Double bass SKU: BR.OB-5509-27 Urtext. Composed by Carl Philipp Em...(+)
Double bass
SKU:
BR.OB-5509-27
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
double bass part.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 8 pages.
Duration 27'. Breitkopf
and Haertel #OB 5509-27.
Published by Breitkopf
and Haertel
(BR.OB-5509-27).
ISBN
9790004338506. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
For Double Bass. Contains a newly engraved music score on high-quality ivory pap...(+)
For Double Bass. Contains
a newly engraved music
score on high-quality
ivory paper; and a
compact disc featuring a
complete performance in
digital stereo, and a
second performance minus
double bass. Published by
Music Minus One.
Double Bass Concerto. (Double Bass and Piano). By Jean Francaix (1912-1997) and ...(+)
Double Bass Concerto.
(Double Bass and Piano).
By Jean Francaix
(1912-1997) and Jean
Fran. For Double Bass,
Piano.
Kontrabass-Bibliothek
(Double Bass Library).
Piano Reduction with Solo
Part. 40 pages. Schott
Music #KBB3. Published by
Schott Music
(A book of orchestral excerpts). By Keith Hartley. For Double bass technique boo...(+)
(A book of orchestral
excerpts). By Keith
Hartley. For Double bass
technique book. Double
Bass. Double Bass Solo.
Double bass solos. Method
book. 32 pages
Music Minus One Double Bass. By David Walter. By Various. Music Minus One. Class...(+)
Music Minus One Double
Bass. By David Walter. By
Various. Music Minus One.
Classical, Contest.
Softcover Audio Online.
24 pages. Music Minus One
#MMO4302. Published by
Music Minus One
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double Bass Solo 2 by Keith Hartley. For Double bass solo. Double Bass. Double B...(+)
Double Bass Solo 2 by
Keith Hartley. For Double
bass solo. Double Bass.
Double Bass Solo. Double
bass solos. 40 pages.
Published by Oxford
University Press
Double bass SKU: BR.OB-4953-27 Composed by Jean Sibelius. Stapled. Orches...(+)
Double bass
SKU:
BR.OB-4953-27
Composed by Jean
Sibelius. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Sibelius composed this
short (only five minutes
long) Romance in C Op. 42
in 1903; the work was
first performed in Turku
in March 1904. The
Romance is not a concerto
movement in disguise, but
features the dark, dense
string writing typical of
Sibelius. Early modern;
Late-romantic. Part. 4
pages. Duration 5'.
Breitkopf and Haertel #OB
4953-27. Published by
Breitkopf and Haertel
(BR.OB-4953-27).
ISBN
9790004326503. 10 x 12.5
inches.
Sibelius
composed this short (only
five minutes long)
Romance in C Op. 42 in
1903; the work was first
performed in Turku in
March 1904. The Romance
is not a concerto
movement in disguise, but
features the dark, dense
string writing typical of
Sibelius.
Double bass SKU: KU.OCT-10176_KB Composed by Antonio Vivaldi. Edited by I...(+)
Double bass
SKU:
KU.OCT-10176_KB
Composed by Antonio
Vivaldi. Edited by Istvan
Mariassy and Ãrpád
Pejtsik. Bach format (230
x 302). Rv 399, Pv 33, F.
Iii/6, Ric. 211. Single
Sheet. Part. 2 pages.
Edition Kunzelmann
#OCT-10176_KB. Published
by Edition Kunzelmann
(KU.OCT-10176_KB).
By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For violone (d...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
August Wenzinger. For
violone (double bass).
Stapled. Single part. No.
2. Published by
Baerenreiter Verlag
Double bass SKU: KU.GM-328_KB Composed by Tomaso Giovanni Albinoni. Edite...(+)
Double bass
SKU:
KU.GM-328_KB
Composed
by Tomaso Giovanni
Albinoni. Edited by
Walter Kolneder. Bach
format (230 x 302).
Folded. Part. Op. 5/6. 4
pages. Edition Kunzelmann
#GM-328_KB. Published by
Edition Kunzelmann
(KU.GM-328_KB).
Double bass SKU: BA.BA10422-85 Composed by Antonin Dvorak. Edited by Iaco...(+)
Double bass
SKU:
BA.BA10422-85
Composed by Antonin
Dvorak. Edited by Iacopo
Cividini. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 53. 10
pages. Baerenreiter
Verlag #BA10422_85.
Published by Baerenreiter
Verlag (BA.BA10422-85).
ISBN 9790260108165.
32.5 x 25.5 cm inches.
Key: A minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: KU.GM-325_KB Composed by Tomaso Giovanni Albinoni. Edite...(+)
Double bass
SKU:
KU.GM-325_KB
Composed
by Tomaso Giovanni
Albinoni. Edited by
Walter Kolneder. Bach
format (230 x 302).
Folded. Part. Op. 5/3. 3
pages. Edition Kunzelmann
#GM-325_KB. Published by
Edition Kunzelmann
(KU.GM-325_KB).
(Urtext of the New Bach Edition). By Johann Sebastian Bach (1685-1750). Edited b...(+)
(Urtext of the New Bach
Edition). By Johann
Sebastian Bach
(1685-1750). Edited by
Heinrich Besseler; Alfred
Durr. For
Contrabass/Violone.
Single Part; Urtext
Edition. BWV 1050, BWV
1050a. Duration 24', 19'
Double bass SKU: KU.OCT-10021_KB Composed by Antonio Vivaldi. Edited by L...(+)
Double bass
SKU:
KU.OCT-10021_KB
Composed by Antonio
Vivaldi. Edited by Laszlo
Hara. Bach format (230 x
302). Rv 497, Pv 72, F.
Viii/7, Ric. 72. Folded.
Part. 3 pages. Edition
Kunzelmann #OCT-10021_KB.
Published by Edition
Kunzelmann
(KU.OCT-10021_KB).
Double bass SKU: KU.GM-324_KB Composed by Tomaso Giovanni Albinoni. Edite...(+)
Double bass
SKU:
KU.GM-324_KB
Composed
by Tomaso Giovanni
Albinoni. Edited by
Walter Kolneder. Bach
format (230 x 302).
Single Sheet. Part. Op.
5/2. 2 pages. Edition
Kunzelmann #GM-324_KB.
Published by Edition
Kunzelmann
(KU.GM-324_KB).
Double bass SKU: KU.OCT-10226_KB Composed by Bernhard Henrik Crusell. Edi...(+)
Double bass
SKU:
KU.OCT-10226_KB
Composed by Bernhard
Henrik Crusell. Edited by
Otto Mayer. Bach format
(230 x 302). Staple
Bound. Part. Op. 11. 11
pages. Duration 20
minutes. Edition
Kunzelmann #OCT-10226_KB.
Published by Edition
Kunzelmann
(KU.OCT-10226_KB).
Double bass SKU: KU.GM-327_KB Composed by Tomaso Giovanni Albinoni. Edite...(+)
Double bass
SKU:
KU.GM-327_KB
Composed
by Tomaso Giovanni
Albinoni. Edited by
Walter Kolneder. Bach
format (230 x 302).
Folded. Part. Op. 5/5. 3
pages. Edition Kunzelmann
#GM-327_KB. Published by
Edition Kunzelmann
(KU.GM-327_KB).
Double bass SKU: KU.GM-326_KB Composed by Tomaso Giovanni Albinoni. Edite...(+)
Double bass
SKU:
KU.GM-326_KB
Composed
by Tomaso Giovanni
Albinoni. Edited by
Walter Kolneder. Bach
format (230 x 302).
Folded. Part. Op. 5/4. 3
pages. Edition Kunzelmann
#GM-326_KB. Published by
Edition Kunzelmann
(KU.GM-326_KB).
Double Bass SKU: BA.BA09099-85 Composed by Felix Bartholdy Mendelssohn. E...(+)
Double Bass
SKU:
BA.BA09099-85
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 64. 14
pages. Baerenreiter
Verlag #BA09099_85.
Published by Baerenreiter
Verlag (BA.BA09099-85).
ISBN 9790006565726.
32.5 x 25.5 cm inches.
Key: E
minor.
Replaces BA
9050-85.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA06999-85 Composed by Edouard Lalo. Edited by Hugh M...(+)
Double bass
SKU:
BA.BA06999-85
Composed by Edouard Lalo.
Edited by Hugh MacDonald.
This edition: Urtext
edition. Stapled.
Barenreiter Urtext.
Orchestral part. 8 pages.
Duration 26 minutes.
Baerenreiter Verlag
#BA06999_85. Published by
Baerenreiter Verlag
(BA.BA06999-85).
ISBN
9790006531899. 32.5 x
25.5 cm inches. Key: D
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
