This simple but powerful text by Nick Page reminds us that 'When we let our emotions truly shine, we make the world a better place.? Written for the choir Joyful Noise, this piece can be sung by any combination of voices - unison, SA, SSA, TTB or SATB. / Choeur Mixte (SATB) Et Piano

Psalm 23, John 1 :13 Isaiah 60:1, Revelation 21:1, Isaiah :7. Par TROTTA MICHAEL JOHN. Designed to be accessible for the choir looking to prepare a larger work within the constraints of limited rehearsal time, this work provides conservative ranges and straightforward rhythms that allow time to craft a more artistic performance. Cast in eight movements, this major work draws on texts that examine the many facets of death, the pain of transitions, and the hope and joy of a better place. The work is scored for choir, organ or piano, and optional string orchestra. Each of the movements is available separately; the work as a whole or as individual parts is recommended for concert or liturgical service use. Movements: 1. Do Not Stand at My Grave and Weep; 2. I Seek a Faith; 3. The Lord Is My Shepherd; 4. A Light Shines in the Darkness; 5. Death Shall Be No More; 6. I Saw a New Heaven; 7. Love Conquers All; 8. Gaelic Blessing (Deep Peace). / Date parution : 2021-11-03/ Répertoire / Ch?ur Mixte SATB et Orgue ou Piano

Each songbook in the Big Book series provides musicians of all ability levels with a big list---usually 40 or more titles per book---of the very best songs from a favorite musical genre. The holidays are just around the corner, and there is no better way to celebrate than with these Big Book classic Christmas tunes. Titles include All I Want for Christmas is My Two Front Teeth * Christmases with You * Deck the Hall * The First Noel * God Rest Ye Merry Gentlemen * Grown-Up Christmas List * I'll Be Home for Christmas * Joy to the World * Mary, Did You Know' * O Little Town of Bethlehem * Santa Baby * Silent Night * The Twelve Days of Christmas * What Child is This * Winter Wonderland * and many more. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

There are some songs that naturally warm both the heart and the vocal chords, and there is no better time of year than the holidays to sing them. Alfred introduces this book of songs guaranteed to bring Christmas joy to young and old alike. Christmas Song Essentials captures the essence of the season with the ultimate songs to celebrate Christmas. A total of 51 titles include classics like 'The First Noel,' 'O Little Town of Bethlehem,' and 'We Wish You a Merry Christmas,' and modern day favorites such as 'All I Want for Christmas Is You,' 'Grown-Up Christmas List,' and 'Let's Have an Old-Fashioned Christmas.' Celebrating the season with friends and loved ones has never been more fun than when set to the tune of these essential Christmas songs. All songs include lyrics, the melody, and chord changes with professionally arranged piano accompaniment. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano

The biggest and best Hits Of The Year are included here arranged for Piano, Voice and Guitar. These 20 pop chart-toppers are now available at your fingertips, ready to be mastered.This songbook features such massively popular songs by today's best hitmakers like the catchy Happy by Pharrell Williams, the emotional Let It Go from 'Frozen' and Taylor Swift's fun and inspirational Shake It Off. With the expertly-arranged sheet music of these 2014 hits, you'll be singing Ed Sheeran and playing Coldplay in absolutely no time. To view all 20 songs included, please see below.Each song is presented with a Vocal part, a Piano part and Guitar chords, as well as full lyrics. This enables you to sing these songs as accurately as possible, while having an authentic accompaniment for either private practice or even performance.Most of these songs have sold millions, and many have been number 1 internationally, so they are the very definition of crowd-pleasing. You will love singing their catchy melodies and others will love hearing you play their favourite songs of the past year.So if you want to sing or play the Hits Of The Year, there is no better, or cheaper place to find the sheet music for these pop gems than in this songbook.Check out the cracking music videos below for the two biggest selling tracks of the year, Happy by Pharrell Williams and the incredible Rather Be by Clean Bandit. Both of these and many more are included in the songbook which is guaranteed to get you belting out 2014's musical gold. / Piano/Vocal/Guitare (PVG)

255 Testi con accordi dei successi internazionali. / Pop & rock / Recueil / Chanson

Contemporary Musical Theatre For Teens is a four-volume series providing a giant resource of songs from the musicals that appeal to the young singer.This second volume for women contains 31 songs from 25 musicals, including Good Morning Baltimore (Hairspray), Practically Perfect (Mary Poppins), Popular (Wicked), Start Of Something New (High School Musical), Follow Your Heart (Urinetown) and more. / Voix Et Piano

100 of the best songs from the silver screen arranged for piano, voice and guitar: Theme from Angela's Ashes · Beauty and the Beast · Chariots of Fire · Endless Love · Falling Slowly · Gabriel's Oboe · Hymn to the Fallen · The Music of the Night · Never Enough · Over the Rainbow · The Rose · Somewhere Out There · A Thousand Years · Unchained Melody · What a Wonderful World · and more./ Recueil / Piano/Vocal/Guitare (PVG)