By Connie Fortunato. Arranged by Jim Fortunato. (2 part). Fred Bock Publications. Size 7x10.5 inches. Published by Fred Bock Music Company.

SSA Choir and Piano

SKU: HL.14015014

Composed by Ferdinand Hiller. Music Sales America. Classical. Choral Score. Music Sales #NOV400361. Published by Music Sales (HL.14015014).

26 Pieces for Guitar. Composed by Ferdinando Carulli (1770-1841). Edited by dé, Fré, and ric Zigante. Max Eschig. Softcover. Editions Max Eschig #DF16666. Published by Editions Max Eschig

Composed by Ferdinand David, arranged by Robert Mueller. Set of performance parts for trombone solo and piano accompaniment. Eb Major. 26 pages. Published by Carl Fischer.

(Festspiel in zwei Teilen (Italienisch), mit Anhang: Ballo.). By Wolfgang Amadeus Mozart (1756-1791). Edited by Luigi Ferdinando Tagliavini. For Soprano Solo (3), Mezzo-Soprano Solo, Tenor Solo, Mixed Choir, Ball, Flute (2), Oboe 1, Oboe 2/English Horn, Bassoon (2), Horn (4), Trumpet (2), Kettledrum, Strings, Basso Continuo. Neue Mozart-Ausgabe. Serie II, Werkgruppe 5/5. Musiktheater, Tanz, Klassik (Concert Music, Dance, Classical). Score; Urtext Edition; Complete Edition (cloth bound). KV 111. Duration 150'

Guitar

SKU: UT.CH-78

Composed by Wolfgang Amadeus Mozart. Edited by Andrea Schiavina. Saddle stitching. Classical. Score and Parts. Ut Orpheus #CH 78. Published by Ut Orpheus (UT.CH-78).

ISBN 9790215307308. 9 x 12 inches. Transcribed by Ferdinando Carulli.

Guitar

SKU: UT.CH-77

Composed by Ludwig van Beethoven. Edited by Andrea Schiavina. Saddle stitching. Classical. Score and Parts. Ut Orpheus #CH 77. Published by Ut Orpheus (UT.CH-77).

ISBN 9790215307292. 9 x 12 inches. Transcribed by Ferdinando Carulli.

By Ferdinando Carulli. For 2 Guitars. Score and Parts. Published by Ut Orpheus. (CH 81)

Solo and Variations On Nel Cor Pi?, Op. 107 for Guitar, the Guit. By Ferdinando Carulli. For Guitar. Published by Editions Orphee.

Guitar

SKU: UT.CH-387

Composed by Ferdinando Carulli. Edited by Romolo Calandruccio. Classical. Score. Ut Orpheus #CH 387. Published by Ut Orpheus (UT.CH-387).

ISBN 9790215328235. 9 x 12 inches.

Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.
The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.
This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.

Score and Parts. Composed by Johan De Meij. The Music of Johan de Meij. Solo and Concerto. Set (Score and Parts). Composed 2000. Amstel Music #AM 57-010. Published by Amstel Music

Piano (also for harpsichord or organ) - intermediate

SKU: HL.49003770

Composed by Johann Caspar Ferdinand Fischer. Edited by Erich Doflein. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 18 pages. Schott Music #ED 2479. Published by Schott Music (HL.49003770).

ISBN 9790001037747. UPC: 196288123910. 9.0x12.0x0.104 inches.

Harp

SKU: UT.HS-225

Composed by Ferdinando Paer. Edited by Emanuela Degli Esposti and Lorenzo Montenz. Saddle stitching. Classical. 16 pages. Ut Orpheus #HS 225. Published by Ut Orpheus (UT.HS-225).

ISBN 9790215323476. 9 x 12 inches.

Piano

SKU: CU.EC4250

Composed by Ferdinando Beyer, Giuseppe Piccioli. Published by Edizioni Curci (CU.EC4250).

ISBN 9790215901599.

6 Solo Voices, Choir and Orchestra

SKU: BT.PWM9149015

Composed by Ferdinando Gasparo Bertoni. Classical. Score Only. Polskie Wydawnictwo Muzyczne #PWM9149015. Published by Polskie Wydawnictwo Muzyczne (BT.PWM9149015).

(Festspiel in zwei Teilen (italienisch)). By Wolfgang Amadeus Mozart (1756-1791). Edited by Luigi Ferdinando Tagliavini. For Soli, Mixed Choir, Ballorch. Neue Mozart-Ausgabe. Serie II, Werkgruppe 5/5. Urtext Language: German. Musiktheater, Tanz, Klassik (Concert Music, Dance, Classical). Critical Commentary; Complete Edition (paperbound). KV 111