Composed by Jacob De
Haan. Musica Sacra. Hymns
& Chorals. Set (Score &
Parts). Composed 2003. De
Haske Publications #DHP
1033337-015. Published by
De Haske Publications
(BT.DHP-1033337-015).
In een
uitvoering voor brassband
en koor is het in de
meeste gevallen aan te
bevelen de optie voor
scherp koper weg te
laten. Het koor zingt
zelfstandig, begeleid
door een volledige
brassband. In een
instrumentale uitvoering
kunt u denken aan
eencombinatiekwartet
(twee cornetten en twee
trombones) +
brassband.Koorpartijen
apart
verkrijgbaar.
5.
Doppelrohrblattinstrument
e (wahlweise + Flöte,
wahlweise +
Kontrabass)
6.
Tutti
7. Alle
Holzbläser
8.
Alle Blechbläser
In einer Aufführung
mit Brass Band und Chor
ist es gewöhnlich
ratsam, nicht die erste
Option (Chor + Blech +
Blasorchester) zu
wählen. Der Chor singt
unabhängig, begleitet
von einer
vollständigen Brass
Band. In einer
Instrumentalaufführung
könnenSie sich für
ein kombiniertes Quartett
(zwei Kornette und zwei
Posaunen) + Brass Band
entscheiden. Chorstimmen
separat
erhältlich.
Thaxted Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Conducteur et Parties séparées] Eighth Note Publications
By Gustav Holst (1874-1934). Arranged by Matthew Prins. For Woodwind Quintet. Ma...(+)
By Gustav Holst
(1874-1934). Arranged by
Matthew Prins. For
Woodwind Quintet.
Masterworks; Part(s);
Score; Woodwind -
Quintet. Eighth Note
Publications. 20th
Century; Masterwork
Arrangement; Romantic.
Published by Eighth Note
Publications
Missa Brevis Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2 SKU: B...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band and opt.
Choir - Grade 2
SKU:
BT.DHP-1033337-170
Composed by Jacob De
Haan. Musica Sacra. Hymns
and Chorals. Score Only.
Composed 2003. 28 pages.
De Haske Publications
#DHP 1033337-170.
Published by De Haske
Publications
(BT.DHP-1033337-170).
A4 (210X297)
inches.
Missa
Brevis is a major
work for choir and brass
band for performance in
church or in the concert
hall. For this mass,
there are many
performance possibilities
depending on the
musicians available. In
addition to the standard
orchestration ofchoir and
band a brass quartet can
also play the choral
parts. For this it is
desirable for the brass
quartet to be positioned
separately from the rest
of the band (on a
gallery, for example), so
that the idea of two
choirs is heard. It is
alsopossible to perform
the work with brass band
and organ. A truly
flexible religious
masterpiece. Choral parts
available
separately.
In een
uitvoering voor brassband
en koor is het in de
meeste gevallen aan te
bevelen de optie voor
scherp koper weg te
laten. Het koor zingt
zelfstandig, begeleid
door een volledige
brassband. In een
instrumentale uitvoering
kunt u denken aan
eencombinatiekwartet
(twee cornetten en twee
trombones)
brassband.Koorpartijen
apart
verkrijgbaar.
M
issa Brevis, eine
Messe für Brass
Band und Chor ad libitum,
kann in diversen
variablen
Spielstärken
aufgeführt werden.
Zahlreiche
mögliche
Instrumentenkombinationen
diverse mögliche
Kombinationen mit
großen oder
kleineren Chören,
lassen eineVielzahl von
verschiedenen
Aufführungen
dieser Messe zu. So kann
z. B. ein
Blechbläserquartet
t, von der Kirchenempore
herab spielend, die
Chorpartien
übernehmen.
Darüber hinaus
ergeben sich durch die
Orgelbegleitung weitere
Aufführungsvariant
en. EineAufstellung der
Wahlmöglichkeiten
wird vom Komponisten
mitgeliefert. Die
wunderschöne Musik
aus der Feder von Jacob
de Haan garantiert in
jedem Fall einen
gelungenen
Auftritt!Chorstimmen
separat
erhältlich.
Flûte, Clarinette, Piano (trio) [Conducteur et Parties séparées] Theodore Presser Co.
Composed by Gabriel Faure (1845-1924). Arranged by Michael Webster. Classical. S...(+)
Composed by Gabriel Faure
(1845-1924). Arranged by
Michael Webster.
Classical. Score and
part(s). With Standard
notation. Composed 2005.
Opus 50. 28 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41756. Published by
Theodore Presser Company
(PR.114417560).
Chamber Music Clarinet, Flute, Piano SKU: PR.114417570 For Flute, Bb C...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417570
For
Flute, Bb Clarinet, And
Piano. Composed by
Edvard Grieg. Arranged by
Michael Webster. Sws
each. See the program
notes on pages two and
three of the full score.
Set of Score and Parts.
With Standard notation.
Composed 2008. 40 8 8
pages. Duration 18
minutes. Theodore Presser
Company #114-41757.
Published by Theodore
Presser Company
(PR.114417570).
ISBN
9781491107867. UPC:
680160636013. 9x12
inches.
The famous
set of dances by Norway's
greatest composer were
written for piano duet.
Grieg later created a
piano solo version, but
refused to orchestrate
the set. After some study
of Grieg and his music,
Michael Webster has
arranged the four dances
for Flute, Clarinet, and
Piano in a faithful
setting, using the piano
duet version as a guide.
This lively Grieg classic
will be a welcome new
addition to performance
programs. For advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
MICHAEL WEBSTER made his
New York recital debut at
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice Universityâ??s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
â??TeachingClarinetâ?
in The Clarinet Magazine
since 1998. Michael
Webster is a Buffet
artist-clinician,
performing on Buffet
clarinets
exclusively. NORWEGIAN
DANCES (Grieg)Michael
Websterâ??s
transcriptions for Flute,
Clarinet, and Piano have
created the core
literature for this
instrumental genre.
Working directly from
Griegâ??s original piano
four-hands version of the
charmingly familiar
Norwegian Dances, Webster
has given flutists and
clarinetists another
addition to the
ensembleâ??s
repertoire.
Arranged by Daniel Kelley. For Flute (or Oboe) and Clarinet. Duets. Music for Tw...(+)
Arranged by Daniel
Kelley. For Flute (or
Oboe) and Clarinet.
Duets. Music for Two.
Wedding, Classical.
Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
Clarinet - intermediate SKU: BT.DHP-1175777-400 The world's most beaut...(+)
Clarinet - intermediate
SKU:
BT.DHP-1175777-400
The world's most
beautiful arias with full
orchestra play along.
Opera or Operetta. Book
with CD. Composed 2017.
64 pages. De Haske
Publications #DHP
1175777-400. Published by
De Haske Publications
(BT.DHP-1175777-400).
ISBN 9789043151801.
English-German-French-Dut
ch.
Great opera
singers have enthralled
us for over three hundred
years. When we see them
on stage our ears are
filled with some of the
finest classical melodies
of all time. Live at
the Opera makes this
precious treasure trove
accessible to
instrumentalists, too: 11
Italian operatic arias
have been individually
arranged for clarinet,
recorded by the
world-renowned /
clarinettist Matthias
Schorn. The accompaniment
is supplied by an
authentic opera
orchestra, and it is also
available as a play-along
version without the
soloist. A historical
background to each piece,
along with performance
tips, is included in this
unique
collection.
Al
meer dan driehonderd jaar
weten grote operazangers
en -zangeressen hun
publiek te betoveren.
Wanneer ze voor ons op
het podium staan,
vertolken ze melodieën
die behoren tot de
allermooiste van de
klassieke muziek. Live
at the opera maakt
deze schat aan
melodieën nu ook
toegankelijk voor
instrumentalisten: elf
Italiaanse
opera-ariaâ??s zijn
speciaal gearrangeerd
voor klarinet en
opgenomen door de
wereldberoemd
klarinettist Matthias
Schorn. Een echt
operaorkest neemt de
begeleiding voor zijn
rekening, die op de
meespeelversie ook zonder
solo-instrumentalist
beschikbaar is. Verder
zijn in deze unieke
collectie
muziekhistorische
achtergrondinformatie bij
iedere aria entips voor
de uitvoering opgenomen.
Schon seit mehr
als dreihundert Jahren
ziehen groÃ?e
Opernsängerinnen und
-sänger uns in ihren
Bann. Wenn sie auf der
Bühne stehen, bringen
sie einige der
schönsten klassischen
Melodien aller Zeiten zu
Gehör. Live at the
Opera macht
diesenkostbaren
Melodienschatz nun auch
Instrumentalisten
zugänglich: 11
italienische Opernarien
wurden individuell für
Klarinette eingerichtet
und werden von dem
weltweit renommierten
Klarinettisten Matthias
Schorn vorgespielt. Ein
echtes
Opernorchesterübernimm
t dabei die Begleitung,
welche zusätzlich auch
in einer Mitspielversion
ohne den Solisten zur
Verfügung steht.
Musikhistorisches
Hintergrundwissen und
Ausführungstipps zu
den einzelnen Arien sind
weitere Pluspunkte dieser
einzigartigenSammlung.
Da oltre
tre secoli i grandi
cantanti di opera
entusiasmano il pubblico
con performance che fanno
rivivere le melodie
classiche più
amate. Live at the
Opera d la possibilit
ai musicisti di
cimentarsi con questo
repertorio grazie a 15
ariedellâ??opera
italiana arrangiate per
flauto, clarinetto e
tromba.
Disponibili
inoltre le basi
orchestrali e la versione
play-along senza la parte
solista di ogni traccia.
Arricchiscono
lâ??edizione
unâ??introduzione
storica per ciascun brano
e utili consigli per
lâ??interpretazione.
Solo flute - Level 3 SKU: LM.26464 Composed by Atarah Ben Tovim. Classica...(+)
Solo flute - Level 3
SKU: LM.26464
Composed by Atarah Ben
Tovim. Classical. Score.
Editions Henry Lemoine
#26464. Published by
Editions Henry Lemoine
(LM.26464).
ISBN
9790230964647.
BEET
HOVEN : Concerto pour
piano n. 3 (3e mvt) -
Symphonie n. 1 (2e mvt) -
Symphonie n. 5 (3e mvt) -
Symphonie n. 6, Pastorale
(3e mvt) - Symphonie n. 7
(2e mvt) - BERLIOZ : La
Damnation de Faust
(Marche hongroise) - Les
Francs-Juges (ouverture)
- Symphonie fantastique
(3e mvt) - BORODINE : Le
Prince Igor (ouverture) -
BRAHMS : Ouverture pour
une fete academique -
Symphonie n. 1 (4e mvt) -
Symphonie n. 2 (3e mvt) -
Symphonie n. 3 (2e mvt) -
CHABRIER : Espana -
DELIBES : Coppelia
(Mazurka) - DELIUS :
Brigg Fair - DVORAK :
Danses slaves Op.46 n. 1
- Symphonie n. 1 (1er
mvt) - Symphonie n. 8 (3e
mvt) - FRANCK : Symphonie
en re mineur (1er mvt) -
HAYDN : Symphonie n. 94
(2e, 3e mvt) - Symphonie
n. 100 (2e mvt) -
Symphonie n. 103 (2e mvt)
- MENDELSSOHN : Concerto
pour violon Op.64 (1er
mvt) - Ruy Blas
(ouverture) - Symphonie
n. 3 (1er, 4e mvt) -
MOUSSORGSKI : Une nuit
sur le Mont Chauve -
MOZART : Concerto pour
clarinette (2e mvt) -
Concerto pour flute et
harpe (3e mvt) - Concerto
pour piano n. 20 (3e mvt)
- NICOLAI : Les Joyeuses
Commeres de Windsor
(ouverture) - ROSSINI :
La Pie voleuse
(ouverture) - SAINT-SAENS
: Carnaval des animaux
(Aquarium) - SCHUBERT :
Rosamunde (ouverture) -
Symphonie n. 5 (1er mvt)
- Symphonie n. 7 (3e, 4e
mvt) - Symphonie n. 8
(1er mvt) - SCHUMANN :
Concerto pour piano Op.54
(1er mvt) - Symphonie n.
2 (4e mvt) - Symphonie n.
3 (3e mvt) - SMETANA : Ma
patrie (Vlatva) - STRAUSS
: Le Beau Danube bleu
Op.314 n. 2 et n. 5 -
Valse de l'Empereur n. 1
- TCHAIKOVSKY :
Casse-Noisette
(ouverture) - Symphonie
n. 2 (4e mvt) - Symphonie
n. 4 (2e mvt) - Symphonie
n. 5 (2e, 3e, 4e mvt) -
VERDI : La Force du
destin (ouverture) -
WALDTEUFEL : Valse Les
Patineurs.
Wind Quintet SKU: HL.14019938 Composed by John McCabe. Music Sales Americ...(+)
Wind Quintet
SKU:
HL.14019938
Composed
by John McCabe. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV360094.
Published by Music Sales
(HL.14019938).
Post
cards was
written in 1991 for the
Vega Wind Quintet, who
first performed it at the
Huddersfield Festival in
the same year. It is a
reworking of a set of
eight Bagatelles written
in 1965: each movement
has been rewritten and
enlarged to a greater or
lesser extent. The title
was chosen to emphasise
the nature of the pieces,
which are in a sense
brief postcards from
different genres (fugato,
dance, etc).
John
McCabe (1939-2015)
was a British composer,
pianist and music
administrator. He studied
at the Royal Manchester
College of Music and
built a career as a
virtuoso pianist.
However, he also wrote
several hundred musical
compositions,ranging from
large-scale orchestral
works to chamber music
and solo instrumental
pieces - it is said the
only classical genre he
did not write for was
opera.
The Order of the Temple Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1084493-010 L'Ordre du Tem...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1084493-010
L'Ordre du Temple.
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084493-010.
Published by De Haske
Publications
(BT.DHP-1084493-010).
9x12 inches.
English-German-French-Dut
ch.
De Orde van de
Tempeliers was een van de
belangrijkste
christelijke ridderordes
in de middeleeuwen. Het
lot van de Orde was twee
eeuwen lang verweven met
dat van de kruistochten.
The Order of the
Temple opent met het
‘ridderthemaâ€
,een leidmotief dat door
de compositie is
verweven. Het hero sche
tweede thema, met
gesyncopeerde ritmes,
doet denken aan een
kruistocht. Na een korte
recitatieve passage wordt
de muziek serener, de
fluitsolo onthult een
nieuwemelodische lijn.
Ten slotte speelt de
klarinetsectie een
koraal, dat wordt
overgenomen door het hele
orkest en uitmondt in een
grootse
finale.
The
Order of the Temple (Der
Templerorden) vom
französischen
Komponisten Thierry
Deleruyelle ist ein
musikalisches Fresko
über diesen
kriegerischen
Mönchsorden. Der
Templerorden war einer
der dominierenden
christlichen Ritterorden
des Mittelalters:
Rittertum,
Kreuzzüge, Geld,
Macht, aber auch tiefer
Glaube sind die Themen,
die sich in Thierry
Deleruyelles
großartiger
Komposition spiegeln - in
heroischen, kriegerischen
Themen, in rezitativen
Passagen, sanften
melodischen Linien und
einem starken
Finale.
The Order of the Temple Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1084493-140 L'Ordre du Tem...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1084493-140
L'Ordre du Temple.
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 48
pages. De Haske
Publications #DHP
1084493-140. Published by
De Haske Publications
(BT.DHP-1084493-140).
9x12 inches.
English-German-French-Dut
ch.
De Orde van de
Tempeliers was een van de
belangrijkste
christelijke ridderordes
in de middeleeuwen. Het
lot van de Orde was twee
eeuwen lang verweven met
dat van de kruistochten.
The Order of the
Temple opent met het
‘ridderthemaâ€
,een leidmotief dat door
de compositie is
verweven. Het hero sche
tweede thema, met
gesyncopeerde ritmes,
doet denken aan een
kruistocht. Na een korte
recitatieve passage wordt
de muziek serener, de
fluitsolo onthult een
nieuwemelodische lijn.
Ten slotte speelt de
klarinetsectie een
koraal, dat wordt
overgenomen door het hele
orkest en uitmondt in een
grootse
finale.
The
Order of the Temple (Der
Templerorden) vom
französischen
Komponisten Thierry
Deleruyelle ist ein
musikalisches Fresko
über diesen
kriegerischen
Mönchsorden. Der
Templerorden war einer
der dominierenden
christlichen Ritterorden
des Mittelalters:
Rittertum,
Kreuzzüge, Geld,
Macht, aber auch tiefer
Glaube sind die Themen,
die sich in Thierry
Deleruyelles
großartiger
Komposition spiegeln - in
heroischen, kriegerischen
Themen, in rezitativen
Passagen, sanften
melodischen Linien und
einem starken
Finale.
By Ludwig van Beethoven (1770-1827). Arranged by Contorno. For woodwind quintet ...(+)
By Ludwig van Beethoven
(1770-1827). Arranged by
Contorno. For woodwind
quintet (flute, oboe, Bb
clarinet, horn in f,
bassoon (optional Bb bass
clarinet)). Grade 3.
Score and set of parts.
Duration 2 minutes.
Published by Kendor Music
Inc
Southend Celebration Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-392-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-392-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2014.
Anglo Music Press #AMP
392-010. Published by
Anglo Music Press
(BT.AMP-392-010).
English-German-French-
Dutch.
The work
opens with a stern
fanfare in bare fifths,
which leads to a
cantabile theme
introduced by alto
saxophone. This builds to
a climax and reintroduces
the fanfare, which slowly
evolves into the
subsequent vivo. A perky
tune emerges on flute,
saxophone and trumpet,
which, after a short
bridge passage, leads to
a contrasting melody on
low clarinets and
saxophones. After some
development a true
‘second
subject’ appears
for the whole band. A
recapitulation leads
briefly back to the
opening fanfare before
the vivo returns to close
the work in celebratory
mood.
Het werk
begint met een sobere
fanfare in open kwinten,
gevolgd door een zangerig
thema dat wordt ge
ntroduceerd door de
altsaxofoon. Dit thema
groeit uit tot een climax
en leidt opnieuw de
fanfare in, die zich
langzaam ontwikkelt tot
het daaropvolgende vivo.
Er verschijnt een
opgewekte melodie in de
fluit, saxofoon en
trompet, die na een korte
overgangspassage uitmondt
in een contrasterende
melodie in de lage
klarinetten en saxofoons.
Na een verdere uitwerking
openbaart zich een tweede
thema voor het complete
orkest. Een herneming
voert ons even weer mee
naar de openingsfanfare,
voordat het vivo
terugkeert en het werk in
feestelijke stemming
afsluit.
Nach
einer ernsten Fanfare in
bloßen Quinten, die zu
einem Thema in cantabile
im Altsaxophon führt,
taucht eine kecke Melodie
in Flöte, Saxophon und
Trompete auf, die nach
einer kurzen
Ãœberleitung zu einer
kontrastierenden Melodie
in den tiefen Klarinetten
und Saxophonen wird. Ein
zweites Thema“
spielt das gesamte
Blasorchester. Bevor ein
Vivo aus dem Anfangsteil
Southend Celebration
beendet, werden
längst alle Musiker
und Zuhörer von der
festlichen Stimmung, die
es verbreitet, infiziert
sein!
Il lavoro
si apre con
un’austera fanfara
con quinte vuote, che
porta a un tema cantabile
introdotto da un saxofono
contralto. Si arriva a un
culmine e si introduce
nuovamente la fanfara,
che lentamente evolve nel
‘vivo’
successivo. Un tema
vivace emerge dal flauto,
dal sassofono e dalla
tromba, e dopo un breve
passaggio di transizione,
porta a una melodia
contrastante, dei
clarinetti bassi e dei
sassofoni. Dopo qualche
sviluppo un vero
‘secondo
soggetto’ sorge
dall’intera banda.
Una ripresa porta
brevemente indietro alla
fanfara, prima che il
‘vivo’
ritorni per chiudere il
lavoro in modo
celebrativo.
Southend Celebration Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-392-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-392-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2014.
Anglo Music Press #AMP
392-140. Published by
Anglo Music Press
(BT.AMP-392-140).
English-German-French-
Dutch.
The work
opens with a stern
fanfare in bare fifths,
which leads to a
cantabile theme
introduced by alto
saxophone. This builds to
a climax and reintroduces
the fanfare, which slowly
evolves into the
subsequent vivo. A perky
tune emerges on flute,
saxophone and trumpet,
which, after a short
bridge passage, leads to
a contrasting melody on
low clarinets and
saxophones. After some
development a true
‘second
subject’ appears
for the whole band. A
recapitulation leads
briefly back to the
opening fanfare before
the vivo returns to close
the work in celebratory
mood.
Het werk
begint met een sobere
fanfare in open kwinten,
gevolgd door een zangerig
thema dat wordt ge
ntroduceerd door de
altsaxofoon. Dit thema
groeit uit tot een climax
en leidt opnieuw de
fanfare in, die zich
langzaam ontwikkelt tot
het daaropvolgende vivo.
Er verschijnt een
opgewekte melodie in de
fluit, saxofoon en
trompet, die na een korte
overgangspassage uitmondt
in een contrasterende
melodie in de lage
klarinetten en saxofoons.
Na een verdere uitwerking
openbaart zich een tweede
thema voor het complete
orkest. Een herneming
voert ons even weer mee
naar de openingsfanfare,
voordat het vivo
terugkeert en het werk in
feestelijke stemming
afsluit.
Nach
einer ernsten Fanfare in
bloßen Quinten, die zu
einem Thema in cantabile
im Altsaxophon führt,
taucht eine kecke Melodie
in Flöte, Saxophon und
Trompete auf, die nach
einer kurzen
Ãœberleitung zu einer
kontrastierenden Melodie
in den tiefen Klarinetten
und Saxophonen wird. Ein
zweites Thema“
spielt das gesamte
Blasorchester. Bevor ein
Vivo aus dem Anfangsteil
Southend Celebration
beendet, werden
längst alle Musiker
und Zuhörer von der
festlichen Stimmung, die
es verbreitet, infiziert
sein!
Il lavoro
si apre con
un’austera fanfara
con quinte vuote, che
porta a un tema cantabile
introdotto da un saxofono
contralto. Si arriva a un
culmine e si introduce
nuovamente la fanfara,
che lentamente evolve nel
‘vivo’
successivo. Un tema
vivace emerge dal flauto,
dal sassofono e dalla
tromba, e dopo un breve
passaggio di transizione,
porta a una melodia
contrastante, dei
clarinetti bassi e dei
sassofoni. Dopo qualche
sviluppo un vero
‘secondo
soggetto’ sorge
dall’intera banda.
Una ripresa porta
brevemente indietro alla
fanfara, prima che il
‘vivo’
ritorni per chiudere il
lavoro in modo
celebrativo.
Air On The G String Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Conducteur et Parties séparées] - Intermédiaire Kendor Music Inc.
(from Orchestral Suite No. 3). By Johann Sebastian Bach (1685-1750). Arranged by...(+)
(from Orchestral Suite
No. 3). By Johann
Sebastian Bach
(1685-1750). Arranged by
Lloyd Conley. For flute,
oboe, Bb clarinet, horn
in F, bassoon (optional
bass clarinet). Flute,
Oboe, Bb Clarinet, Horn
in F, Bassoon (opt. Bass
Clarinet). Grade 3. Score
and parts. Published by
Kendor Music Inc
Composed by Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. This ...(+)
Composed by Claude
Debussy (1862-1918).
Edited by Douglas
Woodfull-Harris. This
edition: urtext edition.
Barenreiter Urtext.
Score. Baerenreiter
Verlag #BA07897.
Published by Baerenreiter
Verlag (BA.BA07897).