Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Dances/marches;
Classical. Part. 12
pages. Duration 20'.
Breitkopf and Haertel #OB
5373-15. Published by
Breitkopf and Haertel
(BR.OB-5373-15).
ISBN
9790004341001. 10 x 12.5
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Choir; Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Classical. Full score.
Composed 1780. 68 pages.
Duration 20'. Breitkopf
and Haertel #PB 5329.
Published by Breitkopf
and Haertel (BR.PB-5329).
ISBN 9790004210420. 10
x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Partitur-Bibliothek
(Score Library). Here you
will find cadenzas to
this work: Andersen, 3
Cadenzas for Mozart's
Flute Concerto No. 2 in D
major K. 314 (285d). Solo
concerto; Classical.
Study Score. 48 pages.
Duration 20'. Breitkopf
and Haertel #PB 5525-07.
Published by Breitkopf
and Haertel
(BR.PB-5525-07).
ISBN
9790004212547. 6.5 x 9
inches.
Mozart's
Flute Concerto K. 314
(285d) was most likely
derived from the Oboe
Concerto K. 314 (271k).
The decisive impulse for
the arrangement was
presumably provided by a
commission from the Dutch
flutist Ferdinand Dejean
in 1778. Any new edition
inevitably has to take a
very cautious approach,
as the source
transmission is thin:
only copies dating from
the 1790s have survived
for both versions, and
these copies clearly
differ from one another.
Moreover, it is nowhere
confirmed that Mozart
actually prepared the
flute version himself.
Henrik Wiese has worked
intensively with Mozart's
flute compositions as an
interpreter and
musicologist, and now
presents following his
new edition of the
Concerto K. 313 the
second solo concerto in
an Urtext edition. He has
once again supplied his
own cadenzas.Gut ein
Dutzend Ausgaben dieses
Konzerts durfen derzeit
erhaltlich sein, doch
diese hier ist etwas
besonderes. (Ursula
Pesek, Das
Orchester)
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphony; Dances/marches;
Classical. Study Score.
56 pages. Duration 20'.
Breitkopf and Haertel #PB
5552-07. Published by
Breitkopf and Haertel
(BR.PB-5552-07).
ISBN
9790004213629. 6.5 x 9
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphony; Dances/marches;
Classical. Full score. 68
pages. Duration 20'.
Breitkopf and Haertel #PB
5373. Published by
Breitkopf and Haertel
(BR.PB-5373).
ISBN
9790004212417. 10 x 12.5
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
(KV 207, 211, 216, 218, 219, 261, 269 (261a), 373). Composed by Wolfgang Amadeus...(+)
(KV 207, 211, 216, 218,
219, 261, 269 (261a),
373). Composed by
Wolfgang Amadeus Mozart
(1756-1791). For solo
violin and orchestra.
This edition: Urtext
edition. Paperback. Study
score, Anthology. Text
Language: German/English.
KV 207, 211, 216, 218,
219, 261, 269 (261a),
373. Published by
Baerenreiter Verlag
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Dances/marches;
Classical. Set of parts.
84 pages. Duration 20'.
Breitkopf and Haertel #OB
5373-30. Published by
Breitkopf and Haertel
(BR.OB-5373-30).
ISBN
9790004341049. 10 x 12.5
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Here you will find
cadenzas to this work:
Andersen, 3 Cadenzas for
Mozart's Flute Concerto
No. 2 in D major K. 314
(285d). Solo concerto;
Classical. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 5308-26.
Published by Breitkopf
and Haertel
(BR.OB-5308-26).
ISBN
9790004339992. 10 x 12.5
inches.
Mozart's
Flute Concerto K. 314
(285d) was most likely
derived from the Oboe
Concerto K. 314 (271k).
The decisive impulse for
the arrangement was
presumably provided by a
commission from the Dutch
flutist Ferdinand Dejean
in 1778. Any new edition
inevitably has to take a
very cautious approach,
as the source
transmission is thin:
only copies dating from
the 1790s have survived
for both versions, and
these copies clearly
differ from one another.
Moreover, it is nowhere
confirmed that Mozart
actually prepared the
flute version himself.
Henrik Wiese has worked
intensively with Mozart's
flute compositions as an
interpreter and
musicologist, and now
presents following his
new edition of the
Concerto K. 313 the
second solo concerto in
an Urtext edition. He has
once again supplied his
own cadenzas.Gut ein
Dutzend Ausgaben dieses
Konzerts durfen derzeit
erhaltlich sein, doch
diese hier ist etwas
besonderes. (Ursula
Pesek, Das
Orchester).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Robert
D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Completed for the first
time: Mozart' Horn
Concerto No. 0 A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Solo
concerto; Classical.
Part. 8 pages. Breitkopf
and Haertel #OB 5357-15.
Published by Breitkopf
and Haertel
(BR.OB-5357-15).
ISBN
9790004336762. 9 x 12
inches.
A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Robert
Levin filled in not only
this movement, but also
the equally fragmentary
Konzertsatz K. 370b that
belongs to it. The
preface reads in parts
like a crime novel when
Levin relates how he put
together the various
parts, supplemented them
and orchestrated them in
a Mozartian manner. It is
to his flair and
intuition that we owe the
recovery of Mozart's Horn
Concerto No. 0, written
in 1781. It is a truly
valuable addition to the
repertoire, which is
further enhanced by
Levin's imaginative
cadenza suggestions, from
which every horn player
can create his own
original cadenza.Edition
for horn and piano by
Christian R. Riedel with
cadenzas and lead-ins by
Robert D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Here you will find
cadenzas to this work:
Andersen, 3 Cadenzas for
Mozart's Flute Concerto
No. 2 in D major K. 314
(285d). Solo concerto;
Classical. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 5308-16.
Published by Breitkopf
and Haertel
(BR.OB-5308-16).
ISBN
9790004339978. 10 x 12.5
inches.
Mozart's
Flute Concerto K. 314
(285d) was most likely
derived from the Oboe
Concerto K. 314 (271k).
The decisive impulse for
the arrangement was
presumably provided by a
commission from the Dutch
flutist Ferdinand Dejean
in 1778. Any new edition
inevitably has to take a
very cautious approach,
as the source
transmission is thin:
only copies dating from
the 1790s have survived
for both versions, and
these copies clearly
differ from one another.
Moreover, it is nowhere
confirmed that Mozart
actually prepared the
flute version himself.
Henrik Wiese has worked
intensively with Mozart's
flute compositions as an
interpreter and
musicologist, and now
presents following his
new edition of the
Concerto K. 313 the
second solo concerto in
an Urtext edition. He has
once again supplied his
own cadenzas.Gut ein
Dutzend Ausgaben dieses
Konzerts durfen derzeit
erhaltlich sein, doch
diese hier ist etwas
besonderes. (Ursula
Pesek, Das
Orchester).
Composed
by Wolfgang Amadeus
Mozart. Arranged by Paul
Horn. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Missa Brevis In D
Kv 194 Rev.2000.
Innovative practice aids,
Sacred vocal music,
Masses, Latin, Missa
brevis in Latin. Set of
Orchestra Parts. Composed
1774. KV 194. Duration 18
minutes. Carus Verlag #CV
40.625/19. Published by
Carus Verlag
(CA.4062519).
ISBN
9790007138097. Key: D
major. Language:
Latin.
During the
summer of 1774 Mozart
wrote two Masses within a
few weeks: the Missa
brevis in F major, K.
192, and the Missa brevis
in D major, K. 194. A
feature common to both
compositions as well as
to the Dixit et
Magnificat K. 193,
written at about the same
time, and the Trinitias
Mass K. 167 of the
previous year, is a more
or less strongly evident
tendency towards
contrapuntal writing.
However, while the Dixit
et Magnificat and the
Trinitas Mass approach
the late-baroque style,
in these two brevis
Masses Mozart sought to
combine traditional
polyphonic techniques
with a more modern
musical language. This
work is now available in
carus music, the choir
app! Score and parts
available separately -
see item CA.4062500.
Orchestra (Orchestra) SKU: HL.48187751 Composed by Wolfgang Amadeus Mozar...(+)
Orchestra (Orchestra)
SKU: HL.48187751
Composed by Wolfgang
Amadeus Mozart. Leduc.
Classical. Softcover. 38
pages. Heugel & Cie
#HE31552. Published by
Heugel & Cie
(HL.48187751).
UPC:
888680868031.
5.5x7.5x0.208
inches.
Mozart
composed two new
symphonies in the Autumn
of 1773, after having
returned to Salzburg from
Vienna. The first of the
two was the
<I>Symphony No.24
In B Flat K.182, and the
second was the Symphony
No.25 in G Minor
K.183<BR><BR>
This symphony was one of
two which Mozart composed
in a minor key ? the
other being the Symphony
No.40 in G Minor
K.550</I>. The
latter can be identified
with some of Mozart?s
most troubled and
agitated music,
reflecting those
difficult moments in his
life. However, the
twenty-fifth symphony is
thought to have been
composed as part of a
sudden wave of minor-key
symphonies which appeared
in the later 1760s and
early 1770s ? among
others were composed by
Vanhal, Ordonez, and
Joseph Haydn.Available
here is the study score
for one of Mozart?s two
symphonies composed in a
minor key, the Symphony
No.25 in G Minor
K.183</I>. This
score is ideal for study
and perusal usage..
Flute and Piano SKU: BT.EMBZ2142 Composed by Bela Bartok. EMB Music of Be...(+)
Flute and Piano
SKU:
BT.EMBZ2142
Composed
by Bela Bartok. EMB Music
of Bela Bartok. Book
Only. Composed 1955. 6
pages. Editio Musica
Budapest #EMBZ2142.
Published by Editio
Musica Budapest
(BT.EMBZ2142).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Robert
D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Completed for the first
time: Mozart' Horn
Concerto No. 0 A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Solo
concerto; Classical.
Part. 4 pages. Breitkopf
and Haertel #OB 5357-23.
Published by Breitkopf
and Haertel
(BR.OB-5357-23).
ISBN
9790004336793. 9 x 12
inches.
A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Robert
Levin filled in not only
this movement, but also
the equally fragmentary
Konzertsatz K. 370b that
belongs to it. The
preface reads in parts
like a crime novel when
Levin relates how he put
together the various
parts, supplemented them
and orchestrated them in
a Mozartian manner. It is
to his flair and
intuition that we owe the
recovery of Mozart's Horn
Concerto No. 0, written
in 1781. It is a truly
valuable addition to the
repertoire, which is
further enhanced by
Levin's imaginative
cadenza suggestions, from
which every horn player
can create his own
original cadenza.Edition
for horn and piano by
Christian R. Riedel with
cadenzas and lead-ins by
Robert D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Robert
D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Completed for the first
time: Mozart' Horn
Concerto No. 0 A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Solo
concerto; Classical.
Part. 8 pages. Breitkopf
and Haertel #OB 5357-16.
Published by Breitkopf
and Haertel
(BR.OB-5357-16).
ISBN
9790004336779. 9 x 12
inches.
A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Robert
Levin filled in not only
this movement, but also
the equally fragmentary
Konzertsatz K. 370b that
belongs to it. The
preface reads in parts
like a crime novel when
Levin relates how he put
together the various
parts, supplemented them
and orchestrated them in
a Mozartian manner. It is
to his flair and
intuition that we owe the
recovery of Mozart's Horn
Concerto No. 0, written
in 1781. It is a truly
valuable addition to the
repertoire, which is
further enhanced by
Levin's imaginative
cadenza suggestions, from
which every horn player
can create his own
original cadenza.Edition
for horn and piano by
Christian R. Riedel with
cadenzas and lead-ins by
Robert D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Robert
D. Levin. Folder.
Orchester-Bibliothek
(Orchestral Library).
Completed for the first
time: Mozart' Horn
Concerto No. 0 A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Solo
concerto; Classical. Set
of parts. 12 pages.
Breitkopf and Haertel #OB
5357-30. Published by
Breitkopf and Haertel
(BR.OB-5357-30).
ISBN
9790004336816. 9 x 12
inches.
A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Robert
Levin filled in not only
this movement, but also
the equally fragmentary
Konzertsatz K. 370b that
belongs to it. The
preface reads in parts
like a crime novel when
Levin relates how he put
together the various
parts, supplemented them
and orchestrated them in
a Mozartian manner. It is
to his flair and
intuition that we owe the
recovery of Mozart's Horn
Concerto No. 0, written
in 1781. It is a truly
valuable addition to the
repertoire, which is
further enhanced by
Levin's imaginative
cadenza suggestions, from
which every horn player
can create his own
original cadenza.Edition
for horn and piano by
Christian R. Riedel with
cadenzas and lead-ins by
Robert D. Levin.
Oboe and Piano SKU: BT.EMBZ2467 Composed by Bela Bartok. EMB Music of Bel...(+)
Oboe and Piano
SKU:
BT.EMBZ2467
Composed
by Bela Bartok. EMB Music
of Bela Bartok. Book
Only. Composed 1958. 8
pages. Editio Musica
Budapest #EMBZ2467.
Published by Editio
Musica Budapest
(BT.EMBZ2467).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Robert
D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Completed for the first
time: Mozart' Horn
Concerto No. 0 A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Solo
concerto; Classical.
Part. 8 pages. Breitkopf
and Haertel #OB 5357-19.
Published by Breitkopf
and Haertel
(BR.OB-5357-19).
ISBN
9790004336786. 9 x 12
inches.
A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Robert
Levin filled in not only
this movement, but also
the equally fragmentary
Konzertsatz K. 370b that
belongs to it. The
preface reads in parts
like a crime novel when
Levin relates how he put
together the various
parts, supplemented them
and orchestrated them in
a Mozartian manner. It is
to his flair and
intuition that we owe the
recovery of Mozart's Horn
Concerto No. 0, written
in 1781. It is a truly
valuable addition to the
repertoire, which is
further enhanced by
Levin's imaginative
cadenza suggestions, from
which every horn player
can create his own
original cadenza.Edition
for horn and piano by
Christian R. Riedel with
cadenzas and lead-ins by
Robert D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Robert
D. Levin. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Completed for the first
time: Mozart' Horn
Concerto No. 0 A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Solo
concerto; Classical. Full
score. 36 pages.
Breitkopf and Haertel #PB
5357. Published by
Breitkopf and Haertel
(BR.PB-5357).
ISBN
9790004211229. 9 x 12
inches.
A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Robert
Levin filled in not only
this movement, but also
the equally fragmentary
Konzertsatz K. 370b that
belongs to it. The
preface reads in parts
like a crime novel when
Levin relates how he put
together the various
parts, supplemented them
and orchestrated them in
a Mozartian manner. It is
to his flair and
intuition that we owe the
recovery of Mozart's Horn
Concerto No. 0, written
in 1781. It is a truly
valuable addition to the
repertoire, which is
further enhanced by
Levin's imaginative
cadenza suggestions, from
which every horn player
can create his own
original cadenza.Edition
for horn and piano by
Christian R. Riedel with
cadenzas and lead-ins by
Robert D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Folder.
Orchester-Bibliothek
(Orchestral Library).
Here you will find
cadenzas to this work:
Andersen, 3 Cadenzas for
Mozart's Flute Concerto
No. 2 in D major K. 314
(285d). Solo concerto;
Classical. Parts. 16
pages. Duration 20'.
Breitkopf and Haertel #OB
5308-30. Published by
Breitkopf and Haertel
(BR.OB-5308-30).
ISBN
9790004340004. 10 x 12.5
inches.
Mozart's
Flute Concerto K. 314
(285d) was most likely
derived from the Oboe
Concerto K. 314 (271k).
The decisive impulse for
the arrangement was
presumably provided by a
commission from the Dutch
flutist Ferdinand Dejean
in 1778. Any new edition
inevitably has to take a
very cautious approach,
as the source
transmission is thin:
only copies dating from
the 1790s have survived
for both versions, and
these copies clearly
differ from one another.
Moreover, it is nowhere
confirmed that Mozart
actually prepared the
flute version himself.
Henrik Wiese has worked
intensively with Mozart's
flute compositions as an
interpreter and
musicologist, and now
presents following his
new edition of the
Concerto K. 313 the
second solo concerto in
an Urtext edition. He has
once again supplied his
own cadenzas.Gut ein
Dutzend Ausgaben dieses
Konzerts durfen derzeit
erhaltlich sein, doch
diese hier ist etwas
besonderes. (Ursula
Pesek, Das
Orchester).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Robert
D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Completed for the first
time: Mozart' Horn
Concerto No. 0 A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Solo
concerto; Classical.
Part. 4 pages. Breitkopf
and Haertel #OB 5357-27.
Published by Breitkopf
and Haertel
(BR.OB-5357-27).
ISBN
9790004336809. 9 x 12
inches.
A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Robert
Levin filled in not only
this movement, but also
the equally fragmentary
Konzertsatz K. 370b that
belongs to it. The
preface reads in parts
like a crime novel when
Levin relates how he put
together the various
parts, supplemented them
and orchestrated them in
a Mozartian manner. It is
to his flair and
intuition that we owe the
recovery of Mozart's Horn
Concerto No. 0, written
in 1781. It is a truly
valuable addition to the
repertoire, which is
further enhanced by
Levin's imaginative
cadenza suggestions, from
which every horn player
can create his own
original cadenza.Edition
for horn and piano by
Christian R. Riedel with
cadenzas and lead-ins by
Robert D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Here you will find
cadenzas to this work:
Andersen, 3 Cadenzas for
Mozart's Flute Concerto
No. 2 in D major K. 314
(285d). Solo concerto;
Classical. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 5308-19.
Published by Breitkopf
and Haertel
(BR.OB-5308-19).
ISBN
9790004339985. 10 x 12.5
inches.
Mozart's
Flute Concerto K. 314
(285d) was most likely
derived from the Oboe
Concerto K. 314 (271k).
The decisive impulse for
the arrangement was
presumably provided by a
commission from the Dutch
flutist Ferdinand Dejean
in 1778. Any new edition
inevitably has to take a
very cautious approach,
as the source
transmission is thin:
only copies dating from
the 1790s have survived
for both versions, and
these copies clearly
differ from one another.
Moreover, it is nowhere
confirmed that Mozart
actually prepared the
flute version himself.
Henrik Wiese has worked
intensively with Mozart's
flute compositions as an
interpreter and
musicologist, and now
presents following his
new edition of the
Concerto K. 313 the
second solo concerto in
an Urtext edition. He has
once again supplied his
own cadenzas.Gut ein
Dutzend Ausgaben dieses
Konzerts durfen derzeit
erhaltlich sein, doch
diese hier ist etwas
besonderes. (Ursula
Pesek, Das
Orchester).
Clarinet and Piano SKU: BT.EMBZ1919 Composed by Bela Bartok. EMB Music of...(+)
Clarinet and Piano
SKU: BT.EMBZ1919
Composed by Bela Bartok.
EMB Music of Bela Bartok.
Book Only. Composed 1955.
6 pages. Editio Musica
Budapest #EMBZ1919.
Published by Editio
Musica Budapest
(BT.EMBZ1919).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Full score. 36
pages. Duration 12'.
Breitkopf and Haertel #PB
15128. Published by
Breitkopf and Haertel
(BR.PB-15128).
ISBN
9790004214299. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical
edition.
Violin 1 (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-4764-15 In C majo...(+)
Violin 1 (2.2.0.2 -
2.2.0.0 - timp - str)
SKU: BR.OB-4764-15
In C major K.383e - in
D major K.385a - in C
major K.383F.
Composed by Wolfgang
Amadeus Mozart.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Dances/marches;
Classical. Part. 4 pages.
Duration 11'. Breitkopf
and Haertel #OB 4764-15.
Published by Breitkopf
and Haertel
(BR.OB-4764-15).
Chamber Ensemble (Study Score) SKU: HL.51487150 First Lodron Night Mus...(+)
Chamber Ensemble (Study
Score)
SKU:
HL.51487150
First
Lodron Night Music Study
Score. Composed by
Wolfgang Amadeus Mozart.
Edited by Felix Loy.
Study Score. Paperbound.
Henle Music Folios.
Classical. Softcover. 64
pages. G. Henle #HN7150.
Published by G. Henle
(HL.51487150).
ISBN
9790201871509. UPC:
888680924935.
6.5x9.25x0.218
inches.
The
Divertimento K. 247 in
F-flat major was composed
for the name day of
Countess Antonia Lodron,
and was first performed
on 18 June 1776 in
Salzburg. The little
March K. 248 was
presumably used to
accompany the arrival and
departure of the
musicians on that
occasion - it shares the
same date of composition
as the Divertimento, is
in the same key, and is
scored for the same
instruments. Mozart later
returned several times to
this “First Lodron
night musicâ€, and
posterity appreciated it
too: the Divertimento was
published just a few
years after his death,
and was also available in
numerous 19th century
copies. The only
authorised sources for
our Urtext edition,
however, were the two
autographs. Here,
incidentally, the lowest
part is designated
“Basso,â€
which leaves open the
question as to whether it
was to be played by a
cello, a double bass or
both - a typical case of
“as you like
it†in the music of
the 18th century!