C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Leonard

Concert band (1st Flute, 2nd Flute/Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Trumpet, 2nd Trumpet, 1st F Horn, 2nd F Horn, Trombone, Euphonium, TC Baritone, Tuba, Per) - grade 2

SKU: CN.R10274

Composed by Pete Meechan. Band Music. Score and parts. Duration 4:35. Published by G & M Brand Music Publishers (CN.R10274).

Hop on the plane, it's time to fly! This short suite of descriptive pieces takes the ensemble on a brief ride through the sky. Hear the sounds of the engine starting, the take off, the beauty and solace of the clouds from above, the nervousness of the descent, and the excitement and joy of arriving at our destination.

Lift Off! is a short suite of descriptive pieces, all inspired by a short flight from Manchester, England to Brussels. In the first movement we hear the engine start, and after the plane has moved into position, it takes off. The second movement depicts the beautiful view of the clouds from above. It all seems timeless and you don't even feel as if you are moving. The last movement starts nervously (I'm not a great flier!), as the plane begins its descent from the sky. However, as we land safely back on earth, the piece ends in a flurry of excitement and triumph, returning to a theme heard in the first movement.

Poeme Choregraphique pour Orchestre. Composed by Maurice Ravel (1875-1937). Arranged by Jos van de Braak. Full score. Duration 13:00. Published by Baton Music (BF.BM503-SCORE).

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.416414390

For Chamber Orchestra. Composed by Chen Yi. Premiered by the Idyllwild Arts Orchestra, Peter Askim, conductor. Contemporary. Full score. With Standard notation. Composed 2012. 30 pages. Duration 8 minutes. Theodore Presser Company #416-41439. Published by Theodore Presser Company (PR.416414390).

UPC: 680160606917. 8.5 x 11 inches.

2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, Percussion, Strings.
The work Tone Poem is composed for chamber orchestra, 2 flutes, 2 oboes, 2 B-flat clarinets, 2 bassoons, 2 French horns, 1 percussion and strings. The length is about 8 minutes. It is inspired by two poems by Su Dong-po (1036-1101) about southern Chinese landscape paintings. The imagination of the two beautiful ancient Chinese poems became the sonic landscape pictures, to share with my musicians and audience. The brimming waves, the sunny day, The dimming hills, the rainy haze. The West Lake as the Beauty Xizi, Whether she is adorned richly or plainly. Like spilt ink dark clouds spread o'er the hills as a pall; Like bouncing pearls the raindrops in the boat run riot. A sudden rolling gale comes and dispels them all, Below Lake View Pavilion sky-mirrored water's quiet.
The work Tone Poem is composed for chamber orchestra, 2 flutes, 2oboes, 2 B-flat clarinets, 2 bassoons, 2 French horns, 1 percussion andstrings. The length is about 8 minutes. It is inspired by two poems by SuDong-po (1036-1101) about southern Chinese landscape paintings.The imagination of the two beautiful ancient Chinese poems became thesonic landscape pictures, to share with my musicians and audience.The brimming waves, the sunny day,The dimming hills, the rainy haze.The West Lake as the Beauty Xizi,Whether she is adorned richly or plainly.Like spilt ink dark clouds spread o'er the hills as a pall;Like bouncing pearls the raindrops in the boat run riot.A sudden rolling gale comes and dispels them all,Below Lake View Pavilion sky-mirrored water's quiet.

Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 pages. Published by Hal Leonard (HL.223637).

Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more.

SKU: PR.11641963L

Composed by Chen Yi. Large Score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963L. Published by Theodore Presser Company (PR.11641963L).

UPC: 680160684489.

The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes.
The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, timpani - Early intermediate

SKU: GI.G-10867

Christ Is Made the Sure Foundation / Lo, He Comes, with Clouds Descending. Composed by Henry Purcell. Arranged by Larry Visser. Eastertide, Advent, OT 9 A, OT 21 A, Dedication of Lateran Basilica, Christ the King, Easter 2 A, Easter 2 B, Easter 2 C. Calvin Institute. Tune Name: WESTMINSTER ABBEY. Sacred. Octavo. 16 pages. GIA Publications #10867. Published by GIA Publications (GI.G-10867).

English. Text Source:

",Christ Is Made the Sure Foundation,", Angularis fundamentum, Latin, 7th c., ,tr. John M. Neale, 1818&ndash,1866, alt. ",Lo, He Comes, with Clouds Descending,", ,st s. 1, 3 &, 4, Charles Wesley, 1. Text by Charles Wesley.

Grade 2

SKU: CL.RWS-1930-01

Composed by Kroll. Young Concert Band. Extra full score. Composed 2019. RWS Music Company #RWS-1930-01. Published by RWS Music Company (CL.RWS-1930-01).

Just before the sun breaks through the morning clouds, the Dragon Riders prepare their mighty beasts for flight. In this exciting piece for developing band, take your musicians and audience to the skies as the dragons soar through the clouds reigning over the world below. Your students will love this imaginative work by F. Scott Kroll!

By Jeff Smallman. For Clarinet and Keyboard. Solo; Woodwind - B-Flat Clarinet Solo. Contemporary. Part(s). Duration 00:02:40

Voice & String Quartet

SKU: ST.Y296

Composed by Rhian Samuel. Chamber music. For High Voice, String Quartet and Piano. Score (2 copies supplied) and parts. Score and parts. Stainer & Bell Ltd. #Y296. Published by Stainer & Bell Ltd. (ST.Y296).

ISBN 9790220223525.

Natu re and landscape have been the dominant themes of much of Rhian Samuel's vocal music of the last ten years, projected chiefly through the poetry of Anne Stevenson, and in her most recent song-settings, the writings of the Pakistan-born Texas-based poet Zulfikar Ghose. His poem 'Conspiracy of the Clouds' describes how, the clouds having chosen to become invisible, 'Even the astronauts on the space shuttle / looked down on a cloudless America' as hurricanes ravage Louisiana and storms engulf Nebraska. An intriguing conceit in the tradition of magic realism, the text is presented as a scena lasting around 16 minutes, with interpolations from 'Haze' by the nineteenth-century New England transcendentalist Henry David Thoreau. Thus modern fable and romantic nature-description are juxtaposed, and their interaction becomes the source of musical contrasts too. Thoreau's words are assigned predominantly to the vocalist's highest register, those of Ghose to her lower tessitura; and the suggestive and dramatic accompaniment builds tension steadily to the final ironic response of an incredulous American public: not one of awe and wonder, but the question 'Why weren't we told about it?

by Roger Filiberto. For Guitar (Lap Steel). method. Complete. All Styles. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 96 pages. Published by Mel Bay Publications, Inc.

Carols for Choirs 3 by David Willcocks and John Rutter (1945-). Edited by David Willcocks, John Rutter. For mixed choir. Mixed Voices. . . . for Choirs Collections. Christmas, Choral Collection. Choral collection. 208 pages. Published by Oxford University Press

For Recorder. Recorder Method (Suzuki). Book. 32 pages. Published by Alfred Publishing.

From the Series Nature Pictures. By Veljo Tormis. (SSAB divisi a cappella). Boosey and Hawkes Large Choral. Book only. 25 pages. Published by Boosey and Hawkes.

The New Decade Series. Composed by Various. Easy Piano Songbook. Standards. Softcover. 360 pages. Published by Hal Leonard

Viola and Piano. (Viola). Boosey and Hawkes Chamber Music. 40 pages. Published by Boosey and Hawkes.

By Lon Beery. For Unison choir (optional 2-part). Duration 2:49. Published by BriLee Music / Carl Fischer.

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

(Cross-Curricular Music Fun for the Classroom). By John Jacobson and Roger Emerson. For Choral (Book and CD pak). Expressive Art (Choral). Softcover with CD. 40 pages. Published by Hal Leonard

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Gospel. 272 pages. 9x12 inches. Published by Hal Leonard.

Performed by Louie Bellson. By Louie Bellson. Edited by Ray Brych. DCI books (Percussion). 80 pages. Published by Alfred Publishing