Clarinet. Arranged by various, ed. John O'Reilly. Book; CD; Instrumental Seri...(+)
Clarinet. Arranged by
various, ed. John
O'Reilly.
Book; CD; Instrumental
Series; Play-Along.
Instrumental Solos
Series.
Movie; Pop; Rock. 48
pages.
Published by Alfred Music
Viola 1 SKU: BR.OB-32108-19 With Insertion Movements for Performances ...(+)
Viola 1
SKU:
BR.OB-32108-19
With Insertion
Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
32108-19. Published by
Breitkopf and Haertel
(BR.OB-32108-19).
ISBN
9790004343098. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Choral (SATB) SKU: HL.365751 Composed by Diane Hannibal and Michael Barre...(+)
Choral (SATB)
SKU:
HL.365751
Composed by
Diane Hannibal and
Michael Barrett. Daybreak
Christmas Choral.
Christmas. Octavo.
Duration 155 seconds.
Published by Daybreak
Music (HL.365751).
UPC: 840126961867.
6.75x10.5x0.029 inches.
Isaiah 53:5-7, John
10:26-28, Psalm
79:13.
Bright and
lively, this original
anthem has the feeling of
a middle-European folk
song. Incorporating NOEL
NOUVELET, the piano and
percussion bring the
vibe, adorning the catchy
minor melody with
colorful timbres. In
troubadour style, the
text tells the story of
faithful shepherds
looking for their lost
sheep. The second verse
uses an ostinato to
create a rustic folk band
with vocal sounds instead
of instruments.
Unforgettable sonic joy!
Score and Parts (cl, perc
1-2) avialable as a
digital download.
From
the New World -
Urtext. Composed by
Antonin Dvorak. Edited by
Christian R. Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
revised new edition of
score and orchestral
parts
Symphony;
Romantic. Part. 12 pages.
Duration 45'. Breitkopf
and Haertel #OB 5198-27.
Published by Breitkopf
and Haertel
(BR.OB-5198-27).
ISBN
9790004330517. 10 x 12.5
inches.
Dvorak's
masterpiece is now even
more practicalDvorak's
Symphony From the New
World, considered his
opus summum by many, is
one the most widely
performed of all
symphonies. The edition
already published in 1990
by Breitkopf & Hartel has
been established
internationally as an
authoritative edition not
least because it is based
on parts first used in
the 1893 New York
premiere. This very
revealing source had
until then been
considered lost.The new
edition now published in
large orchestral format
(25.0 x 32.0 cm), still
has in store, however,
quite a few further
additions and
improvements: The layout
of the string parts is
now more practically
oriented; the well-known
(ever repeated) problems
of page turns in the
earlier editions could
also finally be solved.
The trombone parts I/II
notated to date in the
alto clef (as done by
Dvorak) are reproduced
according to present-day
orchestral practice in
the tenor
clef.
Revised new
edition of score and
orchestral parts.
Viola (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.OB-5558-19
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 24 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-19.
Published by Breitkopf
and Haertel
(BR.OB-5558-19).
ISBN
9790004344675. 10 x 12.5
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Piano - Grade 4 SKU: FA.MFCD007PN By Nicolas Horvath. By Claude Debussy a...(+)
Piano - Grade 4
SKU:
FA.MFCD007PN
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Classical,
Impressionistic. Score.
Musik Fabrik #MFCD007PN.
Published by Musik Fabrik
(FA.MFCD007PN).
8.27 x
11.69
inches.
Debussy's
friendship with the
versatile poet and
playwright Gabriel Mourey
began in 1899, and in
July 1907 Mourey offered
Debussy a libretto based
on Le roman de Tristan -
Joseph Bedier's
adaptation of a
twelfth-century Breton
romance by the
Anglo-Norman poet known
as Thomas - which had
recently been published
in Paris. Debussy
enthusiastically outlined
the four-act plot to
Victor Segalen that
October, and the main
differences from Wagner's
Tristan und Isolde are
that none of the action
takes place in Cornwall
and that Isolde of the
White Hands is found
guilty of cuckolding King
Marc with Tristan, who
has to rescue her from
the leper colony in which
she is abandoned in Act
1. She also betrays him
when he goes mad at the
end.
The idea of a
Tristan that restored its
'legendary character' and
had no connections with
Wagner, appealed to
Debussy, who was
extremely moved by the
circumstances of
Tristan's death. Even if
he thought that Mourey's
poetry was 'not very
lyrical and many passages
do not exactly invite
music', he did work on
the libretto and the
music that summer and
sent his publisher,
Jacques Durand, 'one of
the 363 themes for the
Roman de Tristan' in a
letter sent from
Pourville on 23 August,
1907. The present prelude
grows from this theme,
together with the
poignant Breton folksong
Le Faucon. After a short
atmospheric introduction,
Debussy's dance-like
theme (which is
definitely not a
leitmotif) gradually
gains momentum and after
it reaches its ecstatic
climax, representing the
transient happiness of
the lovers, it dissolves
into an expressive coda
and an elegiac close (all
growing from Debussy's
opening, off-stage
trumpet calls), leaving
us with the ultimate
tragedy of their
ill-fated
affair.
Unfortunat
ely, Mourey's actual
libretto has been lost
and the project
eventually foundered
because Bedier's cousin,
Louis Artus, wanted
Debussy to use the
scenario he had prepared
and copyrighted for the
stage, and would not
allow him to proceed with
Mourey's version.
Debussy, it need hardly
be said, would never have
dreamed of collaborating
with the author of the
vaudeville hit La culotte
(The pants)!
Piano (Piano Solo) SKU: HL.51480526 Piano Solo Fingerings by Ekaterina...(+)
Piano (Piano Solo)
SKU: HL.51480526
Piano Solo Fingerings
by Ekaterina
Derzhavina. Composed
by Johann Sebastian Bach.
Edited by Ullrich
Scheideler. Henle Music
Folios. Classical.
Softcover. 31 pages. G.
Henle #HN526. Published
by G. Henle
(HL.51480526).
UPC:
196288278733.
9.0x12.0x0.119
inches.
In 1735
Bach published the
Italian Concerto,
presented here in a
revised separate edition,
together with the French
Overture in the second
part of his âClavier
Ãbungâ. The two
works were intended to
respectively exemplify
the Italian and French
styles. Thus, the
âConcertoâ
unmistakably imitates an
Italian solo concerto,
using only the means of
the harpsichord. Tutti
and solo passages can be
heard as well as the
dynamic gradations of the
sound layers, which Bach
explicitly marked with
piano and forte.
Energetic outer movements
frame an Andante, in
which a melancholy
cantilena unfolds over
unadorned chords. For the
revision of this Bach
classic, editor Ullrich
Scheideler also
evaluated, in addition to
the prints, early
manuscript copies which
allowed interesting
conclusions about the
lost autograph.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
From
the New World -
Urtext. Composed by
Antonin Dvorak. Edited by
Christian R. Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
revised new edition of
score and orchestral
parts
Symphony;
Romantic. Part. 16 pages.
Duration 45'. Breitkopf
and Haertel #OB 5198-23.
Published by Breitkopf
and Haertel
(BR.OB-5198-23).
ISBN
9790004330500. 10 x 12.5
inches.
Dvorak's
masterpiece is now even
more practicalDvorak's
Symphony From the New
World, considered his
opus summum by many, is
one the most widely
performed of all
symphonies. The edition
already published in 1990
by Breitkopf & Hartel has
been established
internationally as an
authoritative edition not
least because it is based
on parts first used in
the 1893 New York
premiere. This very
revealing source had
until then been
considered lost.The new
edition now published in
large orchestral format
(25.0 x 32.0 cm), still
has in store, however,
quite a few further
additions and
improvements: The layout
of the string parts is
now more practically
oriented; the well-known
(ever repeated) problems
of page turns in the
earlier editions could
also finally be solved.
The trombone parts I/II
notated to date in the
alto clef (as done by
Dvorak) are reproduced
according to present-day
orchestral practice in
the tenor
clef.
Revised new
edition of score and
orchestral parts.
Composed by Various. Arranged by Carol Klose, Christopher Norton, and Hywel Davi...(+)
Composed by Various.
Arranged by Carol Klose,
Christopher Norton, and
Hywel Davies. BH Piano.
Ballet, Classical.
Softcover. 96 pages.
Boosey and Hawkes
#M060123917. Published by
Boosey and Hawkes
Tenor Saxophone. Arranged by various, ed. John O\'Reilly. Book; CD; Instr...(+)
Tenor Saxophone.
Arranged by various, ed.
John O\'Reilly. Book; CD;
Instrumental Series;
Play-Along. Instrumental
Solos Series. Movie; Pop;
Rock. 48 pages. Published
by Alfred Music
(AP.45909).
Piano SKU: HL.267680 Fra 'Trintoner' Piano. Composed by Per N&osla...(+)
Piano
SKU:
HL.267680
Fra
'Trintoner' Piano.
Composed by Per Nø,
rd, and rgå. Music
Sales America. Classical.
Softcover. 2 pages.
Edition Wilhelm Hansen
#WH33029. Published by
Edition Wilhelm Hansen
(HL.267680).
2
pieces from Tritons by
Per Norgard (1986) - for
1 or 2 pianos. 2. The 8
columns 3. Helle
Manuscript copy The 1st
Stage of the Work One
Time, a Place, a Prayer -
Pailng is Lost.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. Solo
concerto; Classical. Full
score. 72 pages. Duration
30 '. Breitkopf and
Haertel #PB 15108.
Published by Breitkopf
and Haertel
(BR.PB-15108).
ISBN
9790004212004. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Trombone and 1 other inst. (solo: B-tbne - 2(picc).2.2.2 - 2.2.0.0 - timp. str) ...(+)
Trombone and 1 other
inst. (solo: B-tbne -
2(picc).2.2.2 - 2.2.0.0 -
timp. str)
SKU:
BR.EB-33001
Urtext. Composed
by Christian Gottlieb
Muller. Edited by Nick
Pfefferkorn. Arranged by
Gunter (KA) Ludwig. Solo
instruments; stapled.
Edition Breitkopf.
Romantic period. Piano
reduction. 32 pages.
Duration 15'. Breitkopf
and Haertel #EB 33001.
Published by Breitkopf
and Haertel
(BR.EB-33001).
ISBN
9790004186800. 9 x 12
inches.
The present
Concertino in E-flat
major , Op. 5, was
composed especially for
the Leipzig trombone
virtuoso Carl Traugott
Queisser (1800-1846), to
whom the work is also
dedicated. The Concertino
was first reviewed by the
critic Gottfried Wilhelm
Fink (1783-1846) in the
Leipzig Allgemeine
Musikalische Zeitung
(AMZ), issue no. 38,
September 1832. The
critic discussed the work
in detail, calling it a
milestone of the trombone
literature, ... its
public performance should
thus be determined by
only true masters. The
rest, however, may wish
to utilize it, in
silence, that is not
overheard by expectant
listeners, to strive with
it to strengthen their
powers.... The Concertino
's premiere can be dated
to 1828, with Queisser
himself as soloist, and
the composer conducting.
Queisser repeatedly
performed the Concertino
up to 1843. The work was
published under catalogue
number 5227 in 1832 by
Breitkopf & Hartel.
Sometime in the 1940s the
work was lost to sight
and no performances known
to come from then.
Together with the
Concertino , Op. 4, later
composed by Ferdinand
David, Muller's
contribution to this
genre is among the most
often played and most
demanding of the trombone
literature. The score
includes, besides a
preface detailing the
work's genesis and
reception history, also
facsimile pages to round
out the edition. You may
browse our piano vocal
score here.
Trumpet. Arranged by various, ed. John O\'Reilly. Book; CD; Instrumental Serie...(+)
Trumpet. Arranged by
various,
ed. John O\'Reilly. Book;
CD;
Instrumental Series;
Play-
Along. Instrumental Solos
Series. Movie; Pop; Rock.
48
pages. Published by
Alfred
Musi
Composed
by Marten Jansson.
Stapled. Choral score. 12
pages. Baerenreiter
Verlag #BA07414_00.
Published by Baerenreiter
Verlag (BA.BA07414).
ISBN 9790006559183. 27
x 19 cm inches. Text
Language:
Latin.
Based on the
well-known bible text
“Sing unto the Lord
a new song†(Psalm
96:1-3), this upbeat
composition with strong
dynamics and flowing
block chords alternating
with fast-paced polyphony
brings across this joyful
message and enthuses
singers.
Originall
y conceived for male
choir, women’s
voices have now been
added so that this
version for mixed choir
presents a further
dimension of colour. This
version also makes it
possible to divide the
choir into two groups,
one for women and another
for men, and to have them
sing either together or
as separate units.
The version for mixed
choir was premiered in
Uppsala Cathedral
(Sweden) on 26 October
2013, with the Uppsala
Cathedral Singers
conducted by Ulric
Andersson.
“
My music is my own and I
have never tried to be
original. That has always
been my motto and I have
only tried to use music
to express all the
feelings which life has
to offer. This has led
people to describe my
music as ‘so sad
that it sounds like birds
who have lost their
wings‘ but also as
‘the happiest
classical music that we
have ever
heard’. My
compositions are almost
all sacred. They express
not only my own faith but
also my appreciation and
respect for the timeless
texts that have been used
for centuries and
centuries.â€
MÃ¥rten Jansson (b.
1965), elected member of
the Föreningen svenska
tonsättare (the
Society of Swedish
Composers), graduated
from the Royal College of
Music, Stockholm (KHM)
with an MFA degree in
Music Education, Dalcroze
Eurhythmics and Voice.
For more than ten years
he was the music director
and conductor of
“Carmenâ€, one
of the most prominent
womens’ vocal
ensembles in Sweden. He
currently teaches choral
conducting and music
theory as well as giving
vocal tuition at the
Bolandgymnasiet and
Musikskolan in his home
town of
Uppsala.
Please
find a recording of
Cantate Domino performed
by the Riga Recording
Studio Singers (Latvia)
by clicking on
Multimedia.
Violoncello (3(picc)2.2.2
- 4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.OB-5558-23
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 24 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-23.
Published by Breitkopf
and Haertel
(BR.OB-5558-23).
ISBN
9790004344682. 10 x 12.5
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.