Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49047412

Cello and Piano. Composed by Joe Hisaishi. String. Classical. Softcover. Zen-On #ZN338222. Published by Zen-On (HL.49047412).

UPC: 196288216537.

Five pieces selected from soundtracks to Hayao Miyazaki's film Nausicaä of the Valley of the Wind, arranged for cello and piano by the composer himself. Cello fingering by Mari Fujiwara. Scans of autograph manuscripts included. [Contents] I. The Legend of the Wind / II. To the Land of Faraway... / III. Nausicaä Requiem / IV. The Distant Days / V. TheRoad to the Valley.

Violoncello and Piano (VC/KL)

SKU: HL.49022850

Composed by Windsperger. Sheet music. Edition Schott. Op. 15/1. 27 pages. Schott Music #BSS32157. Published by Schott Music (HL.49022850).

Cello and piano (VC/KL)

SKU: HL.49030741

Composed by Windsperger. This edition: Saddle stitching. Sheet music. Edition Schott. Op. 15/1. 25 pages. Schott Music #ED 1996. Published by Schott Music (HL.49030741).

ISBN 9790001142762.

Cello and piano (VC/KL)

SKU: HL.49023204

Composed by Windsperger. This edition: Saddle stitching. Sheet music. Edition Schott. 16 pages. Schott Music #BSS 36166. Published by Schott Music (HL.49023204).

ISBN 9790001119993.

Cello and piano (VC/KL)

SKU: HL.49022801

Composed by Windsperger. Sheet music. Edition Schott. Op. 20. 62 pages. Schott Music #BSS31170. Published by Schott Music (HL.49022801).

Violin, cello and piano (ST)

SKU: HL.49022723

Composed by Windsperger. Sheet music. Edition Schott. Set of Parts. 67 pages. Schott Music #BSS 30482. Published by Schott Music (HL.49022723).

ISBN 9790001142175.

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Composed by Joe Hisaishi. Studio Ghibli Songs. Anime. Score and part. Yamaha Music Media #GPW01100360. Published by Yamaha Music Media

Composed by Joe Hisaishi. Studio Ghibli Songs. Anime, Studio Ghibli. Score and part. Yamaha Music Media #GTW01100681. Published by Yamaha Music Media

Cello and Piano

SKU: BT.EMBZ14768

Composed by Franz Liszt. Book Only. Composed 2011. 76 pages. Editio Musica Budapest #EMBZ14768. Published by Editio Musica Budapest (BT.EMBZ14768).

Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume.

Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.

Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Árpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.

(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello and Co Ltd. #NOV958089. Published by Novello and Co Ltd.

By The Piano Guys. For Cello, Piano/Keyboard. Personality. Softcover. 82 pages. Published by Hal Leonard

Cello & Piano

SKU: SU.27120040

For Cello & Piano. Composed by Peter Scott Lewis. Score & Parts. Subito Music Corporation #27120040. Published by Subito Music Corporation (SU.27120040).

Concert duo in four movements titled Introduction and Jubilant Light; Dance of Enveloping Wind and Fire; The Hills Beyond; Acrobatic Lines. Also acts as the duo version of my Second Cello Concerto. Cello & Piano Duration: 23' Composed: 2015 Published by: Lapis Island Press.

Cello and Piano

SKU: BT.ALHE29263

De Chambre. Composed by Jacques-Francois Ibert. Classical. Book Only. 34 pages. Heugel & Cie #ALHE29263. Published by Heugel & Cie (BT.ALHE29263).

English.

Jacques Ibert: Concerto (Cello & Piano).

Volume 1 Cello (Cello Part And Piano Score) - very easy

SKU: HL.49019286

Volume 1: 1-3 Cellos and Piano. Composed by Gabriel Koeppen. This edition: Saddle stitching. Sheet music with CD. String. German Edition, Instruction. Softcover Audio Online. 76 pages. Schott Music #ED20844D. Published by Schott Music (HL.49019286).

ISBN 9783795721947. German. Author: Gabriel Koeppen.

Dieses Spielbuch ist genau auf den methodischen Aufbau der Celloschule abgestimmt und bietet eine Fulle von schonen Stucken fur Celloduett und fur Cello und Klavier. Neben Werken aus Barock, Klassik und Romantik mit Stucken von Susato, Vivaldi, Daquin, Offenbach, Schumann oder Schubert gibt es viele populare Stucke fur den jungen Spieler von heute: leichte Bearbeitungen aus den Bereichen internationale Folklore und Pop, die frischen Wind in den Cellounterricht bringen. Alle Stucke sind in schonen und motivierenden Arrangements als Audio-Downloads verfugbar, um das Uben zuhause zu unterstutzen und die Freude am Cellospielen zu fordern. Sie konnen mit einem im Heft abgedruckten Gutscheincode heruntergeladen werden.

(Piano Reduction with Solo Part). By Friedrich Gulda (1930-2000). String. Book only. 80 pages

Cello, Piano - Grade 2

SKU: FL.FX071927

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071927. Published by FLEX Editions (FL.FX071927).

The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...

By ABRSM. Edited by Catherine Black and Paul Harris. For violoncello, piano. (Grades 3-4). Published by ABRSM (Associated Board of the Royal Schools of Music).

Cello and Piano. (Cello). Boosey and Hawkes Chamber Music. Size 8.25x11.75 inches. 68 pages. Published by Boosey and Hawkes.

Cello and Piano

SKU: IS.VCP7707EM

Composed by Karel Van Marcke. Strings - Cello. Metropolis Music Publishers #VCP7707EM. Published by Metropolis Music Publishers (IS.VCP7707EM).

ISBN 9790365077076.

The main theme of ‘Remembrance� � was written at the exact moment the 9 -11 attacks in the US happened. The composer didn’t have any knowledge of the attack until his neighbour came shouting at his window. Obviously, this theme became the composers homage for the victims of this cruel act. ‘Remembrance� � became the title track of Van Marcke’s second CD. This chamber music version for cello and piano was premiered exactly 20 years later during the Musica@Parola Festival at the church of Sint Martens Bodegem (Belgium).

SKU: HL.49046609

Composed by Vijay Iyer. Edition Schott. Softcover. 22 pages. Schott Music #ED30383. Published by Schott Music (HL.49046609).

ISBN 9781705134719. UPC: 840126959192. 9.0x12.0x0.08 inches.

For Oboe, Bassoon, Violin, Violoncello and Piano - Piano Reduction. By Franz Joseph Haydn. Edited by S. Gerlach. Arranged by Siegfried Petrenz. (Piano). This edition: HN154. Chamber Music with Winds. Henle Music Folios. Urtext edition (Paper-bound). 86 pages. Published by Henle URTEXT Edition.

Cello and Piano. By Alfred H. Bartles, A.H. Bartles. (Cello). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. 12 pages. Published by Boosey & Hawkes.

Cello and piano (VC/PF) - easy

SKU: HL.49007308

Ten little Pieces. Composed by Eduard Pü and tz. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 36 pages. Schott Music #ED7533. Published by Schott Music (HL.49007308).

ISBN 9790001111782. UPC: 884088576462. 9.0x12.0x0.124 inches.

10 leichte Stucke fur junge Cellisten (1.-4. Lage), motivierend durch phantasievolle Titel und Einbezug von Jazz- und Popelementen. Eduard Putz (1911-2000) studierte Komposition an der Kolner Musikhochschule. Sein besonderes Anliegen war galt der Uberwindung der Grenzen zwischen der sogenannten ernsten und unterhaltenden Musik.

Woodwinds (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5283-30

Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). A key work of the romantic concerto repertoirePiano reduction annotated by Robert Schumann. Solo concerto; Romantic. Set of parts. 78 pages. Duration 23'. Breitkopf and Haertel #OB 5283-30. Published by Breitkopf and Haertel (BR.OB-5283-30).

ISBN 9790004332887. 10 x 12.5 inches.

Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset.Schumann wrote the score in 1850, during his Dusseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann's Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. With his comments, Schiff also provides valuable tips on the interpretation of the work.

A key work of the romantic concerto repertoireThe piano reduction by Robert Schumann contains the unsigned solo part as well as the solo part arranged and annotated by Heinrich Schiff.