(Roll Tide and Eternal Father Strong to Save). Composed by Hans Zimmer (1957-). ...(+)
(Roll Tide and Eternal
Father Strong to Save).
Composed by Hans Zimmer
(1957-). Arranged by Erik
Rozendom. For concert
band. Movies/Catalogue
New Band Music Vol. 10.
Movie and Musical.
Recorded on Pegasus
(ML.311104720). Grade 3.
Full set. Duration 5
minutes, 10 seconds.
Published by Molenaar
Edition
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+2+1+3+8+16+2 pages.
Duration 2 minutes, 6
seconds. Carl Fischer
Music #FPS150. Published
by Carl Fischer Music
(CF.FPS150).
ISBN
9781491152102. UPC:
680160909605.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#FPS150F. Published by
Carl Fischer Music
(CF.FPS150F).
ISBN
9781491152782. UPC:
680160910281.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
By Alfred Reed (1921-2005). For Concert Band. Original Pieces / The Best Origina...(+)
By Alfred Reed
(1921-2005). For Concert
Band. Original Pieces /
The Best Original Pieces
for Concert Band.
Masterpieces. Grade 5.
Score and Parts.
Published by Molenaar
Edition
Composed by Nick La Rocca. Arranged by Pi Scheffer. Real Big Band Sound/Arrangem...(+)
Composed by Nick La
Rocca. Arranged by Pi
Scheffer. Real Big Band
Sound/Arrangements of
Modern Light Music/The
20s/Summer
Concert/Ragtime/Charlesto
n. Real Big Band Sound.
Recorded on Sculptures of
an Exhibition
(ML.311034720). Full set.
Duration 1 minute, 57
seconds. Published by
Molenaar Edition
(ML.011076040).
Solemnity Orchestre d'harmonie - Facile Molenaar Edition
Concert Band - Grade 3 SKU: ML.013751080 Composed by Alexandre Carlin. Fu...(+)
Concert Band - Grade 3
SKU: ML.013751080
Composed by Alexandre
Carlin. Full set.
Molenaar Edition
#013751080. Published by
Molenaar Edition
(ML.013751080).
Solemnity was
composed when the
composer came back from
his first Midwest Clinic
in Chicago. Inspired by
all the concert bands
performing there, and all
the fellow composers met
at this occasion, he
decided to write a kind
of fanfare work, leading
to a fast theme on a
driving rhythm.The piece
begins like a fanfare
with a solemn character
which gives the title of
the work, the brass here
have a nice part to play.
Then, a new theme full of
energy, using the same
rhythmic motive as the
fanfare theme, is exposed
by the high woodwinds and
finally by more
instruments. The central
part is a slow one, where
a melancolic theme is
exposed by the oboe, and
finally the rest of the
band. After a fugato
section, the energic
theme is back to lead to
a brilliant
coda.
Solemnity
werd gecomponeerd toen de
componist terugkwam van
zijn eerste Midwest
Clinic in Chicago.
Geïnspireerd door alle
concertbands die daar
optraden en alle
collega-componisten die
hij bij deze gelegenheid
ontmoette, besloot hij
een soort fanfarewerk te
schrijven, leidend naar
een snel thema op een
stuwend ritme.Het stuk
begint als een fanfare
met een plechtig karakter
dat de titel van het werk
geeft, de koperblazers
hebben hier een mooie rol
te spelen. Dan volgt een
nieuw thema vol energie,
gebruikmakend van
hetzelfde ritmische
motief als het thema van
de fanfare, belicht door
de hoge houtblazers en
tenslotte door meer
instrumenten. Het
centrale deel is
langzaam, waar een
melancholisch thema wordt
belicht door de hobo en
uiteindelijk de rest van
de band. Na een
fugatogedeelte is het
energieke thema terug om
te leiden naar een
briljante
coda.
Solemnity a
été composée lorsque
le compositeur est revenu
de sa première Midwest
Clinic à Chicago.
Inspiré par tous les
orchestres de concert qui
s'y produisaient et par
tous les collègues
compositeurs rencontrés
à cette occasion, il a
décidé d'écrire une
sorte de fanfare,
conduisant à un thème
rapide sur un rythme
entraînant.La pièce
commence comme une
fanfare avec un
caractère solennel qui
donne le titre de
l'œuvre, les cuivres ont
ici un beau rôle à
jouer. Ensuite, un
nouveau thème plein
d'énergie, utilisant le
même motif rythmique que
le thème de la fanfare,
est exposé par les bois
aigus et finalement par
d'autres instruments. La
partie centrale est une
partie lente, où un
thème mélancolique est
exposé par le hautbois,
puis par le reste de
l'orchestre. Après une
section fugato, le thème
énergique est de retour
pour mener à une
brillante
coda.
Solemnity
wurde komponiert, als der
Komponist von seiner
ersten Midwest Clinic in
Chicago zurückkam.
Inspiriert von all den
Konzertkapellen, die dort
auftraten, und all den
Komponistenkollegen, die
er bei dieser Gelegenheit
traf, beschloss er, eine
Art Fanfare zu schreiben,
die zu einem schnellen
Thema auf einem
treibenden Rhythmus
führt.Das Stück beginnt
wie eine Fanfare mit
einem feierlichen
Charakter, der dem Werk
seinen Titel gibt; die
Blechbläser haben hier
einen schönen Part zu
spielen. Dann folgt ein
neues, energiegeladenes
Thema, das dasselbe
rhythmische Motiv wie das
Fanfarenmotiv verwendet
und von den hohen
Holzbläsern und
schließlich von weiteren
Instrumenten vorgetragen
wird. Der Mittelteil ist
ein langsamer Teil, in
dem ein melancholisches
Thema von der Oboe und
schließlich vom Rest des
Orchesters vorgetragen
wird. Nach einem
Fugato-Abschnitt kehrt
das energische Thema
zurück und führt zu
einer brillanten
Coda.
Latin Pop Special Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1084322-140 Composed by Desmo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1084322-140
Composed by Desmond
Child, Mark Taylor, Paul
Barry, and Robi Rosa.
Arranged by Masato
Myokoin. New Sounds for
Concert Band. Pop & Rock.
Score Only. Composed
2008. 32 pages. De Haske
Publications #DHP
1084322-140. Published by
De Haske Publications
(BT.DHP-1084322-140).
9x12 inches.
English-German-French-Dut
ch.
At the end of
the nineties Porto Rican
born singer Ricky
Martinstarted a new trend
in the world of pop music
- Latino-pop. In 1996
heconquered the world
with his catchy single
Livin la vida loca,
whichwent to number one
in many countries,
including five weeks at
thetop spot in the USA.
Today he has sold more
than 48 million
albumsmaking him one of
the most successful pop
artists of recent
times.Latin Pop Special
combines two of the most
popular songs from
thissuperstar of Latin
music!
Eind jaren
negentig was de tijd rijp
voor meer latin in de
popmuziek.
Bailamos van de
Spaanse zanger Enrique
Iglesias en
Livin’ La Vida
Loca van de Porto
Ricaanse zanger Ricky
Martin werden beide
uitgebracht 1999 - metals
resultaat twee
wereldwijde superhits! De
Japanse arrangeur Masato
Myokoin combineerde de
aanstekelijke popsongs in
een levendig arrangement
waar de vonken vanaf
vliegen.
Ricky
Martin setzte um die
Jahrtausendwende eine
Welle des Latino- Pops in
Gang, die bis heute nicht
abgeebbt ist. Einer der
Stars, die diese Welle
hervorbrachte, ist
Enrique Iglesias, der
längst aus dem
großen Schatten seines
berühmten Vaters
hervorgetreten ist.
Masato Myokoin
kombinierte zwei
Tanz-Hits der beiden
Weltstars in einem
temperamentvollen Medley
für Blasorchester.
Bailamos -
Livin’ La Vida
Loca. Composed by
Desmond Child, Mark
Taylor, Paul Barry, and
Robi Rosa. Arranged by
Masato Myokoin. New
Sounds for Concert Band.
Pop & Rock. Set (Score &
Parts). Composed 2008. De
Haske Publications #DHP
1084322-010. Published by
De Haske Publications
(BT.DHP-1084322-010).
9x12 inches.
English-German-French-Dut
ch.
At the end of
the nineties Porto Rican
born singer Ricky
Martinstarted a new trend
in the world of pop music
- Latino-pop. In 1996
heconquered the world
with his catchy single
Livin la vida loca,
whichwent to number one
in many countries,
including five weeks at
thetop spot in the USA.
Today he has sold more
than 48 million
albumsmaking him one of
the most successful pop
artists of recent
times.Latin Pop Special
combines two of the most
popular songs from
thissuperstar of Latin
music!
Eind jaren
negentig was de tijd rijp
voor meer latin in de
popmuziek.
Bailamos van de
Spaanse zanger Enrique
Iglesias en
Livin’ La Vida
Loca van de Porto
Ricaanse zanger Ricky
Martin werden beide
uitgebracht 1999 - metals
resultaat twee
wereldwijde superhits! De
Japanse arrangeur Masato
Myokoin combineerde de
aanstekelijke popsongs in
een levendig arrangement
waar de vonken vanaf
vliegen.
Ricky
Martin setzte um die
Jahrtausendwende eine
Welle des Latino- Pops in
Gang, die bis heute nicht
abgeebbt ist. Einer der
Stars, die diese Welle
hervorbrachte, ist
Enrique Iglesias, der
längst aus dem
großen Schatten seines
berühmten Vaters
hervorgetreten ist.
Masato Myokoin
kombinierte zwei
Tanz-Hits der beiden
Weltstars in einem
temperamentvollen Medley
für Blasorchester.
Concert band SKU: GI.G-M523 Full Score with MP3s. Composed by Jame...(+)
Concert band
SKU:
GI.G-M523
Full
Score with MP3s.
Composed by James
Froseth. This edition:
Teacher's Resource
edition for Book 2. Band
Method. Do It! Music
Education. Book. GIA
Publications #M523.
Published by GIA
Publications (GI.G-M523).
ISBN 9781579992378.
English.
This major
band method by James O.
Froseth has it all:
Artist performers set
musical standards in
sound with more than 80
great performances on CD
for every instrument, and
one CD lasts for the
entire book! Performers
include: Michael Henoch
(Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert Blaser
(Cleveland State
University), Brian Bowman
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton
(LA percussion recording
artist and clinician),
Donald Sinta, Richard
Beene, Bryan Kennedy,
Debra Chodacki, Fritz
Kaenzig (University of
Michigan), Kristin Beene
(Toledo Symphony
Orchestra), and Jean
Moorehead Libs (Plymouth
Symphony Orchestra).
Professional studio
backgrounds capture the
rich diversity of
American music culture
with a repertoire of
American, Latin American,
African, European, and
Far Eastern styles. Music
of other times includes
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. A 550+
page Teacher's Resource
edition and musical score
provides options galore,
including a double CD
with listen and play
exercises for group
instruction,
supplementary exercises
for technical
development, and resource
material for
improvisation and
composition. All the
resources needed for
teaching to the National
Standards for Music are
provided (coordinates
with rhythm flashcards).
Book 2 features
innovative, but optional
use of world percussion
instruments, as developed
by percussion educator
Steve Houghton. Click
here to download the
audio recordings for the
Book 2 Teacher's
Edition.
La Forza Del Destino Orchestre d'harmonie [Conducteur et Parties séparées] Molenaar Edition
(Ouverture/Overture). By Giuseppe Verdi (1813-1901). Arranged by P Stalmeier. Fo...(+)
(Ouverture/Overture). By
Giuseppe Verdi
(1813-1901). Arranged by
P Stalmeier. For Concert
Band. Arrangements of
Classical Opera and
Operetta Overtures /
Arrangements of Classical
Pieces. Classic
Arrangement. Grade 6.
Score and Parts.
Published by Molenaar
Edition
Celtic Voyage Orchestre d'harmonie [Conducteur et Parties séparées] Beriato Music
Spirit of Jubilation. Composed by Sven Van Calster. Beriato Concert Works. Se...(+)
Spirit of Jubilation.
Composed by Sven Van
Calster. Beriato Concert
Works. Set (Score and
Parts).
Composed 2014. Beriato
Music
#BMP14011606. Published
by
Beriato Music
(Featuring: The Star-Spangled Banner / America, the Beautiful / America (My Coun...(+)
(Featuring: The
Star-Spangled Banner /
America, the Beautiful /
America (My Country, 'Tis
of Thee) / The Battle
Hymn of the Republic).
Arranged by Douglas E.
Wagner. Concert Band.
Concert Band. Belwin
Young Band. Patriotic.
Grade 2.5. Conductor
Score and Parts. 244
pages. Published by
Alfred Music Publishing
Score Only Concert Band (Score) - Grade 2 SKU: HL.4006635 Composed by Mic...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4006635
Composed
by Michael Oare.
MusicWorks Grade 2.
Contest, Festival.
Softcover. 20 pages.
Duration 850 seconds.
Published by Hal Leonard
(HL.4006635).
UPC:
840126925371.
9.0x12.0x0.063
inches.
The
poignant lament “Mo
Chile Mear†(My
Gallant Hero) was
authored after the defeat
of the Scots and their
Celtic allies at the
Battle of Culloden in
1746, ending dreams of
independence from English
rule. Michael's emotional
setting opens with a
flute solo then builds
gradually as layers of
instrumental groups are
added. The piece shifts
to a lilting 6/8 style,
propelled by the
percussion section, and
culminates in a majestic
statement by the entire
ensemble.
Composed by Piet Swerts.
Sovereign Series. Set
(Score & Parts). Composed
1999. De Haske
Publications #DHP
0991533-010. Published by
De Haske Publications
(BT.DHP-0991533-010).
Following the
spectacular movie
Titanic, the story of the
world famous ship stood
in the spotlights once
again. Piet Swerts was
inspired by this
catastrophic saga to
compose this beautifully
narrative piece,
reflecting the masses of
people in Southampton,
playing children and the
undulating sea. The piece
gradually picks up
impetuously culminating
with the looming iceberg
and the dramatic sinking
of the Titanic.
Aus tiefer Not Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1104866-010 Arranged by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1104866-010
Arranged by Jacob De
Haan. Musica Sacra.
Transcription. Set (Score
and Parts). Composed
2010. De Haske
Publications #DHP
1104866-010. Published by
De Haske Publications
(BT.DHP-1104866-010).
Het
fraaie koraalthema Aus
tiefer Not schrei ich zu
dir is terug te
voeren op Martin Luther
en is gebaseerd op de
tekst van psalm 130.
Bekend werd het koraal
pas vooral door de
gelijknamige
koraalcantate. Johann
Sebastian Bachschreef
deze precies tweehonderd
jaar later, in het jaar
1724. Bij dit arrangement
was het voornamelijk Bach
die Jacob de Haan
inspireerde. Hij maakte
hiermee een uitmuntende
aanvulling op het
repertoire voor
geestelijke
muzik.
Das
prachtvolle Choralthema
Aus tiefer Not schrei
ich zu dir geht auf
Martin Luther zuru?ck und
basiert auf dem Text von
Psalm 130. Bekannt wurde
der Choral jedoch vor
allem durch die
gleichnamige
Choralkantate, die Johann
Sebastian Bach genau zwei
Jahrhunderte später,
im Jahre 1724, schrieb.
Fu?r sein Arrangement
lieÃ? sich Jacob de Haan
vorwiegend von Bach
inspirieren und schuf
damit eine wundervolle
Ergänzung fu?r das
Repertoire an geistlicher
Musik.
Nel 1524, Martin
Lutero pubblicò il
primo raccolto di
cantici, tra i quali il
magnifi co corale Aus
tiefer Not schrei ich zu
dir, dal Salmo 130 (De
profundis). Nel 1724,
Johann Sebastian Bach
compose una cantata,
ispirandosi al corale di
Lutero. Nella
realizzazione di questo
arrangiamento per banda,
Jacob de Haan si è
affidato allâ??opera di
Bach. Aus tiefer Not è
un importante contributo
al repertorio sacro.
Aus tiefer Not Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1104866-140 Arranged by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1104866-140
Arranged by Jacob De
Haan. Musica Sacra.
Transcription. Score
Only. Composed 2010. 12
pages. De Haske
Publications #DHP
1104866-140. Published by
De Haske Publications
(BT.DHP-1104866-140).
Het
fraaie koraalthema Aus
tiefer Not schrei ich zu
dir is terug te
voeren op Martin Luther
en is gebaseerd op de
tekst van psalm 130.
Bekend werd het koraal
pas vooral door de
gelijknamige
koraalcantate. Johann
Sebastian Bachschreef
deze precies tweehonderd
jaar later, in het jaar
1724. Bij dit arrangement
was het voornamelijk Bach
die Jacob de Haan
inspireerde. Hij maakte
hiermee een uitmuntende
aanvulling op het
repertoire voor
geestelijke
muzik.
Das
prachtvolle Choralthema
Aus tiefer Not schrei ich
zu dir geht auf Martin
Luther zurück und
basiert auf dem Text von
Psalm 130. Bekannt wurde
der Choral jedoch vor
allem durch die
gleichnamige
Choralkantate, die Johann
Sebastian Bach genau zwei
Jahrhunderte später,
im Jahre 1724, schrieb.
Für sein
Arrangement ließ sich
Jacob de Haan vorwiegend
von Bach inspirieren und
schuf damit eine
wundervolle Ergänzung
für das Repertoire
an geistlicher
Musik.
Nel 1524, Martin
Lutero pubblicò il
primo raccolto di
cantici, tra i quali il
magnifi co corale Aus
tiefer Not schrei ich zu
dir, dal Salmo 130 (De
profundis). Nel 1724,
Johann Sebastian Bach
compose una cantata,
ispirandosi al corale di
Lutero. Nella
realizzazione di questo
arrangiamento per banda,
Jacob de Haan si è
affidato all’opera
di Bach. Aus tiefer Not
è un importante
contributo al repertorio
sacro.
Concert Band - Grade 5 SKU: ML.013763060 Composed by Harrie Janssen. Full...(+)
Concert Band - Grade 5
SKU: ML.013763060
Composed by Harrie
Janssen. Full set.
Molenaar Edition
#013763060. Published by
Molenaar Edition
(ML.013763060).
In these
turbulent times when the
world faces challenges
and conflicts, this piece
offers a powerful message
of reflection, hope and
connection. Beautiful
melodies and poignant
harmonies as we pay
tribute to the victims of
war and strive for a
future of peace and
reconciliation.
Experience the power of
music to unite and
inspire us in this time
of uncertainty and
change.
In deze
turbulente tijden waarin
de wereld geconfronteerd
wordt met uitdagingen en
conflicten, biedt dit
stuk een krachtige
boodschap van bezinning,
hoop en verbondenheid.
Prachtige melodieën en
aangrijpende harmonieën
als we eer betonen aan de
slachtoffers van oorlog
en streven naar een
toekomst van vrede en
verzoening. Ervaar de
kracht van muziek om ons
te verenigen en te
inspireren in deze tijd
van onzekerheid en
verandering.
En
ces temps troublés où
le monde est confronté
à des défis et à des
conflits, ce morceau
offre un message puissant
de réflexion, d'espoir
et de connexion. De
belles mélodies et des
harmonies poignantes pour
rendre hommage aux
victimes de la guerre et
œuvrer pour un avenir de
paix et de
réconciliation.
Découvrez le pouvoir de
la musique pour nous unir
et nous inspirer en ces
temps d'incertitude et de
changement.
In
diesen turbulenten
Zeiten, in denen die Welt
mit Herausforderungen und
Konflikten konfrontiert
ist, bietet dieses Stück
eine kraftvolle Botschaft
der Reflexion, Hoffnung
und Verbindung.
Wunderschöne Melodien
und ergreifende
Harmonien, während wir
den Opfern des Krieges
Tribut zollen und uns um
eine Zukunft in Frieden
und Versöhnung bemühen.
Erleben Sie die Kraft der
Musik, die uns in dieser
Zeit der Unsicherheit und
des Wandels vereint und
inspiriert.
Concert Band - Grade 4 SKU: ML.013771070 Composed by Lionel Beltrán-Ceci...(+)
Concert Band - Grade 4
SKU: ML.013771070
Composed by Lionel
Beltrán-Cecilia. Full
set. Molenaar Edition
#013771070. Published by
Molenaar Edition
(ML.013771070).
BAIA is a
symphonic episode
inspired by the submerged
Italian city. Through its
melodies and sound
effects, the authoraims
to transport the audience
to different moments,
providing an aquatic
perspective from the eyes
of a restless
andadventurous fish. This
musical journey leads to
the exploration of the
city of Baia and its
archaeological richness
preservedbeneath the
marine depths, even
across time.[…In its
time, Baia was an ancient
Roman city that
flourished during the 1st
and 2nd centuries AD. It
was a
luxuriousdestination and
a significant political
and social centre in the
Roman Empire. Renowned
for its thermal baths,
impressivearchitecture,
and beautiful natural
surroundings, the city
became a popular retreat
for Roman high society,
including
emperors,nobles, and
artists. However, over
the centuries, Baia was
affected by volcanic
activity and changes in
the coastline, resulting
ina significant portion
of the city being
submerged underwater.
Today, the remains of
Baia lie beneath the
waters of the
gulf,turning it into a
fascinating underwater
archaeological
site…]
BAIA is
een symfonische episode
geïnspireerd door de
ondergedompelde
Italiaanse stad. Door
middel van melodieën en
geluidseffecten wil de
auteurhet publiek mee te
nemen naar verschillende
momenten en biedt een
aquatisch perspectief
vanuit de ogen van een
rusteloze enavontuurlijke
vis. Deze muzikale reis
leidt naar de verkenning
van de stad Baia en haar
archeologische rijkdom
die bewaard is
geblevenonder de
zeebodem, zelfs door de
tijd heen.[In zijn tijd
was Baia een oude
Romeinse stad die
floreerde in de 1e en 2e
eeuw na Christus. Het was
een luxueuzebestemming en
een belangrijk politiek
en sociaal centrum in het
Romeinse Rijk. Bekend om
zijn thermale baden,
indrukwekkendearchitectuu
r en de prachtige
natuurlijke omgeving,
werd de stad een populair
toevluchtsoord voor de
Romeinse society,
waaronder keizers,edelen
en kunstenaars. In de
loop der eeuwen werd Baia
echter beïnvloed door
vulkanische activiteit en
veranderingen in de
kustlijn, wat resulteerde
ineen groot deel van de
stad onder water kwam te
staan. Vandaag de dag
liggen de overblijfselen
van Baia onder het water
van de Golf,waardoor het
een fascinerende
onderwater archeologische
vindplaats is
geworden...]…
BA
IA est un épisode
symphonique inspiré par
la ville italienne
submergée. À travers
ses mélodies et ses
effets sonores, l'auteur
cherche à transporter le
public à différents
moments.l'auteur vise à
transporter le public
dans différents moments,
offrant une perspective
aquatique à travers les
yeux d'un poisson agité
et aventureux.d'un
poisson agité et
aventureux. Ce voyage
musical conduit à
l'exploration de la ville
de Baia et de sa richesse
archéologique
préservée sous les
profondeurs marines.sous
les profondeurs marines,
même à travers le
temps.[...En son temps,
Baia était une ancienne
ville romaine qui a
prospéré au cours des
1er et 2e siècles de
notre ère. C'était une
destination
luxueusedestination
luxueuse et un centre
politique et social
important dans l'Empire
romain. Réputée pour
ses thermes, son
architecturearchitecture
impressionnante et son
magnifique environnement
naturel, la ville devint
un lieu de retraite
populaire pour la haute
société romaine, y
compris les empereurs,
les nobles et les
artistes,empereurs,
nobles et artistes.
Cependant, au fil des
siècles, Baia a été
affectée par l'activité
volcanique et les
modifications du
littoral.une grande
partie de la ville a
été submergée sous
l'eau. Aujourd'hui, les
vestiges de Baia reposent
sous les eaux du golfe,ce
qui en fait un site
archéologique sous-marin
fascinant...]
BAIA
ist eine symphonische
Episode, die von der
versunkenen italienischen
Stadt inspiriert ist. Mit
seinen Melodien und
Klangeffekten will der
Autorder Autor das
Publikum in verschiedene
Momente versetzen, indem
er eine aquatische
Perspektive aus den Augen
eines rastlosen
undabenteuerlichen
Fisches. Diese
musikalische Reise führt
zur Erkundung der Stadt
Baia und ihres
archäologischen
Reichtums, derunter den
Meerestiefen bewahrt hat,
sogar über die Zeit
hinweg.[...Baia war eine
antike römische Stadt,
die im 1. und 2.
Jahrhundert n. Chr.
florierte. Sie war ein
luxuriösesund ein
bedeutendes politisches
und soziales Zentrum im
Römischen Reich.
Berühmt für seine
Thermalbäder, seine
beeindruckendeArchitektur
und die schöne
natürliche Umgebung
bekannt, wurde die Stadt
zu einem beliebten
Rückzugsort für die
römische High Society,
darunter Kaiser, Adlige
und Künstler,Adlige und
Künstler. Im Laufe der
Jahrhunderte wurde Baia
jedoch durch vulkanische
Aktivitäten und
Veränderungen der
Küstenlinie
beeinträchtigt, was dazu
führte, dassein großer
Teil der Stadt unter
Wasser gesetzt wurde.
Heute liegen die
Überreste von Baia unter
dem Wasser des Golfs,und
machen sie zu einer
faszinierenden
archäologischen
Unterwasserstätte...].
p>
Composed by Piet Swerts.
Sovereign Series. Concert
Piece. Score Only.
Composed 1999. 136 pages.
De Haske Publications
#DHP 0991533-140.
Published by De Haske
Publications
(BT.DHP-0991533-140).
Ross Roy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0971085-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0971085-010
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-010. Published by
De Haske Publications
(BT.DHP-0971085-010).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy is de
naam van de monumentale
villa in Brisbane
(Australië) waar in
1945 het St. Peters
Lutheran College is
gesticht. In opdracht van
het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen.De structuur en
discipline van de school
horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een
schertsende,humoristische
versie van het hoofdthema
ontbreekt niet: op school
moet immers ook tijd zijn
voor vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke
apotheose.
Ross
Roy ist der Name
einer monumentalen Villa
in Brisbane, Australien,
in der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Commissionato
dalla St. Peter’s
Wind Symphony Orchestra
di Brisbane, è
dedicato alla monumentale
villa tardo-ottocentesca
dove il collegio
dell’orchestra ha
avuto la sua storica
sede. Metafora degli anni
della formazione, è
caratterizzato da un
finale in stile
ouverture, come se gli
anni della scuola
rappresentassero una
sorta di ouverture al
resto della vita.
The Titanic Saga Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 5 SKU: BT.DHP-0991533-040 Composed by Piet Swerts. S...(+)
Concert Band - Grade 5
SKU:
BT.DHP-0991533-040
Composed by Piet Swerts.
Sovereign Series. Set
(Score & Parts). Composed
1999. De Haske
Publications #DHP
0991533-040. Published by
De Haske Publications
(BT.DHP-0991533-040).
Following the
spectacular movie
Titanic, the story of the
world famous ship stood
in the spotlights once
again. Piet Swerts was
inspired by this
catastrophic saga to
compose this beautifully
narrative piece,
reflecting the massesof
people in Southampton,
playing children and the
undulating sea. The piece
gradually picks up
impetuously culminating
with the looming iceberg
and the dramatic sinking
of the Titanic.
The Mystery of Atlantis Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Molenaar Edition
Composed by Michael Geisler. Original Compositions/Catalogue New Band Music Vol....(+)
Composed by Michael
Geisler. Original
Compositions/Catalogue
New Band Music Vol. 12.
Molenaar Original
Compositions. Recorded on
Sway (ML.311115720). Full
set. Duration 6 minutes,
53 seconds. Published by
Molenaar Edition
(ML.013254070).
Concert Band - Grade 1 SKU: BT.DHP-1002045-721 Composed by Jacob De Haan....(+)
Concert Band - Grade 1
SKU:
BT.DHP-1002045-721
Composed by Jacob De
Haan. First Class. Part.
Composed 2000. 16 pages.
De Haske Publications
#DHP 1002045-721.
Published by De Haske
Publications
(BT.DHP-1002045-721).
ISBN
9789043109512.
As
the name suggests, the
series First Class
contains compositions for
the first group lessons
which, despite their easy
grade, are first class
pieces! First Class
offers numerous
possibilities for
ensemble playing.
Specialattention is given
to the range of each
part, so that as many
different instruments as
possible can play the
pieces together. This
means almost any
combination of
instruments is possible,
from a quartet to a full
concert band. Allpieces
also contain optional
percussion parts. In
Concert is a collection
of small pieces composed
by Jacob de Haan. As the
title indicates, this
part of the First Class
series can be used to
make up a concert
program. Withmelodious
titles such as March
Along, Beetle Blues, and
House Party, success is
something you can count
on! Contents: March Along
· Beetle Blues ·
House Party · Quick
Time · Slow Motion
· Czardas ·
Farmhouse Rock · Soul
Ballad ·English Waltz
· Sunny Samba ·
Rhythm & Blues · Close
Finish
In
Concert is de eerste
verzameling in de serie
First Class. De
twaalf zeer verschillende
composities zijn in de
lichste
moeilijkheidsgraad
geschreven. Al na een
paar maanden kunnen de
jongste muzikanten zo al
primamet elkaar
musiceren.
Inhoud:March Along,
Beetle Blues, House
Party, Quick Time, Slow
Motion, Czardas,
Farmhouse Rock, Soul
Ballad, English Waltz,
Sunny Samba, Rythem &
Blues en Close
Finish.
Der
Serienname First
Class spricht für
sich: Einerseits sind die
Werke in dieser Serie
für das erste
Zusammenspiel
geschrieben, andererseits
sind sie bei aller
Einfachkeit doch sehr gut
komponiert, also einfach
'Klasse'! Die Serie
First Class bietet
durch ihr spezielles
Konzept unendlich
Möglichkeiten des
Zusammenspiels. Die Art
und Weise der
Instrumentierung
ermöglicht, mit zwei
oder mehreren gleichen,
aber auch mit
unterschiedlichen
Instrumenten
zusammenzuspielen. Nach
Belieben kann das
Ensemble durch
Schlaginstrumente
ergänzt werden. Das
Prinzip ist sehr einfach:
Man schaut, welche
Instrumente zur
Verfügung stehen und
sucht danach die
Stimmenhefte aus
derdazugehörigen Liste
aus.First Class in
Concert - Jacob de
HaanIn Concert
ist die erste Sammlung
der Serie First
Class. Die zwölf
ganz unterschiedlichen
Stücke sind in
leichtestem
Schwierigkeitsgrad
geschrieben. Bereits nach
ein paar Monaten
Spielerfahrung können
damit die jüngsten
Musiker miteinander
klangvoll musizieren.
La serie First
Class propone
pubblicazioni per
principianti
particolarmente adatte
alle lezioni di gruppo.
In First Class
viene data grande
importanza
all’estensione
delle parti, rendendo
possibile
l’esecuzione da
parte di molti strumenti
diversi. In questo modo,
si può utilizzare
qualsiasi combinazione di
strumenti: dal quartetto
fino alla orchestra di
fiati. Tutti i brani
contengono le parti
opzionali per percussioni
e dato che sono pensati
per musicisti
principianti, non
contengono ritmi o
tecniche complesse.
Serengeti Dreams Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Belwin
Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Ti...(+)
Composed by Robert W.
Smith. Concert Band;
Performance Music
Ensemble; Single Titles;
SmartMusic. Belwin
Beginning Band.
Multicultural. Part(s);
Score. 154 pages. Belwin
Music #00-BDM00029.
Published by Belwin Music
Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Ti...(+)
Composed by Robert W.
Smith. Concert Band;
Performance Music
Ensemble; Single Titles;
SmartMusic. Belwin
Beginning Band.
Multicultural. Score. 16
pages. Belwin Music
#00-BDM00029C. Published
by Belwin Music
Composed by Luis Cardoso. For concert band. Catalogue New Band Music Vol. ...(+)
Composed by Luis Cardoso.
For concert band.
Catalogue
New Band Music Vol.
12/Original Compositions.
Molenaar Masterpieces.
Recorded on Ma Vlast
(ML.311119720). Grade 6.
Score only. Duration 17
minutes, 27 seconds.
Published by Molenaar
Edition
Latin Favourites Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053952-010 Besame Mucho -...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053952-010
Besame Mucho -
Quantanamera - Quando,
Quando, Quando (Si tu
m'aimes tant que
ça). Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1053952-010. Published by
De Haske Publications
(BT.DHP-1053952-010).
Een medley
in latin-stijl - vrolijke
muziek die jong en oud
aanspreekt. Peter Kleine
Schaars selecteerde voor
zijn arrangement de drie
misschien wel bekendste
latin-composities ooit
geschreven: de zwoele
rumba Besame
Mucho,de pittige
cha-cha-cha
Quantanamera (of
Guantanamera) en
uiteraard de opzwepende
samba Quando, Quando,
Quando. Een
dansfestijn in tropische
sfeer!
Es ist
allerhöchste Zeit, die
Reihe Peter’s
Popular Collection um
ein Medley im
lateinamerikanischen Stil
zu erweitern. Für sein
Arrangement wählte
Peter Kleine Schaars die
drei vielleicht
berühmtesten aller
lateinamerikanischen
Stücke, die je
komponiert wurden, aus:
eine sinnliche Rumba,
einen heißen
Cha-Cha-Cha und eine
bewegende Samba. Zusammen
eine absolut
unwiderstehliche
Mischung!
Shenandoah Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Shenandoah Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.