| The King's Singers: The King's Singers Book of Rounds, Canons and Partsongs
Chorale 3 parties 3 parties Mixtes [Vocal Score] - Intermédiaire Hal Leonard
(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (on...(+)
(Songbook). By The King's
Singers. Arranged by The
King's Singers. For choir
(one, two, or three-part
voices) (Songbook).
King's Singer's Choral.
Pop Vocal, Traditional
Folk, Baroque and
Classical Period.
Difficulty: easy-medium.
Vocal score (one, two and
three part rounds). Vocal
melody, harmony part and
leadsheet notation. 80
pages. Published by Hal
Leonard
(5)$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fanfare and Concertato on "To God Be the Glory" Shawnee Press
Choral (Studiotrax CD) SKU: HL.35031249 Composed by William H. Doane. Arr...(+)
Choral (Studiotrax CD)
SKU: HL.35031249
Composed by William H.
Doane. Arranged by Brad
Nix and Jon Paige.
Shawnee Sacred. Anthem,
Congregation, General
Worship, Hymn, Sacred.
CD. Duration 265 seconds.
Published by Shawnee
Press (HL.35031249).
UPC: 888680643317.
5.0x5.0x0.14 inches. Arr.
Brad Nix/Jon
Paige. Uses:
General Scripture: Psalm
96:1-9; Romans 11:33-36
This powerful choir and
congregation hymn
arrangement brings
voices, brass, handbells
and timpani together.
Written in the classic
concertato format, the
opening and closing
flourishes act as festive
bookends to this
celebrated hymn of
gratitude and praise.
Proper part-writing
ensures success and will
build the confidence of
your singers. Grand!
Score and Parts (tpt 1-2,
tbn 1-2, timp) available
as a digital download.
Part for Handbells (3
oct.) also available as a
digital download. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Keep me Praising Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000326-010 Composed by Andrew...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.GOB-000326-010
Composed by Andrew R.
Mackereth. Set (Score &
Parts). 81 pages. Gobelin
Music Publications #GOB
000326-010. Published by
Gobelin Music
Publications
(BT.GOB-000326-010).
A majestic
opening which gets a
thoroughly sparkling
musical follow-up,
captivating ensemble and
a very well-known hymn
are the ingredients of
Keep me praising by
Andrew Mackareth from the
English town of Nuneaton.
His music sets itself
apart through it
scintillating vitality
and spontanity. His
feeling for style and
melody makes this
flashing work into a
beautifully balanced
composition which will
undoubtedly find its way
into the concert-stage.
Influences from both
jazz and rock furthermore
make it an absolute hit.
Een majestueuze opening ,
een spetterend vervolg,
bekende hymnes en
technische uitdaging zijn
de ingrediënten van Keep
me Praising. De
muziek vanAndrew
Mackereth, uit het
Engelse Nuneaton,
kenmerkt zich door
veelzijdigheid.
Gebaseerd op Sing Hosanna
en Praise my soul.
Een aanrader!
Gobelin Music
Publications. $135.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise to the Lord Fanfare [Conducteur et Parties séparées] Gobelin Music Publications
Fanfare Band SKU: BT.GOB-001121-020 Composed by Carl Wittrock. Set (Score...(+)
Fanfare Band SKU:
BT.GOB-001121-020
Composed by Carl
Wittrock. Set (Score &
Parts). 74 pages. Gobelin
Music Publications #GOB
001121-020. Published by
Gobelin Music
Publications
(BT.GOB-001121-020).
This
composition, based on the
hymn Praise to the
Lord, is comprised of
eight separate parts that
can be played together as
a concert piece or
opening work. The A and B
sections are different
openings, C is four-part
arrangement of the hymn,
D is a solo for four
saxophones, or two
trumpets and two
trombones, E is a calm
intermezzo, F a solo for
trumpet or cornet, and G
and F finally are a
majestic or peaceful
closing section. How will
you choose to present
this piece on
stage?
Deze
compositie bestaat uit
acht op zich zelfstaande
delen die u zelf tot een
concert- of openingswerk
kunt samenstellen. Het is
gebaseerd op het
kerkelijke lied Lof
zij de Heer. De delen
A en B bieden twee
verschillende openingen.C
is een vierstemmig deel
van het lied. D is
dedoeld als solo voor
vier saxofoons of twee
trompetten en twee
trombones. E is een
rustig intermezzo. F
bevat een solo voor
trompet of cornet. Met G
of H tenslotte kunt u
hetwerk óf majestueus
óf rustig besluiten.
En..? Weet u al hoe u dit
prachtige werk gaat
uitvoeren?
Diese
Komposition, die auf dem
Kirchenlied Lobet den
Herren basiert,
besteht aus acht
einzelnen Teilen, die
individuell zu einem
Konzert oder
Eröffnungswerk
zusammengestellt werden
können. Die Teile A und
B sind unterschiedliche
Eröffnungen, C ein
vierstimmiger Satz des
Liedes, D ist für
ein Solo für vier
Saxophone oder zwei
Trompeten und zwei
Posaunen, E ein ruhiges
Intermezzo, F ein Solo
für Trompete oder
Kornett und G und F
schließlich ein
majestätischer oder ein
ruhiger Schlussteil. Wie
wollen Sie dieses
prachtvolle Stück
auf die Bühne
bringen?
Carl
Wittrock est né en 1966
Goor (Pays-Bas). Sa
carrière musicale a
commencé la musique de
Goor, où il a étudié
le violon et la
clarinette. Depuis 1984,
il dirige des orchestres
différents et il est
également professeur de
musique. Il composa sa
première pièce en 1985.
Depuis, son talent n’a
cessé de croître,
résolument tourné vers
un sytle inspiré et
novateur. Avec Praise
to the Lord (Loué
soit le Seigneur) Carl
Wittrock signe une pièce
émotionnelle dont la
ligne mélodique et
lumineuse accompagnera
toutes vos cérémonies
religieuses.
Quest
a composizione che si
basa sulla canto
religioso Lobet den
Herrn, si compone di
otto parti che possono
essere combinate a
piacere per un concerto o
come brano di apertura.
Le parti A e B sono brani
di apertura diversi, C un
movimento a quattro voci
del canto, D è un solo
per quattro sassofoni o
due trombe o due
tromboni, E un calmo
intermezzo, F un solo per
tromba o cornetta. G e F
propongono un finale
maestoso o calmo. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Praise to the Lord Fanfare [Conducteur] Gobelin Music Publications
Fanfare Band SKU: BT.GOB-001121-120 Composed by Carl Wittrock. Score Only...(+)
Fanfare Band SKU:
BT.GOB-001121-120
Composed by Carl
Wittrock. Score Only. 12
pages. Gobelin Music
Publications #GOB
001121-120. Published by
Gobelin Music
Publications
(BT.GOB-001121-120).
This
composition, based on the
hymn Praise to the
Lord, is comprised of
eight separate parts that
can be played together as
a concert piece or
opening work. The A and B
sections are different
openings, C is four-part
arrangement of the hymn,
D is a solo for four
saxophones, or two
trumpets and two
trombones, E is a calm
intermezzo, F a solo for
trumpet or cornet, and G
and F finally are a
majestic or peaceful
closing section. How will
you choose to present
this piece on
stage?
Deze
compositie bestaat uit
acht op zich zelfstaande
delen die u zelf tot een
concert- of openingswerk
kunt samenstellen. Het is
gebaseerd op het
kerkelijke lied Lof
zij de Heer. De delen
A en B bieden twee
verschillende openingen.C
is een vierstemmig deel
van het lied. D is
dedoeld als solo voor
vier saxofoons of twee
trompetten en twee
trombones. E is een
rustig intermezzo. F
bevat een solo voor
trompet of cornet. Met G
of H tenslotte kunt u
hetwerk óf majestueus
óf rustig besluiten.
En..? Weet u al hoe u dit
prachtige werk gaat
uitvoeren?
Diese
Komposition, die auf dem
Kirchenlied Lobet den
Herren basiert,
besteht aus acht
einzelnen Teilen, die
individuell zu einem
Konzert oder
Eröffnungswerk
zusammengestellt werden
können. Die Teile A und
B sind unterschiedliche
Eröffnungen, C ein
vierstimmiger Satz des
Liedes, D ist für
ein Solo für vier
Saxophone oder zwei
Trompeten und zwei
Posaunen, E ein ruhiges
Intermezzo, F ein Solo
für Trompete oder
Kornett und G und F
schließlich ein
majestätischer oder ein
ruhiger Schlussteil. Wie
wollen Sie dieses
prachtvolle Stück
auf die Bühne
bringen?
Carl
Wittrock est né en 1966
Goor (Pays-Bas). Sa
carrière musicale a
commencé la musique de
Goor, où il a étudié
le violon et la
clarinette. Depuis 1984,
il dirige des orchestres
différents et il est
également professeur de
musique. Il composa sa
première pièce en 1985.
Depuis, son talent n’a
cessé de croître,
résolument tourné vers
un sytle inspiré et
novateur. Avec Praise
to the Lord (Loué
soit le Seigneur) Carl
Wittrock signe une pièce
émotionnelle dont la
ligne mélodique et
lumineuse accompagnera
toutes vos cérémonies
religieuses.
Quest
a composizione che si
basa sulla canto
religioso Lobet den
Herrn, si compone di
otto parti che possono
essere combinate a
piacere per un concerto o
come brano di apertura.
Le parti A e B sono brani
di apertura diversi, C un
movimento a quattro voci
del canto, D è un solo
per quattro sassofoni o
due trombe o due
tromboni, E un calmo
intermezzo, F un solo per
tromba o cornetta. G e F
propongono un finale
maestoso o calmo. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Singin with the Saints (Orchestration) Chorale TTBB [Conducteur et Parties séparées] Lillenas Publishing Co.
TTBB choir - Moderate SKU: LP.OR-9269 Dynamic Praise for Men. Arra...(+)
TTBB choir - Moderate
SKU: LP.OR-9269
Dynamic Praise for
Men. Arranged by
Russell Mauldin. Choral.
Multicultural and Sacred.
Score and parts.
Published by Lillenas
Publishing Company
(LP.OR-9269). UPC:
765762128507. Twelv
e arrangements with a
mildly contemporary feel
have received a fresh
treatment from arranger
Russell Mauldin. High
energy praise - All Ye
People; Psalms of Praise
Expressive songs of
worship - Holy You Are
Holy; In the Presence of
Jehovah A little southern
gospel - Hard Trials Will
Soon Be Over; Call Home
Joyous songs of the
kingdom - Singin' with
the Saints; Jesus Lifted
Me All this and six more
arrangements make Singin'
with the Saints a usable
energetic compilation
that men's choirs
ensembles and quartets
will love. In a word
it's...well DYNAMIC . $395.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Power of the Cross (Orchestration, Paper) Chorale SATB [Conducteur et Parties séparées] Lillenas Publishing Co.
SATB choir, or flexible voicing - Moderately Easy SKU: LP.765762146600 (+)
SATB choir, or flexible
voicing - Moderately Easy
SKU:
LP.765762146600 A
Musical Praising Christ,
the Risen Lamb.
Arranged by Marty Parks.
Choral. Excel Series.
Inspirational and Sacred.
Score and parts.
Published by Lillenas
Publishing Company
(LP.765762146600).
UPC:
765762146600. The
Power of the Cross is a
compelling praise &
worship experience for
Easter... and beyond! The
intrigue of the passion
story is coupled with
high energy celebration
of its relevance for
believers today. Designed
for choirs with ten to
twenty members even
larger choirs with
limited rehearsal time
will find it useful. Any
choir can present these
moderately easy
arrangements of popular
artist songs and updated
classic hymns. Multiple
opportunities for your
soloists dramatic roles
for two readers all woven
together by a worship
leader make The Power of
the Cross a stunning and
unforgettable choice for
a choir-led worship
experience celebrating
God's redemptive plan for
all the earth. All this
in a distinctive praise &
worship style for your
choir and congregation
this Easter... and
beyond! $350.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902A
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A). UPC:
680160690510.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $33.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lord Most High Shawnee Press
Choral (Studiotrax CD) SKU: HL.35030571 With Immortal, Invisible. ...(+)
Choral (Studiotrax CD)
SKU: HL.35030571
With Immortal,
Invisible. Composed
by Donald Harris and Gary
Sadler. Arranged by
Heather Sorenson. Shawnee
Sacred. Anthem, Blended
Worship, General Worship,
Praise and Worship,
Sacred. CD only.
Published by Shawnee
Press (HL.35030571).
UPC: 888680085872. 5x5
inches. Joining two
worship traditions into
one powerful proclamation
of faith, this octavo
will be useful and
meaningful to blended
choirs. Lifting hearts
and voices before the
holiness of God, this
popular praise song is
perfectly wed to the
traditional hymn by
carefully combining
strong unison singing
with modern harmonies
that soar with a
distinctive power. A must
do! Score and Parts (fl,
hn, vn 1-2, va, vc, db)
available as a digital
download. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| We Have Come Into This House (Orchestration) Chorale SATB [Conducteur et Parties séparées] Lillenas Publishing Co.
SATB choir SKU: LP.OR-2645 Arranged by Mike Speck, Cliff Duren & Danny Za...(+)
SATB choir SKU:
LP.OR-2645 Arranged
by Mike Speck, Cliff
Duren & Danny Zaloudik.
This edition: Loose-Leaf.
Anthems. Southern Gospel
and Sacred. Score and
parts. Published by
Lillenas Publishing
Company (LP.OR-2645).
UPC:
765762078307. Choir
s of all sizes enjoy this
high energy medley
especially suitable as a
service opener. Your
congregation will love
singing along on this
Mike Speck offering.
Songs included in the
medley: We Have Come into
This House; Praise the
Lord; Come on Let's
Praise Him . $74.99 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Thanks and Blessings Flow - Brass and Percussion Score and Parts [Conducteur et Parties séparées] Lorenz Publishing Company
Brass quintet and percussion SKU: LO.30-2585L Composed by Thomas Fettke. ...(+)
Brass quintet and
percussion SKU:
LO.30-2585L Composed
by Thomas Fettke. Choral.
Sacred Anthem, Christ the
King, General,
Thanksgiving. Score and
parts. Lorenz Publishing
Company #30/2585L.
Published by Lorenz
Publishing Company
(LO.30-2585L). UPC:
000308125092. With
brilliant fanfare in
grateful praise to the
living God, “Thanks
and Blessing Flowâ€
masterfully incorporates
the traditional
“Now Thank We All
Our God†with a new
setting of the doxology
text. Your choir will
sound rich and full with
Tom Fettke’s
masterful choral texture.
Optional congregational
singing and solo trumpet
or brass and percussion
add to its splendor. $34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Petition of Praise Shawnee Press
Orchestration Choral (Score & Parts) SKU: HL.35016906 Composed by Joseph ...(+)
Orchestration Choral
(Score & Parts) SKU:
HL.35016906 Composed
by Joseph M. Martin.
Shawnee Sacred. Print on
demand - publisher prints
this title after order is
received. General
Worship. Shawnee Press
#LB5802. Published by
Shawnee Press
(HL.35016906). UPC:
747510071136.
8.75x14.0x0.412
inches. This may be
the quintessential
opening to any worship
service. Using choir,
congregation and
orchestra to call the
service to purpose, this
inspiring octavo will be
performed again and again
to encourage the
faithful. Incorporating
the beloved hymn, Come,
Christians, Join to Sing,
your choir and
congregation will
resonate immediately with
this towering anthem of
praise. $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Keep me Praising Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000302-020 Composed by Andrew R. Macke...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000302-020
Composed by Andrew R.
Mackereth. Set (Score &
Parts). 10 pages. Gobelin
Music Publications #GOB
000302-020. Published by
Gobelin Music
Publications
(BT.GOB-000302-020).
A majestic
opening which gets a
thoroughly sparkling
musical follow-up,
captivating ensemble and
a very well-known hymn
are the ingredients of
Keep me praising by
Andrew Mackareth from the
English town of
Nuneaton. His music
sets itself apart through
it scintillating vitality
and spontanity. His
feeling for style and
melody makes this
flashing work into a
beautifully balanced
composition which will
undoubtedly find its way
into the
concert-stage.
Influences from both jazz
and rock furthermore make
it an absolute hit. Een
majestueuze opening , een
spetterend vervolg,
bekende hymnes en
technische uitdaging zijn
de ingrediënten van Keep
me Praising. De
muziek van
AndrewMackereth, uit het
Engelse Nuneaton,
kenmerkt zich door
veelzijdigheid.
Gebaseerd op Sing Hosanna
en Praise my soul.
Een aanrader!
Gobelin Music
Publications. $135.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Songs and Psalms (1594) Chorale SATB Stainer and Bell
SATB choir SKU: ST.EM35B Composed by John Mundy. Edited by Edmund H Fello...(+)
SATB choir SKU:
ST.EM35B Composed by
John Mundy. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart and Philip
Brett. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM35B. Published by
Stainer & Bell Ltd.
(ST.EM35B). ISBN
9790220211652. Orga
nist of St George's,
Windsor, and successor to
the famous Marbecke,
Mundy was amongst the
earliest of the English
madrigalists. There are
12 madrigals in this
collection, ranging from
Of all the
birds, a tribute to
William Byrd, to In
deep distress and
the tragic setting of
words written by Chideock
Tichborne on the eve of
his execution in the
Tower of London, My
prime of youth. The
volume also contains 25
psalms in three, four,
and five parts.
CONTENTS As I went
walking (SAT) Blessed
art thou (SAT) Have
mercy on me, O Lord
(SSATB) Hear my
prayer, O Lord (STB)
Heigh Ho! 'chill go to
plough (SSAB) I lift
my heart to thee
(SSAT) In deep
distress (SATB) In
midst of woods
(SSATB) Lightly she
whipped o'er the dales
(SSATB) Lord arise
and help thy servant
(SSATB) Lord to thee
I make my moan (SATB)
My prime of youth
(SATB) O all ye
nations (S (or A) AT)
O come let us lift up our
voice (SAT) O Lord of
whom I do depend
(SSAT) O Lord turn
not away thy face
(SAT) Of all the
birds (SAT) Penelope
that longed (SSATB)
Praise the Lord, O my
soul (SAT) Save me, O
God (SAT) Sing ye
unto the Lord (SSAT)
The black-bird made
(SSATB) The longer
that I live (SSAT)
The Shepherd Stephon (S
solo, A. viol, T. viol,
B. viol) Thus art
thou bless'd (SAT)
Turn about and see me (SA
(or T) T) Unto thee
lift I up mine eyes
(SSATB) Were I a king
(SATBB) Who loves a
life (SSATB) Witness
ye heav'ns (S solo, A.
viol, T. viol, B.
viol) Ye people all
in one accord (SAB). $47.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Hope Has Come Chorale SATB SATB Integrity Music
Arranged by Geron Davis/Bradley Knight. (SATB). Integrity Choral. 152 pages. Pu...(+)
Arranged by Geron
Davis/Bradley Knight.
(SATB). Integrity Choral.
152 pages. Published by
Integrity Music.
$8.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Testimony of Life Shawnee Press
Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Serv...(+)
Consort (CD-ROM) Choral
(Instrumental Consort)
SKU: HL.35029297
A Service of Lessons
and Carols Celebrating
the Life of Christ
Chamber
Orchestration.
Composed by Joseph M.
Martin. Shawnee Sacred.
General Worship, Sacred.
CD-ROM. Duration 2400
seconds. Published by
Shawnee Press
(HL.35029297). UPC:
884088951801.
5.0x5.0x0.19
inches. Chamber
Orchestration CD-ROM:
Written in a traditional
style and inspired by the
celebrated lessons and
carols format, Testimony
of Life presents the
life, death and
resurrection of Jesus
Christ. Comprised of
choral anthems, Scripture
and congregational songs,
the work also divides
easily into three
sections, enabling
directors to present the
work progressively
through Lent and Easter.
Choirs of any size will
enjoy the thoughtful part
writing and the easily
learned melodies. From
joyful celebrations of
Christ's early ministry
to the deep sadness of
His suffering and
crucifixion, from the
shadowed whispers of
Gethsemane to the
brilliant alleluias of
Easter, Testimony of Life
is a thoughtful mix of
artistry and ministry. A
full line of support
products is available to
enhance your performance.
Songs include: Prologue *
I Will Sing the Wondrous
Story * The Story Begins
* A Day of Rejoicing and
Praise * Hosanna, Loud
Hosanna * Banquet of
Mercy * Into the Garden *
When I Survey the
Wondrous Cross * A Day
Bright with Joy * I Know
that My Redeemer Lives.
Instrumentation: (1
Player per Part) Score
and parts for flute, oboe
clarinet, bassoon (sub.
Bass clarinet), trumpet,
percussion, harp, piano
(play from vocal score),
violin 1&2, viola,
cello, double bass. Can
work with woodwinds only
or with strings only. $175.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Resounding Praise! Orchestre d'harmonie [Conducteur] - Facile Curnow Music
Concert Band/Harmonie - Grade 3 SKU: BT.CMP-0740-03-140 Psalm 150....(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.CMP-0740-03-140
Psalm 150.
Composed by Timothy
Johnson. Praise and
Adoration Series. Hymns &
Chorals. Score Only.
Composed 2003. 36 pages.
Curnow Music #CMP
0740-03-140. Published by
Curnow Music
(BT.CMP-0740-03-140).
This remarkably
inventive setting of
Psalm 150 will move and
inspire your audience!
Eight different
instruments are mentioned
in this Psalm, and the
music reflects the
character of the
references. Though an
uplifting band work onits
own merit, optional parts
include narrator and/or
audience sing-along
parts. Open this up to
deliver a joyous
scriptural message with
dramatic power. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano SKU:
PR.312419020 From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020). ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight [Conducteur] Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902S
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S). UPC:
680160690589.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
Page suivante 1 31 |