Piano SKU: HL.49044148 (with diligent guidance from Dr. Peter Hanser-S...(+)
Piano
SKU:
HL.49044148
(with
diligent guidance from
Dr. Peter
Hanser-Strecker); climbs
to the summit, dances
(joyfully), reflects upon
(musical) existence,
dances (vigorously) again
... and descends (for
another day at the
fair).. Composed by
Richard Ayres. E-Noten
PDF. Piano Method.
Softcover. Composed 2012.
Duration 2'. Schott Music
#ED13533. Published by
Schott Music
(HL.49044148).
ISBN
9790001191371.
Petr
ushka (with diligent
guidance from Dr. Peter
Hanser-Strecker); climbs
to the summit, dances
(joyfully), reflects upon
(musical) existence,
dances (vigorously) again
... and descends (for
another day at the
fair).
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+2+1+3+8+16+2 pages.
Duration 2 minutes, 6
seconds. Carl Fischer
Music #FPS150. Published
by Carl Fischer Music
(CF.FPS150).
ISBN
9781491152102. UPC:
680160909605.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
(Intermediate Jazz Guitar). By Jody Fisher. For Guitar. This edition: Standard N...(+)
(Intermediate Jazz
Guitar). By Jody Fisher.
For Guitar. This edition:
Standard Notation Only.
Book; CD; Guitar Method
or Supplement;
Method/Instruction;
Technique Musicianship.
Complete Method. Jazz.
Intermediate. 96 pages.
Published by Alfred Music
(AP.4
Composed by Crawford
Gates. Arranged by
Crawford Gates. Choral 2
Part, Choral Children's
Chorus, Choral SATB,
Difficulty Medium Hard,
Piano Choir, Special
Events Conference (Ward,
Guidance, Jesus Christ -
Savior, Jesus Christ -
Second Coming, Zion.
Christian, Inspirational.
Jackman Music Corporation
#01407. Published by
Jackman Music Corporation
(JK.01407).
Exodus
13:21-22, Doctrine and
Covenants 45:57, 3
Nephi.
Arranged for
mixed chorus (SATB) and
2-part children's
choir--from Music to the
New Hill Cumorah Pagent.
This piece illustrates
Christ descending from
heaven and ministering to
His children, performing
miracles and blessings to
the people, then His
ascension back to
heaven. Composer:
Crawford Gates
Arranger: Crawford
Gates Lyricist:
Scriptural text from the
Book of Mormon and
Bible Difficulty:
Medium-difficult /
medium-difficult
acc. Reference: Exodus
13:21-22, Doctrine and
Covenants 45:57, 3
Nephi.
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#FPS150F. Published by
Carl Fischer Music
(CF.FPS150F).
ISBN
9781491152782. UPC:
680160910281.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
(A Technical Guitar Method and Introduction to Music). By Juan Serrano and Corey...(+)
(A Technical Guitar
Method and Introduction
to Music). By Juan
Serrano and Corey
Whithead. For Guitar
(Classical). Methods.
Flamenco. Multiple
Levels. Book. 176 pages.
Published by Mel Bay
Publications, Inc
Composed
by Liam Ramsey-White.
Full score. 8 pages.
Duration 2 minutes, 22
seconds. Carl Fischer
Music #YAS223F. Published
by Carl Fischer Music
(CF.YAS223F).
ISBN
9781491163054. UPC:
680160921805. Key: A
minor.
The Valkyrja
(Old Norse meaning
“choosers of the
slainâ€) were noble
maidens that brought dead
heroes to the afterlife.
They were responsible for
sending half of those who
die in battle to
Odin’s Valhalla
where they would prepare
for Ragnarök. In the
beginning of this
dramatic piece, the upper
and lower strings duel
for dominance, setting
the scene of an epic
battle. The middle
section depicts the
Valkyries (represented by
a lyrical cello melody)
descending from the
heavens to take their
chosen to Valhalla. The
battle resumes, now with
the Valkyries sifting
through the corpses to
find the fallen heroes
that would continue to
fight at Ragnarök.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by
Liam Ramsey-White. Set of
Score and Parts. Duration
2 minutes, 22 seconds.
Carl Fischer Music
#YAS223. Published by
Carl Fischer Music
(CF.YAS223).
ISBN
9781491162712. UPC:
680160921461. Key: A
minor.
The Valkyrja
(Old Norse meaning
“choosers of the
slainâ€) were noble
maidens that brought dead
heroes to the afterlife.
They were responsible for
sending half of those who
die in battle to
Odin’s Valhalla
where they would prepare
for Ragnarök. In the
beginning of this
dramatic piece, the upper
and lower strings duel
for dominance, setting
the scene of an epic
battle. The middle
section depicts the
Valkyries (represented by
a lyrical cello melody)
descending from the
heavens to take their
chosen to Valhalla. The
battle resumes, now with
the Valkyries sifting
through the corpses to
find the fallen heroes
that would continue to
fight at Ragnarök.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Percussion and
Orchestra Score.
Composed by Per Nø,
Per Norgard, rd, and
rgå. Music Sales
America. Classical. Set.
134 pages. Duration 1200
seconds. Edition Wilhelm
Hansen #KP00615.
Published by Edition
Wilhelm Hansen
(HL.14003062).
ISBN
9788759870075.
12.0x16.5x0.7 inches.
Danish.
Per Norgard
BACH TO THE FUTUREFor
many years I have been
specially fascinated by
three of the preludes of
Bach's Well-tempered
Piano, and I wish with
this concerto-version for
percussion-duo and
orchestra to highlight
some of the structural
aspects of these pieces:
It is my belief that
there is a tradition in
the music history, that
makes it possible to let
certain germs in an
earlier period unfold
into new, but not
heterogenious, dimensions
of a perhaps several
hundred years later phase
of the tradition.This
concerto is a result of
several years
collaboration with Uffe
Savery and Morten Friis
(Safri-Duo), as well in
original compositions -
(Resonances,
Repercussion, Resume in
EchoZone I-III) as in
arrangements of the 3
Bach preludes, preparing
for the enormous
stylistic challenges of
this work.A few
introductory comments to
each movement:I Movement:
The archetypal sequence
of broken chords within
C-major has established
itself as almost a
cultural code, allowing
the composer of 1996 to
tell his tale-in-tones
only by stressing and
colouring the tones in
the original piece
without changing the
pitches or (relative)
durations as a
'palimpsest' containing
as well the old as the
new musical tale
simultaneously. Later in
the movement, this
singleline is multiplied
by the, till then
discrete, but permanently
pervading, proportion -
throughout the piece -
very close to the 'Golden
Section'(= 3:5:8.t.i:8
before repetition, 5
before starting anew from
the deepest tone, 3 as
the rest etc. unchanged).
The 3 tonal levels as
well as the 3 relative
speeds are treated
according to these
proportions for certain
passages, but even in
those the main focal
point is directed at the
freely invented melody
(by me) incarnating
itself solely by the
unpermutad sequels of the
original prelude.II
Movement: One feature of
the F sharp-prelude
pervades all the six
minutes-long second
movement: A 4 times
identical rhythmic
pattern = 6:4:3:2:3:4:6 -
as an hourglass-shaped
timeshape - inspired me
by the closeness of this
pattern to a shape within
the infinity-drumming of
my invention, called
Wide-Fan and Narrow-Fan ,
referring to pattern
consisting of
8:4:2:1:2:4:8, the
familiarity with the
above - quoted one being
obvious. New and old
elaborations of this
pattern-pair permeates
the movement, especially
since the Safri-Duo by
their performance of my
Repercussion had
augmented my appetite for
including this idiom in a
wider context:III
Movement: Without the
existence of the
d-minor-prelude I doubt
that I would have dared
to write a work like
this, since it is the
inexhaustible, rare
quality and pecularity of
this piece, which has
stimulated my feeling of
wonder and 'modernity'
(or: eternity!) of this
piece, of which I know of
no equal in its special
respect: the perpetual
ambiguity of melodic
foothold in the rhythmic
ostinato of a broken
descending triad, co.
Therapy for String
Orchestra. Composed
by Michael Boyman. Large
Score. With Standard
notation. Duration 7
minutes. Merion Music
#446-41342L. Published by
Merion Music
(PR.44641342L).
UPC:
680160667451. 11 x 14
inches.
Anger
Management is a study in
aggression and
heartbreak. Its
inspiration comes from a
particularly nasty
breakup and Tennysons
maxim, Tis better to have
loved and lost than never
to have loved at all. The
piece considers and
ultimately rejects this
notion. My goal was to
combine the narrative of
romantic loss - with its
elements of anger,
nostalgia, despair and
ultimately defiance -
with a strict
compositional technique
and economy of material.
The piece is based on two
motives: the gruff,
ascending three notes of
the first bar and a
descending half-step
sigh, which is eventually
transformed and
intensified into a
glissando ascending
major-7th. Anger
Management was premiered
and recorded on April
1st, 2013 by Derek Cooper
and the Manhattan School
of Music String
Ensemble.