (without vl.II))

SKU: BR.PB-3863

Score. Composed by Johann Sebastian Bach. Edited by Karl Heinz Pillney. Arranged by K. H. Pillney. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Baroque period. Full score. 100 pages. Duration 60'. Breitkopf and Haertel #PB 3863. Published by Breitkopf and Haertel (BR.PB-3863).

ISBN 9790004202067. 9 x 12 inches.

Orchestra

SKU: HL.14010370

Composed by H. Engleman. Music Sales America. Classical. Sheet Music, Score and Parts. With Text language: English. Music Sales #BOE006472. Published by Music Sales (HL.14010370).

(Featuring themes from: Masterpiece Theater / M*A*S*H / The Alfred Hitchcock Hour / The Late Show / The Late, Late Show / The Flintstones / Bonanza). Arranged by Carl Strommen. Orchestra. Full Orchestra; Score. Pop Concert Full Orchestra. Form: Medley. Light Concert; Nostalgia; Pop; TV. Grade 4. 32 pages. Published by Alfred Music Publishing

By Peter Ilyich Tchaikovsky (1840-1893). Edited by Martin Schmeling. For orchestra. Partitur-Bibliothek (Score Library). Score. 184 pages. Published by Breitkopf and Haertel

SKU: BR.SON-170

Composed by Heinrich Schutz. Edited by Philipp Spitta. Linen. Complete Works.

Supplements from Arnold Schering and Heinrich Spitta Reprint of the Edition 1885ff., 18 Vol., summarized in 13 Vol. - Clothbound

Renaissance/early Baroque; Baroque. Complete Works. Breitkopf and Haertel #SON 170. Published by Breitkopf and Haertel (BR.SON-170).

ISBN 9790004800669. 0 x 0 inches.

Hrsg. von Ph. Spitta, Supplemente von A. Schering und H. Spitta. Reprint der Ausgabe 1885ff. 18 Bde., zusammengefasst in 13 Bd. - Ganzleinen
CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717

For Mezzo-Soprano and Chamber Orchestra. By Carl Ruggles. Text: C.H. Meltzer; Robert Browning; Walt Whitman. Chamber o rchestra. This edition: full score. Classical. Full Score - Large. 24 pages. Duration 6:10. Published by Theodore Presser Company.

Orchestra (2.2.2.2. - 4.3.3.0. - timp.perc - hp -str)

SKU: BR.PB-4862-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Hannover, March 13, 1972

Music post-1945. Study Score. Composed 1972. 82 pages. Duration 15'. Breitkopf and Haertel #PB 4862-07. Published by Breitkopf and Haertel (BR.PB-4862-07).

ISBN 9790004206591. 7 x 9.5 inches.

Variationen (Ouverture / Thema / Variation / Coda), Lyrisches Intermezzo (Sostenuto), Symphonische Nachklange (Allegro con moto).Immer wieder lassen sich Komponisten von Themen alterer oder auch zeitgenossischer Meister zu Variations-Zyklen anregen (Brahms: Handel- und Haydn-Variationen, Reger: Mozart-Variationen, Holler: Sweelinck-Variationen). Themen von Robert Schumann fanden bisher relativ selten Beachtung - (Regers Schumann-Variationen fur zwei Klaviere sind eine Ausnahme) - vielleicht, weil sie zu sehr in sich vollendet und abgeschlossen sind und deshalb kaum Moglichkeiten zur Veranderung enthalten. Dennoch beschaftigte mich schon langer die Idee, eine ,,Musik mit Schumann, Nachklange oder Erinnerungen an Schumann zu gestalten, mit der Absicht, ein heiteres, liebenswurdiges (und nachdenkliches) Werk zu schreiben, einmal ohne Experimente-, als ,,Divertimento fur den Normalhorer, gelegentlich behutsam verbunden mit modernen Techniken - nicht ohne hintergrundigen Humor. Der 1. Satz wurde inspiriert von den ,,Papillons (opus 2 fur Klavier); er gliedert sich in vier variationsahnliche Abschnitte. Die ,,Ouverture exponiert drei kurze Themen, die sich trotz ihres gegensatzlichen Charakters wie selbstverstandlich erganzen (Einleitungsgirlande und Schlussfanfare der Papillons und das bekannte Anfangsmotiv aus ,,Vogel als Prophet). Die Abschnitte ,,Thema, ,,Variationen und ,,Coda entwickeln und verandern das Hauptthema der ,,Papillons; dieses dominiert uber weite Strecken des Satzes und wird mit den Motiven der Ouverture kombiniert. Vielfaltig gegliedert ist das ,,Lyrische Intermezzo. Zu Beginn gewinnt ein Motiv aus den ,,Nachtstucken (fur Klavier) Bedeutung, taucht mehrere Male auf, von mehrtonigen b-a-c-h Clustern ,,gestort. Im Mittelpunkt stehen das Thema des 2. Satzes der g-moll Klavier-Sonate op. 22 (ein Mondnachtlied ohne Worte; Holzblaser) und ein Adagio-Gedanke aus dem Klavier-Zyklus ,,Kreisleriana (tiefe Streicher); beide Themen werden kontrapunktiert von zwolftonigen Strukturen und Klangbandern (Holzblaser). Die ,,Fruhlings-Symphonie-Fan fare eroffnet das Finale. Danach bilden sich uber rotierenden Klangflachen (Streicher) einzelne Tone und Intervalle, aleatorisch frei, verdichten sich, wie aus der Erinnerung auftauchend, zu Motiven aus Schumanns bekanntester Symphonie. Nach diesem zogernden Beginn entwickelt sich ein fast klassisch anmutender Sonaten-Durchfuhrungsteil mit mehreren melodischen Gedanken (Kopfmotiv der g-moll Klaviersonate, tanzerische und ostinate Themen aus der Fruhlings-Symphonie), die zum Teil in- und ubereinander geschichtet werden, bis auf dem Hohepunkt des Satzes das Schlussthema der Klavierfantasie op. 17, pathetisch-ironisch in den Blechblasern erklingt. Eine kurze Reprise mit dem Hauptgedanken fuhrt zur Anfangsfanfare zuruck; der Satz verklingt im pianissimo. Wollte man dem ganzen opus ein Motto voranstellen, dann die Schumann-Uberschrift (aus den Kinderszenen) : ,,Fast zu ernst - aber eben nur ,,fast. (Jurg Baur)CD:Sinfonieorchester des Bayerischen Rundfunks, cond. Hanns-Martin SchneidtCD Thorofon CTH 2270 Bibliography:Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.Nonnenmann, Rainer: Vergegenwartigungen. Umgang mit historischem Material bei Zimmermann, Baur, Killmayer, Schnebel und Zender, in: Jurg Baur, hrsg. von Ulrich Tadday (= Musik-Konzepte. Neue Folge, Heft 184/185), Munchen: Edition Text+Kritik 2019, S. 26-46.

Study Score Orchestra

SKU: HL.49033218

For Orchestra - Study Score. Composed by Krzysztof Penderecki. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1991/1992. 92 pages. Duration 35'. Schott Music #ED9647. Published by Schott Music (HL.49033218).

ISBN 9790001135450. UPC: 840126938678. 8.25x11.75x0.23 inches.

4 (4. auch Picc.) * 4 (4. auch Engl. Hr.) * 4 (4. auch Es-Klar.) * Bassklar. * 3 * Kfg. - 5 * 3 * 4 * 1 - P. S. (Trgl. * Beckenpaar * 3 hg. Beck. [h./m./t.] * 2 Tamt. [h./t.] * Crotalenbaum * Schellenbaum *korean. Gl. [o. 4 Tamt. * 4 Gongs] * Rohrengl. * Plattengl. * Tomt. * kl. Tr. * Ruhrtr. * gr. Tr. m. Beck. * Glsp. * Xyl. * Marimba) (4 Spieler) - Cel. - Str. (16 * 14 * 12 * 12 * 10)Hinter der Buhne: Hr. - Rohrengl.Im Saal: 4 Tr.

4 (4. auch Picc.) * 4 (4. auch Engl. Hr.) * 4 (4. auch Es-Klar.) * Bassklar. * 3 * Kfg. - 5 * 3 * 4 * 1 - P. S. (Trgl. * Beckenpaar * 3 hg. Beck. [h./m./t.] * 2 Tamt. [h./t.] * Crotalenbaum * Schellenbaum *
korean. Gl. [o. 4 Tamt. * 4 Gongs] * Rohrengl. * Plattengl. * Tomt. * kl. Tr. * Ruhrtr. * gr. Tr. m. Beck. * Glsp. * Xyl. * Marimba) (4 Spieler) - Cel. - Str. (16 * 14 * 12 * 12 * 10)
Hinter der Buhne: Hr. - Rohrengl.
Im Saal: 4 Tr.

Orchestra

SKU: JK.20045

Composed by Adolphe-Charles Adam, Felix Bartholdy Mendelssohn, Franz Xaver Gruber, J. Baptiste Calkin (for cantata), Louis H. Redner, V. Schumann, and William Dix. Arranged by Janice Kapp Perry. Difficulty Medium Hard, Orchestral Orchestrations, Seasonal Music Christmas, Christmas. Christian, Inspirational. Jackman Music Corporation #20045. Published by Jackman Music Corporation (JK.20045).

Luke 2.

Orchestration score and parts for - Christmas: A Carol Cantata (#00033), performed in place of the piano accompaniment.
Compose r: Lewis H. Redner / William Dix / Adolphe Adam / V. Schumann/Felix Mendelssohn / Franz Gruber / J. Baptiste Calkin (for cantata)
Arranger: Janice Kapp Perry (for cantata)
Orchestration arranger: Jerry Jackman
Difficulty: Medium-difficult
Refer ence: Luke 2.

Composed by Francesco Geminiani (1687-1762). For Orchestra. Opera Omnia - Vol. 8. Early Music. 224 pages. Published by Ut Orpheus

Orchestra - Grade 2.5

SKU: AP.45876S

Composed by Susan H. Day. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Patriotic. Score. 16 pages. Duration 4:10. Highland/Etling #00-45876S. Published by Highland/Etling (AP.45876S).

UPC: 038081523828. English.

Upon hearing the words Big Sky Country, one typically thinks of the western states; Montana in particular. This piece, however, depicts any place where the sky is vast, the view expansive, and the setting natural. The elements of the music, with sweeping melodic phrases and a few key changes (G, C, D), suggest a spirit of adventure, freedom, the outdoors, and the beauty of the land. This lively piece with melodic parts for all was arranged by Susan H. Day. It uses slurs, accents, divisi, syncopation, and accidentals, and will capture the enthusiasm of players and audience! (4:10).

Orchestra - Grade 1

SKU: AP.45868

Composed by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Form: March. Score and Part(s). 152 pages. Duration 2:15. Highland/Etling #00-45868. Published by Highland/Etling (AP.45868).

UPC: 038081523699. English.

In the tradition of great British wind band marches like British Eighth and Colonel Bogey, this original is intended for beginning orchestra. Students in their first year will find this piece absolutely playable, using only open strings, notes within a one-octave D scale, and simple bowing patterns. Optional beginning percussion and piano parts ensure that British March by Andrew H. Dabczynski will make a perfect opening or closing piece on any concert program. (2:15).

Orchestra

SKU: HL.49019910

Composed by John Casken. This edition: Saddle stitching. Sheet music. Study Score. Softcover. Composed 2007. 76 pages. Duration 20'. Schott Music #ED13617. Published by Schott Music (HL.49019910).

ISBN 9790220134395. UPC: 888680089528. 8.25x11.75x0.25 inches.

My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilege (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions.The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius:1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energeticThe Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchester s Mannheim with the support of Die Landesbank Baden-Wurttemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman.John Casken

3(3.pic).2. ca.2(2.Ebcl).bcl.3(3.cbsn )-4.3(1.Dtpt).2.btbn.1-ti mp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaca, vibraslap)-hp-str.

Orchestra - Grade 2

SKU: AP.46687S

Composed by Leroy Anderson. Arranged by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop. Score. 12 pages. Alfred Music #00-46687S. Published by Alfred Music (AP.46687S).

UPC: 038081533346. English.

Here's one of the most familiar pops orchestra pieces ever written, now slightly simplified by Andrew H. Dabczynski to be thoroughly playable by young string students. All the string sections have opportunities to shine while practicing basic syncopation and bowing skills. All the pieces of The Syncopated Clock are here---including the familiar optional percussion and piano parts. This is an arrangement that will remain popular with students and audiences year after year!

Orchestra - Grade 2

SKU: AP.46687

Composed by Leroy Anderson. Arranged by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop; Programmatic. Score and Part(s). 80 pages. Alfred Music #00-46687. Published by Alfred Music (AP.46687).

UPC: 038081533339. English.

Here's one of the most familiar pops orchestra pieces ever written, now slightly simplified by Andrew H. Dabczynski to be thoroughly playable by young string students. All the string sections have opportunities to shine while practicing basic syncopation and bowing skills. All the pieces of The Syncopated Clock are here---including the familiar optional percussion and piano parts. This is an arrangement that will remain popular with students and audiences year after year!

Orchestra - Grade 2

SKU: AP.44796

Melodious Ups and Downs. Composed by Steven H. Brook. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Novelty. Score and Part(s). 72 pages. Duration 2:00. Belwin Music #00-44796. Published by Belwin Music (AP.44796).

UPC: 038081517254. English.

The perfect technical piece for developing tone, listening skills, string crossings, smooth bow changes, and independence; as well as celebrating beautiful days at a park as melodies and dynamics move up and down between sections, as on a seesaw.

The lines of music that the various instruments have weave up and down across each other as friendships weave throughout our lives. Imagine a leisurely day at the park, perhaps on a seesaw, and ponder this poem by the composer, Steven H. Brook.

While pleasant breezes grace the sky, and clouds of joy drift gently by, our friendship bonds, we learn to play---and now, with you, we share today. (2:00).

Orchestra - Grade 2

SKU: AP.49054S

Composed by John Playford. Arranged by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Light Concert; TV. Score. 8 pages. Duration 2:10. Highland/Etling #00-49054S. Published by Highland/Etling (AP.49054S).

ISBN 9781470645670. UPC: 038081564159. English.

English country dancing has been popular for over 300 years, and The Dancing Master features two delightful folk tunes in that timeless style arranged by Andrew H. Dabczynski. The first lively tune, Jamaica, has been used in the theme to the British TV comedy, Upstart Crow, and the second, The Goddesses, offers a charming contrast. Attributed to John Playford, these melodies fall under the fingers of beginning string students with interesting, rhythmic parts for all players. An optional hand-drum part adds to the upbeat 17th century dance atmosphere. (2:10).