Orchestra SATB vocal soli, SSATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 trumpets, 3 trombones, timpani, 2 violins, viola, harp, Carillons, organ, basso continuo

SKU: CA.5505301

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Full score. Composed 1739. HWV 53. 304 pages. Duration 165 minutes. Carus Verlag #CV 55.053/01. Published by Carus Verlag (CA.5505301).

ISBN 9790007143367. Language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score available separately - see item CA.5505300.

By Lubos Fiser (1935-1999). For piano, orchestra (piano solo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, strings). Czech title: Concerto da camera per piano ed orchestra. Classical. Score. Publication language: Czech/German. Publishe. Score. Classical.

Marienantiphon. By Wolfgang Amadeus Mozart. Edited by Martin, Christine. Arranged by Paul Horn. For Solo Soprano, SATB Choir, 2 Flutes, 2 Oboes, 2 Horns, 2 Violins, 2 Violas, Cello/Bassoon/Contrabass, Organ. KV 127. Full score available separately - see item CA.4004800. Stuttgart Urtext editions; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours; Use during church year: Easter and Eastertide. Part: Violoncello/Contrabass. Language: Latin. 8 pages. Duration 17 min. Published by Carus Verlag (German import).

(Hymne). By Hector Berlioz (1803-1869). Edited by Denis McCaldin. For tenor voice solo, double STB choir, SA children's choir, 4 flutes, 2 oboes, 2 clarinets, 4 bassoons, 4 horns, saxhorn, 2 trumpets, 2 cornets, 3 trombones, ophicleide, tuba, timpani, per Score

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706012

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 2. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 2. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/12. Published by Carus Verlag (CA.2706012).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

By Daniel Bernard Roumain. For Solo Trumpet, 2 Flutes & Strings. Study Score. Composed 2007. Duration 15'. Published by Subito Music Corporation

Jazz Ensemble plus 2 flutes, oboe, 2 clarinets, bass clarinet, bassoon, F horn, tuba & bells - Grade 3

SKU: KN.52500S

Composed by Traditional. Arranged by Sammy Nestico. Kendor Archive Editions. Kendor Music Inc #52500S. Published by Kendor Music Inc (KN.52500S).

Scored for augmented jazz ensemble, this adaptation of the famous Scottish tune alternates between traditional 6/8 and swingin' 4/4 meters while the tempo remains constant. Good balance between woodwinds and brasses is essential, and a solo presentation of the refrain melody by trombone is especially nice.

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

(Marienantiphon). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Mathias Siedel. For Soprano Voice Solo, SATB Choir, 2 Flutes, 2 Oboes, 2 Horns, 2 Clarinos/Trumpets, Timpani, 2 Violins, 2 Violas, Cello/Bassoon/Contrabass, Organ. This edition: Paperbo full score Easter and Eastertide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours

Concert Band

SKU: YM.GTW01101612

Composed by Giacomo Puccini. Arranged by Hideaki Miura. New Sounds in Brass. Arranged Classic. Score and parts. Yamaha Music Media #GTW01101612. Published by Yamaha Music Media (YM.GTW01101612).

ISBN 9784636113037. 8.25 x 11.75 inches.

The famous aria sung in the third act of Puccini's opera Turandot has been arranged in the style of EDM (electronic dance music). Be sure to try out the trumpet solo played by Eric Miyashiro in the recording.
Instrumentation: Conductor×1; Piccolo×1; 1st & 2nd Flutes×2; *Oboe×1; *Bassoon×1; Clarinet in E♭×1; 1st Clarinet in B♭×3; 2nd Clarinet in B♭×3; 3rd Clarinet in B♭×3; *Alto Clarinet in E♭×1; Bass Clarinet in B♭×1; 1st Alto Saxophone in E♭×1; 2nd Alto Saxophone in E♭×1; Tenor Saxophone in B♭×1; Baritone Saxophone in E♭×1; 1st Trumpet in B♭×1; 2nd Trumpet in B♭×1; 3rd Trumpet in B♭×1; 1st & 2nd Horns in F×2; 3rd & 4th Horns in F×2; 1st Trombone×1; 2nd Trombone×1; Bass Trombone×1; Euphonium×2; Tuba×2; Electric Bass Guitar×1; *Electric Guitar×1; Drums×1; Timpani×1; Cymbals, Tambourine, Wood Block & Bass Drum×1; Wind Chime & Suspended Cymbal×1; Glockenspiel×1; Xylophone, Marimba & Chimes×3 The composition can also be performed without the instruments marked with *.
Performance time: Approximately 4 minutes 15 seconds
Difficulty Level: 3.

Vocal Solo (Key of F)

SKU: HP.9120

Composed by William Runyan. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Vocal Score. 8 pages. Hope Publishing Company #9120. Published by Hope Publishing Company (HP.9120).

UPC: 763628191207. Thomas O. Chisholm.

Classic hymn tune Fully expressing God's unchangeable faithfulness in any circumstance, this epic choral setting displays the power and grandeur of this cherished hymn. The orchestration by Michael Lawrence magnifies the dramatic sweep of this ebullient, raise the rooftops setting. Orchestration: Conductor's Score, 2 Flutes, Oboe, 2 Clarinets, Bassoon, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Harp, Piano, 2 Violins, Viola, Cello and String Bass.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706011

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 1. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 1. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/11. Published by Carus Verlag (CA.2706011).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra tenor solo voice, SATTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4017014

Oratorio fragament. Part I: The Birth of Christ; Part II: The Passion of Christ. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Christus-Oratorium (Fragment). Innovative practice aids, Sacred vocal music, Oratorios, Lent and Passiontide, Holy Week, Christmas. Single Part, Cello. Composed 1847. Op. 97, MWV A 26. 4 pages. Duration 21 minutes. Carus Verlag #CV 40.170/14. Published by Carus Verlag (CA.4017014).

ISBN 9790007063658. Language: German/English.

Men delssohns unfinished 3rd oratorio in its first critical edition. The parts Die Geburt Christi and Das Leiden Christi are presented with full orchestration. In 1852, five years after Mendelsohn's death, two independently-performable fragments of an unfinished oratorio were published under the title Christus. The second fragment, The Suffering of Jesus, comes from the middle of the Passion story: the scene Jesus before Pilot is presented with rapid, dramatic alternation between the recitatives of the evangelist (tenor) and choruses of the people. A contemplative choral movement closes the fragment.

Orchestra - advanced to difficult

SKU: HL.49002106

Set of Parts. Composed by Paul Hindemith. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. Composed 1927. Op. 43/1. 70 pages. Duration 7'. Schott Music #CON 79-50. Published by Schott Music (HL.49002106).

ISBN 9790001022545. 8.25x11.75x0.185 inches.

String orchestra (viola also solo), flutes and oboes.

SAT vocal soli, SATB choir, 2 flutes, 2 oboes, 2 trumpets, timpani, 2 violins, violin solo, viola, basso continuo

SKU: CA.4094349

Psalm 100. Composed by Johann Adam Hiller. Edited by Klaus Winkler. Psalm 100. Sacred vocal music, Psalms, German, Praise and thanks, Psalms. Single Part, Organ. Composed 1781. 16 pages. Duration 15 minutes. Carus Verlag #CV 40.943/49. Published by Carus Verlag (CA.4094349).

ISBN 9790007221386. Text language: German.

Johann Adam Hiller's Psalm 100 can be considered as the highpoint of his church music. The work was known during the lifetime of the composer far beyond Germany, even to the Baltic States. Now the first printed edition of this beautifully sounding psalm setting is available. The five-movement composition is suited both for concert as well as liturgical purposes. Even today this composition of the St. Thomas Cantor and founder of the Leipziger Gewandhaus concert series will not fail to miss its mark. Score and part available separately - see item CA.4094300.

Soprano voice solo, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 violas, cello/bassoon/contrabass, organ

SKU: CA.4004413

Composed by Wolfgang Amadeus Mozart. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Benedictus Sit Deus Pater Rev.2001. Sacred vocal music, Easter and Eastertide, Trinity, Praise and thanks. Single Part, Viola 1. Composed 1768. KV 117. 4 pages. Duration 11 minutes. Carus Verlag #CV 40.044/13. Published by Carus Verlag (CA.4004413).

ISBN 9790007058555. Key: C major. Language: Latin.

Score available separately - see item CA.4004400.

(Oratorienfragment. Teil I: Die Geburt Christi; Teil II: Das Leiden Christi). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Tenor Solo, SATTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass. This edition: paperbound. Oratorios; Stuttgart Urtext editions; Use during church year: Lent and Passiontide, Holy Week, Christmas. Level 3. Score. Language: German/English. Composed 1847. 97. 104 pages. Duration 21 min. Published by Carus Verlag

Composed by Ralph Vaughan Williams (1872-1958). Edited by David Matthews. For tuba and orchestra (tuba solo, 2 flutes, oboes, 2 clarinets, baritone, 2 horns, 2 trumpets, 2 tuba, timpani, 2 percussion (snare drum, cymbals, triangle, bass drum), strings). This edition: second edition. Study score. 72 pages. Duration 13'. Published by Oxford University Press

(Marienantiphon). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Mathias Siedel. For Solo Soprano, SATB Choir, 2 Flutes, 2 Oboes, 2 Horns, 2 Clarinos/Trumpets, Timpani, 2 Violins, 2 Violas, Cello/Bassoon/Contrabass, Organ. This edition: paperbound. KV 108 (74d). Full score available separately - see item CA.4004700. Stuttgart Urtext Editions; Use / Occasion: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily Hours; Use during church year: Easter and Eastertide. Piano/Vocal score. Language: Latin. Composed 1771. 28 pages. Duration 11 min. Published by Carus Verlag

Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For violin and orchestra (solo violin, 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, harp, strings). William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 184 pages. Duration 30'. Published by Oxford University Press

(1.1.0.2/2.0.0.0,perc,str )

SKU: TM.07079SC

Composed by Johann N. Hummel. Score. Lucks Music Library #A7432. Published by Lucks Music Library (TM.07079SC).

Sheep May Safely Graze (#9) is for Flutes & Continuo with soprano solo.

Solo Soprano voice, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violins, viola, cello, double bass

SKU: CA.2721045

Composed by Gunther Martin Gottsche. Arrangement for choir/ organ. Sacred vocal music, Magnificats, Advent. Full score. Op. Op. 94. 44 pages. Duration 20 minutes. Carus Verlag #CV 27.210/45. Published by Carus Verlag (CA.2721045).

ISBN 9790007186333. Language: Latin.

The Magnificat shows the typical personal style of the composer Gunther Martin Gottsche, who was inspired by the colorful harmonics of French Impressionism as well as by elements of jazz music. He has given equal consideration to both the vocal line and the ease of execution as well as an understanding for the musical events and a comprehensible interpretation of the text. The work, which was revised at the beginning of 2016, is based on an earlier work commissioned for the Dresden Kreuzkirche. A version with organ accompaniment (instead of orchestra) is also available. Score available separately - see item CA.2721000.

SSATB vocal soli, SATBB choir, 2 flutes, 2 bassoons, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911412

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Violin 2. Sacred vocal music, Psalms, Latin. Single Part, Violin 2. TVWV 7:7. 12 pages. Duration 20 minutes. Carus Verlag #CV 39.114/12. Published by Carus Verlag (CA.3911412).

ISBN 9790007215552. Language: Latin.

The prestigious Latin psalm setting Deus judicium tuum (Ps. 71/72) is among the finest from Telemann's pen. Its composition is associated with the beginning of his eight-month sojourn in Paris in the fall of 1737, during which time he celebrated musical triumphs in the French metropolis. As he himself reported, with no little pride, the piece was performed twice in three days by almost one hundred selected people in the Concert spirituel. Three magnificent choral movements frame a richly-colored succession of demanding solo movements. Score and part available separately - see item CA.3911400.