SATB chorus.
Composed by Frank Bridge.
Music Sales America.
Classical. Octavo. 28
pages. Hal Leonard
#TH978105. Published by
Hal Leonard
(HL.14037178).
These five
part-songs were composed
over ten years from 1903
to 1913, but only the
first was published in
the composer's lifetime.
Bridge's early works -
those written before the
first World War - were
more late Romantic in
style, warmly expansive,
than his mature works.
These songs display
Bridge's skill and
craftsmanship.British
composer Frank Bridge was
active in the early
decades of the 20th
century and was a highly
respected conductor,
violist and teacher - his
sole composition student
having been Benjamin
Britten. Britten honoured
his former teacher in his
work Variations on a
Theme of Frank Bridge,
based on a theme from one
of Bridge's pieces for
String quartet.
Conductor's and Study
Score. Composed by
Karl Amadeus Hartmann.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical.
Conductor's/study score.
Composed 1930/1935. 60
pages. Duration 26'.
Schott Music #ED9610.
Published by Schott Music
(HL.49033188).
ISBN
9790001135504. UPC:
073999671438.
8.25x11.75x0.221
inches.
This
Concerto was inspired and
written in honour of
Zoltan Kodaly. Hartmann
was inspired to write a
piece of music
characterised by a
Hungarian flavour, as
much in the cadenza-like
free passages reminiscent
of gypsy music in the
third movement Fantasie
as in the vivacious dance
variations of the second
movement.
Composed by Poul Ruders.
Music Sales America.
Classical. Set. 86 pages.
Edition Wilhelm Hansen
#WH29830. Published by
Edition Wilhelm Hansen
(HL.14027994).
ISBN
9788759864593.
New
York is the city which
fascinates and inspires
Ruders. Time and again he
goes back there to work.
'Manhattan Abstraction'
(1982) subtitles - a
symphonic skyline for
large orchestra - was
conceived there. Ruders'
Brittish colleague Oliver
Knussen defines the piece
as: - a performance of an
extraordinary
Morden-Times-like
construction. It is a
sort of symphonic
sculpture, which in the
composer's own words
words propels forth from
one particular
inspiration: the New York
profile, as seen from
Liberty Island, one icy
cold January day with
it's open, clear sky and
dazzling sun light.
'Manhatten Abstraction'
appears as an amalgam of
some of the
compositorical habits
found in present pieces.
For instance, are present
here compositorical ideas
and melodic loans from
'Capriccio Pian'e Forte',
2nd String Quartet(1979),
'Four Compositions'
(1980), and 2nd Piano
Sonata(1982). The
question at hand is
mainly concerned with the
enhanced elaboration of
Ruders' use of the
classic English
change-ringing system: a
permuting method
pre-determining the order
of tone-appearances and
/or tone groups; a serial
technique in other words.
In spite of the rigidly
fixed material, Ruders
somehow manages to chisel
out a personal expression
by way of emphasising
contrasting elements
already existing within
the material itself. The
spiky, repetitive
sections form a
counterpart to a more
human violin-solo. This
dialectical tension is -
as hinted by the title -
a symphonic abstraction
of a fascinating
metropolis; the most
beautiful and the
ugliest. The subtitle: a
symphonic skyline
reflects the musical
erection of the Manhattan
profile, which under the
clear sky, materializes
into the most powerful
and compelling man-made
sculpture on earth. Thus
'Manhattan Abstraction'
is a homage to, as well
as a vision of, this
giant contraption of
concrete, glass, and
chrome.
Concert Band (Full Score) SKU: HL.1428484 For Chorus and String Quarte...(+)
Concert Band (Full Score)
SKU: HL.1428484
For Chorus and String
Quartet. Composed by
Bruce Adolphe. LKM Music.
Concert. Softcover. 40
pages. Duration 1800
seconds. Lauren Keiser
Music Publishing
#X094035. Published by
Lauren Keiser Music
Publishing (HL.1428484).
ISBN 9798350122275.
UPC: 196288202462.
9.0x12.0x0.199
inches.
Memory
Believes (a requiem) is a
seven-movement work for
chamber choir and string
quartet dedicated to the
memory of the composer's
brother, Jonathan Adolphe
(1952-2022). Four
Meditation movements,
each for solo violin,
solo cello, solo viola,
and the entire string
quartet, are interspersed
with three movements that
include the choir and
quartet. The texts set
are “Because I could
not stop for Death”
(Emily Dickinson), “Are
there not a thousand
forms of sorrow” (Ethan
Canin), and “Memory
Believes” (William
Faulkner). The string
quartet score and parts
and the choral score are
available separately.
Wind Quintet Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Conducteur et Parties séparées] Rosewood Publications
Composed by Ewald Strasser. Fun to perform. Interesting parts for all players. F...(+)
Composed by Ewald
Strasser. Fun to perform.
Interesting parts for all
players. First Edition.
20th Century. Score and
parts. Published by
Rosewood Publications
(RW.RP-04).
Arranged by Hal H. Hopson. For Vocal Duet (Two Medium Voices - Key of G). Choral...(+)
Arranged by Hal H.
Hopson. For Vocal Duet
(Two Medium Voices - Key
of G). Choral Music for
Children / Ring and Sing.
Children, Love, Hymntune,
Wedding. Published by
Hope Publishing Company
Study Score.
Composed by James
Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 80
pages. Duration 900
seconds. Boosey & Hawkes
#M060136009. Published by
Boosey & Hawkes
(HL.48024880).
ISBN
9781784545154. UPC:
840126918670.
7.25x10.25x0.319
inches.
This
publication presents
under one cover various
short works for sundry
orchestral scorings.
Larghetto for Orchestra
is MacMillan's
orchestration (2017) of
his celebrated Miserere
for a cappella mixed
choir (2009), a setting
in Latin of Psalm 51,
'Have mercy upon me, O
God, according to thy
great mercy', the
penitential text famously
set in the 17th century
by Gregorio Allegri. The
Larghetto orchestration
was commissioned by the
Pittsburgh Symphony
Orchestra in celebration
of Manfred Honeck's 10th
Anniversary as Music
Director. Memoire
imperiale is one of a
number of variations on
General John Reids march
tune Old Gaul
commissioned from
Scottish composers to
mark the centenary in
1994 of the Faculty of
Music at Edinburgh
University. The Faculty
was established following
a bequest by General Reid
(1721-1807), a former law
student at the University
and a renowned flute
player and composer of
marches for the
BritishArmy, and he asked
that an annual concert be
organised at which one or
more of his compositions
be played. Composed in
2012 for the Britten
Sinfonia, One is a monody
in which a single line is
passed around the
instruments, painting it
with different colours as
it emerges and develops.
Lasting only a few
minutes, its singularity
is maintained until
blossoming in the lastfew
bars. For Sonny (2011,
orch 2013) and Ein
Lamplein verlosch (2018,
orch 2019) are short,
private memorial tributes
originally for string
quartet and here rescored
for string orchestra.
Hirta was composed in
2016 as part of Deccas
The Lost Songs of St
Kilda project. Nearly a
century ago, the last 36
residents were evacuated
from the most remote part
of the British Isles, St
Kilda, an isolated
archipelago off the
beautiful and rugged
western coast of
Scotland. After 86 years,
the music of St Kilda was
rediscovered, recorded in
a Scottish care home by
Trevor Morrison, an
elderly man who had been
taught piano by an
inhabitant of St Kilda.
The songs were
'reimagined' for the
Decca album by
various.
Double bass and 1 other inst. SKU: BR.DV-8109 Composed by Johann Matthias...(+)
Double bass and 1 other
inst.
SKU:
BR.DV-8109
Composed
by Johann Matthias
Sperger. Solo
instruments; stapled.
Deutscher Verlag.
Sperger, musician at the
Mecklenburg court in
Ludwigslust, achieved
fame above all with his
works for double bass.
Thematically, the A major
Adagio closely recalls
Anton Franz Hoffmeister?s
Double Bass Concerto No.
3. Classical period.
Piano reduction. 12
pages. Deutscher Verlag
fur Musik #DV 8109.
Published by Deutscher
Verlag fur Musik
(BR.DV-8109).
ISBN
9790200482898. 10 x 13
inches.
Johann
Matthias Sperger, no
doubt the leading double
bass player of his time,
was born on 23 March 1750
in the Lower Austrian
town of Feldsberg (today
Valtice, Czech Republic).
After studying in Vienna
and occupying various
posts in Pressburg and
Eberau, he was hired by
Grand Duke Friedrich
Franz I of
Mecklenburg-Schwerin for
the Duke's court ensemble
in Ludwigslust. There
Sperger died on 13 May
1812, a highly esteemed
man. His extensive
compositional oeuvre
(which includes 45
symphonies, chamher
works, church music and
concertos) found its
climax in his works for
double bass solo. His 18
concertos, sonatas and
chamber works for various
instrumental comhinations
off er the soloist
gratifying musical tasks
both from a musical as
well as a technical point
of view. The Adagio for
Double Bass and String
Quartet was composed
around 1796/97, no doubt
for the composer's own
use. The autograph
belongs to the
Landesbibliothek
Mecklenburg-Vorpommern
(class. no. Mus. 5179).
The work is based on
thematic material from
the second movement of
Anton Franz Hoffmeister's
Double Bass Concerto No.
3. The relationship
between the two works and
the mutual influence of
both composers is plainly
visible.In order to allow
a performance of this
charming little work
without a string quartet,
we are also offering a
version with piano
accompaniment (DVfM 8109)
as well. Since the
original solo part was
written for a double bass
tuned in thirds and a
fourth (Viennese tuning:
A-D-F sharp-A), it was
necessary to arrange the
enclosed for the solo
tuning customary today: F
sharp-B-E-A. The editor
and publisher wish to
thank the
Landesbibliothek
Mecklenburg-Vorpommern
for its permission to
print this first edition.
Klaus Trumpf, Munich,
Spring 1997 Klaus
Trumpf
Sperger,
musician at the
Mecklenburg court in
Ludwigslust, achieved
fame above all with his
works for double bass.
Thematically, the A major
Adagio closely recalls
Anton Franz Hoffmeister's
Double Bass Concerto No.
3.
Sir Roger de Coverley Orchestre d'harmonie [Conducteur] - Avancé Faber Music Limited
Concert Band SKU: AP.12-0571572391 Composed by Frank Bridge. Concert Band...(+)
Concert Band
SKU:
AP.12-0571572391
Composed by Frank Bridge.
Concert Band; Performance
Music Ensemble; Single
Titles. Faber Edition.
Score. Faber Music
#12-0571572391. Published
by Faber Music
(AP.12-0571572391).
ISBN 9780571572397.
English.
Frank
Bridge (1879--1941) was
one of the leading
English composers of his
time. In October 1922, he
adapted his popular
string quartet Sir Roger
de Coverley for full
symphony orchestra and
Sir Henry Wood agreed, at
the last minute, to
include it in the last
night of the Queen's Hall
Promenade Concerts at the
end of that month. This
elaborate and colourful
orchestral version has
never been widely
performed, but has now
been brilliantly
transcribed by Alastair
Wheeler to provide a
miniature dance poem for
grade 5 level concert
band. Bridge's lively
treatment of one of
England's most famous
traditional dance
melodies will make a
fitting end to any
concert, with the strains
of Auld Lang Syne
introduced by Bridge as a
nod towards Sir Roger de
Coverley's traditional
function as the final
dance of a Christmas
Ball, as it was in Old
Mr. Fezziwig's party in
Dickens' A Christmas
Carol.
Concert Band SKU: AP.12-0571572383 Composed by Frank Bridge. Concert Band...(+)
Concert Band
SKU:
AP.12-0571572383
Composed by Frank Bridge.
Concert Band; Performance
Music Ensemble; Single
Titles. Faber Edition.
Score and Part(s). Faber
Music #12-0571572383.
Published by Faber Music
(AP.12-0571572383).
ISBN 9780571572380.
English.
Frank
Bridge (1879--1941) was
one of the leading
English composers of his
time. In October 1922, he
adapted his popular
string quartet Sir Roger
de Coverley for full
symphony orchestra and
Sir Henry Wood agreed, at
the last minute, to
include it in the last
night of the Queen's Hall
Promenade Concerts at the
end of that month. This
elaborate and colourful
orchestral version has
never been widely
performed, but has now
been brilliantly
transcribed by Alastair
Wheeler to provide a
miniature dance poem for
grade 5 level concert
band. Bridge's lively
treatment of one of
England's most famous
traditional dance
melodies will make a
fitting end to any
concert, with the strains
of Auld Lang Syne
introduced by Bridge as a
nod towards Sir Roger de
Coverley's traditional
function as the final
dance of a Christmas
Ball, as it was in Old
Mr. Fezziwig's party in
Dickens' A Christmas
Carol.