All I Want For Christmas Chorale Unison Unison/2-parties, Piano [CD d'accompagnement] - Facile Brentwood-Benson
By Dennis Allen, Nan Allen. For Unison/2-part choir. Modern Christian. Sacred. L...(+)
By Dennis Allen, Nan
Allen. For Unison/2-part
choir. Modern Christian.
Sacred. Level: Easy.
Accompaniment Track
(Musical) - CD. Duration
40 minutes. Published by
Brentwood-Benson Music
Publishing.
Piano/Keyboard - Intermediate SKU: HL.362562 The Phillip Keveren Serie...(+)
Piano/Keyboard -
Intermediate
SKU:
HL.362562
The
Phillip Keveren Series
Piano Duet. Arranged
by Phillip Keveren. Piano
Duet. Piano Duet, Pop,
Traditional. Softcover.
72 pages. Duration 165
seconds. Published by Hal
Leonard (HL.362562).
ISBN 9781705131015.
UPC: 840126954425.
9.0x12.0x0.144
inches.
You will
love playing these
timeless songs together
with a partner on the
piano! In stacked duet
form. Titles: Bicycle
Built for Two *
Chopsticks * Do-Re-Mi *
Heart and Soul * Lean On
Me * Scarborough
Fair/Canticle * Silly
Love Songs * Tea for Two
* Two for the Road.
By Pam Wedgwood. For Trumpet. Book; Brass - B-Flat Cornet (Trumpet) Method or Co...(+)
By Pam Wedgwood. For
Trumpet. Book; Brass -
B-Flat Cornet (Trumpet)
Method or Collection; CD.
Faber Edition: After
Hours. 24 pages.
Published by Faber Music
By Pam Wedgwood. For Clarinet and Piano. Book; CD; Woodwind - Clarinet Method or...(+)
By Pam Wedgwood. For
Clarinet and Piano. Book;
CD; Woodwind - Clarinet
Method or Collection.
Faber Edition: After
Hours. 24 pages.
Published by Faber Music
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720).
UPC:
680160001316.
I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler.
A progressive sight reading course including duet parts and a CD of accompanimen...(+)
A progressive sight
reading course including
duet parts and a CD of
accompaniments. By Hewitt
Jones. For cello. Level:
Grade Two. Instructional
book with accompaniment
CD. Published by C.F.
Peters.
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for double bass. Series:
New Directions for
Strings. 56 pages.
Published by The FJH
Music Company Inc.
For Two Violins, Op. 85. Composed by Jacques Fereol Mazas (1782-1849). This edit...(+)
For Two Violins, Op. 85.
Composed by Jacques
Fereol Mazas (1782-1849).
This edition: Complete -
Books 1-3. Carl Fischer
Music Library. Classical.
Set of parts. With
Standard notation. Opus
85. 80 pages. Carl
Fischer #L001072.
Published by Carl Fischer
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
by William Bay. For soprano ukelele. You Can Teach Yourself. All styles. Level: ...(+)
by William Bay. For
soprano ukelele. You Can
Teach Yourself. All
styles. Level: Beginning.
Book. Method. Size
8.75x11.75. 96 pages.
Published by Mel Bay
Pub., Inc.
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for viola. Series: New
Directions for Strings.
56 pages. Published by
The FJH Music Company
Inc.
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for violin. Series: New
Directions for Strings.
56 pages. Published by
The FJH Music Company
Inc.
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for cello. Series: New
Directions for Strings.
56 pages. Published by
The FJH Music Company
Inc.
Piano - easy to intermediate SKU: HL.49045014 For Piano. Composed ...(+)
Piano - easy to
intermediate
SKU:
HL.49045014
For
Piano. Composed by
Nicholas Lens. This
edition: Saddle
stitching. Sheet music.
Piano. Classical, Etude.
Softcover. 86 pages.
Duration 75'. Schott
Music #ED 22049.
Published by Schott Music
(HL.49045014).
ISBN
9790001202114. 9.0x12.0
inches.
The Belgian
composer Nicholas Lens
presents extremely varied
etudes, exercises and
simple phrases with
wonderfully telling
titles from poetry and
everyday world for
children and adults. For
the most part the studies
are tonal and simple and
have no constructed line.
They are not based on any
educational concept but
leave the musical
dramatization to the
pupils and teachers:
'Notes and rhythms are
just notes and rhythms,
they do not have that
many rules, they do not
have any pretension, they
are just tools for you to
use to express what you
want to share'.
For voice. Format: vocal songbook (spiral bound). With vocal score and chord nam...(+)
For voice. Format: vocal
songbook (spiral bound).
With vocal score and
chord names. Gospel and
Country. 9x12 inches.
Published by
Brentwood-Benson Music
Publishing. Click here
for Listening
Cassette
SKU: GI.G-9033T Composed by John M. Feierabend and Rachel Grimsby. Conver...(+)
SKU: GI.G-9033T
Composed by John M.
Feierabend and Rachel
Grimsby. Conversational
Solfege. Music Education.
208 pages. GIA
Publications #9033T.
Published by GIA
Publications
(GI.G-9033T).
ISBN
9781622773954.
With
its commitment to
creating independent
musical thinkers through
the use of folk songs,
Conversational Recorder
is a visionary approach
to recorder that builds
music literacy and
independence. This highly
anticipated component of
John M.
Feierabend’s
Conversational Solfege is
a dynamic and engaging
method that seamlessly
coordinates with Levels 1
and 2 of the curriculum,
an innovative 12-step
“ear-before-eyeâ
approach to teaching
music literacy. Central
to Conversational
Recorder are two hundred
online audio tracks with
coordinating Guided
Practice Activities at
the beginning of each
unit. The online tracks
walk students step by
step through decoding
patterns and songs and
are perfectly suited for
at-home assignments and
virtual instruction. Each
of the thirteen units in
this resource presents a
new rhythm or melody
challenge that is
reinforced using a series
of short musical patterns
and songs. To ensure
aural mastery before
instrumental application,
students follow a
three-step procedure: (1)
sing first, (2) sing
while fingering on
recorder, and (3) play on
recorder. The
teacher’s manual
includes dozens of
recorder activities
(techniques) along with
an overview of the
method, instructions for
how to use the online
tracks, and tips for
teaching fingering,
tonguing, and breathing.
The appendices also
contain sample lesson
plans, resources for
assessment, fingering
charts, and information
for teaching recorder to
students with
disabilities.
Conversational Recorder
is an ideal program for
incorporating recorder
instruction into the
elementary music
classroom. John M.
Feierabend, PhD, has
spent decades compiling
songs and rhymes from the
memories of the American
people in hopes that
these treasures will be
preserved for future
generations. He is a
leading authority on
child development in
music and movement and
served as Professor and
Chair of the Music
Education Department of
the Hartt School of the
University of Hartford.
Rachel Grimsby is an
Assistant Professor of
Music Education at
Illinois State University
and has over fifteen
years of experience
teaching elementary
general music. She is a
co-author of First Steps
in Music with Orff
Schulwerk and Feierabend
Fundamentals, and her
research interests
include professional
development for
in-service teachers and
paraprofessionals as well
as teaching music to
students with
disabilities.
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
By Vincent Youmans. Arranged by Greg Gilpin. Choir Secular. This edition: SoundT...(+)
By Vincent Youmans.
Arranged by Greg Gilpin.
Choir Secular. This
edition: SoundTrax CD.
Choral Octavo. Pop
Choral. Broadway.
Accompaniment and
performance CD