Cello and Piano - advanced

SKU: ST.R5503

Composed by Benedetto Marcello. String music. Cello part edited by Stefan Popov, Professor of Cello at the Guildhall School of Music and Drama. Score and part. Stainer & Bell Ltd. #R5503. Published by Stainer & Bell Ltd. (ST.R5503).

ISBN 9790220210822.

Cell o part edited by Stefan Popov, Professor of Cello at the Guildhall School of Music and Drama.. . Advanced.

Piano with Cello. By The Piano Guys. Personality. Classical Crossover, Pop. Softcover. 216 pages. Published by Hal Leonard

Book with Audio Online Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49047366

Cello and Piano Book with Audio Online. Composed by Various. Edited by Katharina Deserno and Rainer Mohrs. String Solo. Classical, Concert, Recital, Renaissance. Softcover Audio Online. 60 pages. Schott Music #ED22216D. Published by Schott Music (HL.49047366).

ISBN 9783795731823. UPC: 196288207634. 9.0x12.0x0.207 inches.

For use in lessons or for your first concert performance – Easy Concert Pieces for Cello and Piano contains easy and well-known solo pieces from the Renaissance to the modern era, carefully selected according to technical and musical demands: Volume 1 very easy (1st position), Volume 2 easy (1st and half position), Volume 3 easy to intermediate (1st to 4th position). Besides original compositions by Bréval, de Fesch, Reinagle or Gretchaninoff there are readily playable arrangements of classical masterpieces and modern compositions from the world of pop, jazz, spirituals, bossa nova and tango. All pieces can be downloaded as an audio file.

For Piano and Cello. By The Piano Guys. Personality. Classical Crossover, Pop. Softcover. 112 pages. Published by Hal Leonard

For Piano and Cello. By The Piano Guys. By John Lennon and Paul McCartney. Cello Piano. Pop. Softcover. Published by Hal Leonard

For Piano and Cello. By The Piano Guys. Personality. Classical Crossover, Pop. Softcover. Published by Hal Leonard

Composed by Joe Hisaishi. Studio Ghibli Songs. Anime, Studio Ghibli. Score and part. Yamaha Music Media #GTW01100681. Published by Yamaha Music Media

Cello and Piano. By Various. Arranged by J Starker. (Cello). String Solo. Size 9x12 inches. 48 pages. Published by G. Schirmer, Inc.

By Lewis Capaldi and The Piano Guys. Cello Piano. Pop. Softcover. 8 pages. Published by Hal Leonard

By Janice Tucker Rhoda. For Cello, Cello and Piano. CD contains piano accompaniments as audio and printable PDF; Also includes complete performances. Instructional. Instructional book and CD. Published by Carl Fischer

Cello and Piano. Composed by Various. Edited by Katharina Deserno, Rainer Mohrs. This edition: Saddle stitching. Sheet music with CD. String. Ob fur Unterricht oder das erste Konzert: Die Ausgabe enthalt leichte, bekannte Stucke von der Renaissance bis zur Moderne, die sorgfaltig nach technischen und musikalischen Anforderungen ausgewahlt wurden. Alle Stucke sind auf der beiliegenden CD enthalt. Renaissance, Modern, Classical. Edition/Softcover with CD. 21706. 60 pages. Schott Music #ED21706. Published by Schott Music

Cello and piano

SKU: HL.49014411

Composed by Wolfgang Amadeus Mozart. Sheet music. Edition Schott. Classical. 12 pages. Schott Music #ED 11050. Published by Schott Music (HL.49014411).

ISBN 9790220119941.

Cello, Piano SKU: HU.HN621 Composed by Antonin Dvorak. Edited by Milan Pospisil. Strings, Repertoire, Solos. Silent Woods Op. 68 No.5. Softcover Book. 20 pages. G. Henle #HN621. Published by G. Henle (HU.HN621). 12.2 x 9.2 x 0.1 inches.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

By Jean-Marc Allerme. For cello and piano. Pop / Jazz. Score and CD. 46 15 pages. Published by Editions Henry Lemoine

By Jean-Marc Allerme. For cello and piano. Pop / Jazz. Score and CD. 46 15 pages. Published by Editions Henry Lemoine

By Jean-Marc Allerme. For cello and piano. Pop / Jazz. Score and CD. 46 15 pages. Published by Editions Henry Lemoine

Cello and piano

SKU: HL.49014407

Composed by Maxwell. Sheet music. Edition Schott. Classical. 14 pages. Schott Music #ED11041. Published by Schott Music (HL.49014407).

ISBN 9790220130007.

Cello and piano

SKU: HL.49014406

Composed by Freda Swain. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 10 pages. Schott Music #ED11040. Published by Schott Music (HL.49014406).

ISBN 9790220107504.

2 violins, cello and piano

SKU: HL.49013927

Sonate da camera a tre. Composed by Arcangelo Corelli. Edited by Gustav Jensen. Sheet music. Edition Schott. Classical. Individual part. Op. 4. 12 pages. Schott Music #ED 1009-02. Published by Schott Music (HL.49013927).

ISBN 9790001032445.

Cello with Piano Accompaniment. Composed by Benj Pasek and Justin Paul. Instrumental Solo. Broadway, Pop, Movies. Softcover. Published by Hal Leonard

2 violins, cello and piano

SKU: HL.49013926

Sonate da camera a tre. Composed by Arcangelo Corelli. Edited by Gustav Jensen. Sheet music. Edition Schott. Classical. Individual part. Op. 4. 12 pages. Schott Music #ED 1009-01. Published by Schott Music (HL.49013926).

ISBN 9790001032438.

Cello and piano

SKU: HL.49014408

Composed by Corker. Sheet music. Edition Schott. Classical. 8 pages. Schott Music #ED11042. Published by Schott Music (HL.49014408).

ISBN 9790220126314. 9.0x12.0x0.058 inches.

Soprano, sopranino recorder (treble recorder/flute), 2 violins, cello and piano (600)

SKU: HL.49014750

Aria from Acis and Galatea. Composed by George Frideric Handel. Arranged by Edgar Hubert Hunt. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and Parts. 22 pages. Schott Music #ED 11766. Published by Schott Music (HL.49014750).

ISBN 9790220123429. 9.0x12.0x0.073 inches. English.