Taylor Swift for Piano Solo by Taylor Swift. Piano Solo Personality. Softcover. 80 pages. Published by Hal Leonard

Guitar solo - Advanced

SKU: DZ.DZ-4287

Composed by Francisco Braga. Arranged by Luciano Lima. Score. Les Productions d'OZ #DZ 4287. Published by Les Productions d'OZ (DZ.DZ-4287).

ISBN 9782898522048.

Ant� �nio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.
In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.
Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.
Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).
In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.
In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.
Unfortunately , Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.
The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.

Antôni o Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.
En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.
De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.
Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).
En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.
En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.
Malheureuseme nt, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.
La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».
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Composed by Jonathan Leshnoff. Premiered by Baltimore Symphony Orchestra, conducted by Marin Alsop, soloist Manuel Barrueco, January 9 and 12, 2014. Contemporary. Solo part with piano reduction. With Standard notation. Theodore Presser Company #494-02988. Published by Theodore Presser Company (PR.494029880).

By Rory Cooney. Text by: Rory Cooney. For SATB Chorus, Solo and Piano accompaniment. Celebration Series. Includes guitar chord names. Sacred. 8 pages. Published by GIA Publications.

SATB choir, cantor, assembly, keyboard accompaniment, C instrument, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, guitar, timpani, percussion, 2 or 3 octaves handbells - Beginning

SKU: GI.G-6896

Composed by James Chepponis. Pentecost, Pentecost A, Pentecost B, Pentecost C. Choral. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #6896. Published by GIA Publications (GI.G-6896).

UPC: 785147689607. English. Text by James Chepponis.

This composition may be performed with the scored forces (including brass quartet, percussion and handbells, to name a few), or it may be simplified by using only soloist, congregation, and piano/guitar accompaniment. The text emphasizes the kingdom of God and the gifts of the Spirit. Appropriate for Pentecost, confirmation, and celebrations of ministry. Guitar, C instrument, brass quartet, percussion (suspended cymbal and timpani) and handbell parts are optional Horn in F can be substituted for Trombone I.

Composed by Andrew D. Gordon. Saddle stitch. Blues/Guitar Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

Composed by Stephen Schwartz, arranged by Norman Leyden. Songbook for SATB choir (with soloists), piano, guitar, bass guitar and drums. 48 pages. Published by Hal Leonard.

Composed by Ian Callanan. For SATB choir, cantor, assembly, piano accompaniment, C instrument. Pentecost, OT 2 C. Celebration Series. Sacred. Easy. Octavo. Guitar chord names. 8 pages. Published by GIA Publications

By Taylor Swift. Piano Solo Personality. Pop. Softcover. 64 pages. Duration 132 seconds. Published by Hal Leonard

SAB choir, cantor, voice solo, assembly, keyboard accompaniment, 2 C instruments, guitar - Beginning

SKU: GI.G-8307

Composed by Chris De Silva. Advent 2 B, Ordinary Time 19 A. Celebration Series. Tune Name: Conditor Alme Siderum. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8307. Published by GIA Publications (GI.G-8307).

UPC: 785147830702. English. Text Source: Psalm 85, The Revised Grail Psalms, ref.: Lectionary for Mass Scripture: Psalm 85:9–10, 11–12, 13–14.

Using Psalm 85, de Silva has crafted a psalm refrain based on the Advent melody CONDITOR ALME SIDERUM. Consider using this piece for processionals throughout the Advent season this year, use it again next year as the appointed Lectionary psalm for the Second Sunday of Advent.

Composed by Andrew D. Gordon. Blues. Book and online audio. Duration 40 minutes. Published by ADG Productions (AD.ADG160).

by Laurindo Almeida. For classic guitar. Classic, Spanish music. Level: Intermediate-Advanced. Book. Solos. Size 8.75x11.75. 80 pages. Published by Mel Bay Pub., Inc

Arranged by Joel Raney. For SATB choir with optional congregation. Choral music. General, Communion, Communion, Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

SATB choir, cantor, assembly, keyboard accompaniment - Beginning

SKU: GI.G-001219

Psalm 93. Composed by Jalonda Robertson and Richard Cheri. Christ the King. Sacred. Octavo. With guitar chord names. 4 pages. GIA Publications #001219. Published by GIA Publications (GI.G-001219).

UPC: 641151012193.

Here is another winning collaboration by the musical team of Cheri and Robertson. This spirited psalm response swings with a gospel groove contrasted by verses set in an effective chant style. The verses allow your more accomplished soloists the chance to sing in a gospel style.

Piano/Vocal/Guitar. By as The Lumineers. By Wesley Schultz and Jeremiah Fraites. This edition: Piano/Vocal/Guitar. Artist/Personality; Piano/Vocal/Chords; Sheet; Solo. Original Sheet Music Edition. Folk; Movie; Pop. 8 pages. Published by Alfred Music

SAB choir, cantor, voice solo, assembly, keyboard accompaniment, clarinet in B-flat, trumpet in B-flat, trumpet in C, trombone, guitar - Early intermediate

SKU: GI.G-9599

Arranged by Rory Cooney. Eastertide, Easter Vigil, Easter Sunday. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9599. Published by GIA Publications (GI.G-9599).

UPC: 785147959908. English. Text Source: Trad. spiritual, additional words by Rory Cooney. Scripture: Matthew 28:9, Mark 16:9, John 20:1–16.

For cantor or soloist.

(Piano/Vocal/Guitar). By Matt Redman. By Matt Redman and Jonas Myrin. For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Artist/Personality; Piano/Vocal/Chords; Sheet; Solo. Original Sheet Music Edition. Contemporary Christian; Sacred. 8 pages. Published by Alfred Music Publishing

SAB choir, cantor, voice solo, assembly, keyboard accompaniment, C instrument, B-flat instrument, cello, guitar - Early intermediate

SKU: GI.G-9758

Composed by Tony Alonso S.J. Celebration Series. Sacred. Octavo. With guitar chord names. 20 pages. GIA Publications #9758. Published by GIA Publications (GI.G-9758).

UPC: 785147975809. English. Text Source: Based on Canticle of the Creatures, Francis of Assisi, 1181&ndash,1226. Text by St. Francis of Assisi.

The words of St. Francis of Assisi have come into even greater prominence under the papacy of Pope Francis. Tony Alonso’s setting of Canticle of the Creatures highlights Francis’ call for the care and respect of all creation. A short refrain punctuates the litanic nature of the verses, allowing the assembly to add their voice to this chorus of praise. For cantors or soloists and C or B-flat instrument.

(A Complete Resource for the Perfect Wedding for Piano, Voice and Guitar). Edited by Bryce Inman. Songbook. Softcover with CD. 94 pages. Word Music #080689538285. Published by Word Music

SAB choir, assembly, piano accompaniment - Beginning

SKU: GI.G-7241

Composed by Tony Alonso S.J. Pentecost Vigil, Pentecost, Pentecost A, Pentecost B, Pentecost C. Oramos cantando series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #7241. Published by GIA Publications (GI.G-7241).

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