(KV 207, 211, 216, 218, 219, 261, 269 (261a), 373). Composed by Wolfgang Amadeus...(+)
(KV 207, 211, 216, 218,
219, 261, 269 (261a),
373). Composed by
Wolfgang Amadeus Mozart
(1756-1791). For solo
violin and orchestra.
This edition: Urtext
edition. Paperback. Study
score, Anthology. Text
Language: German/English.
KV 207, 211, 216, 218,
219, 261, 269 (261a),
373. Published by
Baerenreiter Verlag
Mixed choir-SATB, basso
continuo ad libitum
(Mixed choir (SATB),
Basso continuo ad
libitum) - Level 4
SKU: BA.BA01958
Motets. Composed
by Heinrich Schutz.
Edited by Gottfried
Grote. This edition:
urtext edition. Stapled.
Aus Cantiones sacrae
(1625). Sacred. Choral
score, anthology.
Composed 1625. SWV 73-75.
Baerenreiter Verlag
#BA01958_00. Published by
Baerenreiter Verlag
(BA.BA01958).
ISBN
9790006415731. 29.7 x 21
cm inches. Text Language:
Latin,
German.
Motets nos.
21 - 23 from Cantiones
sacrae 1625
Print on
demand (POD).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
73 Traditional Pieces for Violin. Composed by Vicki Swan. Edited by Vicki Swan. ...(+)
73 Traditional Pieces for
Violin. Composed by Vicki
Swan. Edited by Vicki
Swan. Arranged by Vicki
Swan. This edition:
Saddle stitching. Sheet
music with CD. String.
Folk, Scandinavian.
Edition with CD. 76
pages. Schott Music #ED
13565. Published by
Schott Music
Op. 73 - Version for Violoncello and Piano - Revised Edition. By Robert Schumann...(+)
Op. 73 - Version for
Violoncello and Piano -
Revised Edition. By
Robert Schumann. Edited
by E. Herttrich.
Violoncello. Pages: Score
= V and 15 * Vc Part = 7.
Urtext edition-paper
bound. Published by G.
Henle.
Soireestucke (Op. 73) by Robert Schumann. For Clarinet and Piano. Masterworks; P...(+)
Soireestucke (Op. 73) by
Robert Schumann. For
Clarinet and Piano.
Masterworks; Part(s);
Solo; Woodwind - B-Flat
Clarinet Solo. Faber
Edition. Masterwork;
Romantic. Published by
Faber Music
Piano Solo. Composed by Nikolai Kapustin. Arranged by Masahiro Kawakami. Thi...(+)
Piano Solo. Composed by
Nikolai Kapustin.
Arranged by
Masahiro Kawakami. This
edition: Saddle
stitching.
Sheet music. Piano Solo.
Classical. Softcover.
Composed 1993. Op. 73. 48
pages. Schott Music #ED
23156. Published by
Schott
Music
(abridged and arranged for Piano Solo) By Ludwig van Beethoven (1770-1827), arra...(+)
(abridged and arranged
for Piano Solo) By Ludwig
van Beethoven
(1770-1827), arranged by
Noel Fisher. Op. 73.
Single piece for solo
piano. Published by C.F.
Peters.
(Cantata for the 3rd Sunday after Epiphany). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 3rd
Sunday after Epiphany).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For STB
vocal soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo,
organ obligato. This
edition: Paperbound.
German title: Herr, wie
du willt, so schicks mit
mir. Cantatas, Epiphany.
Level 3. Vocal score.
Language: German/English.
Composed 1724. BWV 73.
Duration 17 minutes.
Published by Carus Verlag
By Ernst Krenek (1900-1991). For 2 pianos. Stapled. Fur Auffuhrungen werden 2 Ex...(+)
By Ernst Krenek
(1900-1991). For 2
pianos. Stapled. Fur
Auffuhrungen werden 2
Exemplare benotigt.
Performance score.
Composed 1960. Opus 173.
Published by Baerenreiter
Verlag Performance
score
Veränderungen nach
der Missa cuiusvis toni
von Johannes
Ockeghem. Composed by
Wolfgang Hufschmidt.
Folded. Chorversion
für 5 Chorgruppen zu
je vier gemischten
Stimmen, Chorgruppe E.
Choral score. Composed
1973. 6 pages.
Baerenreiter Verlag
#BA06286_05. Published by
Baerenreiter Verlag
(BA.BA06286-05).
ISBN
9790006539963. 21 x 29.7
cm inches.
Choral
version for 5 choral
groups each with 4 mixed
voices, Choral groups A-E
including time
schedule.
(Serie I - France 1600-1800 - Integrale de l'oeuvre theorique en 3 volumes). Edi...(+)
(Serie I - France
1600-1800 - Integrale de
l'oeuvre theorique en 3
volumes). Edited by Jean
Saint-Arroman, Bertrand
Porot. Facsimiles.
Methodes and Traites.
Grade 0. 304 pages
Cantatas BWV 72, 73,
111, 156/ BWV 14, 81.
Composed by Johann
Sebastian Bach. Edited by
Peter Wollny and Ulrich
Leisinger. This edition:
Complete edition. Linen.
New Bach Edition (NBA)
I/6. Complete edition,
Critical commentary,
anthology. BWV 72, 73,
111, 156, BWV 14, 81. 173
pages. Baerenreiter
Verlag #BA05087_41.
Published by Baerenreiter
Verlag (BA.BA05087-41).
ISBN 9790006494491.
24.7 x 17.8 cm
inches.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Composed by
Tyler Arcari. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
16+4+8+16+4+4+8+4+4+8+8+8
+4+4+4+4+6+6+2+6+8+2+3+2+
4+10+28+4 pages. Duration
4 minutes, 6 seconds.
Carl Fischer Music
#CPS219. Published by
Carl Fischer Music
(CF.CPS219).
ISBN
9781491152454. UPC:
680160909957.
Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short.
Composed
by Tyler Arcari. Concert
Band (CPS). Full score.
With Standard notation.
28 pages. Carl Fischer
Music #CPS219F. Published
by Carl Fischer Music
(CF.CPS219F).
ISBN
9781491153130. UPC:
680160910632.
Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short.
Piano Solo SKU: BU.EBR-673 By Nathalie Ballarini. By Nathalie Ballarini. ...(+)
Piano Solo
SKU:
BU.EBR-673
By
Nathalie Ballarini. By
Nathalie Ballarini. In
Edit. L'album `Piano Zen
Vol.1` est inclus dans
cette partition. Score
and CD. Editions Bourges
#EBR-673. Published by
Editions Bourges
(BU.EBR-673).
SKU: CA.5021900 Composed by Josef Gabriel Rheinberger. Edited by Barbara ...(+)
SKU: CA.5021900
Composed by Josef Gabriel
Rheinberger. Edited by
Barbara Mohn. This
edition: Complete
edition, linen cover.
Josef Gabriel Rheinberger
- Complete Works. German
title: Weltliche
Chormusik I. Gleiche Sti.
Lieder for choir, Secular
choral music, New year.
Full score (complete
edition / selected
edition). 264 pages.
Carus Verlag #CV
50.219/00. Published by
Carus Verlag
(CA.5021900).
ISBN
9790007087364.
Rhei
nberger's popularity
during his lifetime was
based, for the most part,
on his secular choral
music. His cycles for
men's and women's choir,
most of which were
commissioned works, are
contained in two volumes
of the Complete Edition
(vols. 19 and 20). Among
this music there are
humorous songs and
drinking songs, idyllic
settings of texts drawn
from nature, and songs in
a folk-like idiom which
are light and easily
performable, as well as
several more ambitious
compositions which were
written for choral
competitions in
Rheinberger's day.
Composed by Wolfgang
Amadeus Mozart. Edited by
Gerhard Allroggen. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
81(73l), No. 4. 5 pages.
Baerenreiter Verlag
#BA05367_82. Published by
Baerenreiter Verlag
(BA.BA05367-82).
ISBN
9790006469659. 32.5 x
25.5 cm inches. Key: D
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(Divertimenti da camera a due violoni. Urbino, 1734). By Carlo Tessarini. Edited...(+)
(Divertimenti da camera a
due violoni. Urbino,
1734). By Carlo
Tessarini. Edited by
Nicolas Fromageot. For 2
solo violins. This
edition: Facsimile.
Collection Dominantes.
Score. 30 pages.
Published by Anne Fuzeau
Productions - France
Doodlin' Big band [Conducteur et Parties séparées] - Intermédiaire Jazz Lines Publications
Recorded by Dizzy Gillespie. Edited by Dylan Canterbury, Rob DuBoff, and ...(+)
Recorded by Dizzy
Gillespie. Edited by
Dylan Canterbury, Rob
DuBoff, and Jeffrey
Sultanof. Arranged by
Ernie Wilkins. Jazz,
Swing. Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-7318).
Old masters : piano transcriptions by Russian, and Soviet composers : volume 6, ...(+)
Old masters : piano
transcriptions by
Russian, and Soviet
composers : volume 6,
Roizman, L. I., ed,
Preliudiia iz organnoi
tabulatury /, Ia.
Podbel'skii, Grinfel'd,
A., ed, Melodiia iz ody v
chest' diuka
Glochesteroskogo /, Henry
Purcell, Iurovskii, A.,
ed, Fuga iz sonaty no. 1
dlia strunnykh
instrumentov i, klavesina
ili organa / Henry
Purcell, Oda / Henry
Purcell, Ariia Didony iz
opery Didona i Enei /,
Henry Purcell,
Khoral'naia preliudiia :
fuga : dlia organa :,
Durch Adams Fall, BWV 705
/ Johann Sebastian Bach,
Cherlitskii, I., ed,
Herzlich thut mich
verlangen : organnyi
khoralnyi, preliudiia,
BWV 727 / Johann
Sebastian Bach, Lidenko,
S., ed, Christ unser Herr
zum Jordan kam, BWV 684
/, Johann Sebastian Bach,
Lobt Gott ihr Christen
allzugleich, BWV 732 /,
Johann Sebastian Bach,
Herr Christ der ein'ge
Gottes-Sohn : oder, Herr
Gott nun sei gepreiset,
BWV 601 /, Johann
Sebastian Bach, Sonata
dlia organa no. 1
mi-bemol' mazhor,, BWV
525 / Johann Sebastian
Bach, Poltoratskii, V.,
ed, Kontsert dlia organa,
strunnogo orkestra,
dvukh, goboev e basa,
soch. 4:1 / Georg
Friedrich Händel,
Sorokin, K., ed