Composed by Chris M. Bernotas. Concert Band. Concert Band; Part(s); Score. Sound Innovations for Band. Folk. Grade 1.5. 142 pages. Published by Alfred Music

(Featuring: Sevivon / Maoz Tzur / Hanukkah). By Chris Bernotas. Concert Band. Concert Band; Score. Alfred Concert Band. Chanukah; Winter. Grade 3.5. 24 pages. Published by Alfred Music Publishing

(Featuring: Sevivon / Maoz Tzur / Hanukkah). By Chris Bernotas. Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Chanukah; Winter. Grade 3.5. 276 pages. Published by Alfred Music Publishing

By Chris Sharp. Arranged by Chris Sharp. Concert Band/Wind Ensemble. FJH Concert Band. Full set (score and parts). Score only also available: S. Concert Band. Score and Set of Parts. Composed 2001. Published by The FJH Music Company Inc.
Level: Grade 4.

By Chris Sharp. Concert Band/Wind Ensemble. FJH Concert Band. Score for this title: B1285S. Extra part for this title: B1285P. Concert Band. Level: Grade 3.5. Score and Set of Parts. Published by The FJH Music Company Inc.

By Traditional French Carol. Arranged by William Ryden. Concert band. Suitable for elementary and middle school bands. Christmas. Grade 1. Conductor Full Score. Duration 1:45. Published by Manhattan Beach Music

Composed by Traditional French Carol. Arranged by John Leavitt. Sacred Christmas Choral. Published by Hal Leonard (HL.118573).

Soloists (MezTBarB), choir and orchestra (STP)

SKU: HL.49034080

Composed by Hector Berlioz. Edited by Roger Fiske. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Study Score. Op. 25. 270 pages. Eulenburg Edition #ETP 1092. Published by Eulenburg Edition (HL.49034080).

ISBN 9783795767495. 5.25x7.5x0.667 inches. German - English - French.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, alto Saxophone and more. - Grade 1

SKU: CF.BPS120

Composed by Chris Ferguson. Beginning Band (BPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+3+1+1 +2+1+16+2 pages. Duration 1:43. Carl Fischer Music #BPS120. Published by Carl Fischer Music (CF.BPS120).

ISBN 9781491152065. UPC: 680160909568.

An exceptionally clever idea, to combine the standard bugle calls into an easy march for beginning students.  It is something they already know, and can be successful on right away.  We are delighted to welcome composer/educator Chris Ferguson to the Carl Fischer catalog.  He brings a wealth of experience working with beginners that has translated into this wonderful new march for young students.
Reveille March is inspired by the bugle calls found throughout military history.The “Rev eille” call is the signal used to awaken the troops for morning roll call and accompanies the raising of the flag. At the conductor’s discretion, the soli sections (measures 29 and 37) may also be performed as solos in reference to the traditional solo bugle call.“To the Color” (measure 49) is used to signal the end of a soldier’s day. It is also used when a full band is not available to render honors and commands all the same courtesies as our National Anthem.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, alto Saxophone and more. - Grade 1

SKU: CF.BPS120F

Composed by Chris Ferguson. Beginning Band (BPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #BPS120F. Published by Carl Fischer Music (CF.BPS120F).

ISBN 9781491152744. UPC: 680160910243.

An exceptionally clever idea, to combine the standard bugle calls into an easy march for beginning students.  It is something they already know, and can be successful on right away.  We are delighted to welcome composer/educator Chris Ferguson to the Carl Fischer catalog.  He brings a wealth of experience working with beginners that has translated into this wonderful new march for young students.
Reveille March is inspired by the bugle calls found throughout military history.The “Rev eille” call is the signal used to awaken the troops for morning roll call and accompanies the raising of the flag. At the conductor’s discretion, the soli sections (measures 29 and 37) may also be performed as solos in reference to the traditional solo bugle call.“To the Color” (measure 49) is used to signal the end of a soldier’s day. It is also used when a full band is not available to render honors and commands all the same courtesies as our National Anthem.

Concert Band - Grade 0.5

SKU: AP.45972

Multiple Section Feature. Composed by Chris M. Bernotas. Concert Band; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Light Concert; Novelty. Score and Part(s). 132 pages. Alfred Music #00-45972. Published by Alfred Music (AP.45972).

UPC: 038081529837. English.

Watch your ensemble spring to life in this fun and engaging arrangement of the traditional tune Pop Goes the Weasel, called Pop Goes the Band. Each section of the band stands up to perform their part of the melody and gets a moment to shine. Sure to be a hit with your beginning band! Skillfully arranged by Chris M. Bernotas. (1:50) Correlates to Book 1, level 4.

Concert Band Concert Band - Grade 1.5

SKU: FJ.B1245S

Score Only. Composed by Chris Sharp. Concert Band. FJH Developing Band. Form: March. Score. Duration 1:50. The FJH Music Company Inc #98-B1245S. Published by The FJH Music Company Inc (FJ.B1245S).

English.

A concert march in the classic tradition, this piece is ideal for your festival program. Written in the key of Eb, the difficult key change at the trio is avoided by a modulation to Bb, instead of the traditional Ab. The D.S. al fine helps this piece come together with minimum rehearsal time and maximum result. Consider even using the opening section as a school fight song!

About FJH Developing Band

Sligh tly more advanced than beginning band. Clarinet 1 begins to play over the break. Rhythms and ranges are expanded to accommodate the end of first-year as well as second-year instruction. Grade 1.5

Concert Band Concert Band - Grade 3.5

SKU: FJ.B1285S

Concert March. Composed by Chris Sharp. Concert Band. FJH Concert Band. Form: March. Patriotic. Score. Duration 3:00. The FJH Music Company Inc #98-B1285S. Published by The FJH Music Company Inc (FJ.B1285S).

English.

An excellent original concert march, this work is written in the traditional style of Fillmore, King, and Sousa, yet includes a few clever twists and turns to showcase your woodwind section. After the traditional dogfight, woodwinds shine in their light and playful feature. Brass return to complement woodwinds with a powerful statement of the trio theme. Stirring!

About FJH Concert Band

Desig ned for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5

Concert Band - Grade 1.5

SKU: AP.41915S

Composed by Chris M. Bernotas. Concert Band; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Folk. Score. 16 pages. Alfred Music #00-41915S. Published by Alfred Music (AP.41915S).

UPC: 038081481708. English.

A tuneful way to introduce students to the lyrical style and rollicking feel of traditional Scottish/Irish music. The Air is the melody from Gilderoy and is set with a contemporary harmonic palette that concludes with an exciting climax before transitioning to the jig. The Jig of Slurs is a traditional Irish dance with a melody and feel that is infectious! (2:30) Air and Jig correlates to Book 2, Level 2 of Sound Innovations for Concert Band.

By Queens Own. For Bagpipes. Traditional. Sheet Music. 294 pages. Published by Paterson Ltd.

(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (one, two, or three-part voices) (Songbook). King's Singer's Choral. Pop Vocal, Traditional Folk, Baroque and Classical Period. Difficulty: easy-medium. Vocal score (one, two and three part rounds). Vocal melody, harmony part and leadsheet notation. 80 pages. Published by Hal Leonard

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000905-010

Arranged by David Well. Set (Score & Parts). Gobelin Music Publications #GOB 000905-010. Published by Gobelin Music Publications (BT.GOB-000905-010).

The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.

De traditie van de ‘Kerstboom’ gaat in West-Europa terug tot ver voordat er van enige kerstening sprake was. Gedurende de koude strenge winters dacht men dat kwade geesten de natuur ‘vermoordde’. Naaldbomen behielden als enige hungroene kleur en werden daardoor symbolen van onsterflijkheid. Deze ‘levende’ bomen, het werk van goede machten, werden in huis gehaald om kwade geesten en levensbedreigende krachten buitenshuis te houden. Van ‘versierde’ kerstbomenwas het eerst sprake in de 14e eeuw. Het was een heidens gebruik, dat in deze periode in de Elzas voorkwam. Tijdens de 15e en 16e eeuw werd het versieren van de kerstboom door de kerk overgenomen. De versiering bestond in eersteinstantie vooral uit etenswaar, als appels en koekjes. Later ging men ook kleine cadeautjes als versiering gebruiken. Er wordt beweerd dat Martin Luther, de hervormer, als eerste kaarsen in een kerstboom deed. De fonkelende vlammetjescreëerden een sterrenhemel waarin men Christus’ verschijning leek te herkennen. De Duitse organist Ernst Anschütz uit Leipzig, was de eerste die het lied ‘O Tannenbaum’ op schrift stelde. De melodie was een bekend volkswijsje.Naast ‘Stille Nacht’ is ‘O Tannenbaum’ het meest bekende kerstlied dat vanuit Duitsland de hele wereld veroverde. De melodie van ‘O Tannenbaum’ wordt zelfs in de Verenigde Staten van Amerika in vier verschillende staten (o.a.Maryland) als volkslied gebruikt. In het arrangement van David Well hoort u het lied eerst op de manier zoals velen het kennen. Na deze inleiding klinkt een stevige rock-versie en is de maatsoort niet meer de gebruikelijke. Het tussendeelis weer in de vertrouwde driekwarts-maatsoort. Hier is echter de ritmiek in een ander jasje gestoken. Na de rijkelijk met slingers versierde rock-beat klinkt nog één keer het oorspronkelijke thema om daarna feestelijk af.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000905-140

Arranged by David Well. Score Only. 10 pages. Gobelin Music Publications #GOB 000905-140. Published by Gobelin Music Publications (BT.GOB-000905-140).

The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.

De traditie van de ‘Kerstboom’ gaat in West-Europa terug tot ver voordat er van enige kerstening sprake was. Gedurende de koude strenge winters dacht men dat kwade geesten de natuur ‘vermoordde’. Naaldbomen behielden als enige hungroene kleur en werden daardoor symbolen van onsterflijkheid. Deze ‘levende’ bomen, het werk van goede machten, werden in huis gehaald om kwade geesten en levensbedreigende krachten buitenshuis te houden. Van ‘versierde’ kerstbomenwas het eerst sprake in de 14e eeuw. Het was een heidens gebruik, dat in deze periode in de Elzas voorkwam. Tijdens de 15e en 16e eeuw werd het versieren van de kerstboom door de kerk overgenomen. De versiering bestond in eersteinstantie vooral uit etenswaar, als appels en koekjes. Later ging men ook kleine cadeautjes als versiering gebruiken. Er wordt beweerd dat Martin Luther, de hervormer, als eerste kaarsen in een kerstboom deed. De fonkelende vlammetjescreëerden een sterrenhemel waarin men Christus’ verschijning leek te herkennen. De Duitse organist Ernst Anschütz uit Leipzig, was de eerste die het lied ‘O Tannenbaum’ op schrift stelde. De melodie was een bekend volkswijsje.Naast ‘Stille Nacht’ is ‘O Tannenbaum’ het meest bekende kerstlied dat vanuit Duitsland de hele wereld veroverde. De melodie van ‘O Tannenbaum’ wordt zelfs in de Verenigde Staten van Amerika in vier verschillende staten (o.a.Maryland) als volkslied gebruikt. In het arrangement van David Well hoort u het lied eerst op de manier zoals velen het kennen. Na deze inleiding klinkt een stevige rock-versie en is de maatsoort niet meer de gebruikelijke. Het tussendeelis weer in de vertrouwde driekwarts-maatsoort. Hier is echter de ritmiek in een ander jasje gestoken. Na de rijkelijk met slingers versierde rock-beat klinkt nog één keer het oorspronkelijke thema om daarna feestelijk af.

Composed by Traditional. Arranged by Chris Sharp. For concert band. FJH Young Band. Level 2.5-3. Score and parts. Published by The FJH Music Company Inc

Concert Band - Grade 0.5

SKU: AP.45972S

Multiple Section Feature. Composed by Chris M. Bernotas. Concert Band; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Light Concert; Novelty. Score. 12 pages. Alfred Music #00-45972S. Published by Alfred Music (AP.45972S).

UPC: 038081529844. English.

Watch your ensemble spring to life in this fun and engaging arrangement of the traditional tune Pop Goes the Weasel. Each section of the band stands up to perform their part of the melody and gets a moment to shine. Sure to be a hit with your beginning band! (1:50) Correlates to Book 1, level 4.