Born in Bicester in 1931, Anthony Hedges studied music at Keble College, Oxford,...(+)
Born in Bicester in 1931,
Anthony Hedges studied
music at Keble College,
Oxford, and left
university with a first
class honours degree and
a post-graduate degree in
composition. Following
National Service as solo
pianist and arranger with
the Royal Signals Band,
he spent the next five
years as a lecturer at
the Royal Scottish
Academy of music. During
that time he was a
regular contributor on
music to many national
newspapers and journals.
In 1962 he moved to Hull
University where, he
became, until his
retirement in 1995,
Reader in Composition. In
1972 he was elected
Chairman of The
Composers' Guild of Great
Britain, served as
joint-Chairman in 1973
and was subsequently
elected to the Guild's
Council. He has been a
member of the music
panels of Yorkshire Arts
and Lincolnshire and
Humberside Arts, the
Music Board of C.N.N.A.,
and a Council member of
the S.P.N.M. A Council
member of Westminster
Central Music Library for
15 years, he instituted
its publishing scheme for
contemporary British
scores. As a pianist he
has given regular solo
recitals, and as an
accompanist has worked
with many leading
performers. In the late
1970s he founded the
Humberside Sinfonia with
whom he gave numerous
successful concerts as
well as recording a
highly-praised LP of his
music. Anthony Hedges is
equally successful in
many types of music. His
serious music has
received wide critical
acclaim; his light music
enjoys numerous
broadcasts, recordings
and public performances.
He has also written much
music for children and
amateurs as well as
having composed for film,
stage, ballet and
television. His works
have been performed by
many major British
orchestras and heard
worldwide in many
hundreds of broadcast and
public performances. In
1991 he was the featured
composer in the Riga
Festival of British Music
and Film and was
subsequently invited back
to Latvia to conduct
further performances of
his works. A prolific
composer, much of his
output has resulted from
commissions - over 60 to
date*. In 1990 Hull
Central Library
established an Archive
collection of all his
compositions and working
sketches. A CD of his
light orchestral music
was issued in 1997
(Naxos/Marco Polo) and
many CD recordings have
followed on various
labels. In the same year
he was awarded an
honorary D.Mus. by the
University of Hull
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Using Singing and Speech as Literal Models for Trumpet Performance. Composed...(+)
Using Singing and Speech
as
Literal Models for
Trumpet
Performance. Composed by
Peter Bond. Score. Carl
Fischer Music #TXT14.
Published by Carl Fischer
Music
By Erik Satie (1866-1925). Edited by Jens Rosteck. For piano. This edition: Stap...(+)
By Erik Satie
(1866-1925). Edited by
Jens Rosteck. For piano.
This edition: Stapled,
Urtext edition.
Performance score. Text
Language: German/English.
15 pages. Published by
Baerenreiter Verlag
By Frederic Chopin. Edited by Charles Timbrell. For Piano. Piano Solo. Alfred Ma...(+)
By Frederic Chopin.
Edited by Charles
Timbrell. For Piano.
Piano Solo. Alfred
Masterwork Edition.
Masterwork. Level: Early
Advanced / Advanced. 36
pages. Published by
Alfred Publishing.
Scherzo Brilliante Marimba ou Xylophone [Conducteur et Parties séparées] Innovative Percussion
Scherzo Brilliante by Unknown Russian Composer. Edited by Harold Jones. Keyboard...(+)
Scherzo Brilliante by
Unknown Russian Composer.
Edited by Harold Jones.
Keyboard Solo with Piano.
For marimba or xylophone
solo with piano
accompaniment (marimba or
xylophone and piano).
Level 4. Score and set of
parts. Published by
Innovative Percussion
Trumpet (Trumpet) SKU: HL.48181765 Composed by Roger Boutry. Leduc. Class...(+)
Trumpet (Trumpet)
SKU:
HL.48181765
Composed
by Roger Boutry. Leduc.
Classical. Softcover.
Alphonse Leduc #AL21648.
Published by Alphonse
Leduc (HL.48181765).
UPC: 888680862657.
9.0x12.0x0.078
inches.
Composed by
Roger Boutry, Trompetunia
is a piece for C or Bb
Trumpet and Piano
accompaniment. Quite
difficult, it is ideal
for upper-intermediate
levels and above.
Starting with an
introduction ?Allegro?,
this melodious piece is
divided into three main
parts: ?Andantino?,
?Allegro Vivace? and
?Allegretto?. The first
part features a Cadenza,
while the second, more
lyrical, includes some
sections with the
sourdine. The last part
is more syncopated and
more rhythmic before the
harmonious finale. Born
in France in 1932, Roger
Boutry received numerous
prizes, including those
for Piano, Composition
and Conducting. He
received the Grand Prix
de Rome in 1954. His
career was quite
successful, alternating
between Harmony
professor, composer and
conductor. He also
received numerous prizes
for his amazing
compositions..
(Orchestra) SKU: BA.BA11903 Composed by Ludwig van Beethoven. Edited by J...(+)
(Orchestra)
SKU:
BA.BA11903
Composed
by Ludwig van Beethoven.
Edited by Jonathan Del
Mar. This edition: urtext
edition. Stapled. Score.
Opus 84. Baerenreiter
Verlag #BA11903_00.
Published by Baerenreiter
Verlag (BA.BA11903).
ISBN 9790006573783.
32.5 x 25.5 cm
inches.
Beethovenâ
€™s incidental music
op. 84 was written in
1809 for a performance of
Goethe’s drama
“Egmont†at
the Burgtheater in
Vienna. Numerous
composers of the day
tried their hand at
writing music for the
dramatic material of
Goethe’s tragedy,
several in collaboration
with the author himself.
The overture reflects the
themes of the play
through its expressive
music, and over the last
two hundred years it has
become one of the most
popular works by
Beethoven conceived for
the stage.
For
this new edition,
Beethoven specialist
Jonathan Del Mar draws on
various manuscript
sources including a
handwritten set of parts
which has never been
taken into account
before. Thus, numerous
discrepancies such as
missing notes in the
flute part or unclear
bowing could be clarified
for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano SKU: BT.EMBZ14567 New Liszt Edition (Paperback). Composed by...(+)
Piano
SKU:
BT.EMBZ14567
New
Liszt Edition
(Paperback). Composed
by Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2013. 212 pages.
Editio Musica Budapest
#EMBZ14567. Published by
Editio Musica Budapest
(BT.EMBZ14567).
Die GRANDES
ETUDES D´APRES
PAGANINI umfassen sechs
Etüden von Liszt, die
auf Kompositionen von
Niccolò Paganini
für Violine
zurückgehen.
Darüber hinaus
enthält die Ausgabe
eine Reihe anderer
Etüden von Liszt, die
auf verschiedene
Komponistenzurückgehen
. Eine detaillierte
Beschreibung auf
Ungarisch, Englisch und
Deutsch, die kritische
Forschungsergebnisse
aufgreift, eine Vielzahl
an Manuskript-Facsimiles
und kritischen
Anmerkungen machen diese
Taschenbuchausgabe der
bekannten New
LisztEdition auch für
den täglichen Gebrauch
besonders wertvoll. Die
gebundene Ausgabe
enthält ebenfalls die
kritischen
Anmerkungen.
Choral SATB choir SKU: CF.CM9736 Composed by Stephen Foster. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9736
Composed by
Stephen Foster. Arranged
by Russell L. Robinson. 8
pages. Duration 3:45.
Carl Fischer Music
#CM9736. Published by
Carl Fischer Music
(CF.CM9736).
ISBN
9781491161166. UPC:
680160919758. Key: Bb
major.
English.
Stephen
Collins Foster lived from
1826 to 1864, until only
age 37. He was extremely
prolific, with numerous
songs that have lasted to
this day. I first had the
idea to arrange Beautiful
Dreamer for SATB choirs a
cappella, after hearing
Kristen Chenoweth in
concert. She ended her
concert, in a 1,600 seat
hall, with Beautiful
Dreamer, an a cappella
solo, with no microphone.
Given the beautiful
melody, text and Ms.
Chenoweth's voice, one
could have heard a pin
drop in the audience. Her
performance concluded to
thunderous applause and a
standing ovation. The
power of music.
Throughout this
arrangement, the
harmonies support the
beautiful melody and text
(rather than get in its'
way). Opportunities
abound for vocal parts to
be showcased as well as
an optional solo/duet at
the beginning. Sing
freely, with pure vowels,
crisp diction and
sensitivity, allowing the
text to prevail by giving
special attention to
stressed and unstressed
syllables and words. I
hope you enjoy singing
this arrangement in
rehearsal and performance
to the delight of your
audience. Tell the story
through song because
that's what we should
always do when performing
choral music. Russell
Robinson, Arranger
 . Stephen Collins
Foster lived from 1826 to
1864, until only age 37.
He was extremely
prolific, with numerous
songs that have lasted to
this day. I first had
the idea to arrange
Beautiful Dreamer for
SATB choirs a cappella,
after hearing Kristen
Chenoweth in concert.Â
She ended her concert, in
a 1,600 seat hall, with
Beautiful Dreamer, an a
cappella solo, with no
microphone. Given the
beautiful melody, text
and Ms.
Chenoweth’s voice,
one could have heard a
pin drop in the audience.
Her performance concluded
to thunderous applause
and a standing
ovation. The power of
music.Throughout this
arrangement, the
harmonies support the
“beautifulâ€
melody and text (rather
than get in its'
way). Opportunities
abound for vocal parts to
be showcased as well as
an optional solo/duet at
the beginning.Sing
freely, with pure vowels,
crisp diction and
sensitivity, allowing the
text to prevail by giving
special attention to
stressed and
unstressed syllables
and words.I hope you
enjoy singing this
arrangement in rehearsal
and performance to the
delight of your
audience. Tell the
story through song
because that’s
what we should always do
when performing choral
music.Russell Robinson,
Arranger .
Viola SKU: HL.49045583 For Viola. Composed by Toshio Hosokawa. Thi...(+)
Viola
SKU:
HL.49045583
For
Viola. Composed by
Toshio Hosokawa. This
edition: Saddle
stitching. Sheet music.
String. This piece is
commissioned by the 2nd
Tokyo International Viola
Competition for the
second round which will
take place from 26 May to
3 June 2012 in Tokyo. The
work is dedicated to the
numerous victims of the
Tohoku Earthquake on 11
March 2011. The compos.
Classical. Softcover.
Composed 2011. 12 pages.
Duration 480 seconds.
Schott Music #SJ1179.
Published by Schott Music
(HL.49045583).
ISBN
9784890664832.
9.0x12.0x0.065
inches.
This piece
is commissioned by the
2nd Tokyo International
Viola Competition for the
second round which will
take place from 26 May to
3 June 2012 in Tokyo. The
work is dedicated to the
numerous victims of the
Tohoku Earthquake on 11
March 2011. The composer
chose the sound of the
viola as an expression of
his prayer for these
victims.
Harp SKU: HL.48181018 Composed by Marcel Tournier. Leduc. Classical. Soft...(+)
Harp
SKU:
HL.48181018
Composed
by Marcel Tournier.
Leduc. Classical.
Softcover. 22 pages.
Alphonse Leduc #AL20003.
Published by Alphonse
Leduc (HL.48181018).
UPC: 888680907761.
9x12
inches.
Theme
and Variations by
Marcel Tournier is a
piece for advanced harp
players. Starting with a
main theme of arpeggiated
chords, the piece then
follows with a number of
variations, including
chords, arpeggios,
glissandos, and numerous
nuances and speed
variations. The piece
starts in Allegro
moderato, then evolving
to Allegretto, Allegretto
Scherzando, sometimes
more energetic or
quieter. This piece is
great to master speed,
flexibility and agility
as well as the different
types of nuances. Marcel
Tournier (1879-1951) was
a French harpist and
teacher. He studied with
Alphonse Hasselmans at
the Paris Conservatoire
and composed numerous
pieces for solo harp:
Russian Lullabies,
Six Christmas,
Four Preludes and
Three Images, Suite 1,
Op. 29, among many
others.
Divertimento is an outstanding composition by Roger Boutry for Alto Saxophone an...(+)
Divertimento is an
outstanding composition
by Roger Boutry for Alto
Saxophone and Harmony
Orchestra. This great
work is really nice to
play and will enlighten
the audience. The
Orchestra composition
required is: 2 Flutes, 2
Oboes, 2 Bassoons, 2
small Clarinets, Clarinet
I, Clarinet II, 1 Bass
Clarinet, 2 Alto
Saxophones, 2 Tenor
Saxophones, 1 Baritone
Saxophone, 4 Horns, 4 Bb
or C Trumpets, 4 Trombone
or 3 Trombone and an
Euphonium, 1 Bb or C
Bass, 1 Double Bass, 1
Harp, Timpani, Drum and a
Celesta. It is divided
into three parts: I.
?Allegro ma non troppo?,
is strongly rhythmic and
syncopated. It includes a
Cadenza by the Solo
Saxophone and is written
as a tribute to Jazz
music. II. ?Andante?,
also includes a Cadenza
by the Solo Saxophone but
at the end of the
section. It is
reminiscent of slower
blues ballads. III. This
part features few
sections by the Solo
Saxophone but is
specially highlighted its
ending, in a bright and
fast finale. This volume
features the score and
parts for all the
instruments. Born in
France in 1932, Roger
Boutry received numerous
prizes, including those
for Piano, Composition
and Conducting. He
received the Grand Prix
de Rome in 1954. His
career was quite
successful, alternating
between Harmony
professor, composer and
conductor. He also
received numerous prizes
for his incredible
compositions.
(Essential Tools For Jazz Improvisation) Written by Dan Greenblatt. Instructiona...(+)
(Essential Tools For Jazz
Improvisation) Written by
Dan Greenblatt.
Instructional book and
examples/accompaniment
CD. With instructional
text and musical
examples. 88 pages.
Published by Sher Music
Company.
Consolations Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano
SKU:
BT.EMBZ14505
Grand
solo de concert (earl.
vers.) and Other Works
(Suppl. B 10). By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2014. 208 pages.
Editio Musica Budapest
#EMBZ14505. Published by
Editio Musica Budapest
(BT.EMBZ14505).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research result and,
numerous manuscript
facsimiles make the
practical paperback
version of this volume of
the New Liszt Edition a
specially important
publication of scholarly
value.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
(Essential Tools For Jazz Improvisation) Written by Dan Greenblatt. Instructiona...(+)
(Essential Tools For Jazz
Improvisation) Written by
Dan Greenblatt.
Instructional book and
examples/accompaniment
CD. With instructional
text and musical
examples. 88 pages.
Published by Sher Music
Company.
Piano SKU: BT.ME0350 Play Music France. Tuition. Book and DVD. Composed 2...(+)
Piano
SKU:
BT.ME0350
Play Music
France. Tuition. Book and
DVD. Composed 2018. Play
Music Publishing #ME0350.
Published by Play Music
Publishing (BT.ME0350).
English.
This
coursebook explains in a
clear and practical way
how chords should be
handled. This first
volume, dedicated to the
principal three- and
four-tone major, minor
and seventh (maj7, 7, m7
and dim7) chords,
contains numerous
pedagogically valuable,
meticulously precise and
nonetheless melodic
examples, which will lead
you through harmony,
chord progressions,
accompanying and
composing. By practicing
the examples proposed in
this coursebook, you will
gradually familiarize
yourself with the basics
of harmony and will
discover step by step the
astoundingly malleable
world of chords. You will
thus approach the theme
in an empirical way, and
by doing so, you will
understand howindividual
components should be put
together to form a
well-made musical piece.
The accompanying data
disk (with mp3 audios and
mp4 videos) provides
demonstration videos of
all the examples played
on the piano, as well as
numerous audio
recordings, which will
allow you to play along
to backing tracks
specially designed for
each of them.
(Essential Tools For Jazz Improvisation) Written by Dan Greenblatt. Instructiona...(+)
(Essential Tools For Jazz
Improvisation) Written by
Dan Greenblatt.
Instructional book and
examples/accompaniment
CD. With instructional
text and musical
examples. 88 pages.
Published by Sher Music
Company.